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— Leia Penina Wilson
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brandonshimoda · 1 year
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THE BOOKS I READ IN 2022, in the order in which I read them (*books I read before, that I was reading again):
Alexandra Chang, Days of Distraction 
Elizabeth Miki Brina, Speak, Okinawa 
Cynthia Dewi Oka, Fire Is Not a Country 
Hanif Abdurraqib, Go Ahead in the Rain: Notes to A Tribe Called Quest 
*Cathy Park Hong, Minor Feelings 
Victoria Chang, Dear Memory 
*Etel Adnan, Of Cities & Women (Letters to Fawwaz)
Sun Yung Shin, The Wet Hex 
traci kato-kiriyama, Navigating With(out) Instruments 
Raquel Gutiérrez, Brown Neon
Solmaz Sharif, Customs 
*Etel Adnan, Journey to Mount Tamalpais 
Lucille Clifton, Generations: A Memoir 
Emerson Whitney, Heaven 
Kim Thúy, em, tr. Sheila Fischman 
Angel Dominguez, Desgraciado (the collected letters) 
Janice Lee, Separation Anxiety 
*Theresa Hak Kyung Cha, Dictee
*Cathy Park Hong, Translating Mo’um 
Kyoko Hayashi, From Trinity to Trinity, tr. Eiko Otake 
Lao Yang, Pee Poems, tr. Joshua Edwards & Lynn Xu 
Yuri Herrera, A Silent Fury: The El Bordo Mine Fire, tr. Lisa Dillman (
Mai Der Vang, Yellow Rain
Chuang Hua, Crossings 
José Watanabe, Natural History, tr. Michelle Har Kim
Walter Lew, Excerpts from: ∆IKTH 딕테/딕티 DIKTE, for DICTEE (1982) 
*Bhanu Kapil, The Vertical Interrogation of Strangers 
Vasily Grossman, An Armenian Sketchbook, tr. Robert & Elizabeth Chandler
Hiromi Kawakami, Parade, tr. Allison Markin Powell 
Lynn Xu, And Those Ashen Heaps That Cantilevered Vase of Moonlight 
*Etel Adnan, Sitt Marie Rose, tr. Georgina Kleege 
Jennifer Soong, Suede Mantis/Soft Rage 
*James Baldwin, No Name in the Street 
*Hilton Als, The Women
Dot Devota, >She 
V.S. Naipaul, The Return of Eva Perón 
Yasushi Inoue, The Hunting Gun, tr. Sadamichi Yokoo and Sanford Goldstein
Molly Murakami, Tide goes out 
Adrian Tomine, Shortcomings 
Hisham Matar, A Month in Siena 
Leia Penina Wilson, Call the Necromancer 
Gabriel García Márquez, News of a Kidnapping, tr. Edith Grossman 
Amitava Kumar, Bombay-London-New York 
Elizabeth Alexander, The Trayvon Generation 
Ryan Nakano, I Am Minor 
Constance Debré, Love Me Tender, tr. Holly James 
Hilton Als, My Pin-up 
Victoria Chang, The Trees Witness Everything 
Leslie Kitashima-Gray, The Pink Dress: A Story from the Japanese American Internment 
Emmanuel Carrère, Yoga, tr. John Lambert 
Ronald Tanaka, The Shino Suite: Sansei Poetry 
Patricia Y. Ikeda, House of Wood, House of Salt
Soichi Furuta, to breathe 
Kiki Petrosino, Bright 
Sueyeun Juliette Lee, Aerial Concave Without Cloud 
Nanao Sakaki, Real Play
Esmé Weijun Wang, The Collected Schizophrenias 
Francis Naohiko Oka, Poems 
Geraldine Kudaka, Numerous Avalanches at the Point of Intersection 
Steve Fujimura, Sad Asian Music 
Augusto Higa Oshiro, The Enlightenment of Katzuo Nakamatsu, tr. Jennifer Shyue 
Julie Otsuka, The Swimmers 
Salman Rushdie, The Jaguar Smile: A Nicaraguan Journey 
Margo Jefferson, Constructing a Nervous System 
Hua Hsu, Stay True 
Barbara Browning, The Miniaturists 
Kate Zambreno, Drifts 
*Julie Otsuka, When The Emperor Was Divine 
Louise Akers, Elizabeth/The Story of Drone
Wong May, In the Same Light: 200 Poems for Our Century from the Migrants & Exiles of the Tang Dynasty 
Gabrielle Octavia Rucker, Dereliction 
Trung Le Nguyen, The Magic Fish 
Jessica Au, Cold Enough for Snow 
Tongo Eisen-Martin, Blood on the Fog 
Lucas de Lima, Tropical Sacrifice 
*Like a New Sun: New Indigenous Mexican Poetry, ed. Víctor Terán & David Shook 
