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#id magazine japan
commedessgarcons · 1 year
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Drew Gregory Fountain shot by Josh Wilkz for i-D Japan
Makeup by Ana Takahashi, Hair by Ryo Narushima and Styling by Elle Fell and Eliza Goldsmith
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zegalba · 7 months
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Final Home for i-D Magazine (1999)
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softestaura · 1 year
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Ryunosukeokazaki looks worn by Serena Motola for i-D Japan shot by Adi Putra
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cavalier-consciousness · 11 months
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+ i-D Japan n°14 “The Ufo Issue”, 1992
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alexvnderblvck · 1 year
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“Destiny” by @alexvnderblvck
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junname · 2 years
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https://www.instagram.com/p/Ce-JKjXO48H/?igshid=YmMyMTA2M2Y=
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dyingenigma · 2 years
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Megumu for i-D Japan Punk Beauty
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Japan’s hot springs photographed by Yusuke Yamatani and published in “ONSEN I”
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gyunnyu · 8 months
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soñar no me cuesta
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Atomic Coaster, Senyo Kogyo Co. Ltd
Location: Japan Monkey Park, Japan
Status: Defucnt
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goalu · 1 year
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MIKIKO HARA, SMALL MYTHS (CHOSE COMMUNE, 2022).
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zegalba · 9 months
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i-D Magazine Japan October 2017 Photography: Amy Troost
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softestaura · 1 year
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Ryunosukeokazaki looks worn by Serena Motola for i-D Japan shot by Adi Putra
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tinyidle · 20 days
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Ong can you please elaborate on this?(minnie, momo, and wonyoung)
im glad you asked!
we all know that minnie and momo are the it girls of their groups and of their generation era (amongst other members in their group/idols in the 3rd and first half of 4th gen). and many men and women in and out of kpop love them, so of course they are considered 'mother'. and we all know that wonyoung is the current it girl in the 2nd half of 4th gen. in summary, momo is japan's it girl for dance, minnie is thailand's it girl for singing, and wonyoung is korea's current it girl for visuals.
wonyoung, because she's too young to be considered 'mother' to me, would be looking onto other idols older than her who hold the 'mother' material on how to be the best woman-pleaser. she's not really into pleasing the men, as her looks can already do that. as for the girls, however, i believe she'd want to work extra hard to satisfy their every need the best way possible through fanservice.
she started with flirtatious gestures, making sure not to go too far as when she gave a fangirl the cutesy wink or a blowing kiss. then she decided to take it up a notch, kissing the hands of her members like a prince would to the lady he's courting. it was supposed to be for fun, but then she got addicted. now she's been looking at her seniors, eager to get to know them, feel them, experience something new with them. nsfw, threesome talks
at the 2024 miumiu fashion week event, she finally gets to meet two of the most sawed-after idols there: minnie and momo. despite wonyoung also being very famous, she was not only starstruck, but also very sexually interested. these were two of the sexiest women alive, wonyoung just had to get her hands on them.
they were told by a korean magazine to pose together, so they did. when the pictures were taken, the tall woman whispered to her seniors to meet her at her hotel. once they got permission and assistance from their managers to go, they left the event and reached wonyoung's hotel.
"so," minnie sat down on the nearby couch while momo took a seat on a sofa chair, "what did you want us here for?"
wonyoung would bite her lip and try to compose her thoughts before biting the bullet (no pun intended), "id like you to teach me how to... please a woman."
the two older looked at each other wide-eyed before looking at wonyoung. momo asked for clarification, "you want us to help you fuck women?"
"yes!" wonyoung confirmed. "no," she changed her mind after figuring out what she said, "i mean-"
minnie smirked before getting up and striding towards the slightly taller girl, pushing a strand of her hair behind her hair. "i get it," she assured wonyoung, "you like us and want to learn how to bed girls like us. isn't that right, wony?"
wonyoung blushed as she felt the warmth from of momo, her chest lightly pressing unto the expanse of her back. wait.. was she topless? "i-"
"you know," momo took the younger's hand and guided it to her breast, making the flustered woman gasp. "minnie and i both talked about how cute and fuckable you look. if you want us to have you and teach you how to have others, it's okay to ask."
now wonyoung's face was heated as she saw minnie take off her top, guiding her other hand to her breast. as the tall girl was assisted to knead her older's chests, wonyoung cleared her throat before pleading, "please, unnie. please use me, please teach me."
the women smiled a rather sinister smile before obliging. "of course."
