Character in Earthspark: *is nonbinary*

Parents: Oh, a character who isn’t male or female! This is dangerous to our children!

Bee in Earthspark: *cracks a joke about dead children*

Parents: *crickets*

you were raised in comparison.

it wasn't always obvious (well. except for the times that it was), but you internalized it young. you had to eat what you didn't like, other people are going hungry, and you should be grateful. you had to suck it up and walk on the twisted ankle, it wasn't broken, you were just being a baby. you were never actually suffering, people obviously had it worse than you did.

you had a roof over your head - imagine! with the way you behaved, with how you talked back to your parents? you're lucky they didn't kick you out on your ass. they had friends who had to deal with that. hell, you have friends who had to deal with that. and how dare you imply your father isn't there for you - just because he doesn't ever actually talk to you and just because he's completely emotionally checked out of your life doesn't mean you're not fucking lucky. think about your cousins, who don't even get to speak to their dad. so what if yours has a mean streak; is aggressive and rude. at least you have a father to be rude to you.

you really think you're hurting? you were raised in a home! you had access to clean water! you never so much as came close to experiencing a real problem. sure, okay. you have this "mental illness" thing, but teenagers are always depressed, right. it's a phase, you'll move on with your life.

what do you mean you feel burnt out at work. what do you mean you mean you never "formed healthy coping mechanisms?" we raised you better than that. you were supposed to just shoulder through things. to hold yourself to high expectations. "burning out" is for people with real jobs and real stress. burnout is for people who have sick kids and people who have high-paying jobs and people who are actually experiencing something difficult. recently you almost cried because you couldn't find your fucking car keys. you just have lost your sense of gratitude, and honestly, we're kind of hurt. we tell you we love you, isn't that enough? if you want us to stick around, you need to be better about proving it. you need to shut up about how your mental health is ruined.

it could be worse! what if you were actually experiencing executive dysfunction. if you were really actually sick, would you even be able to look at things on the internet about it? you just spend too much time on webMD. you just like to freak yourself out and feel like you belong to something. you just like playing the victim. this is always how you have been - you've always been so fucking dramatic. you have no idea how good you have it - you're too fucking sensitive.

you were like, maybe too good of a kid. unwilling to make a real fuss. and the whole time - the little points, the little validations - they went unnoticed. it isn't that you were looking for love, specifically - more like you'd just wanted any one person to actually listen. that was all you'd really need. you just needed to be witnessed. it wasn't that you couldn't withstand the burden, but you did want to know that anyone was watching. these days, you are so accustomed to the idea of comparison - you don't even think you belong in your own communities. someone always fits better than you do. you're always the outlier. they made these places safe, and then you go in, and you are just not... quite the same way that would actually-fit.

you watch the little white ocean of your numbness lap at your ankles. the tide has been coming in for a while, you need to do something about it. what you want to do is take a nap. what you want to do is develop some kind of time machine - it's not like you want your life to stop, not completely, but it would really nice if you could just get everything to freeze, just for a little while, just until you're finished resting. but at least you're not the worst you've been. at least you have anything. you're so fucking lucky. do you have any concept of the amount of global suffering?

a little ant dies at the side of your kitchen sink. you look at its strange chitinous body and think - if you could just somehow convince yourself it is enough, it will finally be enough and you can be happy. no changes will have to be made. you just need to remember what you could lose. what is still precious to you.

you can't stop staring at the ant. you could be an ant instead of a person, that is how lucky you are. it's just - you didn't know the name of the ant, did you. it's just - ants spend their whole life working, and never complain. never pull the car over to weep.

it's just - when it died, it curled up into a tight little ball.

something kind of uncomfortable: you do that when you sleep.

I know he’s trying to take himself out and everybody with him, but he’s just so iconic. The theatrics, the arm up in the air with a flourish, the foot, the arm behind his back, the bow like he’s been putting on a performance this whole time

His expression going from what looks like pain as the heat courses through him but then he’s smiling. He bows. Bowing after a performance is a sign of gratitude to the audience for watching and/or listening, thus concluding the end of their time on stage

Dabi the character ever

fav skz // He's a natural blonde.

do it. gimme the Izzy straight-coded meta 👀

I feel like I need to preface this by saying that Actually, Izzy Is Straightcoded would be the inflammatory clickbait title I'd give this if it were written to draw traffic & ad revenue to my shitty website. So don't take that term too seriously.

