I love your artwork so much! Your colors are so vibrant and none of the white speckles in the paper ever shows, its so impressive and I really dig it! I was wondering if you use any sort of blending medium? Like baby oil or anything? Either way, I really enjoy looking at your artwork and I'm always excited to see whatever you'll make next
I use a colorless blender (prismacolor, which is wax-based so baby oil probably wouldnt work) but my scanner is also rly bad about picking up white specks in a way photographing the art with my phone isnt, so I usually have to do some digital editing to get rid of them as well.
I do this by duplicating the layer, setting the one on top to "darken," and using the mixer brush to blend out the white spots + just use the eyedropper tool to select the color of that area (needs to be a slightly lighter shade of it) and color over the white spots with the brush tool
i edited a small bit of the original scan to show what i mean
original:
with the edited layer:
heres how it looks set to normal instead of darken, I used both the mixing brush and regular brush just to demo it
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i still find it so interesting how jackie is (was?) largely defined by her niceness, her friendliness. she's not the strongest, or the smartest, but she can bring people together. so when she is mean to the other girls, you notice it. she's mean to taissa when she feels like her position as leader is undermined; she knows that taissa is just as much of their leader as she is and it scares her. she's mean to shauna when she finds out about jeff; understandable considering what a huge betrayal it is (at least on the surface). but the girl she is by far the meanest to is nat.
and there is no good reason why anyone should be mean to nat. she is kind of treated as a punching bag, and taissa especially resents her because she doesn't like the idea of nat threatening the team's performance with her day-drinking or whatever. but nat is by far the kindest, sweetest, most compassionate, genuine member of the team. even as an adult you can see that she might be jaded and grieving and ruthless, but she's still at her core a good person. young natalie especially though is someone with a very strong moral center and uses those guiding principles of kindness to define who she is.
she's more mature, capable, and sure of herself than the rest of the group, because before ever landing in that forest, she's had a much harder life than the rest of them. we see that van probably doesn't have the best home life, but the rest of them are living comfortably. even if they don't have great relationships with their parents, they still live in middle to upper class households. nat grew up in a trailer park with a father who horribly abused her and her mother (until the day she witnessed him accidentally shoot his own face off). these circumstances made nat more resilient, braver, and more empathetic than the other girls.
and i think jackie recognizes that, whether or not it's a conscious recognition. she knows that nat is everything she herself is not. nat is confident in herself whereas jackie is terribly insecure and relies on external validation to uphold her own identity. where nat comes from poverty, jackie grew up in a huge house. where nat is comfortable having sex with boys, jackie is too repressed to have sex with her longterm boyfriend because she's terrified of having to confront the fact that she won't actually like it. natalie expresses herself through alt/grunge fashion, music, and culture, whereas jackie is as preppy as it is physically possible to be. natalie is jackie's perfect opposite: a poor outcast who is nevertheless comfortable enough in her own (hetero)sexuality to present in a (gender) non-conforming way and not care what others think of her to jackie's rich popular prom queen soccer captain who is debilitatingly insecure and sexually repressed, conforming perfectly to society's expectations of her to the point that she'd rather die than explore the possibility that she might like girls.
jackie has negative interest in travis, but she breaks him and nat up and steals him from her anyway. and the thing is, nat doesn't even care. she forgives jackie. when lottie locks jackie in the closet (ha), nat is the one who comes to her rescue. when travis apologizes to nat for sleeping with jackie, she says it doesn't matter to her. jackie is horrible to nat, but nat is genuinely mature enough that it doesn't even bother her. jackie wears her insecurities on her sleeve, and nat sees right through her. she doesn't put up with jackie's bullshit, but she's also gracious enough to not gang up on jackie with the rest of the girls, even though she's the only one who actually has any right to be mad at her. nat is generally apart from the rest of the team, not only because she's an outcast, but because she's simply above their petty dramas.
jackie doesn't have a good reason to be mean to her. she's the kindest, sweetest girl on the team. but jackie is mean when she feels threatened, and nat's existence threatens her very identity.
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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"[high pitched and tinny] Let’s dive in. Let’s dive in. It’s time to dive in. Get ready to [audio distorts and slows] dive. Diiive. Diiiiie…"
(The Road to PALISADE 20: City Planning Department)
so that's what i've been working on for the past 2 weeks!
i wanted to draw something for this intro ever since i first listened to it (as a companion piece to my other gur drawing, though it of course ended up being way bigger in scale), but it only really gripped me about halfway through PALISADE ep 18.
the next morning after that i listened to this narration on repeat for about 45 minutes and then made a big sketch on 4 sheets of paper at my desk at work.
anyways, i haven't listened to the new episode yet but i think i'm probably ready for whatever they're gonna throw at us with the next sortie. i'm gonna believe, against it all, in millennium break. for gur
(i recommend listening along while scrolling!
+ transcript btw. if anything is hard to read)
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horribly short summary of what im trying to accomplish here, but if you were to read a fic featuring character, a soldier honorably discharged and is officially off the battlefield and yet he can’t seem to shake off the war from clinging to his body, and he’s basically a bit of a mess and feels incapable of returning to ordinary life and there’s you, the sweetest thing in the whole world, and he keeps trying to tell you he’s no good and you’re there to help him with everything (and it kills him a bit, to see you wasting your time to help him, and it kills him because he feels like he shouldn’t be the type of person who needs help) and !! just slowburn and falling in love and just read the tags for the vibe ok, who would it be for
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