Tumgik
#lighting art
almostarts · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Kismas Vintage Line
Glass, powder coated steel, plastic diffuser,
Width 19,5 cm / Height 23 cm / Depth 9,5 cm
121 notes · View notes
heavensdoorways · 5 months
Text
Tumblr media
"Winter Cathedral"
Brooklyn Botanic Garden’s annual Lightscape show 
101 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Bea Fremderman, "Weeds Compared to Flowers," 2023,
Along the shore of Dead Horse Bay in Brooklyn, New York, the tides slowly expose the contents of closed landfills. Depression-era glass, soles of shoes, and conglomerations of inorganic and organic materials litter the coastal zone.
Upon her first visit to Dead Horse Bay, Fremderman described the site as the most apocalyptic landscape she had ever experienced. Once a hub for rendering dead horses and for industrial and urban waste processing, storage, and incineration, the area became renowned for its putrefaction. Today, sections are closed due to chemical pollutants and radioactive contamination.
Fremderman imagines the personas of those who may have used the detritus she collects. After a deep cleaning process, she assembles her gatherings in a technique like that used to make stained-glass windows.
Lit from within, the amoeba-like forms guide visitors through the gallery. Upon closer inspection stems of goblets, electronic chips, and pieces of dinnerware can be identified within the assemblages. The textures, colors, and shapes emanating from the sculptures result in an immersive installation.
The work hopes to offer a link to place — in this case, a landscape where the human footprint contorts and is contorted by the environment. Through the re-presentation and re-purposing of waste, Weeds Compared to Flowers intends to visualize human interconnection with disposable objects, the Earth, and an unknowable future.
Installation view at the John Michael Kohler Arts Center.
37 notes · View notes
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
“Darth Fisher” Sculpture by Frankey,
For Amsterdam Light Festival at De Torontobrug, Amsterdam, The Netherlands. ,
Photographs:  Janus van den Eijnden
53 notes · View notes
kisslovegoodbye · 3 months
Text
Tumblr media Tumblr media Tumblr media
Ingo Maurer, "One for the Recession" wall lamp, c 1990,
Enameled steel, plastic,
16¼ h × 11¼ w × 3¾ d in (41 × 29 × 10 cm)
10 notes · View notes
moodboardmix · 1 year
Photo
Tumblr media
‘Santa Special Christmas Train,’ Dartmouth Steam Railway, Devon, England,
©Adrian Pearce / Sony World Photography Awards 2023
28 notes · View notes
shartlock-holmes · 5 months
Text
Tumblr media Tumblr media
5 notes · View notes
rai-diate · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
CONGRATS TO MY DUDE, MY BRO, MY HOMIE @jhayruv on 200 (Instagram) WOOO!! (Go follow them they draw lots of pretty people <3) I hope you like it!! I had fun drawing your children, especially their anime ribbon hair <3
I'm 2 whole months late but this has been a WIP since the 9th of December I'm just really slow at art shushhh (It would also help if I wasn't a perfectionist I practically repainted everything TWICE AAA)
6 notes · View notes
daily-spooky · 25 days
Text
Tumblr media
109K notes · View notes
ur-daily-inspiration · 5 months
Text
Tumblr media
74K notes · View notes
almostarts · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Brian Eno, "Turntable II," 2024,
© Brian Eno, Courtesy of Paul Stolper Gallery,
Photography by Luke Walker
84 notes · View notes
happyheidi · 8 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
𝖠𝗋𝗍 𝖻𝗒 𝖠𝗇𝗇𝖺-𝖫𝖺𝗎𝗋𝖺 𝖲𝗎𝗅𝗅𝗂𝗏𝖺𝗇 | 𝖨𝖦: 𝖺𝗇𝗇𝖺𝗅𝖺𝗎𝗋𝖺_𝖺𝗋𝗍
118K notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
TeamLab “Resonating Life which Continues to Stand”
Tamar Park, Hong Kong,
The resonating ovoids continue to stand wherever they are. The ovoids continue to stand even if they are pushed over by waves, blown by the wind, or pushed by people. When an ovoid is pushed over, it rises back up on its own and shines brightly as it produces a tone. The light and tone continues to resonate out to other ovoids and trees nearby.
If a wave of light comes from afar, it signifies the presence of people, waves, or wind there. People gain a heightened sense of awareness of the existence of other people in the same space and the environment.
When it is quiet and the wind is not blowing and the people nearby are not interacting with the ovoids, their lights begin to flicker slowly.
On view until June 2
12 notes · View notes
joytri · 5 months
Text
Tumblr media
66K notes · View notes
catchymemes · 2 months
Text
Tumblr media
52K notes · View notes
bebs-art-gallery · 7 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
The Knight of the Flowers (1894)
— by Georges Rochegrosse
43K notes · View notes