Billy-Ray Belcourt, A Minor Chorus 
Kazim Ali, Silver Road 
*Sadako Kurihara, When We Say Hiroshima, tr. Richard Minear 
Simone White, or, on being the other woman
*James Baldwin, The Devil Finds Work 
Christina Sharpe, Ordinary Notes 
*Raquel Gutiérrez, Brown Neon 
Marguerite Duras, The Man Sitting in the Corridor 
Gayl Jones, Corregidora 
*Bhanu Kapil, The Vertical Interrogation of Strangers 
*Etel Adnan, Seasons 
Gwendolyn Brooks, to disembark 
Cristina Rivera Garza, The Taiga Syndrome, tr. Suzanne Jill Levine and Aviva Kana
Gwendolyn Brooks, In the Mecca 
Nona Fernández, The Twilight Zone, tr. Natasha Wimmer
Selva Almada, Dead Girls, tr. Annie McDermott
*Theresa Hak Kyung Cha, Dictee
Valerie Hsiung, To Love an Artist
*Theresa Hak  Cha, Exilée and Temps Morts
Dao Strom, We Were Meant To Be a Gentle People
Randa Jarrar, Love Is An Ex-Country
*Dao Strom, Instrument
Osamu Dazai, Early Light, tr. Ralph McCarthy and Donald Keene
Osamu Dazai, The Setting Sun, tr. Donald Keene
Rachel Aviv, Strangers To Ourselves: Unsettled Minds and the Stories That Make Us
Mahmoud Darwish, Journal of an Ordinary Grief, tr. Ibrahim Muhawi
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holyviolence · 2 years
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my words to victor frankenstein above the village of chamounix, susan stryker // motion sickness, phoebe bridgers // river ghost, sheryl luna // my house, nikki giovanni // chinese radio station: an ars poetica, nancy huang // we carve a prophecy: the world or the gurl, leia penina wilson
Image ID below the cut:
[Image Description: Six excerpts from various texts. One: "No sound / exists / in this place without language / my rage is a silent raving" by Susan Stryker. Two: "There are no words in the English language / I could scream to drown you out" by Phoebe Bridgers. Three: "There is an old language broken in my throat." by Sheryl Luna. Four: "english isn't a good language / to express emotion through / mostly i imagine because people / try to speak english instead / of trying to speak through it" by Nikki Giovanni. Five: "someone told me / to trim the fat: get rid of adjectives, use solely nouns and verbs, / get at the meat of things. but shanghai is smoking behind me. / how can you describe a thing if you don't have the word / for it?" by Nancy Huang. Six: "i denounce that / i might not have learned my own tongue but / mother / says it's in the blood & i am willing" by Leia Penina Wilson. End ID.]
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facinaoris · 4 years
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Splinters Are Children of Wood, Leia Penina Wilson
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lifeinpoetry · 5 years
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all i want is to eat live eat live eat & eat & live & all i want is for there to be no shame here & here & here & here
— Leia Penina Wilson, from “We Carve a Prophecy the World or the Gurl,” Splinters Are Children of Wood
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julyhighcry · 3 years
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ajj / holly warburton / mitski / leia penina wilson / william dill-russell / nicole dollanganger / david de las heras / @kit-tempo / @hel7l7 / richard siken
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polaris-australis · 4 years
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Every Single Poetry Book I’ve Read (As of September 2020)
Yes. You read the title. This is what you are getting. Here we go.
