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#knights of the last planet
biteghost · 1 year
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Commission: Nightingale (from 'Knights of the Last Planet') for Dan!
Commission Info ♦ Patreon
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dan-from-onami · 2 months
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This was when I was starting to get happy with certain panels I was drawing. Never really drew action and dynamic poses before this point but it was fun to give it a try.
In which Vlad fights the Harbingers.
Pages 18 - 23
FIRST
PREV
NEXT
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humming-fly · 2 years
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Meta Knight’s number one motto is “Be prepared”, and his number two motto is “If I get possessed again I better get something cool out of it”
Originally I was gonna put this poster in the background but it got cluttered so here it is on its own cause I still think it’s funny:
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ben-talks-art · 4 months
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Best Villains in a Sequel Movie
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selenadem · 6 months
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Not long ago, I met someone who impressed me very much.
He was strong and full of confidence... A knight of the highest order.
I was so impressed... I gave him a complete remodel!
Meta Knight, defeated, and Susie wondering how he'll look as Mecha Knight.
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zhorrot · 7 months
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Jeritza (in his Death Knight armor): Mercedes.
Mercedes: E-Emile?! What is going on with you?!
Jeritza: Mother says it's my turn on the Xbox. Now relinquish the controller... or perish.
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soapcan18 · 7 months
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Here’s a chronological list of Kirby games no one asked for because I’m in a Kirby kick for some reason! I didn’t include spin-offs, also games that are remakes/remasters of each other are highlighted
1. Kirby’s Dream Land
2. Kirby’s Adventure
3. Kirby’s Dream Land 2
4. Kirby Super Star
5. Kirby’s Dream Land 3
6. Kirby 64: The Crystal Shards
7. Kirby: Nightmare in Dream Land
8. Kirby & The Amazing Mirror
9. Kirby: Canvas Curse
10. Kirby Squeak Squad
11. Kirby Super Star Ultra
12. Kirby’s Epic Yarn
13. Kirby Mass Attack
14. Kirby’s Return to Dreamland
15. Kirby: Triple Deluxe
16. Kirby and the Rainbow Curse
17. Kirby: Planet Robobot
18. Kirby Star Allies
19. Kirby and the Forgotten Land
20. Kirby’s Return to Dreamland Deluxe
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Superman Vs Batman - Special Poster Arrowverse!
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saltycharacters · 8 months
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Watched Nimona recently and although it was a fairly enjoyable film and I would still recommend a watch. I got a bunch of thoughts about its ending and themes and how despite it trying to build itself up as this cool queer anticop story it fails to stick the landing and instead suffers from Treasure Planet syndrome. I've decided to ramble it out under the keep reading link so spoilers for Nimona starts there
So this movie is built upon a "knight system" which is established to be an obvious cop parallel, where the knights are essentially the police of this world. The allegory doesn't stop at the job description however, as the movie takes a bold move and introduces this system as very corrupt early on; from the main character being framed by a high-ranking, police-adjacent authority, to revealing that the entire system was built on false hatred and intolerance, to Nimona outright stating that it doesn't end at the true perpetrator, but that "the WHOLE system is corrupt". Time and time again we are given proof of how the knights, whether purposefully or not, hurt, indoctrinate, and brainwash the innocent. This is a great message, and they did an excellent job of carrying it throughout the runtime until doing a sudden 180 at the end. Not only do we see the cop system still in place, with knights in universe portrayed clearly on screen, but they're painted as good with a member playing soccer with a child. They tried to reject corruption by denouncing their founder, yet they still intend to perpetuate the job built to maintain her ideals from the ground up.
