#kel is the only one who visits the house to ask how sunny is doing | Explore Tumblr Posts and Blogs

sunnysviolin · 3 years

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Sometimes, when sunny visits kels house for a sleepover, (or just anyones house except for basils) the host would always wake up to:

A missing sunny (who is most likely in some weird ass place like the roof)

A sunny that it staring at you from the foot of the bed or beside it

A sunny that stares from the doorway (he stares alot)

A sunny that is playing bo en my time at an unreasonable hour but at a reasonable volume (or vise versa)

Alright so a different nonnie also sent me “How many times do you think sunny scares people by staring at them from the foot of the bed / beside them when they wake up?” So I’m....combining these two XD Also if you guys like....resend things can you say they’re a resend LOL bc if I have another Cho double take situation I’m going to backflip into the sun. Also don’t resend more than twice (i’m gonna be putting that in my bio bc....yeah don’t do it makes me anxious D:)

Okay mini housekeeping thing aside! This got long it’s under a read more because it’s long, but it’s full of shenanigans, sleepovers, and our local fave cryptid Sunny

I’m going to focus this in on post-canon, because I think that Sunny’s ultimate cryptid energy flows forth in his teen years. Also I really want to include the hooligans in on this (I’m...love them)

So pre-canon Sunny and Mari’s house was the go to location for their group of six. They were almost always there, but there was some unspoken rules.

You called before you came over (Only Kel didn’t follow this rule, but he always knocked and waited patiently at the door) and you had to be invited to stay for dinner. If not you went home when Sunny’s mom called a fifteen minute warning before dinner. There was also no arguing within the house. If there was an issue that needed to be addressed, Mari and Sunny’s parents would immediately send everyone home.

Post-canon Mari is gone and the house has been sold. Hero and Kel’s house becomes the go to hang out house after that. Their house is nearly night and day to Mari and Sunny’s

Mari and Sunny’s house was always neat and tidy and very quiet. Their parents generally left the TV off and didn’t use the radio, so unless one of the two children were making noise, everything would be silent. Kel and Hero’s house is in constant motion and activity. Sally is usually either babbling or screaming, music is always playing on the radio, and their main form of communication is friendly yelling at one another. Kel and Hero’s house also has an open door policy- anyone can walk in at anytime and they all know where the spare keys are hidden.

Post-canon I see a quick friendship building between Aubrey’s gang and Basil Sunny and Kel. Hero enjoys them all, but it’s not really his scene now that he’s spent a year or so at college. He will get brought along for some adventures, and he’s always up for hanging around the house with them, but when it gets to be a bigger group he prefers to just let them have fun.

When it’s just his four kids, Hero is always a part of the group though.

OKAY ALL OF THAT BUILDUP ASIDE LETS GET TO THE ACTUAL POINT OF THIS ASK

So this is when school is in session and Hero is back at college. Kel tells Aubrey that Sunny is coming up for the long weekend, and they should all do a sleepover at his house like old times. She agrees and they arrange it with Basil. Kim overhears their plans and she has FOMO so she arranges herself to be there when they tell Basil

Normally Kel makes it a point to try and include Aubrey’s friends (who are slowly just becoming friends) but this time he just pretends she isn’t there and tells Basil to come right after school and they can drive together to get Sunny.

Kim weedles it out of Aubrey later that day when they’re alone in gym class. The reason that they didn’t immediately invite her and the others? Sunny is apparently weird at night

Kim fires back that Sunny is always a little weird, but Aubrey is being fully serious. Unfortunately all that does is make Kim more curious. She goes to find Kel afterward and half asks/half demands an invitation to the sleepover. Kel seems a little awkward about her involving herself, but he agrees that she and the others can join in if they like.

Aubrey and the others arrive

Kim soon finds out that Aubrey was 100% right. Sunny is...weird at night.

At around 10:00 pm, Sunny disappears. Basila nd Aubrey went into the kitchen to make popcorn, and Kel was busy fiddling with the TV to get the movie to start. When he turns back to the couch, he asks where Sunny is. They realize Sunny has vanished.

Aubrey and Basil come in with the bowls of snacks, and Kel asks them if they’ve seen Sunny. Basil says to check the roof.

The roof. The hooligans all laugh (Basil is a sweet kid when you get to know him, but his nerves make even his jokes strange) The other three don’t laugh. In fact Kel gets up and goes to the door.

The hooligans follow out bewildered, and Sunny is o n t h e r o o f. CASUALLY. JUST THERE PETTING AN ORANGE CAT WHO IS LOUNGING PURRING NEXT TO HIM. AND KEL AND AUBREY AND BASIL DONT REACT??? Kel just waves?? and Sunny waves back???

“We’re gonna watch Insidious now, I know you haven’t seen that one before. Wanna come in?” “Kay” “Do you want to bring your cat in with you? I’ll put Hector on his leash” “Yes please”

Then the three just walk back and tell the hooligans to follow them in. Sunny got himself up so Sunny can get himself down.

It’s only the beginning of the madness. Sunny walks in holding the still purring orange cat and settles himself down in his specific corner of the couch (They were prewarned not to sit in Sunny’s spot) Aubrey cuts Kim off before she can ask about the roof, and starts the movie. Kim looks over at the cat, and it locks eyes on her, hissing.

The movie begins and Sunny will randomly speak but only to say when a character is going to die/be scared. Right before it happens. Every single time. Didn’t Kel say before that he hadn’t seen this movie?? It doesn’t matter Sunny keeps going

A ghost. A ghost. Lost in an alternate dimension by shamanic journey. It’s bizarre. The cat continues to purr a rusty old engine noise in Sunny’s lap, periodically looking at one of the hooligans and hissing, choosing a different one every time. Who’s cat is that????

They finish the movie and start to play board games. They pick monopoly and decide to divvy up into teams. Kim immediately claims Aubrey, Vance decides to go with Kel and Kel grabs Mikhael to create a trio. Charlie and Sunny silently sit beside each other, and everyone assumes that makes them a team. Angel pulls Basil to his side and they’re prepped to play the game.

Kim likes to consider herself a pretty good monopoly player, and Aubrey is a whiz with money and numbers, so she assumes they have this in the bag.

She did not account for the Sunny factor.

Sunny stares her down through the entire time. Kim is sure he doesn’t blink. She forgets to bid on auctions for properties and gives him extra rent money. They go bankrupt first, and Sunny turns his eye onto Kel who just laughs and gives Sunny finger guns. Sunny finger guns back (his face still a blank slate) and proceeds to also take all of Kel’s money.

They go to bed shortly after, and Kim is relieved. Nothing also weird can happen. Now she just has to sleep.

She wakes up in the middle of the night and adjust her position, turning over to face the other side of teh room. Four shining eyes stare back at her, catching the dim light from the kitchen. Kim shakily grabs her phone and turns on the flashlight, whirling around to see Sunny staring at her, his orange cat on top of his head.

She wakes all the rest of them with her shriek of terror. The group of four quickly settle to sleep once more, even Sunny crashing down next to Aubrey and Basil. hissing cat caught firmly in his arms.

She and the other hooligans stay up for a bit, frantically whispering about the oddness of the situation. They resolve to leave early in the morning, and to distance themselves as much as they can from...whatever Sunny is. They’re certainly glad he doesn’t go to their school anymore.

The next morning, the group of four wake up before the hooligans and cook a big breakfast. They put the phone on speaker and chat with Hero as they do so, catching up on his latest college stories. Bo en is playing from the cd player in the corner of the kitchen, kept low so as not to wake the others.

The hooligans creep downstairs and peer inside. The scene is shockingly...normal.

Sunny is still carrying his cat, but now Kel is feeding it tiny bits of bacon and it is stretching out of Sunny’s arms to reach the next delicious morsel. He’s chatting with Hero over the phone, speaking in full long sentences which is a rarity for Sunny. He even laughs quietly at a joke Hero tells.

Kim tries to translate the horror she felt last night into this morning, but it’s not there. Sunny doesn’t seem like an eldritch horror during the day. Just another teenager happy to be with people he enjoys.

Hero hangs up shortly after, and the group of four settle back into a placid silence. Aubrey breaks it by turning to the others

“I know it was weird, but I’m glad that they came for last night.” the three boys agree, and Sunny leans against the counter near Aubrey so she can scratch one hand under his cat’s neck while still flipping pancakes. When he speaks, his voice is near silent, but they all hear it anyway.

“They’re nice. They didn’t treat me different.”

The hooligans share a look and simultaneously agree to stay for breakfast.

#omori #omori headcanons #omori headcanon #omori sunny #omori basil #omori kel #omori aubrey #omori hero #mentioned lol #omori kim #omori scooter gang #hooligans #omori hooligans #cryptid sunny

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voltrinityub · 3 years

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Omori AU - Mari Pushes Sunny Down the Stairs and Basil Witnesses it

//Spoiler Warning for the Omori end game! Even though it’s an AU, I don’t want to leave implied spoilers!!

