C'MON TO THE THEATER!

I love these guys so much. forget NRC, I want to attend their terrible disaster school for disaster children that might actually be plastered on top of the smoking remains of an actively sinking ship. I may or may not actually learn anything, but I will have the time of my life.

i cannot conceive of a universe without you in it

Fellas is it gay to give yourself a lobotomy to possibly preserve the soul of your one and only companion who died to save you? Asking for a friend

sorry mia the person who draws ur husband daily is a multishipper

plight of the honeybee

if this is a dream, i’m never waking up

the brainrot won

study of this masterwork

a paperback book isnt alive until you break its spine btw like a long slumbering animal being carefully roused it actually needs you to do that like when you click your knuckles. for your paperback book the breaking of its spine is like the first stretch against your pillow in the morning

hello! wizard spotting (i painted this wizard)

this beast is SICK💖 drifting away

so the good place is widely lauded on this site for its takes on morality and capitalism, which i totally agree with

but i think it should get more recognition for the line "all humans are aware of death. so we're all a little bit sad all the time. that's just the deal. we don't get offered any better ones. and if you try and ignore your sadness, it just ends up leaking out of you anyway. i've been there, and everybody's been there. so don't fight it. in the words of a very wise bed bath and beyond employee i once knew - go ahead and cry all you want. but you're gonna have to pay for that toilet plunger."

Moon Cycle 2 - a redraw of this piece.

My rendition of @tempo-takoyaki's DTIYS!

Congrats on the milestones! And to everyone else, please go check out their 'Drawing TGCF (except I haven't read the books)' series!

imagine being so insensitive that you would blame a child for their death and openly talk about how badly behaved they were right in front of their grave. oh and on said child's birthday-- the day he would've turned 18 years old. you spend your first official late child's 18th birthday calling him brash and impulsive, implying he got himself murdered, instead of mourning the fact that today is the day your dead son would've reached a major milestone in his life.

trying to exist while my body is just constantly fighting my internal organs is exhausting i wish i could just teleport into a body that works

forbidden love type of beat

something i enjoy about blitzø as well is that he's not a typical leading man for an action show, nor is he a typical leading man for a queer show. he's capable and got that "extremely bad at communication" thing down you might see in a lot of narratives about straight guys (especially straight guys who shoot guns) but i think is less explored with queer men, and he's also incredibly camp without any shame attached to queerness itself, he crossdresses, he's a punky goth gay, he flirts relentlessly (and often unhealthily) to get what he wants, he's got that kinky switch energy, and he's exuberant, and emotionally closed off, and incredibly rude, and very sad, and very caring, and very action-hero/anti-hero, and all in a narrative that explores these dynamics from an explicitly queer point of view.

i think it's amazing that he's as well-received as he is, considering how much he exists outside of clear categories for what people think a character "should" be, but i've seen him play well for bro-ey types as well as the most faggoty audience members (that's me), and the translation isn't for the queer audience to make, it's for straight audiences to get onboard with a complex queer character and it clearly works!

there's really something to be said about the queer lens for both of the shows, but i do think blitzø has such a specific fascinating pov for what one might call the "badass action guy who's also great at seduction" type character. he's really hitting some extremes for the spectrum of how one typically allows characters to exist

a queer masculinity in a genre show