Hindi films have delighted audiences and listeners with their music from as far back as the 1930's all the way to the 2010's and are truly a global treasure. Hits of Bollywood in a small effort to pay tribute to all these artists and their creations which have enriched the lives of millions of people over many decades has dedicated this Hits of Kishore Kumar online Radio Station. The station plays all the lsongs of Kishore Da whole day long. He was one of the most popular singers in the Indian film industry and from soft numbers to peppy tracks to romantic moods, Kumar sang in different genres but some of his rare compositions which were considered classics were lost in time. He was also an actor, producer, composer, lyricist, director and screenwriter. He has won 8 Filmfare awards for Best Male Playback Singer category. He also holds of winning a maximum number of Filmfare awards in the category.
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Movie : Yaarana {1981}
Lyricist: Anjaan
Singer: Kishore Kumar
Music : Rajesh Roshan
Lyrics:
Hey…
Saara zamana …
Haseenon ka deewana …
Zamana kahe phir kyun …
Bura hai dil lagana …
Hey sara zamana …
Haseeno ka deewana …
Zamana kahe phir kyun …
Bura hai dil lagana …
Hey sara zamana …..
Yeh, kaun keh raha hai,
Tu aaj pyar karle,
Joh kabhi.. bhi khatm na ho,
Woh aitbaar karle.
Maan le maan le meri baat …
Saara zamana …
Haseeno ka deewana …
Zamana kahe phir kyun …
Bura hai dil lagana …
Hey sara zamana….
Jab husn hi nahi toh
Duniya mein kya kashish hai
Dil, dil wahi hai jis mein
Kahin pyar ki khalish hai
Maan le maan le meri baat …
Saara zamana …
Haseeno ka deewana …
Zamana kahe phir kyun …
Bura hai dil lagaana …
Hey, saara zamana …
Haseenon ka deewana …
Zamaana kahe phir kyun …
Bura hai dil lagana …
La la la … la la la
La la la … la la la
La la la … la la la
La la la … la la la
Hey, Saara zamana…
A/N: in honor of all the holidays coming up (holi, vaisakhi, ramadan/eid, etc.), AND also my srk x jay post that sparked desi enha discourse, this one goes out to all my desi engenes!!!! 🫶🏼 happy holi!!!! happy vaisakhi a month in advance. and a ramadan mubarak to those who celebrate.
soft desi engene hours. could u just IMAGINE sitarist!jay and dholi!you!?!??? 🥺
jay is grateful to have a lover who hails from such a gorgeous, rich culture that spans millennia. and as any connoisseur of culture would say - music isn’t just part of culture….it is culture. he’s been playing guitar for many years now. and he wants to venture out into other stringed instruments. and what better way than learning the sitar?
jay enjoys the calming, soulful, and twangy sound of the sitar. it sends him into a trance and he feels completely immersed in a different world. despite it being “different” from what he’s done before, he believes that the language of music is universal - one felt within the heart first and foremost.
he holds a deep reverence for south asian music. be it nusrat fateh ali khan, kishore kumar, mohammed rafi, noor jehan, or asha bhosle, he feels the timeless, evergreen spirit of such compositions pulse within his soul.
watching him learn the sitar is an endearing sight. ethereal even! seeing the level of dedication he has towards mastering such an art form warms your heart. he wants to learn bhajans, shabads, and ghazals for you. all he wants in life is to express his love for you through music. just chillin’ in his kurtas with the sleeves rolled up and his sitar by his side, showing you the ravi shankar songs he’s learned so far.
on the other hand, he too admires you for your passion for percussion. jay loves your appreciation towards the different types of dhol. he fawns over the euphoric feeling you get when hitting every thappi and tiparu and the way you chant your DHAs and DHINs while doing so. jay also appreciates the way you treat your dagga and tilli sticks like they’re your babies. he loves the swingy sound of dhol beats and the swagger you exude while you play.
jay sometimes gets annoyed when you pester him with the sound of your loud ass dhol while he’s peacefully and calmly practicing his sitar. but he knows it’s out of love and good fun. it’s the desi equivalent of the percussionist kids in band disrupting the ones who play the wind and brass instruments. antics aside, jay appreciates the lively spirit and camaraderie that comes with these musical clashes, cherishing the shared moments of cultural exchange and musical banter.
in the end, these musical escapades become cherished memories, shaping jay’s musical journey with a touch of spontaneity and joy. the blend of dhol and sitar, once seemingly contrasting, transforms into a celebration of diversity within your shared love for music. as the two of you continue your artistic pursuits, jay realizes that the moments of lighthearted banter and cultural exchange have added a special rhythm to the soundtrack of your relationship - one of seismic adoration.
with each note played and every shared laugh echoing in the air, jay acknowledges that your artistic pursuits have not only strengthened your musical connection with each other, but have also deepened your bond with him. the rhythm of seismic adoration encompasses the highs and lows, much like the crescendos and decrescendos in your collaborative performances. through the language of music, your relationship thrives, creating a symphony of understanding, support, and shared passion that resonates far beyond the notes of your instruments.