//Trigger warning for death and graphic imagery!

Omori AU where Mari pushed Sunny down the stairs and Basil is the one who witnessed it.

Major points -

Basil was visiting Sunny’s house to play before their recital. The twins had just finished a routine practice session but Sunny was upset and Mari was mad at him.

Soon after Basil arrives, the two fight, and Sunny grabs his violin and throws it down the stairs. It breaks at the bottom of the staircase.

Mari storms up to him out of anger. The two proceed to argue and fight back and forth. Basil is watching in disbelief the whole time.

Mari suddenly pushes Sunny down the stairs during their fight. He lands at the bottom on top of the violin, a snap was heard during his fall. Basil watches in disbelief.

After a few moments, Mari realizes what she’s done and rushes to her brother. She tries to wake him up and notices he isn’t moving or responding.

Meanwhile, Basil’s in shock at what he witnessed. His perception of Mari is changed from this event and now he fears her and is afraid of her and seeing his best friend dead.

Mari’s Something takes the form of Sunny with a limp expression, while Basil’s Something takes the form of Mari’s silhouette because he now fears her.

They end up contacting their parents and emergency personnel. The event is played off as an accident after authorities questioned Mari and Basil about what happened. Neither of them could formulate the courage to admit what happened (Basil’s in too much shock, Mari is breaking down and doesn’t want to get in trouble).

Basil is unable to confront Mari or be with her from that point onward and starts to seclude himself from others after watching his best friend die. He couldn’t bear to see Sunny’s face in photos anymore after that, so he removed them from his photo album in addition to scribbling out Mari’s face on some.

Mari goes into a depressive state and ends up quitting piano because of this. She puts off going to college for a little while until after she moves away.

The gang would be affected by Sunny’s death and not hang out as much anymore. Basil’s too traumatized to play with them and stops attending school. Mari doesn’t attend school for a while and Hero helps her with taking notes, etc, and starts to spend less time with the others. Kel and Aubrey begin to fight more now that they’re alone and eventually drift apart. Everyone is upset by Sunny’s death.

((I don’t think Basil or Mari would play off Sunny’s death as a suicide, but I also don’t think they’d completely tell the truth either. They’re still young and don’t want to suffer the consequences, whatever they maybe, so it is played off as an accident instead))

More under the cut if you’re interested!

Story Breakdown

I wanted to include how I envisioned this to play out. So, if you’d like to read some of my 3am thoughts then enjoy lol.

Beforehand -

The day starts off perfectly normal. Sunny was practicing with his sister in preparation for their recital. He had asked Basil beforehand to come play with him later that day.

Basil arrives at Sunny’s house just as he and Mari finished practicing. The door opens with a somewhat annoyed Sunny and Mari yelling at him from inside the house. Something was off with the two of them and Basil could tell Sunny was upset and so was Mari, but he didn’t ask.

As Basil and Sunny were starting to play in the living room together, Mari comes in and complains to Sunny about storming off from their practice to play and not playing well enough (she wanted their duet to be perfect)! Sunny is annoyed and doesn’t care, saying he just wants to play with his friend.

Mari and Sunny continue to argue while Basil is still settling down. Basil watches as his two friends fight about their playing and attempts to calm them down but is too timid for them to pay him any attention.

The two’s argument gets worse when Sunny storms off to his bedroom to grab his Violin he just put away, while Mari is demanding he stays put and Basil just watches his two friends fight. (Arguments between Sunny and Mari are few and far between, and when they do happen they resolve very quickly or are about little things. But this one is different: it’s more physical and there’s genuine tension between the two he’s never noticed before.)

Angry by Mari’s demands and bickering, and sick of practicing a hobby he thought would be fun, Sunny throws his violin down the stairs in a fit of rage, frustration — you name it.

Basil and Mari hear an instrument crash against the hardwood floor and run to the stairwell to find Sunny’s gifted violin broken at the bottom of the stairs.

At first, Basil is just shocked and all he can do is watch. Sunny’s at the top of the steps angry and crying. Mari, however shocked in disbelief she is at first, storms up the stairs to Sunny.

The two begin to argue more and this time they’re getting physical. Mari’s yelling at him, asking all sorts of questions out of her anger and disbelief. (“Why would you do that? You broke the present we all saved up for you? And our recital!? You completely ruined our recital!”)

Meanwhile, Sunny’s breaking down and angry because he’s so frustrated with how strict Mari is during practice and how much he hates doing this. He won’t ever be good enough for her and is just sick of hearing how to improve or about their concert later. He’s had it.

Basil is watching from the bottom of the stairs, hiding behind a wall watching his best friend and his sister fight. He’s too timid (and scared) to break them up or speak up; all he can do is watch as they hit one another and shove one another.

During -

Then it happens. Between the sibling’s fighting and bickering, Mari pushes Sunny down the stairs.

Several loud thuds later and Sunny crashed at the bottom, into his broken violin, with an audible snapping sound along the way.

Mari’s at the top of the steps still heaving and angry.

Basil watched in horror as someone he loved and trusted just pushed his best friend down the stairs, in total shock and not moving at first; this will lead to him fearing Mari and this day ((will explain more further down)).

A few moments pass and Sunny isn’t moving. Mari catches her breath and Basil emerges more from the corner, flickering his gaze between Mari and Sunny lying limp on the ground.

When the two take clear notice Sunny isn’t moving, panic sets in. Mari realizes her mistake and runs down the steps to her brother, stopping at his side.

Basil’s still in shock but slowly moves forward. He’s starting to breath rapidly and rationalize what the hell just happened.

Mari’s now freaking out next to Sunny’s body. She tries to wake him up, tries to move him slightly or tap on him to get a response. She tries her best but there isn’t any response... Sunny’s just limp. And all Basil can do is watch.

“S-Sunny?” Basil sheepishly mutters, now he’s only a few steps away from his friends. He notices Sunny’s limp posture and expression; Sunny’s face is scarred into his memories.

Amidst Mari’s panic, she hears Basil and demands him to grab the house phone for her.

Basil’s startled at the demand but heads to grab the house phone in the other room. He’s shaking and breathing violently, comprehending what happened (“Mari’s a good person, she’d never do that! It’s just an accident! Mari didn’t mean it! That wasn’t Mari!”).

Meanwhile, Mari doesn’t know what to do and her hysteria is taking over. She can’t think or reason but she’s mature enough to know to call someone: ((I believe Mari would be more mature and knows her brother needs help but still isn’t responsible enough to rationalize it completely and do the best thing. I don’t believe she would try to cover it up and I also don’t believe Basil would suggest something as such to her. Personally, I think they would be too terrified of the consequences of doing so))

Once Basil returns with the phone, Mari snatches it from his hand. She can’t decide who to call first — her parents, Hero’s house next door, or 911 for help. She doesn’t have time to think though and her first instinct is to call Hero’s house to get someone else here.

Mari calls Hero’s house and cries when she hears him answer. She sobs and painfully asks him to come over with his parents, muttering something about Sunny and needing help. It’s hard to understand but Mari’s panicking like he’s never heard before.

Within a minute, Hero’s rushing into the house with his parents right behind him. Kel was out with Aubrey, so neither of them are here (and that’s for the best).

Hero ignores Basil who’s hiding behind the wall still in shock and rushes to Mari’s side. Hero yells to his parents to call an ambulance and they do.

Meanwhile, Basil is dissociating and hard. Panic, fear, confusion — any and every type of feeling is running through his brain after seeing his friend get pushed down the stairs by his sister. Basil looks at Mari with horror and an image of a black distorted figure takes his mind in place of Mari (his Something).

Basil drowns out the commotion of Mari, Hero’s family, and the EMT that arrive the whole time. He’s sitting against the wall in shambles until one of the authorities snaps him out of his trance.

Meanwhile, Sunny was taken away in an ambulance with Hero’s mom (Mari and Sunny’s parents weren’t there, and Mari was still freaking out so Hero’s mom volunteered to go with them until their parents arrived)

The authorities begin to question Basil and Mari about what happened. Mari claims it was an accident and found Sunny like that, not completely telling the truth. But all Basil can really say is “it was an accident.”

The entire case was written off as an accident. Neither Mari nor Basil could clearly confess what happened even though they both know what happened.

Afterwards -

Hero’s mom goes with the EMT service and contacts Sunny’s parents along the way, meanwhile Hero’s dad stayed behind. Hero ends up walking Basil home and can’t get a response out of him.

Once Sunny’s parents and Mari get to the hospital, it’s too late. Sunny died going down the stairs with his neck snapping. There wasn't anything they could do to save him.

The recital never happened that night.

Basil found out that same night his friend was dead and he witnessed it.