Despite attempting to dive into more meaningful territory with a daring dive into a serious modern problem, the ending they gave us was palatable and conveniently perfect in a way that satisfies everyone on a shallow level, which only works with a message that's equally shallow and inoffensive. This sort of trying to have cake and eat it too conclusion is what I refer to when saying Treasure Planet syndrome, as watching the movie gave me deja vu for the same faults- because, while Treasure Planet attempts to weave a unique and subversive narrative that touches upon deeper subjects which would lead up to an unconventional yet impactful end, what they finished with was jarringly standard hogwash where they attempted to tie lose ends in a conventionally pretty, corporate-ceo approved bow. For example, one of if not the main plot of the movie was Jim Hawkins addressing his trauma regarding an absent father that abandoned him and his mom at an early age, finding a better father figure in John Silver and gradually healing from his past with a better role model. Yet at the end, the cycle repeats itself as John ends up leaving (just like Jim's father) with narry a negative emotion from Jim. Jim then goes to cop academy where, despite his journey being about rejecting societal expectations and gaining self-improvement and growth through his own means, he becomes an A-Plus goody-two shoes cop loving poster boy in no time. The syndrome also hits particularly hard with Captain Amelia and Doctor Doppler, where despite their relationship being a man and woman, it still openly rejects heteronormativity with natural romantic progression (no love at first site bullshit) that involves Amelia being way more masculine and competent than Doppler and him being the well meaning yet gullible scientist. Even the way they flirt is subversive, with Amelia calling Doppler's eyes beautiful (a traditionally feminine descriptor) rather than the instigation being made by the man. Yet at the end, heteronormativity hits as Doppler is shown suddenly more assertive and masculine as he dips Amelia in a dance, not to mention their children fall into the trop of the girls looking exactly like the mother and the boy looking exactly like the father (Also. they put a bunch of makeup on the baby girls????). In short, Treasure Planet Syndrome is writing a subversive plot/story that ends abruptly in a palatable perfect way that sacrifices both natural progression and its messages in an effort to create a more appealing happy end. A movie that I think actually LANDED its subversive storyline was Strange World, where it successfully carried through with it's deeper narrative and provided a slightly uncomfortable yet incredibly understandable and meaningful ending.
One last thing before I stop my ramble- the queer rep in Nimona is pretty bad. I mean don't get me wrong, the main character (who is canonically mlm) is fine and I'm always happy to see upfront representation in my media, but the man he was saddle with as his boyfriend treats him terribly throughout most of the movie, to the point where I was genuinely shocked seeing them together at the end. His boyfriend is this nepotism golden child who's beloved by everyone and so neck deep in the corrupt system that he: slices off the mc's arm (just says a vague sorry later), spends most of the movie refusing to trust or believe him, spends most of the movie trying to hunt him down and arrest him, easily succumbs to peer pressure when it comes down to hurting him, prefers to stay loyal to the system rather than his bf, barely questions the situation, and refuses to listen to his bf provide him with explanations or answers. Even the MC recognizes how much he hurt him, because he ends up outright BREAKING UP WITH HIM and begging him to leave him alone, only to get back with him at the end like nothing ever happened. I want a happy ending for canon queer couples as much as the next guy, but if they wanted a happy end, why did the write the love interest to be so awful? They could've made him question the motives of his superiors and the entire situation more, he could've gone out of his way to seek out an explanation before forming his own conclusion, he could've made more attempts to break the rules for harm reduction, to try and understand what happened, hell to try and TALK to the MC- it's really baffling how they tried to paint this as true love when what should've happened is the MC getting a better spouse. I see this as an extension of Treasure Planet syndrome and trying to have and eat cake at the same time mentality, to say I wasn't surprised when I discovered this movie was written by the people behind modern She-Ra would be an understatement.
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kennabeth · 1 year
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inkheart vs inkspell/inkdeath is one of my favorite things to rant about but like.
in inkheart dustfinger refuses to dwell on what and who he's lost because the grief is making him insane so he doesn't tell us anything and all we get about the inkworld is hateful, unreliable snippets from capricorn and basta so you think, yeah, this man is kind of a lunatic to be willing to be so horrible and to suffer so much in return for the chance to return to so little.
then you get through the rest of the series and see how extremely loved dustfinger is by so many people and it paints the first book in such a different light that it makes me rabid knowing the majority of people just stop there. like most people have to just. believe basta of all people and never know that dustfinger is being grieved by the people who raised him and grew up with him and worked with him and chose him and whose nights were less dark just because he existed. I'd burn the skin off my hands too for that kind of love.
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age-of-moonknight · 11 months
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“One Last Ride,” Avengers Assemble Omega (Vol. 1/2023), #1.
Writer: Jason Aaron; Pencilers and Inkers: Javier Garrón, Aaron Kuder, Jim Towe, and Ivan Fiorelli; Colorist: Alex Sinclair; Letterer: Cory Petit
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biteghost · 1 year
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Commission - Punk (from the webtoon "Knights of the Last Planet") for Dan!
Commission Info ♦ Patreon
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dan-from-onami · 14 days
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Edith in the cool dress that's all over my timeline.
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diegoshargrieves · 3 months
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i'm feeling shrimp levels of fuckin emotions rn my friend reilly told me they haven't played rain world since they last streamed it to me a couple months ago because "it doesn't feel the same without you constantly fearing for the poor thing's life in the background" and i've been thinking about it ever since. and yeah maybe it's not that deep but !! i'm never going to be normal about this
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nerdpoe · 7 months
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Danny needs a knight, so Lady Gotham volunteers one of hers. He makes a test to decide which one to offer it to.
The test is relatively simple, and Clockwork gets to be a dramatic bitch.