1. Soft Science by Franny Choi: 5/5
2. Floating, Brilliant, Gone by Franny Choi: 5/5
3. Death by Sex Machine by Franny Choi: 5/5
4. Crush by Richard Siken: 5/5
5. War of the Foxes by Richard Siken: 4/5
6. Calling a Wolf a Wolf by Kaveh Akbar: 5/5
7. The Crown Ain’t Worth Much by Hanif Abdurraqib: 5/5
8. I Have to Go Back to 1994 and Kill A Girl: Poems by Karyna McGlynn: 3/5
9. Past Lives, Future Bodies by Kristin Chang: 5/5
10. Lessons on Expulsion by Erika L Sanchez: 3/5
11. Teaching My Mother How to Give Birth by Warsan Shire: 4.5/5
12. God of Shadows by Lorna Crozier: 4/5
13. I Can't Talk About the Trees Without the Blood by Tiana Clark: 4/5
14. Don't Call Us Dead: Poems by Danez Smith: 5/5
15. The Tilt Torn Away from the Seasons: Poems by Elizabeth Lindsey Rogers: 5/5
16. When I Grow Up I Want to Be a List of Further Possibilities by Chen Chen, 4.5/5
17. i built a boat with all the towels in your closet (and will let you drown) by Leia Penina Wilson: 3/5
18. The Princess Saves Herself in This One by Amanda Lovelace: 3/5
19. The Witch Doesn’t Burn in This One by Amanda Lovelace: 2.5/5
20. The Mermaid’s Voice Returns in This One by Amanda Lovelace: 3/5
I’ll probably read more before the year ends so I’ll def make an update post in December (and actually make it this time). If you read any of them hmu and we can chat about it.
<3
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Writer Ask: 2, 5, 6 & 8
2. Where is your favorite place to write?
I really love writing in coffee shops and bars, as horribly cliche as that is lol. I usually write on my computer or my phone, not so much handwritten, but I love the ambiance and white noise of public places. Which makes right now extra fun!
5. Top five formative books?
Oooo good question. Ummm. IDK about formative but these are some books that I’ve learned a TON from: 
The Spice Box of Earth by Leonard Cohen taught me I could be a poet if I wanted it bad enough. 
WETLAND by Lucas de Lima is one that showed me you could tell a narrative story in poetry, without writing narratively. 
About to Happen by Cecila Vicuña taught me so much about weaving and braiding images, narrative, motif, etc. 
Both Each and Her by Valerie Martinez and Book of the Dead by Muriel Rukeyser have taught me a lot about documentary poetry
i built a boat with all the towels in your closet (and will let you drown) by Leia Penina Wilson taught me that not only could rules be broken, but FUCK THE RULES + WRITE ANGRY FEMINIST QUEER SHIT + SAY CUNT A LOT
6. Favorite character you’ve written?
In fic, River Song. Always. She’s the love of my life and there will never be another. I love her independence and her heart and her sassiness and her brutality and her intelligence and her stubbornness and everything about her. 
IRL, I’m having a lot of fun right now writing a poem series about a little girl who rescues a mermaid from a museum basement. 
8. Do you have any writing buddies or critique partners?
@mygalfriday has always been my go-to for fic edits and screaming; and I also annoy you, @fraks, @atheneglaukopis, and A a lot. 
[ ask me writing questions! ] 
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isthisyoursnack · 4 years
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macbook of Venus
https://neutralspaces.co/minison/
muzzled!  do u!  feel! - Leia Penina Wilson
shovel chivalry
- K Weber
mutter daffodil
- Emilie Kneifel
mother’s mothers
Jo Ianni
smallerer haiku
Anon
lunar eclipse me
Réka Nyitrai
death is death is
Sam Cha
achilles! is it so!
- Leia Penina Wilson
reverse immerse
- Amanda Earl
lies in garlands
- Kaleb Tutt
they are my fires
- Dani Relbyn
Furious as a moon.
- Linda M. Crate
chaos marmalade
- Dani Relbyn
hand soft a conch
- Emilie Kneifel
Do it for you only
- LimonYPicante
gardenia freeze
- Cam Macdonald
resplendent "and"
- Meagan Patrick
The minison above were collected over a fourteen-day period after the release of minimal sonnets from Ghost City Press.
