Zostałem nazwany leniwym przez ludzi, którzy nawet nie wiedzieli, że próbuję utrzymać się przy życiu.
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You run and tell your friends that you're leavin' me
They say that they don't see what you see in me
You wait a couple of months, then you gon' see
You'll never find nobody better than me
Szaladsz a barátaidhoz és elmondod nekik, hogy elhagysz
Ők meg azt mondják, nem látják, te mit látsz bennem
Vársz majd pár hónapot aztán meglátod te is
Soha nem fogsz jobbat találni nálam
Kanye West - Heartless (2007)
(Gettocsirke)
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Czasami oni nie kochają ciebie, ale kochają to, jak ty kochasz ich.
Przeczytaj to jeszcze raz
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Blog 6-Persona Poem
To walk in another persons shoes is a very difficult task. This poem requires one to put method acting or the Uta Hagen method to use when writing or even approaching the poem. It was fun, but I also felt sorry for the person in my poem.
I watched hours of interviews to really put myself in the mind frame of this person. I wanted everyone to know this person’s Super Ego, Ego and ID. I listened to music from various points in this person’s career to really capture the essence of who this person is, truly. I don’t want my audience to read the poem and feel empty; I want my readers to know the person and emote with this person or for this person.
This is how it started.
I really enjoyed writing this poem. It started out as a rap and then it flowed into what is.
It’s like water.
Enjoy.
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‘if i ever instigated, im sorry’ – Kanye West, The Life Of Pablo [2016]
A pandemonium that somehow seems to stick together.
His raison d’etre, throughout the length of the album, keeps varying. Yeezus, to some, was a concept album, with Kanye trying to come to terms with the fact, that he isn’t infallible, finally accepting ‘I know he the most high, but I am a close high’. Yet, he proceeds to rap ‘I am a God’, painting a vividly detailed idea of the podium he places himself on. David Hammons was an influential Black artist, who went on to berate the world and the audience that had celebrated him, calling them out as ‘overly sophisticated’. To Kanye, he was nothing short of an inspiration. Yeezus was no more a mortal man, he wasn’t creating art to please his mortal audience. Even though he was a Man of God, he was nothing short of the latter, himself.
Yeezus has to descend from the throne he sits on, to be a father. A husband. A speaker for his community. The throne was too far up to be heard from. Yeezus walks down the platform, glancing at his past aura – would he be able to retrace his steps back from his life of excess, women, recklessness – would he be able to survive, and more importantly, not die?
The moment the steps end & the podium evades his mindscape, Yeezus transcends into Pablo. He is no more a God, a mortal man, surrounded by mortal men.
The album art clearly depicts a dichotomy. An agonizing difference between his new world and the habits that he often finds himself embedded in. Pablo, after all, isn’t all that different from Yeezus. Moreover, what differentiates him from the latter, is his desire to turn into Pablo. Regardless, he fails to. This idea of swinging from one persona of his to the other, fledges over the record. It’s a begrimed scenario for our protagonist – one who doesn’t know who he is.
As the continuous dizzying dilemma folds out, he seems to accept Pablo the way he is. ‘Saint Pablo’ is not without his flaws. However, from this juxtaposition, Pablo can’t help but reach one obnoxious conclusion, which he brings on Abel to declare: ‘cant let them get to me, and even though I always fuck my life up, only I can mention me’, and on the same track, he cries out 'dont stop the loving, they dont wanna see me love you'.
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