Me trying to explain Bandstand to anyone: A family isn't always your blood. It isn't just a mother and a father. Sometimes a family is a depressed bisexual war veteran, the widow of his best friend, an alcoholic double bass player who likes Shakespeare, a drummer with memory problems, a gay lawyer who likes checkered trousers, a divorced dad of two who has OCD and a trumpet player with anger issues.
THE EPILOGUE FOR BANDSTAND GOES OVER A SPAN OF AT LEAST FOUR YEARS? HELLO?
The beginning scene takes place a year after the events of the radio contest. We know Act One and the majority of Act Two (everything but the Epilogue) take place in 1945, so that means the Epilogue starts in '46 (see image below).
But we suddenly jump forward FOUR YEARS to not only when The Rainbow Room has opened again, but they've ALREADY PERFORMED THERE?
That's it. That's the post. The band is still together after, like, five+ years. This is fine. This didn't make me almost start crying out of happiness. (<- complete and utter sarcasm.)
The band is so happy together... Oh, they're such a found family...
When Johnny enters the bar you own, he is talking with Davy. However, when he sees you, he immediately smiles. His smile is warm. It makes your chest feel warm as your heart beats faster. Your face feels warm too, as you can’t help but blush as he half-runs half-walks over to hug you as a greeting.
His Hugs
Johnny’s hugs were warm. He always seemed warmer than anyone else, especially when you were entirely wrapped in his arms with him gently kissing the top of your head. You could feel his heartbeat he was holding you so tightly. So happy to see you. This happened everyday. You loved it every day. You smile up at him.
His Eyes
Johnny pulled back from the hug and looked at you with such warm and kind eyes. So in love you could see it on his whole face. His Green-Gray eyes met yours. The way he looked at you never failed to warm something in you, some emotion in you, that no one else could reach. No one else could touch that part of you, and warm it as he could.
His Voice
“Well Hey, Sweetheart! Hey, we just got done with the gig down the street, is your shift over? I feel like dancing!”
You know his shift ended an hour ago. You knew he and the boys had been drinking from the way Wayne and Davy were struggling to stand. You knew he thought they had just finished. you also knew your shift wouldn’t end for another half an hour. You didn’t have time for dancing. There wasn’t even live music in the bar tonight.
”Sure Johnny. I’d love to dance with you. I’ll put on your favorite record.”
There was his smile again.
His Laugh
You turned the music on and headed back to where Johnny was sitting with the band. He was laughing over something Davy said. His laugh was loud. He never tried to hide his laughter. He saw you and you once again his eyes brighten. He walks over to you again, and takes your hand. He kisses your hand softly while keeping eye contact.
“Hey! Do you wanna dance? The record that makes me think of you is on.”
“I would love to Johnny.” You said softly, smiling because his smile is so cute and contagious.
Bonus:
Johnny Simpson’s hands are cold. His hands shake. Both from his PTSD and his nerve damage. His hands are cold, but when he holds your hand to drag you to the dance floor, it makes you warm. Today, his hands were lightly shaking as one of his arms snaked around your waist for a slow dance. His hands were freezing against your dress, where you could feel it through the fabric. However, as his cold hands held you and sent chills through your body with how cold he was, you felt hot. Johnny Simpson wasn’t just warm. Johnny Simpson was hot.
Today's random fic comes from the Bandstand - Oberacker/Oberacker & TaylorNavigation and Actions fandom, Pulled Me Apart (I'm So Open) by aintweproudriff
Chapters: 3/3
Words: 4,674
Fandom: Bandstand - Oberacker/Oberacker & Taylor
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Johnny Simpson/Davy Zlatic, Nick Radel/Wayne Wright, Donny Novitski/Julia Trojan, past Donny Novitski/Michael Trojan
Characters: Davy Zlatic, Johnny Simpson, Donny Novitski, Julia Trojan, Nick Radel, Wayne Wright, Jimmy Campbell
Additional Tags: Sharing a Bed, cliches, canon typical nightmares and trauma, canon typical alcoholism, the whole dnb is gay and there's nothing you can do about it
Language: English
Summary: "They did make their way up to the room, Davy holding out hope the whole way up that Donny had been wrong about his mistake and the two of them were actually getting a room with two beds. Upon opening the door, however, Davy had to let go of that wish. One bed, clear as day."
OR I love to write tropes
Sometimes I think about Jimmy and Donny's dog tags flying out from underneath their shirts when they preform Welcome Home (Finale) in the pro-shot and it hurts every single time I think about it. All of the guys have lost friends, but Jimmy and Donny are the only ones who actively say something about what happened to the people they'd lost during the show, so it means a lot to me that they specifically have this happen. The rest of them are wearing theirs too, but there's just something so unbelievably heart-wrenching about the way that Donny and Jimmy's noticeably fly around.
They were the only ones to make it out of their respective situations, too (the grenade accident and the ship explosion). Their dog tags were ALSO the only ones to make it out.
When the tags fly out, it makes me think of the line "sing because you need to sing". They've all gone through so, so much. And with the Finale, they're finally allowing themselves to let go of *ALL* of the rules because they just *NEED* to.
This leaves them vulnerable, and their tags are emblematic of that. We only see other tags from the guys in the band when they are equally vulnerable (Counterpoint/Pie Jesu, Proud Riff).
Welcome Home (Finale), for Donny and Jimmy, while it makes them feel vulnerable and the dog tags visually represent the people they've lost... They continue to push through and play just because they *NEED* to. They don't *HAVE* to do anything for that competition. They could have walked away. But they went up there and played their hearts out not just for themselves, but for EVERYONE they've lost.
They did it for Michael. They did it for Jimmy's crew. They did it to take care of Julia, like Michael wanted. They did it for the people Davy lost, the people Nick lost, the people that Wayne and Johnny lost. But Jimmy and Donny were the characters whose losses were directly, verbally, specifically established to have directly influenced their waking thoughts, and THEY are the ones whose dog tags fly out.
Because just like they were the only ones to get out alive, their tags are some of the only ones that came back from their respective tragedies (the grenade incident/the ship explosion). And they are letting themselves be vulnerable, they are letting their tags fly out because they *NEED* to play; they *NEED* to tell not only their stories, but the stories of their lost loved ones, whose memory they carry with them with their own tags, since they weren't able to get their fellow servicemen's after their deaths.
God, I know this fandom is super dead, which is unfortunate, but I hope this makes sense.