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#it's DEFINITELY going to be about rhaenyra we literally have the page
navree · 1 year
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they spun her around on the damp old stones, spun away all her sorrow and pain. ( insp. )
one death may have been a mercy. the dowager queen alicent of house hightower, second wife of king viserys i and mother to his sons, aegon, aemond, and daeron, and his daughter helaena, died on the same night as lord westerling, after confessing her sins to her septa. she had outlived all of her children and spent the last year of her life confined to her apartments, with no company but her septa, the serving girls who brought her food, and the guards outside her door. books were given her, and needles and thread, but her guards said alicent spent more time weeping than reading or sewing. one day she ripped all her clothing into pieces. by the end of the year she had taken to talking to herself, and had come to have a deep aversion to the color green. 
in her last days the queen dowager seemed to become more lucid. “i want to see my sons again,” she told her septa, “and helaena, my sweet girl, oh…and [rhaenyra]. i will read to [her], as i did when i was little. [s]he used to say i had a lovely voice.” ( strangely, in her final hours queen alicent spoke often of [rhaenyra], but never of her husband, king viserys. ) the stranger came for her on a rainy night, at the hour of the wolf.
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daenerysies · 2 months
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“laena/rhaenyra wasn’t even a paragraph why are you so mad that they were scrapped for the show?”
oh i don’t know janice maybe because it being in a historical text written 200 years after the fact by ultra religious MEN who despise women and queerness all together IS noteworthy? ‘more than fond of’ is an allegory used multiple times in the asoiaf main timeline to describe romantic feelings and you’re mad that people read that phrase the way it was intended? not to mention it’s used in conjunction with ‘while the princess misliked her stepmother’ like COME ON at this point you’re being deliberately stupid. i’m sorry they weren’t scissoring each other for 200 pages but in actuality what did you expect? acting like rhaenyra and alicent were so so in love when we were only shown a couple scenes of them getting along max during a six month period. the only way that ship will ever be canon is through the actors. the show leaves crumbs for asshats like you because they know you’ll bend over backwards to defend them. apparently it’s still okay to queerbait in the year of our lord 2k24; along with sidelining a woman of color because diversity was important until it came to fleshing out a black woman and her canon sapphicness.
laena, for the limited time we had her character, was fiery, bold, and adventurous. she claimed the largest and oldest dragon alive at 12! the show choosing to racebend her only to mitigate her affect on the plot is gross! they did it to keep the ‘what if they were in love’ guessing game and gift it to a white woman. a white woman who vehemently HATED rhaenyra. we just wanted the story to have complex and multilayered characters rhaenyra has NO FRIENDS besides the first *two* episodes that is the definition of shitty storytelling. a targaryen princess at the height of her families power the literal protagonist of the dance and you all want her to be a lonely spinster boy mom who’s not like the other girls so bad when she was literally surrounded by women all of whom she cared about dearly. multiple relationships with others helps bring a story to life and would’ve helped tremendously with making the dumb as rocks audience understand rhaenyra’s character and how she was a girls girl in a time where you really couldn’t afford to be one which is why it’s so tragic when she starts turning on them during the dance but nooo the ONLY relationship that matters is a busted up friendship that the writers have in a chokehold for no good reason and fuck everyone else that these women might care about right? fuck rhaenyra fuck laena fuck alicent fuck their kids fuck their GRANDKIDS they’re all just mostly blank slates anyway what impact is their death going to have on the narrative? next to nothing because of these fuckass decisions. let’s just all agree to throw stones at glass houses THAT would be more fulfilling for the show than half of the shit they gave us.
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kazz-brekker · 2 years
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 hotd episode 10 thoughts
i was very much hoping to come out of this episode emotionally devastated in the best possible way and i am definitely am but i’m also. sort of annoyed about some of these adaptational choices? weird mix of emotions to be feeling. anyway!
that scene between luke and rhaenyra where she reassured him about being lord of the tides someday was really sweet but also made me very sad, rhaenyra clearly loves her kids so much and i’m devastated about it.
any time rhaenyra and rhaenys have a scene together i’m excited, can’t wait to see them be genuine allies in season 2.
i might be giving daemon too much credit as a person but it felt of weird to me that he completely abandoned rhaenyra when she went into premature labor even when she was calling out for him. like, obviously he’s a very morally gray person who does bad stuff, but hotd has taken pains to show that daemon genuinely does care about his family above all else and he was also very protective of rhaenyra in episode 8 so. idk. i really don’t think i’m being too generous to daemon when i say it was a bit strange?
why was jace being mean to luke during the training scene :(
that labor scene was very stressful but emma d’arcy was SO good in it.
i felt pretty convinced that this show was going to draw a parallel between rhaenyra wanting to name aemma’s child visenya in episode 1 and then naming her own stillborn daughter visenya and then they just. didn’t follow through on it? why add that in if you’re not going to do that!
this show has gotten me very invested in the sibling relationship between viserys and daemon and i SO wish that we had gotten to see daemon mourn his brother for more than 2 seconds. he didn’t even cry! it’s 2022 please let fictional men cry when they are sad!