The next few days are met with grief, remorse, sorrow, and regret on Mari’s half.

Mari’s family is mourning the loss of their son. The news is broken to Kel me Aubrey the next day. They’re both sad and confused.

Sunny’s funeral was hard to sit through. All of his friends attended but Basil couldn’t rationalize it. The whole time at his funeral, all he could do is stare at Mari in fear and disbelief while he mourned the loss of his best friend. It left him sick to his stomach.

Mari is crying the entire time and regrets pushing him down the stairs and to his limits. She should’ve been a better sister.

After this, Mari would fall into a deep depressive state. She would end up quitting playing the piano and resenting it. She would stop going to school and would rely on Hero to bring her class notes, but she never had the enthusiasm to try hard anymore and eventually just stops.

Basil stops going to school after this for a while, most likely the rest of the year until he has enough strength to go again. But he has a hard time confronting his friends out of anxiety and fear from that night. He doesn’t want them to know what happened.

Due to Sunny’s death and both Mari and Basil confiding themselves to their homes, their group starts to break up.

Hero has little time to hang out with his brother and Aubrey while he’s swamped with school work, college prep, and trying to help Mari (I believe Hero would try to make Mari happy and help her, but would stop once he has to go off to college without her).

Kel and Aubrey begin to fight more without the others around. They blame one another in their grief and confusion until eventually they stop playing together.

Aubrey eventually finds another group of friends and starts to bully Kel and Basil once he returns back to school.

Kel takes up doing sports to get his mind off of things. He tries to play with Basil still, but Basil has put up a wall between him and everyone else so Kel eventually gives up trying to talk to Basil.

The next several years, the gang is older but still hurt and distant. Sunny’s death was the unfortunate event that caused them all to drift apart.

Mari -

Mari’s Something would look like Sunny’s limp face after she saw him at the bottom of the stairs. It haunts her constantly. Her Something is a manifestation of grief, regret, self-hate, remorse, and anxiety.

I don’t believe Mari would have a headspace in this AU because she is older than Sunny in the original game, so it wouldn’t make too much sense to me if she had a Headspace to hide in. Instead, Mari would just be room-bound and would never make an effort to do anything or see anyone in her depression.

However, if Mari did have a headspace, I think it would revolve around the friend group and playing the piano. It wouldn’t be as crazy as Sunny’s in the original, but just a dream world she would find herself in where her brother was still alive and happy and not tormented by playing the violin.

I also believe Mari would rely on Hero for the first portion of this tragedy until he eventually has to go away to college, leaving her with only texts and calls instead of coming over to visit. Before Hero goes off to college, he tries to balance school work, keeping his friend group happy, and caring for Mari whom he’d come to visit and support.

Basil -

Basil’s Something would look like a distorted version of Mari’s silhouette the day she pushed Sunny down the stairs. It would haunt him relentlessly to the point where Basil can’t even see Mari. This Something would be a manifestation of grief, anxiety, fear, and sadness.

Basil would find it hard to hang out with his old friends in fear of seeing Mari or somehow changing their perception of her. So he chooses to keep the truth to himself and hides away.

Thank you for reading if you made it this far!

I was just thinking one night “what would’ve happened if Sunny fell down the stairs and Basil was there?” This was just one of those crazy ideas I had to type out and imagine, so I hope you enjoyed it or will think about it with me.

I apologize if my thoughts are a bit misconstrued but feel free to add on to this or whatever. I think the story could have a dramatic change if Sunny was the one who was pushed down the stairs that day and died rather than Mari.

If anyone wants me to expand on this AU story a bit more or has questions, let me know. I’m not the best story teller and I didn’t want to make this too long.

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nico-no-talk · 3 years

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I have decided to make more headcanons of the gang and maybe go more in depth to a particular one that we may all know of

Sunny

As I said before, this boy can fit so much autistic symptoms

His parents are quiet close with their kids but it seems like they messed some things up like parents do: Mari is somewhat a perfectionist and Sunny may have undiagnosed autism

Quickly headcanoning Sunny's name might be Hikaru or any name that means light

ANYWAY, as he grew up, the more he verbally opened up to his friends and still uneasy with his family, except for Mari.

Sunny likes to play with toys like any other kid does but he only likes toys that he can role play with such as his stuffed toys and building blocks that he can make homes for

When he was in this 11th year of being alive, his parents got rid of his building blocks as a way to help him 'grow up' since what kind of 11-year old play with building blocks still? They didn't touch his stuffed toys since they knew he would kick and scream way more than with his blocks

Sunny was devastated when he learned his parents tossed his blocks and cried for weeks that his friends, his stuffed toys, didn't have homes anymore

Mari decided to earn money with Hero's help to get him a new set so he won't be sad anymore, and knew he liked the feeling of smooth wood against his skin

After his 12th birthday party, Mari asked to not toss this set out and just keep it for any kids that Mari and Sunny may have in the future. Even Mari wasn't sure if Sunny would want kids, but it was something that managed to convince their parents

Speaking of Sunny speaking, he is somewhat semi-verbal around his friends but he does talk most of the time with them since he felt like it doesn't hurt when talking to them unlike with the rest of his family.

Speaking of family again, Mari's name might be short for Mariko since the transition to the 'ko' may have been difficult for Sunny to pronounce but her name might actually be Mari since it is a Japanese name as it does mean 'real logic' if written in a certain way

Their parents may have gotten a speech therapist for Sunny to help him pronounce words better and so the other adults will stop saying things how strange he is

Stims includes, minor biting, finger snapping, whistles, finger tapping, hand flaps, and random noises. Why random noises? Because I do too

Post-canon, Sunny's mom decided to actually get him diagnose and help him out more so he can graduate in school quickly since he did drop out of middle school

He did managed to get back in school within his age-grade and goes to separate rooms during testing for his classes

For long weekends, he tries to visit his friends as often as he can, especially Kel since he likes the way Kel's hair feels and enjoys feeling the callousness on his hands

Mari

Mari Mari Mari

She is a perfectionist, even towards herself since he parents often compared Sunny to her, saying how Mari was able to do a lot of things when she was Sunny's age

Seeing how they made her a goal for Sunny, she tried to be the perfect image of what it is to be normal

Do after school activities, have hobbies, play music, have friends, fall in love, have long hair since she's a girl and he's a boy, only like boys and show him to only like girls, so on and so on

After the building block incident, thats when she realizes that Sunny will never be a 'normal' kid and go out of her way to make his life easier. She'll continue to be his role model but for a new and better reason

She bought him some of his stuffed toys since he liked the texture, picked out clothes that he liked but had to make the tough choice of getting him 'normal' looking clothes so he won't get bullied, eat any of the food he hates, continued to play the piano since he likes the sound, is happy that she stopped softball because he hated going out to her games because of how loud it is and it felt cramped to him, and so many other things

When hanging out with the gang, Mari allowed herself to relax and not focus on Sunny

Kel

Middle child syndrome screams

Despite it being just being him and Hero for the longest time, he was still an afterthought for his parents when it comes to Hero and Sally

He didn't mind. He thought thats how parents are with multiple kids. Sunny's parents were kind of the same as his so he thought he was right but Basil's didn't make any sense

Like everyone else, he has never met Basil's parents and thought they just worked all day and play with Basil at night

But Basil said it wasn't, so it confused him more but he stopped questioning it after thinking about it for a while

As Kel gotten older, the more he realizes that he sort of has 'jumpies' like Sunny does but it was different. It helped him feel less tighten-up and felt better

He asked Hero during on of his visits, Hero explained that Kel may have ADHD or ADD.

