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#la sorcière
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Belladonna of Sadness (哀しみのベラドンナ, 1973)
Directed by Eiichi Yamamoto Screenplay by Yoshiyuki Fukuda & Eiichi Yamamoto Based on the book La Sorcière, written by Jules Michelet.
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Scene from Sardou's "La Sorcière" play in the Parisian Sarah Bernhardt Theatre
French vintage postcard
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faetoothofficial · 1 year
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Cover art for singles Echolalia, La Sorcière, & album Remnants of The Vessel
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ben-the-hyena · 2 years
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Me thinking about that "all the Princes and Princess tales folks meet in a realm that exists for them" AU earlier today
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"I love the Mean Prince so much I always did. Poor guy wanted a princess (for shallow reasons sure) and had none but he took it like a good sport. I feel like him being turned into an ant among the other ants he wanted to burn made him a better person anyway and thus would deserve another princess which can be possible with that crossover AU. I just can't see him as bi for some reason lol he reeks 100% straight to me, even if I tried gay ships possibilities. Now which one could fit-"
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Me remembering there is a princess who remains single because the main character of her tale ditches her for a witch which she probably took badly as a matter of honor even if she didn't know him nor loved him and would have probably liked if instead of being sweet like he had been he had done like all the other brutes trying to burn her down
"OH GOD DAMMIT"
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toodrunktofindaurl · 10 months
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please say something
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Hans Holzer - La Sorcellerie renaissante - Marabout - 1975
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dozydawn · 2 months
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Estella Blain in Le soldat et la sorcière (1971).
Costume designed by Yvonne Sassinot de Nesle.
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the-blue-fairie · 1 month
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@ariel-seagull-wings @themousefromfantasyland It remains fascinating to me that, in the US, the film Kirikou and the Sorceress is kinda obscure and only available in a blurry print and old non-anamorphic DVDs while in other countries it's just... a children's film? Like, a restoration was on the Criterion Channel for a few months some years ago, but that's been gone for ages now.
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It's because of the completely nonsexual animated nudity that's so matter-of-fact within the film and normal among the culture it portrays that it becomes irrelevant. And some people might say, "Well, if it's irrelevant then they could have just censored it for the US release," but like... that would have been a loss to the film.
Like, it's all very well for people to say things like "Nudity in and of itself is nonsexual" but having a film where the nudity is so mundane you might even forget about it (or at least be forced to confront your own cultural biases regarding nudity) shows that.
This is the way these people live. It is ordinary. The film doesn't try to otherize its characters because of it.
It just is.
And that makes it integral to the film.
I only saw the film for the first time when it appeared on the Criterion Channel, but I feel like if I'd grown up with it (there would have been no chance of that; my family would have confiscated the DVD), I'd have had a less complicated emotional journey regarding my body.
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alder-saan · 6 months
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Sorry not sorry but we, French people, have the best movies and the best movie-makers ever
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Kirikou et la sorcière
Princes et princesses
Dragons et princesses
Azur et Asmar
All of them by Michel Ocelot
And, obviously, THE movie that got THE Miyazaki inspired to do his:
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Le roi et l'oiseau, by Paul Grimault
This one is probably my favourite movie of ALL time.
Like.
It's brilliant.
I loved it when I was a child, I still love it now for different reasons. The double meanings are incredible, the animation is SO DAMN GOOD (and the film was released in 1980) (it took over 30 years to make because the production was a disaster but the result is... MASTERPIECE)
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bizarreauhavre · 1 year
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The hand of glory
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bestanimatedmovie · 6 months
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Nimona vs Kirikou and the Sorceress
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Propaganda:
One of the best animated movies ever
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Scene from Sardou's "La Sorcière" play in the Parisian Sarah Bernhardt Theatre
French vintage postcard
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faetoothofficial · 1 year
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The 2000s were the golden age of French fantasy/fairytale animated films (think Prince of Egypt on a lower budget) and people are sitting on it and lamenting that Disney and Amazon can't do diversity well. (No shit). Spoilers in the links.
Kirikou et la Sorcière (Kirikou and the Sorceress), 1998 + its two sequels: inspired by West African storytelling and folktales, Kirikou is a young boy who can walk and talk since the womb and helps his people defeat the evil witch who has taken away all the men of the village. The sequels are more episodic tales focused on smaller issues Kirikou helps resolve with his ingenuity. It's got some banging songs by Senegalese star Youssou N'Dour, an almost exclusively pan-African voice cast (in the original French dub at least), and it explores some pretty dark issues without pulling any punches while managing to stay light-hearted. (It also has a lot of non-sexual nudity, which might be disconcerting if you're not expecting it.)
La Reine Soleil (The Sun Queen), 2007: essentially a Prince of Egypt rip-off but focused on Egyptian history and religion instead. It follows Ahkenaten and Nefertiti's daughter Ahkesa and her betrothed Prince Tuthankaten. The animation's not the greatest but it has some pretty impressive visuals here and there (although for the life of me I can't figure out why the royals have got otherworldly blue eyes). It's not as great as the others on the list but it's got the right vibes.
Azur et Asmar (Azur and Asmar: The Princes' Quest), 2006: by the same director as Kirikou. Azur is a rich young boy raised by an Arab nursemaid together with her young son Asmar. The three of them are separated, but an adult Azur eventually crosses the sea on a quest to find the Djinn fairy, and the two not-quite-brothers find themselves at odds. The early 3D animation is pretty funky but the backgrounds and the Morrocan architecture especially can be incredibly beautiful and detailed, and a lot of the movie is in classical Arabic (spoken by native speakers).
Les Enfants de la Pluie (The Rain Children), 2003: some very beautifully animated heroic fantasy with very nice worldbuilding and lore. It's not directly inspired by any one culture or fairytale but it's pretty far from the standard European fantasy worldbuilding that's been done to death. All the characters are non-human, with some big Atlantis vibes for the Hydross and a cool desert aesthetic for the Pyross. Sweet and short.
Princes et Princesses (Princes and Princesses), 1989, compiled in 2000: also by the guy who made Kirikou and Azur and Asmar. It's six short tales in handcrafted paper silhouette animation (inspired by Chinese-shadow puppetry), with three European-style fairy tales with some pretty imaginative visuals, and other tales from Japan, Egypt and even a sci-fi story 'from the year 3000'. As many female characters as male ones, and the female characters are all pretty awesome. The music can get hauntingly beautiful.
If you can get your hands on these, I definitely recommend giving them all a try!
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fujikoi · 11 months
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420mermaid · 1 year
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La Sorcière Rouge - Leonor Fini (1991)
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