All the knights get pulled from the timestream temporarily, and released one at a time in the last room of Danny's Haunt.
This room's windows will always show the Heat Death of the universe.
Clockwork then shows up, and offers the Bat or Bird a choice.
"This is the natural end of your universes life cycle. It is the end of yours, as well. Your work sets you apart from the general populace, and I find myself impressed. As such, I have pulled you aside to give you a choice; I can send your consciousness back in time so that you can relive your life, or I can destroy your soul and use the kinetic energy from it to start a new universe."
The thing about Clockwork is he is very, very good at fucking with people.
Batman, Nightwing, Red Hood, Signal, Spoiler, fucking Alfred, all chose sacrifice.
Robin and Red Robin, however, completely separate from each other, argued with the Ancient of Time.
Robin and Red Robin, individually, neither influencing the other, decided to go back in time with the sole purpose of trying to find a way to either avoid the Heat Death of their universe or organize an escape from it for their planet.
Robin went so far as to attempt to attack Clockwork.
Red Robin actually managed to escape Danny's 'Depression Episode' room.
The room that doesn't have a fucking door.
Now the Observants are demanding he make both of them his Knights.
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styllwaters · 7 months
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Hailing from the harsh planet of Ettera, Knights are the only sophont in the Zhagaviit system made of two consciousnesses. ---
At last, here they are! Nearly finished with redesigning every Vivere 44 species. These guys are retconned werewolves which I posted about some time ago. You might have noticed I brought back some space unicorn aspects as well! They've been through so many design changes but I've finally settled on something solid.
More information below!
I'll try to keep this concise. Most of this info is introductory biology.
Knights are the only sophonts living on Ettera, a mostly barren planet where survival is tough. Their civilisation is the least advanced compared to others in Zhagaviit, such as Arrows and Sea Crawlers. They were the third species to be contacted by the ZGC (Zhagaviit Galactic Community) followed by Post Humanity. Knights are known for being hardy, efficient, and motivated.
If it isn't already clear enough, Knights are two species in a symbiotic relationship acting as one individual. Helmets and Hosts have an evolutionary history so intertwined that one cannot survive without the other.
The Helmet is attached to the head of the Host, and will remain there for the rest of their life (unless separation happens - but we'll get into that later). In the relationship, their role is vision and dexterity. Since the Host is effectively blind, it is the Helmet's job to guide them. Their hands are also important, being the Knight's primary manipulators. They played a large part in early tool use. The Helmet lacks a mouth, and receives all its nutrients from the Host through a specialised organ not unlike an umbilical cord.
The Host is essentially the main body of the Knight. Wolflike and mammalian in nature, the Host is the Helmet's mode of transportation. Because they need to eat for two, Hosts are omnivorous and will eat just about anything. Although majority of their diet is comprised of meat, they are capable of digesting plant matter and bones. They are highly skilled and effective hunters.
It is in both party's best interests to assimilate as soon as possible. The Host cannot see without a Helmet, and within a few weeks bonding will become impossible. The stakes are higher for a newborn Helmet, because they cannot feed by themselves and will starve in under a week without a Host or an artificial feeder tube. Prior to first contact with the ZGC, Knights did not have the technology for artificial feeders, and infant death rates were high.
So how do two beings coordinate one body? The fact is that once assimilation occurs, they become one being. The Helmet's brain and the Host's brain are connected by millions of nerves exchanging signals. It's complicated, but the best way to describe the experience would be a 'mutual trance' in which full body coordination is achieved. They have shared interests and intentions. However, a Knight can mentally separate the Helmet and the Host, gaining back individuality; they do this for many reasons, perhaps to discuss something among themselves or simply for company. Yet on the whole, a Knight will spend 80% of their life in this 'trance'.
Both Helmets and Hosts have noticeable sexual dimorphism. Male Helmets are called Pikes, and females are called Guards. Pikes are distinguished by their horn, bold stripes, and more prominent crest spines. Guards lack a horn and have less contrast in their thinner markings.
Female Hosts are called Forts. They are larger than males and have a mane of fur on the back of their necks. Male Hosts, Spires, lack this mane.
In Knight society, individuals are usually referred to based on their combination of Host and Helmet. Since there are four sexes involved, there are four possible combinations.
Guard-spire [female Helmet, male Host]
Pike-fort [male Helmet, female Host]
Guard-fort [female Helmet, female Host]
Pike-spire [male Helmet, male Host]
(Knight languages have their own version of pronouns for each, but in English all are referred to as they/them by default. Of course, each individual has their own preferences. Usually a Knight will refer to themselves as we/us).
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I'll get into Knight social structure, cultures and more in another post! For now, if you have any questions, feel free to send an ask. Always happy to answer!
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