There has been a lot of ink spilled about Izzy thinking he's in a story where one can only be subtextually queer. Some even by yours truly, but the more I think about it, the less sense it makes. What would be the purpose of queercoding Izzy?

In general, villains* aren't queercoded to show that men being attracted to other men is bad. It's often the outcome; but it's not why the trope exists. It exists because cishet people tend to be (and are encouraged to be) profoundly uncomfortable with gender nonconformity, and so, making a character gnc becomes a quick and easy way to make him appear twisted and untrustworthy. If he** can't even obey the fundamental rules of his own gender (rules that are inherent and unchangeable!) what other rules does he disobey?

Or: If a man is insufficiently masculine, he can't be trusted to have morals. The villain isn't gnc because that's an evil trait to have; rather, the gender nonconformity is a symptom of his evilness. Being evil is what enables him to embrace his feminine side, and embracing his feminine side is what others him and marks him as a villain.

This only really works when he's contrasted with a hero (or heroine) who is Doing Gender Correctly. The villain is foul to highlight how good the hero is. The Hero will be honest and straightforward, brave, physically powerful; the Queercoded Villain treacherous, cowardly, and physically weak. The hero is a Proper Man, a Good Person. The villain an Improper Man, and therefore, a Bad Person.

Of course ofmd fundamentally rejects this. The shorthand wouldn't work, because ofmd simply doesn't think effeminacy is creepy. It's uninterested in moralizing self-expression; it just lets people be how they are. There's a wide range of expressions of masculinity on this show, and none of it is inherently bad. People are allowed to be hypermasculine, flamboyant, and anything inbetween, can express their gender in whatever manner they want, and it's all fine - as long as they are authentic about it. Be however you are, but be yourself, and this is what Izzy fails at. The repression marks him as a villain. The strict adherence to what he thinks a Real Man Pirate ought to be like. He's very preoccupied with enforcing a traditional (and toxic) masculinity on himself and others. It's no coincidence the characters he antagonizes the most - Stede and Lucius - are also the most effeminate ones. And I know, I know anglophones have a much more casual relationship to twat and cunt, those don't nearly feel as uncomfortable for y'all as they do for me, so I don't want to assign too much significance here, but he is the only character who constantly uses this kind of language, and also the one who uses the most gender&sexuality based slurs (as far as I remember).

All of this while being clearly, obviously queer himself! I do not feel like I need to explain this; his flustered reaction when Lucius asks him if he's ever been sketched speaks for itself. The fact that he meets Stede and immediately slices his shirt off of him, speaks for itself. And so on.

Izzy isn't straightcoded in the sense that the story wants us to believe he's exclusively attracted to women. Much like a queercoded villain doesn't need to be shown to be attracted to men (and can even be shown to be attracted exclusively to women!) to still be queercoded. He's straightcoded in the sense that he's a stand-in for restrictive and toxic gender roles that society enforces on people. He buys into the idea that there's a way of Doing Gender Wrong, and this is presented as a tragic character flaw. Something he has to overcome to be able to do the thing that actually marks a hero in this show: express himself authentically.

Part of why I found his death so moving is because it enables him to set right the toxicity he spread. His rehabilitation arc was about himself; about finally allowing himself to be, accepting love, accepting community. His death was about taking responsibility. About fully recognizing the hurt he caused. Looking death in the face enables him to finally abandon the last shreds of that toxicity, to apologize and be granted forgiveness. In the end, he was not beyond saving, and the harm he has done will be healed.

*Izzy is introduced as an antagonist to both Stede and the central romance of this romcom. I'm not gonna debate this; if you disagree, fine, but you clearly have such a fundamentally wrong different view of the show that it's pointless for us to try and convince each other.

**of course Queercoded Female Villains exist s well, but they are a whole different can of worms and less relevant to this discussion

emo Nico x scene Will Solace...