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normalaboutdntm · 22 days
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Playbill Presents: Death Note: The Musical Panel at NYCC2023
As described on the NYCC site:
"Following acclaimed productions in Japan and Korea and after two star-studded sold-out concert engagements in London, DEATH NOTE: The Musical is coming to New York Comic Con. Playbill will present a panel about the show featuring stars from the recent London concert (cast to be announced) and will offer a sneak peek into the developing production. "Based on the best-selling Japanese manga series (60 million copies worldwide) of the same name by Tsugumi Ohba and Takeshi Obata / Shueisha, this groundbreaking musical (Winner Best Musical, Korea Musical Awards) has a score by Frank Wildhorn (Jekyll & Hyde, 4 years on Broadway, The Scarlet Pimpernel, Bonnie & Clyde) with lyrics by Jack Murphy, book by Ivan Menchell, and orchestrations and arrangements by Jason Howland."
And on Playbill.com:
"October 14's programming kicks off with a Death Note: The Musical panel at 10:30 AM. Set to appear are cast members Adam Pascal, Joaquin Pedro Valdes, and Dean John-Wilson; producers Yuzo Kajiyama and Jamie Chapman Dixon; and book writer Ivan Menchell, with producer Haley Swindal hosting."
For context, this was the earliest panel slot on the third day of a four-day con. Not quite prime territory (especially with the listening party as the last slot of the same day) but they still secured a really good turnout with a lot of cosplayers. Need I remind everyone, the manga is twenty years old, and the anime isn't much younger. So it's really a sign of DN's staying power and the love that people have for this show that congoers showed up in droves to check out this preview.
Unfortunately nothing of consequence was announced at this panel or at the listening party. I was hoping we'd get confirmation of the West End run or even a Broadway concert performance, but no such luck. I was also looking forward to the audience Q&A but tbh all the information we received was so fascinating that I'm glad Haley let the panelists talk instead of trying to keep time for that.
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[ID: Adam Pascal, Joaquin Pedro Valdes, Dean John Wilson, Jamie Chapman Dizon, Ivan Menchell, a translator, and Yuzo Kajiyama sitting on stage at NYCC while Haley Swindal stands at a podium.]
After thanking sponsors and bringing everyone on stage, Haley opened by asking each guest a question, starting with Yuzo, the producer of the original Japanese production.
[everything here not in quotation marks is paraphrased]
Haley: Yuzo, what about Death Note inspired you to turn it into a musical, and what were the steps you took to get there?
Yuzo's translator: When he started at Horipro in 2006, at that time all the musicals were imported. He felt the need to produce original musical shows from within Japan. And that was when he had his eyes on Death Note. Horipro already had a relationship with Shueisha, the rightsholders, from the DN movie.
He had two things he felt were important in making this:
The content had to be something that was internationally popular.
Light Yagami’s actor would always get recognized when he went abroad.
It needed to have some kind of extraordinary element to fit with the spontaneous singing.
The concept of the comic, a person who has their name written and dies and the presence of the shinigami, he felt was a perfect fit for the musical.
He also knew that since Shonen Jump, the magazine Death Note originally appeared in, is sold for 2 dollars, the show therefore needs to be a low price.
So that’s when he went to Shueisha. He remembers the first words that they said were “Death Note is gonna be a musical show?" At that time there was only one manga-adaptation musical: The Prince of Tennis. He convinced the people at Shueisha that this would be a first-class show.
Yuzo knew the most important part of the production was the music. At the time Horipro was involved with the Japanese production of Jeykll & Hyde, which also had themes of justice. Yuzo approached Frank Wildhorn about DNtM, but Wildhorn turned it down because "it had to have a love story element, which he felt was the most important aspect" of a musical. Yuzo was impressed by this.
Wildhorn went back to the US and spoke to his son who was a big fan of Death Note, and his son told him he needed to take the job. [Everyone cheered.]
(continuing in reblogs)
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