"Oh" it clicked

Kel wanted to do something 'smart' on his own for once and decided to research on his own about himself and Sunny

He learned lots of things and became more open minded about a lot of things: gender, sexuality, neurodiversity, polyamory relationships, religion, and many other things

Hero

Biggest Asexual with Mari as well

Only became an overachiever because he loved the praise he got from everyone

Honestly, I dont got much for Hero, sorry man

Aubrey

Bisexual energy

Her father made sure she was a perfect little girl: wears dresses and skirts, like pink, wears a bow all the time, keep herself neat, come home right after school and ask first if she wants to keep playing, not playing with boys especially the rough playing boys

After loosing her shoe and meeting everyone, she decided to stay around them and be herself: rough housing, wear blue, wear spare shorts that either Mari, Sunny, or Kel may have, take off her bow as often as possible, be out of the house as possible to be with her friends, and may have a crush on an older girl you see almost everyday

When her dad left, everything came down: mom gave up, money became tight, Mari is gone, no one is around with her, and start doing things she never done before because of obligated morals

She started dating Kim, hung out with the hooligans, wore 'less' clothing, rude, crude, tomboy, carried weapons, and dyed her hair

Post-canon, she stopped some of her bad habits: wore clothes that are modest whenever she felt like it, a little more polite but still a little rude, stopped carrying weapons, and kept the pink hair in memory of Mari. Still dating Kim since she loves her more than anything in the world

Basil

Who the fuck names their kid Basil? His name was probably Jermey and just he liked the word Basil so much that he said a lot instead of his birth name. He got the name Basil since it was the first thing he planted

For years, no one in the gang knew Basil was a nickname, just accepted that his name was Basil and his parents just liked plants, not realizing his parents are not around a lot

Bet you anything, since Basil vents to Sunny a lot, he may have talked to him about sexuality and gender a lot with him, coming out to him as gay and might be non-binary in some way, still wasn't sure

Sunny was the one he told that Basil was a nickname but he wants to be his actual name

"But, your name has always been Basil, hasn't it?" Sunny asked

Basil had vowed to protect Sunny at all costs since that day and also be proud of himself no matter what and to always introduce himself as Basil, no matter how scared he was

Post-canon, after being in the hospital and some for of mental hospital for some time, after being officially released, Basil came out to everyone else

"Wait, so Basil was a name you picked this whole time?! That is so cool!" Kel cheered as he lifts Basil up in the air in joy

No one dared to ask what his deadname was and use whatever pronouns he asks them to use: He/They but still struggles to respond to they/them pronouns since he never told anyone else other than Sunny

Annnnnnnd thats all I got. Feel free to ask more from me

#omori #omori (game)#omori sunny #omori kel #omori hero #omori aubrey #omori basil #omori headcanon #headcanon

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arcadiaoaksusedbooks · 3 years

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New Neighbors (working title)

Part 2

Small crossover chapters of ToA and Omori. Spoilers for Omori’s good ending.

Omori in general has trigger warnings for depression, anxiety, abuse, and suicide. Proceed with caution.

Once again, Sunny was left to his own devices at home. Despite being in a new state, in a new town, in a new house, Sunny is once again left alone at home during the day. His mother left a message that she was at the bank, securing a loan for her new shop and would be shopping until late. This didn’t feel different from any other day, and if Sunny looked around the room, it really didn’t feel like a different room at all. Well, there was no ceiling fan in his room, but this seemed to be the only difference. Things were different now, but everything still felt the same.

And he really wanted everything to feel different. The darkness was lifted from his soul, his conscience was clear, he was free from his past, and moving should have solidified that for him. He was free. He was his own person. But a quick glance to Basil’s photo album served as a reminder. One burden was replaced with another. The burden of the forgotten lie was replaced with the heavy truth. The lie felt heavier to carry, but now that his past and secrets were out in the open for all to see, the truth felt lonelier. And the toll for both was the same: loss of his friends and family. Nothing would ever be the same again.

The phone ringing startled him from his thoughts with a jolt. His old phone was also connected in his new-but-old room. As it rang noisily, Sunny considered to let it go to voicemail. But then he remembered that he had his own phoneline now. This phone call was for him! Who would be calling him after all that’s happened? After what he did?

With nothing better to do, and just wanting the loneliness to end, he took the two steps foreword to the phone and picked it up. And cautiously put the phone to his ear.

“Sunny?” A familiar voice asked, as if calling around the room.

“Hey.” Sunny droned into the receiver. The voice was none other than Kel. The one who always reached out.

“Hey, Sunny, there you are!” Kel cheered, sounding maybe a little too loud over the phone. Sunny was too lazy to turn down the volume just yet. “I just wanted to make sure you and your mom settled into the place okay. It’s a long drive, right? And you guys drove the whole way? How was the car ride?”

“...fine.” Sunny answered quietly.

“Great! I’ve always wanted to go on a road trip, maybe I’ll talk the guys into it. Going cross country sounds really fun, now that I think about it. Maybe we can visit when we do it!”

“Sure.” Sunny had just the smallest smile on his face. He could picture Kel’s large, goofy grin as his friend spoke. Sunny missed Kel and the others already.

“So, what’s California like? Are there palm trees, beaches, and girls all over the place? And surfers? ....Surfer girls?”

“...I just woke up.”

“Oh. Well, you saw something like that on the drive over, right?”

“Yeah.”

“Cool, cool, California sounds like a lot of fun! It sounds like it has a little of everything. Beaches, and mountains, and forests, and beaches, and big cities, and little towns, and beaches...”

“You said beaches too much.”

Kel gave out a big laugh, and now Sunny will press the button on the phone console to turn the volume down a couple of notches.

“What can I say, the beach is fun! It’s never not fun! Anyway, once you check out your new town, what’s the first thing you’re going to do? You’re in a new town, and don’t know where everything is, so there’s gotta be something that you wanna do once you go exploring, right?”

Sunny was quiet for a couple of minutes while he thought on that. Kel patiently waited on his side for the answer. Sunny looked out his window and into the neighborhood beyond. Other than some older architecture, Arcadia Oaks looked pretty similar to Faraway. There didn’t seem to be much adventure to be had.

“Find some pizza.” Sunny decided.

“Awesome! Pizza sounds really great right now!” Kel answered enthusiastically. Sunny turned the volume down another couple of notches. But, he had to admit, hearing a friendly voice again after so long was nice. He felt much less lonely.

Sunny’s eyes turned to the neighbor’s house, where he saw those bright blue eyes staring at him last night. He hadn’t seen them again, so perhaps it was his imagination. He thought on them as Kel talked about all the fun stuff he would do in a new town (make lots of friends at the beach and play volleyball, eat some popcorn after, and nap under a palm tree), and waited for Kel to finish before asking.

“...how is everyone?”

Kel went quiet for a couple of seconds.

“Well, as normal as it gets. Hero went back to college, mom and dad are busy with Sally, and Sally is busy being a baby. Basil said he was being moved to another hospital, one that can help him better, he said. I haven’t heard from Aubrey at all, so... I dunno.”

Sunny’s hint of a smile vanished. Maybe he shouldn’t have asked.

“Hey, Sunny, I’ve got a silly question,” Kel tried to sound cheerful after the mood was brought down, “how are you doing? Are you holding up okay?”

Sunny didn’t know how to answer that. Putting his emotions to words has always been hard for him. In trying to find the right words to the right emotions, he accidently sighed loudly into the phone. Kel seemed to understand.

“Hey, it’s gonna be okay. You’re in a new place, no one knows anything about you. I bet you’re gonna make friends, no problem. Are you going to go to school, or stay homeschooled?”

“I don’t know.” Sunny answered honestly. “I’m... not ready for school.”

“Hey, that’s totally okay.” Kel insisted. “You go at your own pace. It’s your own life now, a brand new adventure, so you get to do what you want now, right?”

Could he? Sunny wasn’t sure. Mom let him do whatever he wanted, and he had a feeling he would have a lot more freedom to come and go. And this didn’t feel like a good thing anymore.

“Yeah.”

“That’s the spirit! Go get ‘em, champ!”

On Kel’s end of the phone, Sunny could hear a baby crying, followed by some shouting from Kel’s mom.

“Kel, keep it down! You woke up the baby!”

“...uh oh.” Kel squeaked. “Hey, Sunny, I gotta go, but we’ll call and chat again sometime, okay?”

“Okay.” Sunny agreed. “Thanks for calling, Kel.” He was about to add to that, but suddenly winced. Should he?

“You bet! Friends till the end! I’ll talk to you later, Sunny! Say hi to your mom for me! And to all the new friends you’re gonna make!”

“...bye, Kel.” Sunny hung up the phone first, and now felt regret he didn’t say anything more when he could have.

“...I miss you all.”

Sunny hung up the phone back into its console, and looked out the window again. It was a new town. And there would be new adventures. But could someone like him make new friends? Other people had made friends for him. But he was grown now, not a little kid anymore. He’d have to meet other people, get outside more often, see reality for what it really is. And not retreat into his head when things got too hard or too dark.

Finally, Sunny ventured downstairs into the quiet house. Outside of his old-but-new room, the house looked very different. Most everything was still packed in boxes, but the furniture was arranged. It was so hard to feel at home in his new home. But he had to teach himself that new was good. No more of the old. No more dwelling in the past. Everything was new, and that’s a good thing.

He walked into the new kitchen, with all the old appliances, including the fridge and stove, all looked old and dirty. Old things in a new kitchen, the feeling was surreal to him. But having some familiarity in new settings was a good thing, right? It helped transition the old to the new, right?

Sunny opened the door and looked around for something to eat. The fridge was slightly bare, mom didn’t get groceries and just ordered takeout. Like usual. Waiting for Sunny in the fridge was a day old steak.

What was this feeling running through his veins, his muscles, his tendons, making his eyes grow fuzzy, making his brain grow fuzzy, leaving him numb and tingly and frozen and shaking and heaving and feeling like falling and crying and screaming and sho--

Welcome to White Space.

You’ve been living here for as long as you can remember.

--------------------------------

Balor watched through the safety of the kitchen curtains, protected from the sun’s rays, as the new boy next door slowly closed the refrigerator door, and seemed to shamble back upstairs like the living dead. Maybe he wasn’t hungry?

Balor couldn’t watch any more from there, and let the curtains fall before he headed back to his own room to fall asleep.

This kid looked much older than him, but maybe they could be friends. He certainly looked like he could use a friend.

#ToA/Omori crossover!

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blue-bird-lamentation · 3 years

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this the story post: melohax[.]tumblr[.]com/post/639167543643340800/warning-spoilers-ahoy-only-read-this-if-youve the game has like so many secret scenes it shocked me

Thank you so much for the link!!!

I really liked reading it. I tried to skip the hikikomori route part as I will try to calmly play it, but I‘ve read a few and, as a person who saw that seen of a man trying to cut a tree and saying “you’re not my son” it intrigued me a lot what kind of information I will get from there.

I’m still puzzled and still didn’t try to see what would happen if I collected the wrong letters and if I has opened the door to Mari.

I went far on this answer and wrote a lot of random topics that are also mentioned in that post and other things I remembered too. It’s still too messy, but my memory is fresh and I decided to write about what I was thinking, even if not organized. Sorry for using your ask, but I was inspired by the link, which I think it’s a very interesting reading. I’m also sorry for the mistakes and I may come back later to correct them. There are so many fascinating things in the game, and so many others I haven’t yet explored, besided I feel good writting all of this as it is kind of asfixiating to thing about it and not having anyone to discuss it with.

This game was a rollercoaster. I knew from the begining that the cute artstyle and the pastel colours in the begining were deceiving, especially when you start in a weird whitespace room and take a knife. Omori as a black and white coloured character among the other paster colours also felt weird.

One really interesting comment I received from my brother when he watched me playing a bit, in a fight, was “oh your character is the real neutral one, the others seem happy” while all of them were in neutral mode. Also his happy expression was scary and he was the one who got to maniac aside from villains (at least for me). The fact he has a knife intrigued me a lot if I should really fight but at first it looked like there were no consequences (aside from feeling tremendously bad for being called bunny killer. Also about these little enemies, it’s interesting how many of them were bunnies when the person we find who has a bunny is Aubrey, which is also the girl from the group that is now “against us”, at least most of the time in the real world).

Also about the knife, there are two other moments that totally hit me:

- the suicide in whitespace, which could foreshadow his suicide in some routes, but is also the means to wake up;

- Kel and Aubrey in the real world who call us out for bringing a knife, which, since the begining, was the correct thing to do.

I really wonder a lot about his family and their decisions.

It’s been 4 years. I wonder if Sunny’s mom ever put him into some kind of therapy, I wonder if her absence was on purpose because she wanted him to say goodbye to his old friends one last time. I wonder if Kel’s visit wasn’t a coincidence. I wonder if Hero coming back was also part of a last chance to bring Sunny back. I don’t know if the other route answers it, but seeing the notes and messages that mother leaves, she seems to be worried about him. I would say a mix of worry and fear, so there must be some strong reason why she’s not there besides going to buy some furniture or whatever.

Saying this, I think only Sunny’s parents know more or less what happened, but not from their son’s mouth, from autopsy report perhaps. The house was adapted to the changes: no family picture, as opposed to what I saw in Kel’s house (and I wonder if it’s only because of Mari or also with his father too as described by the cutting tree scene. I had thought this was directed to Omori and not to Sunny, but this is also part of the dream realm, so it could be Sunny’s interpretation to the end of his parents marriage which was related to Mari’s death), Mari’s bed is gone (which made the scene when she knocks the door even creepier. I never got to open the door because I was scared, but I’m also curious). Also about the 4 years, I liked the detail of the 4th floor sign in Last Resort, which was resting there on the floor, as the number is also cursed because it symbolizes death.

I find fascinating how the complexity of the situation is represented in the dream world. His team is composed by his old friends, which are human. Mari and Basil are also human but they weren’t totally present. Mari is the safe point and overprotective of Omori, but she is also the element who encourages him to face his fears. As he faces his fears, he unravels more information about what he repressed, also helped by the presence of the blackspace Basil. But it’s ironic as the more he unravels, the more corrupted the story seems to evolve, but also the more they lose the main purpose of rescuing Basil, which is more evident in the deeper well.

I believe the human figures are the most important to him, and then there are the elements that combine real world figures with fantasy, as the candyshop girl and the fiction space boyfriend. Each story is fascinating but it also makes you lose focus on what you were supposed to do. And in my case, there was a point where I just wanted to wander around in these stories because I was to afraid to face the real story that was masked by this fictional colourful world.

These olde friends represent perhaps what Sunny never wanted to have lost, but also what he does not want to face.

When Sunny woke up in the hospital, I first followed the kids, and no, that wasn’t the right path. That was the safe path, where there is no confrontation with reality. As it was when Sunny was with company. I think it is Aubrey who says he doesn’t like to be alone, and well, that was me the whole game, imploring to not be left alone, because once the character was alone, his world seemed to be corrupted by the black space, which was also a stepping stone to reach the truth, the dark truth.

And I really like how this is all Sunny’s mental effort, which, I would say, it’s helped by him leaving his house and meeting his friends once again, as well as facing Basil one more time.

I was really sad with how the story developed. What started I was assuming it was a facing your fears story, transformed into an overcoming someone’s death, which at first I thought it would be Basil’s, to go to Mari (which was a total mystery to me why had she died (my ingenuity believed it could have been some traffic accident or something else) at first), to go to save Basil again, but now with some dark remarks about the character himself. In the middle of this development, first time the character wakes up, it is clear that the dream world character is not the same as the real world one, age wise, but is part of him.

I had written that at first I was reluctant about the fights, but well, they were necessary to me to face the villains of each arc. But at the same time thery were never too difficult (I think the most difficult part to me was to be strong enough for the Dino Dig and the rest was pretty easy). When, at the end Sunny had to face Omori I was shocked. So, the guy I had been training which was very seemingly sadistic, did I simply train him so that if Sunny wanted to face his trauma, he would hunt him with his strenght? Like the stronger I made him, ther bigger the reluctance to overcome the past. And while this sadistic character seems to be what I would compare to a Chara in Undertale, to me it was the harsh self conscious, critical part of him who could never forgive for what he had done. And which was also manifested as the monster surrounding him and Basil. It was their perception that what they had done was unforgivable, but at the same time neither of them wanted to carry that burden alone: Sunny “forgot” it, Basil manifests it by making those toxic remarks like “you aren’t going to leave me alone again, are you?”.

I don’t know if we get to see more of Basil’s backstory but he also got me curious. I think that what both of them did was bad, but given what happened between Sunny and Mari, it was really hard to know how to face it. I don’t think it makes them willingly villains, but scared children who were very self conscious and didn’t know what would happen if people found it out.

However, hadn’t Basil been there, Sunny would have been found right away next to Mari’s corpse. So I wonder what led Basil to propose such idea and to make Sunny’s burden heavier, which made him ambiguity of his disappearance with the will to save him as a friend.

I don’t think it was an ill intention, but Basil created excuses to protect Sunny because he was important to him and to the group. As the photo album showed, Sunny was the younger element, seen as the baby of the group, and he was shy, but he loved his friends even if he looked the most expressionless.

I think these elements awoke in him the need to protect Sunny from the darkness that lied ahead his actions, but he didn’t realise how heavy of a burden that would be. At the same time he probably had some issued regardin expectations and self worth which probably told him that they could never be tied to such a cruel action, even if it was accidental.

In my perspective he didn’t see the dark shadow surrounding Sunny at the time, but he engraved the memory as an act not commited by Sunny but by something surrounding him, pretty much like when he started attacking him at the end.

I like to think that, good ending wise, the malevolent side, Omori is not necessarily a potential evil that was always within Sunny, but the self guilt and lack of self worth. The fact the Sunny wouldn’t leave the house and didn’t even take good care of his health shows it. He is self destructive, because guilt consumes him, not a person who needs to apply suffering in the outter world for his own satisfaction. The whole struggle is within Sunny and not ot become a bad person per se.

Some of Basil’s dialogue was too much for me, mainly when he kept repeating for Sunny to not leave him. However I totally understand why. Sunny covered the what had happened while Sunny had to live those years knowing what they had done, as if he was the only one carrying the burden.

It’s a real complicated story where everyone was the victim.

It was so hard to see how sad and angry Aubrey was, and how she had to make new friends to overcome, how alone she was all the time. How Kel kept being such a good person, however had to move away because he didn’t know how to face the others, afraid of being misinterpreted. Hero’s pictures with Mari break me everytime. “A match made in heaven” Basil had written in the description of one of the photos. The fact that he is the element in the group that cooks, but 4 years later he had given up. The fact he can’t face Mari’s grave. The way Kel describes his struggle over Mari’s death. The way he didn’t make new friends in college, although he says it was lack of time. Basil is completely broken and can’t even touch the camera anymore and tries to “destroy” the old memories, which Aubrey discovers. Sunny’s parents, as their life turned upside down. And probably everyone around was too afraid to know how to act around them.

I really like how despite everything, the human figure that Sunny creates of Mari is forgiveful and so cheerful. Mari is such a good influence that wants to help him overcome the trauma for himself (especially when she helps him overcoming the fear of drowning and calls him Sunny for the first time. The ways she asked for his forgiveness for pushing him so hard into playing the recital. It is still part of Sunny’s dream but it’s so in Mari’s character. I believe this part is also connected to the scene where we see her saving Sunny in the real world).

I will end this text here. I will eventually come back to it, and to the omori tag, because this is certainly a very good game with a lot of space for debate and reflection.

#omori #omori spoilers #tw: knife #tw: suicide

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mentalhealthandgames · 3 years

Text

‘OMORI’ analysis:

OMORI’ is an Indie psychological horror RPG that was released December 2020, 6 years after its Kickstarter became fully funded in 2014. It was developed by OMOCAT, LLC and published by OMOCAT, LLC and Playism. It is a long game, the average play time of the main story is calculated to be 21 hours and 9 minutes by ‘HowLongToBeat’ (HowLongToBeat, 2021), a website which polls players with different play styles to calculate the average lengths of games. It personally took me 49 hours to complete. This is to say that, as a long and complex story based game, Omori’s plot will be difficult to summarise in a neat and short format but I will try.

The game has two main routes and multiple endings. I played the normal route and got the good ending so that will be the story I summarise, which also seems to be the one most players also got during their first playthrough.

The game starts with a short cutscene and then text appears on screen stating: “welcome to White Space. You have been living here for as long as you can remember.” The game then properly starts, revealing the main character in a large white space with a room in the centre. The room contains a laptop, a sketchbook and tissues. Around the room are a cat, a black lightbulb and a white door. If the player goes to the door it says: “a white door casts a faint shadow. What would you like to do?” The only choice is to do nothing. The sketchbook is filled with sinister drawings in red, white and black. The cat says “meow (waiting for something to happen?)”. The laptop allows you to either stare at the screen, look at the journal or log off. The journal (titled ‘Omori’s journal’) is filled with entries for days that are all listed as: “day ???” rather than with a date and each entry either consists of: “today, I spent time in White Space. Everything was okay” or “today I visited my friends. Everything was okay.” The tissue box is stated as “for wiping your sorrows away”. There is a sound and shake and then a text box appears telling the player “something fell nearby”. The player can then find a “shiny knife” by wandering around white space. After discovering the knife, if the player approaches the door they are now given the option to open it.

Once the door is opened it takes the player to Neighbor’s Room, a bright colourful room in sharp contrast to White Space. Neighbor’s Room is a part of a large area called Headspace which is only accessible through the white door in White Space. Most of the game takes place in Headspace, although not all of it, so assume the areas I discuss are in Headspace unless I tell you they are otherwise (White Space is not a part of Headspace). In Neighbor’s Room three of Omori’s friends are playing cards. They are Aubrey, Kel and Kel’s brother Hero. They are happy to see Omori, and after some bickering between Kel and Aubrey, decide to visit their friends Mari and Basil who have invited them for a picnic at the Playground. Saying yes to the invitation causes the friends to join the party and follow Omori. They leave Neighbor’s Room through a tree stump. There are four areas branching from the tree stump. One is blocked off by spiderwebs which Omori refuses to pass because he is scared of spiders, one is blocked of by the sea which Omori refuses to go into because he is scared of drowning and one is blocked off by a ladder which Omori refuses to climb because he is scared of heights. The only other option is to go to the Playground where they meet Basil and Mari who are waiting on a picnic blanket with Mari’s basket and some food. Mari’s picnic blanket, her basket and the food pop up throughout the game with the basket as a save point, the food as a way to replenish health or juice (which is basically mana, it powers skills and can be drained during fights) and the picnic blanket often allowing Omori and friends to have a picnic and take a break from whichever adventure they are on. During their friendly reunion and discussion, Basil shows them his photo album which is filled with pictures documenting their friendship. They then decide to visit Basil’s house except for Mari who opts to stay behind.

Before going to Basil’s house Omori and friends play hide and seek with other characters in the Playground where Omori finds everyone except Basil. Basil has been kidnapped by a character named Boss who is a childish character upset at being banned from the playground by the others who had deemed him too violent. After a fun short battle with Boss they then make their way to Basil’s house. I mentioned the fight with Boss as although it has no relevance to the plot it seemed to set the tone of exploring ‘Headspace’ for me. Colourful fun battles with Omori’s friends against characters who ultimately weren’t bad people. It felt hopeful and exciting even though I knew it couldn’t be the full story because Omori is a psychological horror game. Although I knew something would probably go wrong at some point, it still lulled me into a false sense of security. When Omori and his friends arrive at Basil’s house, Kel and Aubrey have another fight before they go inside which leads to them knocking over Basil and the photos falling out of his photo album. They go inside for Omori to put the photos back in place. After that seems done a photo falls out of the album and Basil picks it up. Basil seems not to recognise the photo, looking scared. A twisting shadow appears beneath him and then he says “n-no.. that can’t be… Mari” his eyes turning red. Then there is a flash of a greyscale photo and Omori is back in White Space, except this time the white door is missing. There is some new dialogue with Mewo the cat and a new drawing in the journal of a strange shape with one eye. However, without the door, the player is stuck, until they open the pocket menu. The pocket menu is where the player can access the party’s inventory, their skills and charms and the options menu. Previously there was a space only listed as ??? but at that moment it is replaced by red text saying “Stab”. Clicking on Stab it gives you the option to stab a member of the party, which, in White Space only consists of Omori himself. The player has no other way of progressing the game and has to click that option, which makes Omori to stab himself. This sudden dark turn shocked me. Although I had expected the game to turn dark eventually I didn’t think it would happen so early on and it felt wrong to have him stab himself.

After Omori has stabbed himself there is another short cutscene and then the player is shown a boy sleeping in his room and asked to choose his name. His default name is Sunny, so that is how I will refer to him. He looks almost exactly like Omori except he is in colour. He is the real version of Omori who lives in the real world and it turns out that Headspace and White Space are all in his head, a world he escapes to avoid a traumatic event in his past. Although they are the same person I will continue to refer to them as Omori and Sunny to separate when Sunny is in Headspace (or White Space) as Omori and when he is in the real world as Sunny. It turns out that in the real world Sunny is home alone as his mother is in the city, preparing their new home for them to move into in three days. It is also revealed that Omori’s friends in Headspace all exist in the real world as well. In the real world you can explore the top level of the house where Sunny’s bedroom is located, but if the player tries to go downstairs to the rest of the house Sunny will shake his head and not allow it. The only choice is to go back to bed where Sunny goes to sleep but then wakes up again hungry. A red light shines through the window making the area more sinister. This time trying to go down the stairs is allowed but the stairs seem to be infinitely long and some hands climb up the sides while others surround him and one photorealistic one chases him. When it catches up, the player is taken to a fight with a monstrous creature referred to as Something. The fight seems hopeless, Sunny’s attacks doing nothing to Something until a mysterious voice speaks to Sunny saying: “take a deep breath… don’t be afraid. It’s not as scary as you think.” The textbox then states: “you steady yourself… and remember how to Calm Down. Calm Down is then available as a skill (fights are won by using attacks and skills). Using the Calm Down skill shows an animation of Sunny breathing in and out and ends the fight, depositing Sunny at the bottom of the stairs. The player can then explore the rest of the house, two areas Sunny still refusing to go to, a room and an area outside, presumably the garden. The player can then take Sunny to the kitchen to pick up the Steak Knife and heat up and eat a steak. Then Sunny seems sick, the rooms wobbling as he walks around. After he goes to the upstairs bathroom and throws up, the rooms stop wobbling. Then there is a knock at the door and when Sunny approaches the door it shows Mari on the other side, still in the bright purple colours of Headspace. She tells Sunny she forgot her keys and asks him to open the door. If the player chooses to open the door there is a quick jumpscare of a ghost. If the player visits the bathroom to look in the mirror they will see the ghost behind Sunny. There is nothing else to do but to make Sunny go to bed and go to sleep. This time when he wakes up there is another cutscene saying “welcome to White Space. You have been living here for as long as you can remember” and Sunny is once again Omori, back in White Space. This time the white door is back but will not open and the Stab option is once again not available. Going to the laptop will open the Hangman menu which shows a list of computer keyboard keys along with vague descriptions of where to find them (they are all somewhere in Headspace). Out of all 26 keys there are 12 keys that are necessary to collected to unlock later parts of the game. It is impossible to collect all 26 in the normal route of the game. To be able to open the door the player has to find the map to Headspace in White Space, then it will allow the door to open when interacted with, once again taking Omori to Neighbor’s Room. Aubrey, Kel and Hero are relieved to see Omori and reveal that Basil is missing. Around this time Mari is also revealed to be Omori’s (and therefore also Sunny’s) sister. The main objective is to find Basil and this drives most of the story that takes part in Headspace. This involves a lot of exploring different areas of Headspace including an area accessed via the ladder that Sunny had previously been too afraid to use. Omori is encouraged by his friends to go up the ladder as they believe it may lead to Basil and this is clearly linked to Sunny defeating the Something on the stairs in the real world. This area is called Otherworld. After going on quests in the hopes that they will lead to Basil and fighting in a battle against the first proper boss, Space Boyfriend, some bloody footsteps will lead to a shadowy figure of Basil. Following shadow Basil takes Omori to a dark sinister space with some hints about Sunny’s dark past and his reason for creating and escaping to Headspace. He is chased by the version of Something the player will see the most, a version already depicted in Omori’s sketchbook in White Space, a strange shape with one eye. When caught by Something Omori wakes up once again in White Space where he once again has to stab himself to wake up in the Real World. This is the End of the Prologue and the start of the first chapter: Three Days Left. Each chapter counts down the days until Sunny is supposed to move out.

Every time Omori turns up at White Space and the white door is not present, the player has to make him stab himself in order to wake up as Sunny in the real world. That is the only way to access the real world. During each real world segments there is a battle with a different creature called Something related to each of Sunny’s fears. First heights, then spiders and finally drowning. Defeating these creatures in the real world always gives Sunny a new skill (these are: Calm Down, then Focus, then Persist) and allows Omori to later overcome, after his friends offer him support, the related fear in Headspace, allowing him to explore new areas that were previously blocked off (Otherworld, then Pyrefly Forest and finally Last Resort and Underwater Highway are only accessible by Omori and Mari swimming across the beach). I found this very interesting as it showed that Omori’s fears were limiting him and that he was able to overcome them, both for his friend (Basil) and with the support of his other friends (Aubrey, Kel and Hero). It implies that you should reach for help or support if you can and it reminded me a lot of my own anxiety which has limited me a lot in my past by making me scared to go to social events for example. Friendship is an important theme throughout Omori (in fact it is an important theme in all three games I chose to assess).

The first chapter opens in the real world with someone claiming to be Kel knocks on the door and the player has to choose whether to open it or not. This choice determines which route of the game the player goes down. The normal route starts when the player chooses to open the door. It is revealed to actually be Kel and not a jumpscare like Mari was and he wants to spend time with Sunny before he moves out. When Sunny explores the town with Kel he finds out that Aubrey has changed a lot, having dyed her hair pink and become the leader of what appears to be a group of bullies who often bully Basil, who is even more timid and scared than the version of him the player saw in Headspace (before he disappeared of course). Sunny and Kel rescue Basil by fighting against Aubrey who Sunny wins against by slashing her with his Steak Knife. Kel is shocked that Omori used a knife against Aubrey and takes it from him. This part made me realise how real the real world is meant to be and how Sunny had become incredibly detached from it by spending all his time in Headspace as Omori and becoming used to having to fight creatures and bosses with his Shiny Knife. Kel and Sunny then decide to retrieve Basil’s photo album which he says Aubrey stole from him. They find her in a church where she reveals to the player that Mari died four years prior, which is presumably the traumatic event that caused Sunny to retreat into Headspace, and is the reason the friend group drifted apart. Kel and Sunny then fight Aubrey again, drawing attention to Aubrey from the other churchgoers who criticise her, causing her to flee. Kel and Sunny then spot her throwing the photo album into the trash and take it to bring back to Basil. This photo album contains different pictures to the one in Headspace but is still filled with pictures showing their friendship, although all pictures containing Mari are missing, presumably taken by Aubrey. When they take the photo album back to Basil, who lives with his caretaker Polly they are invited to have dinner with them. Over dinner Kel mentions that Sunny is moving away and Basil runs to the bathroom. Following him to the bathroom shows him also seeing Something, which he says is behind Sunny. He clearly is also traumatised, his trauma most likely linked to Sunny’s trauma. Basil seems genuinely scared to be left alone but the only option for Sunny is to leave him alone. Then when Sunny goes home he faces the spider Something and goes to bed waking up in White Space.

I will not go into detail into the areas of Headspace that the party explore while looking for Basil as that would take a long time and doesn’t need to be discussed to explain the plot. The reason I went into so much detail for the Prologue is that it sets up the game. Most of the story in Headspace involves the friends looking for Basil, discovering new areas, skills, items and Bosses and always ending in Omori seeing bloody footprints leading to shadow Basil which usually leads to White Space, Omori stabbing himself and waking in the real world.

In the second chapter, Sunny starts off in the real world again. To briefly summarise, he and Kel find Basil being bullied by Aubrey and her current friends ending up with Aubrey accidentally pushing Basil into the water. Sunny has to face his fear of drowning to save Basil and faces up against another Something. Sunny and Basil are then saved by Hero who has returned from college for a short visit. They go to Kel and Hero’s house and look through the photo album and then Kel and Hero ask their parents if they can go to Sunny’s house for a sleepover. In the house Hero goes to the piano room – the room Sunny previously refused to enter. Sunny and Kel then join him there where the player finds out Mari used to play piano, and that her death was a suicide. The player knows from the photo album by now that Sunny also used to play the violin and that he and Mari were meant to play a concert together before she died. Kel, Hero and Sunny then set up a fort in Sunny’s room.

Then Omori wakes up completely alone in Neighbor’s Room in Headspace. Leaving Neighbor’s Room all the paths are blocked off by fog except for the one to the Playground. The Playground is entirely empty but if the player interacts with the mirror they can play hide and seek alone. This is a clear tonal shift as usually Headspace is very cheerful and full of life but with only Omori it becomes eerie. Then the path to the beach is accessible. At the end of the dock stands Mari. She encourages Omori to swim cross the ocean and get past his fear of drowning by promising to stay with him and saying, “steady your heartbeat… don’t be afraid. It’s not as scary as you think.” Crossing the ocean with Mari takes them across to some wooden dock paths. When they reach the end of the long wooden paths there are some curtains floating atop them. Mari turns to face Omori and says: “… Omori… it seems you have forgotten something important. Are you okay with that? I’m not too sure… you’ve seen this curtain once before. The last time we went to the lake. This is my stop though. I know I shouldn’t have come… It just gets a little lonely without everyone. It’s not my place to say anymore, but… I hope you’re still there… Sunny… I really miss you” Mari then says “goodbye, little brother.” Then Sunny enters a new area of Headspace which leads to a hotel called the Last Resort where he has to collect Kel, Aubrey and Hero who were all trapped in contracts to a boss named Mr Jawsum who they have to battle against. This is more like the previous areas of Headspace with lots of puns and colourful new characters. Then the friends travel down the Underwater Highway eventually following a recurring side character Sweetheart to an area of Headspace called The Abyss, during which they start to forget what Basil looks like. In The Abyss there are a lot of hints towards Sunny’s past and trauma. Eventually the friends end up meeting a whale called Humphrey who invites them to enter into his stomach. He is both a new area to explore and, after this exploration, a boss who threatens to actually eat them. Then, once Humphrey is defeated the friends go to find the last of the 12 keys which spells out “Welcome to Black Space” and then shows them Basils house. On the way to Basil’s house the trees and plants look dead. Entering the house there is a pit and entering the pit leads to a dark place which eventually leads to a black door which Omori opens. This introduces the player to Black Space, essentially the inverse of White Space which is surrounded by black doors.

