sorry for being absent literally always, but i had to get this out of my drafts.
goddess!reader x mortal!bakugou; warnings: blood, mentions of sex, murder, unhappy relationships, unhinged reader and bakugou (tiny bit), not beta’d
(w.c. 2.1k)
Rapacious, your father would call you were he to see you now. Salacious, acting in behavior once thought deterred; The kind that he meant to have stamped out of you in an effort to cultivate you into the pious cog in of his senseless grandeur. His promise of destiny.
Your father’s lips would be turned in that virtuous frown, eyes narrowed as he sat from his throne in the great pantheon of Gods. Validated by their fealty. The model figure that is woefully negligent as he speaks of the sanctity of commandments that have seen his betrayal one too many times before. Sanctimonious in his rectitude, righteous in his hypocrisy, your father is.
He meant to cage you, raging at your freedom and its significance—angry that you were wild, changing the tides of human wars with the gentlest of smiles and lulling whispers; Rampaging that fellow Gods, his own brothers, were victim to the whims of your games with the mortals; Furious that the power you wielded began to rival that of his own; Murderous that you were too much like him: untamed, greedy, victorious and still, adored.
You have never known his anger to be long-lasting, especially not in a manner of great meaning when you could falsely promise your way out of it. Batting eyelashes in truce—but, this is beyond punishment for the defiance of a rule. He means to break you.
A husband.
One bound to you without your consultation, much less knowledge. Promised in hand and divinity to be half of a whole to this pitiful excuse of God.
There was hardly an expectation of satisfaction within the marriage on a good day, much less pleasure in the ways that physically mattered; Could such a thing ever truly be expected from a man who only knew how to hammer metal? Up, down, up, down until the glowing steel was forged.
Your husband is a man of great fortitude, who knows and will only know that of the fire he works with. The flames reflected in the dullness of his irises being the only exciting thing about him. He is monotonous within his construction. Routined and boring.
How could there ever be the expectation of fidelity from you, the Goddess of Love?
How could you be shackled to the bedside of a man who has never known the strength of the sea from which you are born? How can you love a man who does not know the impact of the tide and draws no desire from its power? How can you be with a man who does not know and adore you as you are? For a millenia, nonetheless!
You've come to know of this arrangement as a curse; A woeful attempt to tame you from the wild and lustful by forcing you to make acquaintance with the bland and boring. Binding you to the shore, never to make acquaintance with the push and pull of the forceful nature.
Credit must be paid your way. You had tried. In the depths of shame and sorrow, you tried to do as your brothers and sisters and settle. Gave in and let yourself believe that love and happiness could be found within routine, eventually. It is your novelty, after all. And yet, it still finds you. This yearning for more, the urge to love and be loved. Your nature still rises from the swaying tide and dares to edge the coast.
Your father would not approve were he to see you now, watching from your high plane in the heavens to the happenings of the mortal world. Surely, your husband would violently disapprove too, convinced that he has you loyal.
You shouldn’t fixate; Had promised in low lights and empty words in your husband’s grimy embrace that you have seen the errors of your ways; That you have and will change. For his sake. But he does not know what happens when he is away in his cave of brimstone.
Your attention is caught. And the object of your fascination is a marvel.
Sculpted from clay himself, you have half a mind to believe that one of your siblings has had a part in his creation. Broad and muscular, sharp and angular in all the places that deem him a man. This mortal has caught your eye since his ascension from boy to man. He is a village soldier. Fiercely protective and eager for a fight, and yet always looking to the heavens. As though there was something there waiting for him, beckoning him closer. You suppose he isn’t wrong, as you peer down to him just as he looks up.
There have been whispers of his fate amongst the crowds since he was a boy, certainty issued in his great destiny. No one is more sure of it than he.
Which may be what finds him in your temple.
Sanctuaries have never known themselves to be exclusive, but you must admit that it is certainly strange to have a man of his designation pray to the Goddess of Love. Surely he must have found some alignment more towards that of your stoic sister, emboldened by the desire for courage and brawn. And yet he is here, treading the halls in the stillness of night and giving small offerings to each of your priestesses and holding one large offering basket for your statue.
He stands beneath the colonnade, staring pensively at the intricate designs of your image on marble. He speaks only when the room has been cleared, the priestesses giving him the space to pray in solace.
“I hear you.” His timbre is gruff yet smooth. Commanding as it echoes. “You are calling to me.”
You remain still, almost taken aback at his forwardness. The waves of temptation creep at your feet.
“I intend to find you, whether you show yourself or not.” He speaks again. He looks up, and although you know it improbable, you swear eyes of vermillion have pinpointed your location in the sky. And so, it comes crashing.
It has been so long since you have last appeared before a mortal, and appearing before him transcends all relatability. To see the fixation, your desire, and to have him see you. If he is surprised by your arrival, he doesn’t show it. Eyes strong in their stoic gaze, lips almost curled in a sneer. One would think you were his enemy, but you know such a charge to be false. It’s a charge of electricity, the cooling nighttime air suddenly warming at the meeting of your gaze.
He is no enemy to you, and you are certainly no stranger to him.
“No one has ever commanded me so directly. How did you know?” You ask. of genuine curiosity.