I've been reading this page about TKK, and bro- THE STORYBOARD ART FOR THE MOVIE IS SO JSDANJFAJKFN I want it. LOOK AT IT !!!!!

i love the bad kids bc who else can just be like “oh we’re taking a quick detour to hell! everything’s fine :)” and be correct about it

redrew an old piece from foreeevvvvaaahhhhh ago because the anatomy was all wonky, they dancey dance together yippee yippeeee :D

2011 Japan Post-Qualifying

Why care so much about Palestine if you’re French? It’s a sad trend. Or. Did your Hamas boyfriend threaten you to support ?

Lol. Lmao even

Obsessed with when fanfictions go like:

Jason: "your son died!! I'm not that kid anymore! You can never have him back!! >:("

Bruce: "I mean, yeah? You had new experiences, made new friends, learned new things and went through a lot of difficult situations. You're human, people grow up, but there are still things about you that will never change, one of them is the fact that you're my son and I will love you regardless of what you choose to be."

ID LOVE TO SEE YOUR HUMAN RED GUY BTW

well gosh if you're gonna be so enthusiastic about it sure. here's a drawing i did of him a while back. if you really want i'll show you the others but ah, im shy.

Can we acknowledge for a second how insane it is that both Wally and Bart had to have significant character arcs to understand that sometimes people die?

With other heroes it's just a fact of life. People die. People die all the time. That's just the job. There's no escaping that. There was never any room for doubt.

They try as hard as they can to save everyone but they're only human. Sometimes they can't and sometimes people die.

But for Wally and Bart?

Oh man.

Wally was aware of the concept of death. He'd seen corpses, he knew that people died and that it was a commonplace thing.

But someone dying on his watch? Failing to save someone, no matter what the circumstances, was not even an option to Wally. It didn't happen. He was fast enough to make sure it never happened.

His actual literal catch phrase as the Flash was "Nobody dies."

I'm not joking.

He even had a storyline where a lady was thrown out of an airplane and Wally, who obviously can't fly and who would have no way of saving her, jumped out after her because nobody dies. And he did save her. He figured out a new way of using superspeed while plummeting to his death. The moral of that adventure to Wally was that no one should die ever when he's the Flash because he can always save everyone if he tries hard enough.

He then had another adventure where someone was going to die and he couldn't save them and he could not handle that. This man STOPPED. TIME. He stopped time because "if time doesn't move then they can't die" and he intended to never restart time because he was having a full blown panic attack over someone dying on his watch.

Thankfully he was able to calm down and figure out a plan to save them. He had to accept that it might not work and they might die and he had to be okay with that. Because he tried his best and that was all he could do. He did end up saving everyone in the end. No one died.

But I mention this because the man was in his mid 20's the first time he actually had to come to terms with the inevitability of death.

He wasn't being naive or ignorant. He wasn't being arrogant or cocky. The man had legitimately never failed to save someone.

Now Bart, in comparison, had to face death in general a lot sooner than Wally did. Wally was basing his conclusions based on his experience but Bart legitimately had no idea what death was.

He had to learn that people could die by witnessing the people he cares about have close calls. He had to learn that he could die by experiencing his own death.

I'm honestly not entirely convinced Bart has had to accept that he can't save everyone. There are arguments to be made for sure but I don't think he's ever explicitly had that "Oh shit, I can't save them. They will die" moment.

Regardless though, I think this really speaks to their abilities and efficiency in the field. Also their sheer power. It doesn't matter if it's a city of 2 million people and there's a nuke 1 second away from detonating. It doesn't matter if the criminal has a hostage at gun point and has already pulled the trigger. It doesn't matter if a building gets hit during a fight and crumbles into dust. There will be no casualties. There will be no hostages. There will be no friendly fire. They save everyone. No exceptions.

ABSOLUTELY LOVING THE CONCEPTS OF CUSTOMIZABLE GHOSTIES

Imagine making wood carvings for Phantumps, different kinds of gourds/jack-o'-lanterns for Pumpkaboos, SWORDS FOR HONEDGE!!

My brain is RUMBLING

YEAH I LOVE IT FOR REAL .... there would be like. Little stands set up near graveyards selling candles and puppets for kids to buy and get cool starters

Every time I draw Mamagi it does AoE damage (I am also in the area of effect)

Lighthearted bonus: