What the hell is going on with the Grammys - a massive master post.

 Buckle up; this is a mess.

So as we all know, Grammy nominations came out on Tuesday. And... whew there’s a lot to unpack. So this master post is (hopefully) going to explain all the different strands of this. 

A disclaimer before we start: this is in no way bashing the artists who have been nominated. I am sure they all work immensely hard and although they submit themselves, most of them have 0 say in the nominations process. For the love of God - we’re not going after any individual artist. 

(also, just for clarity and conciseness: this post is going to focus on the “Big 4″ in terms of nominations - Best New Artist, Record of the Year, Song of The Year and Album of the Year). 

So - Best New Artist. As a category I’m happy with all the nominees - the criteria is weird as hell though (basically you can just keep submitting yourself up to 3 times? and it doesn’t matter how far into your career you are? ok I guess). I’d love for Phoebe Bridgers or Megan Thee Stallion to take it personally, but I’m happy with all the nominees. It’d be nice to see Blackpink get an acknowledgement but they could end up getting nominated next year because of eligibility dates. So yeah, no major issues with Best New Artist. 

Just to clarify before we move on - Wikipedia has better definition of the difference between SOTY and ROTY so I’m just going to paste it here:

Record of the Year is awarded for a single or for one track from an album. This award goes to the performing artist, the producer, recording engineer and/or mixer for that song. In this sense, "record" means a particular recorded song, not its composition or an album of songs.

Song of the Year is also awarded for a single or individual track, but the recipient of this award is the songwriter who actually wrote the lyrics and/or melodies to the song. "Song" in this context means the song as composed, not its recording

ROTY: Record of the year ... it’s very safe. Rockstar, Say So, Everything I Wanted, Don’t Start Now, Circles and Savage were all expected. The Black Pumas song is an outlier but normally there’s a couple of smaller songs on the nominees list so not a complete surprise. Black Parade is also a bit of a turnup - it’s a great song and obviously had some momentum this summer but wasn’t huge . I was surprised not to see The Weeknd in this category (more on that later); would have nice to see BTS on the list but again, not shocking. 

SOTY: A mix? I guess? Most of it is overlap from ROTY - but there’s a few different songs in the way of Cardigan, I Can’t Breathe and If The World Was Ending. Personally, I’m really happy that Cardigan and I Can’t Breathe are in there - my personal favorite would be I Can’t Breathe Winning. “If The World Was Ending” ... was there I guess? So congratulations. 

AOTY: Oh boy. AOTY is a mix. So the less surprising inclusions: Folklore and Future Nostalgia. I do genuinely believe it’s a tossup between those two now as to who wins AOTY - I’m going to give the edge to Taylor right now because she’s won it before for Fearless and 1989 but I’m not sure the Recording Academy would give it to her 1 in 4 years ish consistently. Then again, Taylor is a Grammys darling and 2nd highest Metacritic score of the nominations, so it wouldn’t shock me. I’m shocked HAIM are nominated in the best possible way (it’s my personal AOTY), but the rest ... I’m stunned by. Djesse Vol 3 is also great but I don’t think it has a shot; Chilombo was good but not brilliant, Black Pumas got in with a deluxe version (yes it’s a good album, but it’s going to be close to 2 years old by the time the Grammys roll round), I’m not a massive fan of Hollywood’s Bleeding but Post Malone’s commercial impact can’t be denied. Coldplay is the one I find most bizarre - it wasn’t a particularly good album nor did it stick around commercially. So yeah - it would nice for HAIM to take it (I think they have a shot of pulling a “Golden Hour” and taking it home) but I’d be shocked if it didn’t go to Taylor.

So. Yes, there were some snubs - I thought Harry Styles would get a SOTY nomination, I was also expecting BTS to sneak into a couple of categories; Phoebe deserved an AOTY nomination and Rina Sawayama deserved some recognition. However. 

WHERE THE FUCK IS THE WEEKND?

The Weeknd not getting a single nomination. How? No matter which way you look at it, Blinding Lights, should be up for ROTY or at least in the Pop categories. OK, so After Hours isn’t going to be one of the all time great albums, but you can’t look at that list and think “hmm, yes; they’re all objectively better than After Hours.” Because they’re not. That’s a fact. The Weeknd has spoken out against the Grammys in the past (which I’ll come to in a minute), but the truth of the matter is is that the Grammys are institutionally biased. Let’s roll back to 2015. In 2016, the nominees for AOTY were 1989, Beauty Behind The Madness, Sound & Color, To Pimp a Butterfly and Traveler. Thinking about this in terms of critical success, the Grammy should have gone to Kendrick for “To Pimp A Butterfly”. It went to 1989. Ok, so 1989 is a great album! and commercially, was the biggest selling album that year. So from, that (and the following year, where 25 won over Lemonade) we could deduce that the Grammy focuses on the album that’s made the most commercial impact. HOWEVER: if we carry this logic into 2021, none of the nominees make any sense. Surely if they did, then only Folklore and Future Nostalgia would be on their. No matter how you look at it, After Hours straddled the line of being inescapable for a year and of getting great reviews. It should have been nominated for AOTY and that’s the bottom line of it. 

So why wasn’t it?

Probably The Weeknd criticizing the Grammys previously didn’t help. But according to that bastion of news, TMZ, he was given the choice between performing at the Grammys or at Superbowl. The Weeknd negotiated, and agreed to do both. He was announced to be performing at the Superbowl on 12th November (link: https://www.bbc.co.uk/news/entertainment-arts-54921206) . Grammy noms come out on the 24th, TMZ reports he was given the choice between Superbowl and Grammys about 8 hours after the nominations (https://www.tmz.com/2020/11/24/the-weeknd-ultimatum-grammys-super-bowl-performance-snub/) . Then, The Weeknd tweets this maybe an hour later (https://twitter.com/theweeknd/status/1331394452447870977). To add insult to injury, he went from being in “negotiations to perform” to no nominations. Now that’s a kick in the teeth.

A day later, the president of the Grammys, Harvey Mason Jr. does an interview with Variety (https://variety.com/2020/music/news/grammy-harvey-mason-weeknd-snub-show-1234839208/). Gives a load of non-answers as expected. But he does talk about the Grammy committee. 

We don’t know much about how the Grammy voting process works. If you’re a member, you listen to the songs in the categories and then vote. BUT THEN. The top 20 songs/albums go to the committee. There’s 20 people on the committee - some with direct links to labels and artists. So they could hypothetically pick songs ranked 15-20 and nominate then. Which is why I think The Weeknd was majorly snubbed. I think The Weeknd got into the top 20 in all the categories he was nominated in and the committee overruled. That’s my theory anyway. The Grammys have been problematic for years - but since I’ve been following then from 2015ish - they’ve been accused racism (lack of BAME winners), sexism (remember the “well women should make better music” comments in 2018 https://variety.com/2018/music/news/grammys-so-male-women-recording-academy-president-neil-portnow-1202679902/) and then the mysterious ousting of Deborah Dugan at the start of last year (https://www.vox.com/2020/1/26/21082057/2020-grammys-sexual-harassment-corruption-recording-academy-deborah-dugan-rigged-nominations). 

When Deborah Dugan was fired, she alleged sexual misconduct and voter corruption in the academy. (If I can find a copy of the original PDF I will, https://www.theguardian.com/music/2020/jan/22/suspended-grammys-chief-deborah-dugan-alleges-sexual-misconduct-in-recording-academy). But honestly the article speaks for itself. The grammys are corrupt, and not a true measure of artistic integrity. 

So, as much as I find them fascinating - let’s not give them any more weight then they deserve. If your fave has a nomination, great! If not, it doesn’t make them any less of an artist. 2020 has been a fabulous year for music, so let’s concentrate on that. 

It’s impossible to cover every aspect of the Grammys in one tumblr post, and well done if you’ve made it to the end. If anyone has any questions, I’ll try and answer them to the best I can. 

Thank you so much for reading! And Happy Thanksgiving, remember to donate to Native people today if you can - here’s a link to some places to donate https://twitter.com/MsKellyMHayes/status/1332000439378784261 !