Love English music all you want, but NOTHING, I repeat NOTHING, hits harder than desi music. Like every single singer has their own trademark genre which they can execute PERFECTLY??
Can we talk about Arijit’s Mai gehra tamas tu sunehra sawera main tera in Kalank?
or his Tum sath ho ya na ho kya fark hai, bedard thi zindagi bedard hai in Agar tum sath ho?
or Tujh sang sukhi roti bhaye in Mast Magan? Ok leave that.
Lets talk about Atif’s Khayalon me lakho baaten yun toh keh gaya, bola kuch na tere saamne in Tu jaane na?
or Rafta rafta tera hua, tere bin mai hu benishan in Tera hua?
or Tenu lakhan ton chhupa ke rakhaan akkhaan te sajaa ke tu ae meri wafaa, rakh apna bana ke main tere layi aan yaara in Dil Diyan Gallan? Ok leave that
Let's talk about KK's Chaand Teri roshni ka halka sa ek saaya hai in Ajab Si?
Or dil kyun yeh mera shor kare, idhar nahi udhar nahi teri orr chale in Dil Kyu Yeh Mera?
Or lut Gaye hum teri mohabbat me in Tadap Tadap? Ok leave that.
Let's talk about Jubin Nautiyal's tum se jo mil gaye, Mausam khil gaye, khudse ladne Lage hum sawarne lage in sawarne lage?
Or Mausam mohabbaton ke, lamhe ye chahaton ke apne liya bane hai maan le in Gazab ka hai din?
Or tere bina main na rahu mere bina tu in raatan lambiyan? Fine, leave that as well.
Lets talk about Shreya Ghoshal's kaise huzurji ye lab dikhlaaye, chuppi lagake bhi gazab hai yeh dhaye in saibo.
Or Ye ishq haaye baithe bithaaye jannat dikhaye hain in ye ishq?
Or Dil bharta nahi, aankhen rajjti nahi, chaahe kitna bhi dekhti jaaun, waqt jaaye main rok na paaun in Thodi Der?
And DO NOT get me started on Mohammad Rafi, Kishore Kumar, Lata Ji, Asha ji and Sonu Nigam. Desi songs are peak lyrics, romance, emotion and vocals. You're straight up wrong if you think ANYTHING can beat that. I love Taylor, 1D and all, but Hindi songs? Absolutely unmatched!
I was having a pretty bad day today but abhi randomly reel popped up on my insta of this song and den bhai, nostalgia hitting hard 😭 but never the less made me like happy reminding me of old gold days.
I did a dance performance on this song when i was in 5/6th probably and bhai vo sb yaad krke kafi accha lgra ab.
But my main concern is bhai ye song p kya dance hua hoga like kya kiya tha bhai maine?🤡💀
Really need to talk to my class teacher regarding this😂
Explore the timeless charm of Bollywood's golden era with our curated collection of super hit old hindi songs mp3 free download in high-quality MP3 format. Immerse yourself in the soulful melodies and unforgettable lyrics that defined an era of cinematic brilliance. From Lata Mangeshkar's ethereal vocals to Kishore Kumar's iconic tunes, this treasure trove encapsulates the essence of classic Hindi cinema. Rediscover the magic of evergreen hits that have stood the test of time, transcending generations. Indulge in nostalgia and relive the beauty of vintage Bollywood with our extensive selection of super hit old Hindi songs, all easily accessible for a musical journey down memory lane.
You most surely can, Kay!! I loved this so much I never wanted to finish it.
A twinge of approval
A playlist for realising you've fallen in love with your idiot best friend and bandmate
George Michael - Faith Tim Curry - Sweet Transvestite Gerry Rafferty - Baker Street Talking Heads - I'm Not in Love Bruce Springsteen - Dancing in the Dark Barbra Streisand - The Way He Makes Me Feel Flying Bulgar Klezmer Band - Saposhkelekh The Kinks - Lola Leonard Cohen - Lover Lover Lover Sapho - Globo Night R.E.M. - Crush With Eyeliner Kishore Kumar - Chhu Kar Mere Manko Marcel Dadi - La Madrugada Klezmatics - Di Zun Vet Aruntergeyn David Bowie - Changes Queen - You're My Best Friend Stealers Wheel - Stuck in the Middle With You
No, really, I think I enjoyed this most of all because of the way it came together. Surprisingly good!!! Just like the ship. Wholesome. I made this playlist as tender as I could and it genuinely fucks me up, so I hope you like it too!
FCs: random sax and keytar players from image search and Carl Barat, plus Viveik Kalra and Hanne Gaby Odiele (yes I pretty much use a different FC for Danny each time because while I have a clear idea of NB Danny in my head, it’s not based on any one person. But Hanne Gaby is intersex like Danny, so yay for that).
1) Jerott. I find it strange to think I grew up in a time when people apparently didn’t know George Michael was gay, but do have memories of the whole sordid uncomfortable circus around him being outed. Jerott wouldn’t realise George Michael was gay, even while emulating the Faith style - leathers, blue jeans, white t-shirt, aviators, acoustic guitar. And the song is a perfect fit for Jerott at the end of Checkmate, needing a little space to himself.
Well, I guess it would be nice if I could touch your body
I know not everybody has got a body like you
But I gotta think twice before I give my heart away
And I know all the games you play because I played them too
Oh, but I need some time off from that emotion
Time to pick my heart up off the floor
2) Danny isn’t a transexual or a transvestite, but I believe the composer Richard O’Brian is non-binary, and Danny is most certainly a fan of RHPS. Danny has a big show-tunes voice that surprises everyone because usually they’re just rocking out with their sax.
3) THIS. THIS IS THE PERFECT SHIP SONG FOR THEM. Iconic sax!! Iconic guitar solo!! Scottish mega-hit!! And then there’s the wistfulness of the lyrics, Danny probably figuring Jerott’s never going to be interested...
Way down the street there's a light in his place
He opens the door he's got that look on his face
And he asks you where you've been
You tell him who you've seen and you talk about anything
He's got this dream about buyin' some land
He's gonna give up the booze and the one night stands
And then he'll settle down, in some quiet little town
And forget about everything
4) I’m trying to weave through consistent influences for all the characters too, to give an idea of what brings them together as well as what their unique tastes are. Talking Heads are beloved by all at St Mary’s, and Danny is very good at claiming not to be in love.
5) Jerott again, it’s that...double-denims/blue jeans and white vest man’s man(?) vibe with the side of snogging your bandmate on stage.
Stay on the streets of this town
And they'll be carving you up all right
They say, "You gotta stay hungry"
Hey, baby, I'm just about starving tonight
I'm dying for some action
I'm sick of sitting around here trying to write this book
I need a love reaction
Come on now, baby, give me just one look
6) A big Jewish show tune for Danny! And it’s from Yentl. So all the feelings about gender and faith and being torn between thinking you’re better off alone or going with the one you love.
I feel as if I'm falling
Every time I close my eyes
And flowing through my body
Is a river of surprise
Feelings are awakening
I hardly recognize as mine
7) As far as I gather, beyond even a ‘revival’ of something, the ‘80s saw the first proper emergence of klezmer as the genre we’d recognise now. Danny is very into this. And Saposhkele is perfect for Danny giving into their feelings and realising they’re in it for good.
[I sell my boots
and go with you on a coach
just to be with you
as you are a handleless door
without me
my sweet little bird
I will sell handkerchieves
at the railroad station
just to be with you as you are a handleless door
without me]
8) Danny’s still not trans, but this is a period-appropriate song for a period-appropriate playlist :))) And Jerott would get very into playing it and singing it for Danny, once he realised he was more than fine with being in love with Danny because Danny’s amazing.
I pushed her away
I walked to the door
I fell to the floor
I got down on my knees
Well, I looked at her, and she at me
Well, that's the way that I want it to stay
And I always want it to be that way for my Lola
Lo-Lo-Lo-Lo-Lola
Girls will be boys and boys will be girls
It's a mixed up, muddled up, shook up world
Except for Lola
Lo-Lo-Lo-Lo-Lola
9) This was always on my Jerott playlists anyway for the lyrics and the struggle between god/faith/physicality/love, but add in the fact that it’s an incredibly Jewish take on those things and it’s perfect for this playlist.
He said, "I locked you in this body
I meant it as a kind of trial
You can use it for a weapon
Or to make some woman smile."
10) Mainly I just think this is a bop, and I think Jerott and Danny would bond in dark Parisian discos to music by a French-Moroccan Jew (band AU Jerott’s mum is French-Algerian)
11) Another one to tie playlists together - St Mary’s as a whole are fans of R.E.M. Nonsensical Michael Stipe lyrics, but themes of self-invention and unusual/individual fashions
I am smitten
I'm the real thing (I'm the real thing)
We all invent ourselves
And you know me
12) I chose this song because I’d already had Kishore Kumar on Jerott playlists, and this one is thematically about feeling a change when touched by another person’s mind, wanting to incorporate them into music and song.
13) More French-Jewish music for bonding over, but Jerott can serenade Danny on guitar with this one.
14) Featuring the golden peacock, a recurring image in Yiddish folk music, ‘The peacock here is a mediator, helping the singer to find what s/he is yearning for and, possibly, possessing a messianic, redemptive ability to cross over the boundaries of impossible distance.’ [source] I like the idea of this relationship as something kind of redemptive for both of them, and it’s also a union of influences that are incredibly disparate but still converge on a Glasgow childhood in the ‘60s (not that they knew each other as kids).
[The sun will be setting behind the mountain,
In silence approaching then love will come softly;
In silence approaching then love will come softly
To sorrow, that sits on a golden stone
And weeps for itself all alone.]
15) Oh you know. Facing up to the fact they’re idiots in love and it’s a good thing.
I watch the ripples change their size
But never leave the stream of warm impermanence and
So the days float through my eyes
But still the days seem the same
And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They're quite aware of what they're going through
16) Would it be a Jerott playlist without some Queen? And they’re best friends, doncha know? :’)
17) Gerry Rafferty’s band, just a fun little bop to finish things off with.
This song just hits hard. It's really hard to write a poetic song of a heartbroken lover expressing his agony in front of his ex-lover. These lyrics written by great Lyricist Majrooh Sultanapuri hits very differently.
youtube
After all this song's sung by Great singer Kishore Kumar, that's going to be legendary right? He has immersed those painful expressions into the song that makes it so emotional.
R D Burman's music just slays everything. This song is one of his great compositions.
This song is from a romantic mystery thriller cult classic movie Anamika starring Sanjeev Kumar and Jaya Bhaduri Bachchan.
You wanna know what talent is?
take a look at this:
Kishore Kumar isn’t only acting here, but dueting all by himself. He’s singing the female verses (although keeping the masculine touch) and Pran’s verses while imitating his speaking style. I repeat, Kishore Kumar was replicating Pran, and you can hear how well he did it yourself. Oh, did I mention that song was recorded a single time so he’s actually just switching between a female voice and Pran’s voice for real?
This isn’t the only time he did this either, In the famous track “hum the wo thi” from chalti ka naam gaadi (1958) he can be heard flickering between his own voice and that of Anoop Kumar for “Mannu tera hua” verses. (Credit where it’s due, in the title track for the very same film Manna Dey pulled a similar feat as he sang for both Ashok Kumar and Anoop Kumar. Similarly, I’ve read that in a track from Half ticket, Lata Mangeshkar hit the highest note, C#6, on her own.)
I’m frustrated as to why don’t we have any singers like that anymore. Honestly, How many singers in the present scenario do you know who can do any of all that? Say what you will, but Bollywood singer diaspora reached its peak in 50s-70s and never neared those heights ever again, which is a true shame.
Mere Sapnon Ki Rani | Madhan's Band | Bollywood | Aradhana (1969) | Kishore Kumar Songs | #bangaluru
video link: https://youtu.be/NOtOjs5vcr4
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Song : Mere Sapno Ki Rani Kab Aayegi Tu
Album : Aradhana (1969)
Singer : Kishore Kumar
Musician : Sachin Dev Burman
Lyricist : Anand Bakshi
Lyrics:
O, eh hey hey, ha ha
Mere sapnon ki rani kab aayegi tu
Aayi rut mastaani kab aayegi tu
Beeti jaaye zindagaani kab aayegi tu
Chali aa, tu chali aa
Mere sapnon ki rani kab aayegi tu
Aayi rut mastaani kab aayegi tu
Beeti jaaye zindagaani kab aayegi tu
Chali aa, haan tu chali aa
(Pyaar ki galiyaan, baagon ki kaliyaan
Sab rang raliyaan poochh rahi hain) - 2
Geet panghat pe kis din gaayegi tu
Mere sapnon ki rani kab aayegi tu
Aayi rut mastaani kab aayegi tu
Beeti jaaye zindagaani kab aayegi tu
Chali aa, tu chali aa
(Phool si khilke, paas aa dil ke
Door se milke chain na aaye) - 2
Aur kab tak mujhe tadpaayegi tu
Mere sapnon ki rani kab aayegi tu
Aayi rut mastaani kab aayegi tu
Beeti jaaye zindagaani kab aayegi tu
Chali aa, tu chali aa
(Kya hai bharosa aashiq dil ka
Aur kisi pe yeh aa jaaye) - 2
Aa gaya to bahut pachtaayegi tu
Mere sapnon ki rani kab aayegi tu
Aayi rut mastaani kab aayegi tu
Beeti jaaye zindagaani kab aayegi tu
Chali aa, tu chali aa
Mere sapnon ki rani kab aayegi tu
Aayi rut mastaani kab aayegi tu
Beeti jaaye zindagaani kab aayegi tu
Chali aa, haan tu chali aa
Chali aa, tu chali aa
Chali aa, haan tu chali aa
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