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baljeet · 4 years
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15, 24, 30
15. five most influential books over your lifetime.
just mercy by bryan stevenson
chasing the scream by johann hari
to kill a mockingbird by harper lee
six of crows by leigh bardugo
aristotle and dante discover the secrets of the universe by benjamin alire saenz
24. have you ever felt like you had a “mind-meld” with someone?
me and victor whenever he sends me some wack meme that only the two of us understand gdfkkljgfdklgfkl
also me and vic be on that same cocaeena when we talk about serials fkfglklgfdk and wax strips
30. pick one of your favorite quotes.
it’s more of a poem but—
bury a doll in the shape of myself  i unlife them     over and over  again   again
i think leia penina wilson wrote it? 
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storycalled · 5 years
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Its "What Are You Reading?" Wednesday!
Its "What Are You Reading?" Wednesday! What are you reading?? What should I read next?! #WWW
I’ve seen a lot of bookish memes and list ideas here on the book-blogging circuit, and I wish I could do all of them! One of my favorites has been a trend of bloggers posting their current reads on Wednesdays.
This week I’ll be taking inspiration from Taking On a World of Words, and trying out their “WWW Wednesday!”
The Three Ws are:
What are you currently reading? What did you recently…
View On WordPress
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snreads · 4 years
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Splinters Are Children of Wood by Leia Penina Wilson
Rating:  ★★★
Splinters Are Children of Wood is not what you expect. It doesn't feel like poetry as you're reading it, it feels like someone tapped into the unfiltered, feral mind of Leia Penina Wilson and wrote every word down as it appeared without editing anything. My favorite words to describe this collection: visceral, aggressive, unrestrained, unhinged, and intense. This is raw. My least favorite things about this collection: Not always structured, some parts are incredibly disjointed, the juxtaposition of the pages that mean absolutely nothing and do nothing for the collection when put next to the meaningful, emotional pages.
Saylor Rains
Find me and this review on Goodreads.
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manyfavorites · 5 years
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all i want is to eat live eat live eat & eat & live & all i want is for there to be no shame here & here & here & here
— Leia Penina Wilson, from “We Carve a Prophecy the World or the Gurl,” Splinters Are Children of Wood
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notamountain · 6 years
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dec reading
http://therumpus.net/2017/11/how-to-workshop-n-words/ (+++)
“cat person”
https://hazlitt.net/longreads/half-pipe (+++ tsw)
https://hazlitt.net/feature/year-living-alone (++)
https://blog.lareviewofbooks.org/essays/say-im-arab-beautiful/ (+++ important)
http://thecollagist.com/the-collagist/2017/11/25/a-lover-is-a-house.html (++)
http://ndrmag.org/poetry/2017/12/2-poems-6/ (+++!)
not otherwise specified Hannah Moskowitz (+++)
http://www.smokelong.com/miller-time/ (+++)
http://www.smokelong.com/smoke-and-mirrors-an-interview-with-jeremy-packert-burke/ (++)
“How to Make Friends in your Late Twenties” Julia Coursey (+++)
https://yuckmagazine.com/2017/12/21/unrelatable-dick-flicks/ (+++!)
reality asylum thera webb (/+)
reading as a wildfire activist carrie lorig (++++)
http://tinderboxpoetry.com/during-my-top-surgery-consultation-my-partner-says-to-the-doctor-tell-me-what-you-will-do-to-their-veins-runner-up (+++ <3 <3)
http://www.muzzlemagazine.com/nabila-lovelace.html (+++!!! (Imp and good!!))
“SOME BOYS AREN’T BORN THEY BUBBLE” Kaveh Akbar (+++!!)
“WILD PEAR TREE” Kaveh Akbar (++)
http://www.dreampoppress.net/leia-penina-wilson/ (+++! (Dang i like these a lot))
http://www.shirleymag.com/#horse-lover (+++!)
http://www.juked.com/2017/12/sam-martone-monsoon-boy.asp (+++)
quaint is. 4 (/+)
http://www.muzzlemagazine.com/jane-morton.html (+)
everything is beautiful if you want it to be (++)
not your villain (/+ (DEF WORTH READING THO))
gone gone gone hannah moskawitz (++)
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facinaoris · 3 years
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Splinters are Children of Wood, Leia Penina Wilson
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lifeinpoetry · 5 years
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                        i burn
take your bloodsong
               into myself
                        i sing
— Leia Penina Wilson, from Splinters Are Children of Wood
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