one day, by chance, hero runs into villain's civilian identity. villain doesn't recognize them. seeing this as an invaluable chance to get more intel on their enemy, hero befriends villain.
and what they find is... bizarre. villain is always rather cheery and friendly when they fight, something that hero assumed to be mocking, but... no, villain really just is that friendly. in fact, if hero didn't know for certain that this was villain, they wouldn't believe it themselves. they can't imagine this person could hurt a fly.
as the two get closer, villain opens up a bit more. they keep it vague, but hero catches the occasional complaint about their boss and their job, about how they hate it, but they can't leave. that only poses more questions for hero. if villain hates being a villain, but they can't stop, then what's stopping them?
it isn't until the next time hero is in villain's apartment that they find the answer. villain goes into another room for a few minutes, and hero takes the opportunity to snoop a bit. but they don't have to look for long. because, carelessly left on the kitchen counter, (villain did seem more tired than usual) are extortion letters. supervillain is threatening villain's family if they don't comply with their demands.
and then - one cold, rainy night, hero is by themself at home, when the doorbell rings.
they open it to see villain, drenched to the bone and covered in blood - and considering all the tears and gashes in their clothes, and the way they're swaying on their feet, it's probably their own.
villain isn't even able to get a word out before their knees buckle and they pitch forward, hero thankfully catching them before they hit the ground and injure themself further.
villain's skin feels like ice, so hero focuses on getting their soaked clothes off, revealing the myriad of wounds both old and new, all across their body. hero freezes - this is far too much for just their first aid kit to handle. they grit their teeth. they do have one other option.
you see, hero has healing powers. they could use them here, but that would reveal their identity, potentially losing villain's trust forever.
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Reasons For A Character To Hug Another ლ(・ヮ・ლ)
A: Because they haven’t seen them in a long time.
B: Because they’re touched starved and need the affection desperately. They sink into their arms like they’re a soft pillow after an exhausting day.
C: Because it seemed unlikely that they would ever see them again.
D: Because they’re tired and are using the other person as a makeshift bed.
E: Because they’re cold and are drawn toward their friends warm body like a moth toward a flame.
F: Because they haven’t confessed their feelings so kissing isn’t yet an option.
More Undercut
G: Because they’re grateful for the way the other has helped them.
H: Because they know they’ll never see them again.
I: To distract them from seeing something they shouldn’t.
J: Because they traveled back in time and are seeing this person for the first time in years.
K: Because they want to make them feel steady after a rough event.
L: Because they gifted them something more meaningful then anyone could imagine.
M: Because they’re proud of them.
N: Because they can see how much the other character needs it.
O: Because they’re a naturally affection person who loves to hold others in their arms.
P: Because they want them to understand that they aren’t angry.
Q: Because they've realized just how much they mean to them.
R: Because they’ve just been told great news and need to squeeze someone tight.
S: Because they plan to use the hug to open the door to a cuddle.
T: They just experienced a loss and needed to be held by warm arms.
U: Because they need to pretend to care about them for the mission.
V: Because they’re trying to steal something from their pockets.
W: To shield them from taking a blow.
X: Because they’ve reached a happy ending after all this time.
Y: Because they love them.
Z: For no real reason at all.
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They just won the most important game of the season. Raj scored the decisive point.
Or something, I don't know the rules of hockey
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[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]
a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”
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I want everybody who’s calling Ken a Trophy Husband to know that he’s actually a Trophy Boyfriend, because when Ruth Handler invented Ken in the 1960s, she was adamant that he would never marry her and instead be her “handsome steady”, so that Barbie remained a figure of independence for the little girls and was never put in the position of housewife.
Her house is hers. She bought it and furnished it with money she made in her own job. In STEM, in politics, in healthcare, in fashion, in academy, in customer service. Her credit card is in her name (women in the US couldn’t have their own regardless of marital status until 1974). And it’s all pink and fashionable because femininity and badassness aren’t mutually exclusive. No matter who you are, you can be anything.
That’s why Barbie’s slogan is “you can be anything”. Teaching these ideals to little girls is why Barbie was created. Empowering women and empowering femininity is the original meaning of the Barbie doll. It’s not that you have to be all this to be a woman, but if you are all or some of this, you too are awesome.
And somehow pop culture deliberately changed that narrative. Sexualised, bimbofied, and villainised her, when she actually isn’t responsible for the impossible beauty standards — people are, she’s just a stylised, not-to-scale toy like most others.
Men are frothing because he’s just Ken and I guess they were expecting her to be just Barbie, but that’s exactly what Ken is. Canonically. A badass woman’s himbo boyfriend.
This movie has the potential to radically change the way we collectively see Barbie into what Ruth Handler originally intended, I’m so very excited
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