“I dream of you.” He says the answer so plainly, as though it were a common occurrence. You can’t help but raise a brow.
“Oh?”
“I have for years. It was only a matter of time before you showed yourself.”
The chains forged by your husband suddenly feel the lightest that they have ever felt. Metal rattling against each other, pushing and pulling as something brews within you. You wonder what this mortal thinks of you. If he finds you as beautiful as you find him; If the power within him is as strong as you think it is.
If he is strong enough to cut through steel.
“And what did you dream of?” You ask, taking a step forward. Feeling elation fill you like the swirling breeze as his eyes quickly watch you step forward.
“Tch. Like you don’t know.” His jaw flexes and with it comes the bloom of a subtle blush on his cheeks. “Didn’t you plant the damn things?”
No, you didn’t. You could certainly look to see what it is he dreamed of, but this is more fun. Finally, finally, you feel the remnants of yourself pulse alive.
“Have you come to give me a greater purpose?” He asks quickly, in diversion. You let him, too satisfied with the newfound freedom to care much about his attempt at modesty.
You step closer to him, watching as his eyes cascade down the sheer chiton adorning your body. “Is that what I did in your dreams? Fill you with purpose?”
You find yourself almost chest to chest with him, his eyes never leaving yours, “Or did you fill me?”
You laugh when his eyes widen, turning to take a chocolate from the offering basket held still in his hands and plopping it into your mouth. Marveling at its taste, deciding that it must be homemade. “Is that what you are in search for? A greater purpose? How about a culinary artist? Your skills are impeccable.”
He doesn’t laugh. “I am destined for more.”
He knows he is. You know he is. Have not eyed him for so long to have not known. He stands firm before you, a soldier waiting for instruction. In any other instance you would rebuke such a stand, revolt at the rigid and serious, and yet with him—
Well, in devotion to you, who can fault you for testing its limits? Especially when there is something that has sat within you, waiting for the opportune moment.
You meet his gaze, deciding to no longer tease. “How much more?”
“Anything you will give me.” He quickly responds.
“And this destiny you seek, do you do it for pride or service?”
“I am your loyal follower and patron, Goddess Divine. What I do is for you.”
“A man like you, patron to me. How lucky am I?” You smile, but it is quickly assumed by the sneaking tendrils of your dark desire. Your voice stills, “The task I have for you is very arduous. Unyielding, difficult, and not aimed for the weak. Destiny setting, to be sure.”
The man seems to preen at those words, a smile finally finding its way to his face. It curls, dangerously, hungrily. “Name it.”
“Once it is spoken, it cannot be undone.” You warn.
“The task is mine alone.” He insists.
You find yourself before him again, and he leans in to listen closely. You can sense the fight in him, smell his musk. The promised freedom teeters on the edge of your words.
“...kill Hephaestus. Free me from the shackles of my constricting punishment.”
He doesn’t blink, doesn’t balk, doesn’t shy away from the treasonous words. He does as you have seen him do and stands firm, almost vibrates with his desire to act.
You can almost feel the brush of the sea on your skin again.
“And my reward?” He asks, confidently.
“Is my eternal patronage and favor not enough?” You laugh, eased in his presence rather than tight at the admittance of your evil. Circling around him, you drag your finger across the broadness of his bare and unmarred shoulders. You wonder if the purity of his skin is a reflection of his valiance. Wonder if your desires are steered correctly, that he is the one to have the strength to carry him to victory.
He glances to you over his shoulder, “Surely, the Goddess has more in plan for the man set to kill her husband than bragging rights?”
Curiosity clouded with the tendrils of lust at the man who holds your fate in his hands, you place your chin on his shoulder, meeting his vermillion gaze as your nose scarcely brushes the smooth expanse of his sculptured chin. Intimacy with a man who isn’t your husband, intimacy that is natural and wanted rather than forced.
“Cheeky.” You murmur, and his grin widens. A veil of clouded air blurs his vision before you reappear in front of him, your weight placed onto him as you wrap your arms around his neck.
“Bring me the head of my oppressor,” You begin, said so airily it could be mistaken as a light conversation rather than a plot for murder, “And I will make you a God in his place. Meant to enact your own destiny, made to rule beside me.”
You lean your forehead closer, meeting him as your noses brush in meeting. Tracing one another, you whisper, “Can you do it?”
Without hesitation, he breathes into you. “I am yours, Goddess Divine.”
“And your name, O Great Warrior?”
“Bakugou.” A storm brews mightily in his irises and you can taste the salt of the spray, feel the ocean beckoning you home.
Your release from the cage is so close to the touch, the hilt of the sword dealing the victory blow to your freedom held by him.
You smile, wide, and true, and lustful for blood. “A fitting name for a God.”
It comes as no great surprise when the mortal appears at your temple a few weeks later. He is limping through marbled halls and dripping with blood, the key to your cage held in his hands. Your husband's severed head held by his bloodied and mangled fingers, a wicked smile on his face as he beckons you down from the heavens. You find yourself once again, marveling.
And finally, in love.
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
She was as excited for Marcille's milestones as Donato was.
She didn't tell Marcille much about elven food
(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
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