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#linda evangelista
theoriginalsupermodels · 2 days ago
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Lanvin - Spring 1990 Couture
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chloesevignies · 5 months ago
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linda evangelista by nick knight for dior f/w 1997
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robertocustodioart · 11 months ago
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Linda Evangelista by Peter Lindbergh 1990
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9710144 · a month ago
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surra-de-bunda · a month ago
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Tyra Banks & Beverly Peele on set of George Michael's "Too Funky" music video (1992).
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waifbambi222 · a month ago
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naomi campbell 🖤
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a-state-of-bliss · 5 months ago
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Christian Dior 1987 - Linda Evangelista by Dominique Silberstein
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celebritycokenose · 2 months ago
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Linda Evangelista & Shalom Harlow @ John Galliano Spring/Summer, 1995 Ready-to-Wear
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fashiontimeless · a month ago
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Vivienne Westwood Fall 1994
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punknarcissus · 8 months ago
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george micheal’s too funky mv
dir. thierry mugler (1992)
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le-monde-sans-couleur · 8 days ago
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Linda Evangelista, ph. by Roxanne Lowit
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geminiscene · 8 months ago
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linda evangelista, 1994.
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misplaced-childhood · 6 months ago
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Kyle Maclachlan and Linda Evangelista in 1992 by Steven Meisel
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out-of-body-xperience · 5 days ago
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Naomi Campbell
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fashionsfromhistory · 3 months ago
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“Watteau” from the Les Femmes Collection
Vivienne Westwood
Spring/Summer 1996
Contemporary designers continue explore the past for inspiration. Here, Vivienne Westwood looks to the 18th century. The suggestion of side hoops and the double box-pleats at the back echo 18th century fashion. The design subverts the sack worn by women in Watteau’s paintings, yet the gown’s deliberate asymmetry, with a single off-shoulder style and a polonaise pouf on only one side, gives it a thoroughly contemporary look. A white organdie version of this dress was designed for Lady Bianca Job-Tyroan in 1994 for the Queen Charlotte’s Ball. Westwood often subverts historical references in her designs, which has led her to continually produce innovative and original clothing since her first collections in the mid-1970s.
V & A Museum (Accession Number: T.438:1 to 4-1996)
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pret-a-porter · a year ago
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chanel ss rtw 1994
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jinxproof · 4 months ago
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Linda Evangelista (90s polaroid)
© Stephane Marais
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