That one very lgbt outfit but post ts

Hi, feel free to take my new uquiz to discover what kind of vampire you are!

I won't let myself get devoured

Or a Normally Oak-swallows-garcia angst post about grief and anger.

you ever think about how it’s been over a year since we last saw aizawa, mic and their dead high school boyfriend

Sorry I forgot Hanneman suggested Byleth undress after they show up with a different hair color. And I miss Hanneman. And also while swapping between Houses and Hopes and seeing Hanneman pop up to help in a Hopes paralogue is just devastating since he doesn't ever actually join you at all and I am denied my old man rights.

So I had to draw this. Thank you for understanding.

spin it!

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?

i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.

most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.

Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.

after i made the undertale ones i knew i couldn't NOT make matching icons of these 2 aswell...

clenches fist. finally sucked it up and ordered a new ipad...

as i'm workin on my Ancient stuff- i've got to say that it is really interesting and neat (read: nasty) that there's a good chance most of the Ancient population probably didn't actually wear masks. but We think they did cuz the only really solid evidence of what they looked like at all all comes from places of the higher social circles. and those strived for religious... superiority, i guess. brownie points, not actual dedication to the religion for the sake of its teachings but either because it made them look good, put them higher in the social hierarchy or whatever manipulation have you (or the flawed look upon the religion aka "we gotta get out of this cycle no matter what")

all we are left with are the bastards. the simple people and their cultures that were left to weather the Iterators' rains were simply washed away. nobody cared for their way of life- as long as it served the higher circles well and they stayed submissive (enough so that at the end everyone would take a dip in the void), nobody had to give a singular shit

just how much do we not know about the Ancients' *everything* because of this disregard? how much do we think we are right about, when such is true only for the small but privileged piece of the species?

me when someone says luke is a bad teacher and made grogu "choose" btw being a jedi and his dad:

what he did was ensure grogu could one day be a jedi AND have his dad now!!!

quick like 3 hour thing to sate my desire to see Narinder But As A Bishop. i tried to emulate the game style as much as possible, and i used shamura and heket as the primary references for the robe design

I wanted to say that outside of semantics and divisions - I am simply happy to find communities that welcome with kindness - that welcome you by a good heart and not the ability to conform. I am happy for the opportunity to be surrounded by people who care. It's a funny world we live in - making the same mistakes over and over, multiplying the same suffering by billions. I don't think I hope for an utopia anymore, I don't think such a thing exists - but you can't call me hopeless either. And that's what matters.

As a side note - this piece is set in DanceAU, which might be better known to Patrons so far, but still it was the best and most fitting option for this occasion..... also there are 12 DanceAU pieces incoming, because I might be making another calendar so. get familiar with these mutts

crazy take: aside from actual lesbian romance stories, obviously, nothing passes the bechdel test better than moe "cute girls doing cute things" anime. its always just a group of girls, few to no named male characters, boys and dating are hardly ever brought up beyond the abstract, if at all. like we're focusing on the girls hanging out rn, we dont need to worry abt that shit. mugi just ate mio's strawberry.