If White Space is where Sunny locks himself away to forget all of his trauma, Black Space seems to be where he hides all of his repressed memories, fears and mental health problems. There is a key in the centre of the room. The key will open whichever of the doors the player chooses to enter first. Each room behind a black door is disturbing and broken looking, with bloody footprints leading to a key and then a red hand appearing and taking Omori back to Black Space. One Black Space room is a small room with a Butler who has the face of a cat while the cat Mewo (who the player knows by now was Mari’s cat) is strapped down to a table with knives next to her. Once Omori has entered the room, the door he used to enter disappears. When Omori interacts with the Butler he says “Mewo has been very, very bad” and then gives Omori a key. As there is no door to use the key on it seems the only choice is to approach Mewo. When Omori interacts with Mewo the text box asks: “do you want to cut open Mewo?” with the options yes and no. As there seemed to be no other option I reluctantly clicked yes, not wanting to see Mewo cut open even though I had become a bit used to the violence of the game after seeing Basil die in several of the other Black Space rooms. However, when the I clicked yes it lead to more text. “Mewo stares at you. She tilts her head out of curiosity.” And then the game asks again: “Do you want to cut open Mewo?” I clicked yes again. More text. “Mewo stares at you. Her eyes widen. She wants to go now.” And then, “do you want to cut open Mewo?” I clicked yes again, feeling more and more uncomfortable. “Mewo stares at you. She struggles to break free.” Again the choice, “do you want to cut open Mewo?” And once again I clicked yes. “Mewo stares at you. Her eyes are filled with desperation.” I was asked again, “Do you want to cut open Mewo?” I clicked yes. “Mewo stares at you. She tries to scream, but there is no sound.” And again, “do you want to cut open Mewo?” I clicked yes again hoping it would eventually give me a different option but knowing it probably wouldn’t. “Mewo stares at you. She does not know what is happening.” Again the question, “do you want to cut open Mewo?” And finally she was dead, her red blood bright in the dark room and the text box “you cut open Mewo.” I thought finally, the red hand would appear and take Omori back to Black Space, but it didn’t. I waited a couple more seconds and then walked Omori around the small room. Nothing happened. I went to the Butler to see if he would help me leave after having committed such a terrible act but all he said was, “waiting for something to happen?” and I realised with growing dread that there had been no reason for cutting open Mewo. It had done nothing to help Omori leave the room. I opened the pocket menu and saw that the Stab option was back. I selected it and Omori stabbed himself and returned to Black Space. That was the moment for me where the game felt like an actual psychological horror. It had set out rules for Black Space. Open the door to a room, find the key for the next room and then the red hand would take Omori back to Black Space. I didn’t like the rules and the rooms unsettled me with how they took elements of the game I had grown accustomed to or invested in and then twisted them (like Watermelons hiding items, or Basil needing to be rescued) but I knew I had to follow them to progress. Except in that case, the rules weren’t the same and trying to follow them killed Mewo making me feel like a horrible person. When I watched a video titled “OMORI and Dissociative Amnesia”, part of a series of videos titled “Psych of Play” on YouTube by ‘Daryl Talks Games’ I saw the other side of that scenario. Daryl mentions how he “checked everything I could think to check to find a way not to kill this cat. Until I stumbled upon my menu and realised the Stab option was there and in that moment I was relieved. Finally something other than playing what feels like an actual nightmare I thought. And after I stabbed Omori and respawned in Black Space it sort of hit me like a truck that this game had just made killing myself seem like the best option. It seriously made me think that suicide was the easiest thing to do… given my circumstances. It took that unnatural feeling I had experienced so early in the game, and made me welcome it. Which I think paints a shockingly real picture of how suicide may seem to someone who is dealing with these astonishingly dark and sinister levels of anxiety” (Daryl Talks Games, 2021, 27:19). He had a moment where he felt that the game really revealed what it was like to be in Sunny’s shoes and made him emphasise with what Sunny’s suicidal thoughts probably felt like. And Sunny does seem to be suicidal as a result of his trauma and guilt. The bad ending leads to him killing himself by jumping off a building. This implies that part of the purpose of the game may be to show people who do not have mental health conditions what it is like to experience them. I think this would make sense since, as the disclaimer included in the game warns, ‘OMORI’ should not be played by people who are too close to the themes depicted and will find the game triggering. Much of the online community around Omori however talk about how it resonated with them or was important to them because of its mental health themes. The game has seemed to help a lot of people feel less alone with its exploration of mental health, although much of the community also emphasise that you have to be in a good state of mind when playing the game and recommend not playing it on bad days. I myself made sure I only played it on days I felt comfortable playing it and would alternate between playing the game for hours and then taking days off to decompress.

After finally escaping Black Space by killing Basil one more time (a lot of the Black Space rooms involve killing Basil by accident, but this last time seems to be on purpose) Sunny wakes up hearing music. Following the music takes the player to the piano room where Mari is sat playing the theme tune of the game. Mari talks about playing the piano and how she felt maybe she pushed Sunny to hard. She says: “We never did get to play at that last recital. Did you want to play it with me now?” Before Sunny can respond Hero bursts into the room. He tells Sunny to go back to sleep.

In the last part of the game the truth is revealed. Before their recital Sunny had thrown his violin down the stairs where it broke and had an argument with Mari, presumably over the pressure he felt to play the violin perfectly. He pushed her and she fell down the stairs and died. Basil found him and the two of them disguise her death as a suicide.

After this is revealed the player has the option to visit Basil who is convinced Sunny is possessed by Something and will start a fight between Sunny and Basil. Both Sunny and Basil will faint at the end of the fight. Sunny then finds his broken violin and is taken through memories that were shown in Basil’s photo album. After each new memory the violin will start to fix itself until it is complete. Then Sunny will appear at the recital where he is encouraged by his friends. He will put up his sheet music, start to play and then break down sobbing. Then Omori appears and the final battle is between Omori and Sunny. During this battle Omori speaks to Sunny telling him all the reasons he is a bad person and should be guilty. The phrases he used struck home and I become incredibly invested in the battle and trying to win as what he said sounded a lot like what the voices in my episodes of psychosis had told me. However Omori will ‘not succumb’ and eventually Sunny will be defeated and a game over page appears. It gave me the opportunity to continue so I took it. This time Sunny has the option to play. Choosing it will make Sunny take out his violin and he and Mari play their duet they practiced for their recital. This cutscene made me incredible emotional as it showed how much Sunny and Mari loved each other. The whole fight really showcases how Sunny felt, as Omori the representation of all his guilt and repressed memories, that his friends would be better off without him, but playing the violin gave him hope again and defeats Omori. They then hug in White Space and a white door appears. Going through it causes Sunny to wake up in the hospital with a bandage over one eye, injured in his fight against Basil. Leaving the hospital room will show shadow Basil and following him takes Sunny to Basil’s hospital room where Kel, Aubrey and Hero sit around Basil. Entering the room starts the Good Ending cutscene where Sunny decides to tell them about killing Mari, but the game cuts off before the player can see his friends reactions.

I know I have gone into a lot of depth explaining the plot and it might not have all been entirely necessary, the mental health aspects are central to the plot and discussing them felt like it would make no sense unless I described the plot first.

The game has a disclaimer both at the beginning of the game as well as on the game’s Steam page warning players that the game “contains depictions of depression, anxiety and suicide” which I think is very important and needed in the case of this game. The game is a (psychological) horror game, and horror games are quite well known in mental health gaming communities as misrepresenting mental health, mostly as portraying people with mental health conditions as violent and out of control, and mental health institutions as creepy and places to be feared and avoided. However, although the game uses Sunny’s mental health as a basis for the horror aspects it is not done in a way that belittles his struggles but rather just emphasises how difficult it is for him to cope with them. Although the cause of Sunny and Basil’s trauma is revealed to be a situation that players will most likely be unable to relate to, the way their depression and Sunny’s anxiety are portrayed still resonate with a lot of players as is evidenced in many Steam reviews. Omori and Basil are both quite sympathetic characters. They both seem to have depression but it is expressed in different ways – Omori completely withdrew into an imaginary world to avoid his trauma whereas Basil tried to put on a cheery façade but was actually deeply affected.

OMOCAT, the creator of Omori seems to be quite private and has not revealed much about the process or inspiration behind Omori and has not done any interviews, unlike the creators of the other games I have discussed, so it is difficult to tell whether she did any research on mental health when making the game or whether she experiences mental health conditions herself that may have assisted in making an accurate representation of mental health. However she did state in a blog post from the time of the Kickstarter that: “OMORI started out as a very personal project. He was a character that I created to help me cope with my problems during a confusing part of my life” (OMOCAT, 2014).

One of its main themes, one which features strongly in all three games, is the importance of friendship. I think this is an important message to have, for friends to support each other. Early on in the game if you buy good advice from the wise rock in the Vast Forest it tells Omori: “pain doesn’t last forever.” This is a major theme of the game and I think it is an important one. Although the Good Ending is ambiguous as the player will not know how Sunny’s friends will react, it gives hope that Sunny is no longer trapped by his trauma and he can finally try to move forward from it, and by telling them it seems he is also freeing Basil from his guilt as well. Overall I think it was a game that told a story that, although the ending reveal made Sunny’s actual situation less relatable and the game leaned to stereotypes at times, his experience of mental health still felt very real and resonated with a lot of players.

References:

OMOCAT (2014) OMORI Kickstarter Update. Available at:

https://www.omocat-blog.com/post/85490697570/from-illustration-to-video-game-omori-kickstarter (accessed at: 23 February 2021)

https://youtu.be/rUDGlEWa4sE (accessed at: 11 April 2021)

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