i do like the idea of rhaenyra not wanting to absolutely destroy westeros in pursuit of the throne but i also feel like this episode was making it feel like she was pushed into war by a bunch of men.
rhaenyra’s grief in this episode was well-acted, but let her be angry too! “they murdered my daughter and stole my crown and they shall pay for it” is an iconic line of dialogue from fire & blood for a reason!
the crowning scene was very cool, i liked the idea of the funeral transforming from a moment grief to a moment of triumph. daemon crowning rhaenyra and then kneeling was great and so was rhaenyra and rhaenys looking at each other in solidarity.
rhaenyra looks better in that crown than her father ever did. i speak only facts.
i’m pretty sure rhaena and baela had collectively 1 entire line of dialogue in this episode which is such a waste, they’re both interesting characters who deserve more.
rhaenyra flying down on syrax when otto arrived for the negotiations was cool and a fun parallel to episode 2 but also, should she really being flying on a dragon if she JUST gave birth?
the call back to episode 1 with the torn page … oof alicent and rhaenyra never got over each other did, they?
daemon choking rhaenyra also felt a bit out of place. i fully admit that daemon is not a good person and their relationship definitely has weird and messed-up elements, but considering how they were portrayed in episode 8–raising their kids together, holding hands all the time, daemon beheading a guy for insulting rhaenyra–i was under the impression that this show wanted us to root for this relationship.
what were they trying to do with this moment? was this supposed to be a “gotcha, you thought daemon could be a good person but actually he’s bad all the way down” moment? has he done this to rhaenyra before? is this the first time he’s laid hands on her? why is it literally never mentioned again in the rest of the episode and the next time we see them they’re holding hands like nothing happened? idk i’m not saying that daemon is a good person (he’s not!) but it just felt very random.
i really liked the scene between corlys and rhaenys, especially corlys admitting that he was wrong about his ambition and rhaenys referring to jace, luke, and joffrey as her grandkids. functional marriage for the win!
i knew it was coming but the when jace said dragons are swifter than ravens, send us, i was like NOOOOO HONEY DON’T.
they mentioned cregan stark! and grover tully! and the riverland lords! and allies in the vale of arryn! black supporter characters incoming!
rhaenyra reassuring luke that his journey will be quick and he’ll be welcome at storm’s end … nooo stop i’m already sad.
daemon singing to vermithor in high valyrian was cool but i’m gonna be real if i had to pick another dragon to show on screen this season it would have been sunfyre or dreamfyre. we were robbed of them!
luke arriving at storm’s end and seeing vhagar, who’s literally the size of a castle, was extremely cool and very ominous.
that whole sequence at storm’s end in general had SUCH a great sense of building tension and terror.
despite the circumstances under which it was revealed i am clapping and cheering at the sapphire eye reveal.
aemond saying he wants to give alicent luke’s eye as a present … oh he is never beating the mama’s boy allegations.
the whole sequence of luke and arrax fleeing from aemond while he laughs was EXACTLY as terrifying as i hoped it would be, i especially loved seeing vhagar’s huge shadow. even though i knew how it was going to end there was so much tension and i really did want him to escape.
but listen i’m sorry, i think the idea of aemond losing control of vhagar and her eating luke and arrax against his wishes is incredibly stupid.
hang on need to write my two cents on controlling dragons. yes, dragons in asoiaf are portrayed as dangerous creatures with minds of their own and daenerys does have trouble controlling her dragons in the main series. they’re not mindlessly obedient to their riders at all.
however, there is exactly one instance that i can think of in fire & blood of a dragon deliberately disobeying its rider (silverwing refusing to fly good queen alysanne over the wall) and that was a weird outlier. this show has also not portrayed dragons as disobedient to their riders (and no, i’m not counting the “it’s an illusion that that we control the dragons” line, that wasn’t backed up with any proof).
vhagar is very powerful dragon, yeah, but she’s not untrained, and aemond has been riding her since he was a kid. if he could stop vhagar from killing him before they were properly bonded, then it makes no sense that he couldn’t stop her from eating luke and arrax.
also the implication that luke and arrax would have survived if they hadn’t fought back is … kind of bizarre? why portray it like that?
i do think that fire and blood portrays aemond’s murder of luke as very spontaneous (and partially motivated by maris baratheon making the worst-time dick joke in the history of westeros, which they didn’t include) and i wish that the show had just. committed to the bit. they could have had aemond give in to his rage and bitterness and the grudge he’s been nursing for 6 years, killed luke, then have his “oh god what have i done” moment. as it is, it feels sort of like they were afraid to have him do something actually bad on purpose.
i really wish they had included daemon’s iconic “an eye for an eye, a son for a son, lucerys shall be avenged” line, i was waiting all season to hear it. emma d’arcy absolutely ATE in that last scene even with no words but i think they could have done both!
still … even if i had some problems with the adaptational choices in that episode … that last shot of rhaenyra turning around with absolute vengeance on her face was amazing and i’m excited to see the dance start in earnest.
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