hello!! Sorry to bother you, I’ve just been obsessed with your art recently! I love your new TADC art and all your Hazbin comics!

I enjoy reading them as they give me inspiration to start my own comics!

Thank you for reading this, as I hope you have a fantastic day!

-Floof

Thank you ever so much darling!💖

I'm gonna try my hand at making comics for TADC too, so I hope I'll keep inspiring you!😁

I’ve been meaning to finish reading this webcomic, but here’s Freckle from Lackadaisy Cats :D

[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

Kokichisake-onna

*Happy anime narrator voice*: “And thus, Kokichi has once again successfully evaded the dread of emotional openness!”

Also here’s a random selection of derpy concept doodles for this comic :)

Thank you byeeeeee

But the hour is getting late. My son. My heir. My legacy. Let us go then, you and I. And I will show you how to save the world.

King Victor Von Doom & Prince Kristoff of Latveria

Thank you to the wonderful @ecairnsart for my Von Doom Royal Family Portrait! I'm once again in awe of your beautiful talent and art. ID and more below the cut~

[ID: Victor Von Doom sits front and center on an elaborately carved wood throne as the King of Latveria, the back of the throne shows a letter D engraving, and there is a detailed open mouthed lion’s head carved into the visible arm, the other side is covered by Doom’s cape which is draped over it. Doom wears a furred cape fastened by detailed decorative clasps, and a fine sash crosses his tunic. The medals on his chest represent his heritage, one is a symbol of the Roma flag, one is a letter W to represent his mother’s symbol, one is a pentagram to represent magic. Doom’s eyes are locked on the viewer from behind his mask. One arm rests on his knee while his other hand holds a unsheathed medieval inspired longsword by the hilt with its sharp end resting on the ground. 

Two black dogs sit at Victor’s feet, while his son, Kristoff, stands to his right and just behind his throne. Kristoff also wears sashes and medals on his suit that represent his heritage and place as Prince of Latveria. He wears a fine cape with the symbol of Doom visible to the viewer. Unlike Victor who is completely armored and wears a hooded tunic and cape, Kristoff’s hood is drawn down, while his face and hair are visible, he wears gloves rather than metal gauntlets. Kristoff’s armor is minimal and the only visible parts cover his neck, jaw, and the lower part of his head. Kristoff’s eyes are also on the viewer while he stands proudly beside his father. His left hand rests on the pommel of a sheathed renaissance era sword. 

The unmasked version shows Victor’s face, the right side of his face shows a jagged scar that runs from under his eye, down his cheek. /END ID]

Artist Notes:

Doom of course is seated front and center, with the dogs at his side and Kristoff at his right hand. The throne is elaborately carved wood and kept relatively dark so that it doesn't draw the eye away from the main figures of the painting.

The portrait composition is inspired by 18th/19th century aristocratic/royal portraits. 

Doom’s sword, inspired by Maleev’s various paintings of Doom featuring a sword, is a medieval inspired longsword. In contrast Kristoff’s sword is a renaissance era inspired weapon, reflecting Victor as the medieval king and Kristoff as his younger heir. 

Victor’s sword and position upon his throne works well as a kind of powerful element, like most royal portraits, it is intended to project a particular image of Latveria's rulers - specifically one of strength, in a bit of contrast to the early portrait representing Doom as a paternal figure and friend to the children of Latveria as represented by a young Kristoff.

You asked me to use some symbolism relevant to their backgrounds for the medals and such: I used a W - like shape from his mother’s chest of magical items in one of Victor’s medals and also on the top of his throne. A wheel-like design (as on the Roma flag) on a medal to represent his heritage, this design is also present in the medallions and on the chest/shoulders holding Kristoff’s cloak. A pentagram symbol on another medal and on the hilt of Victor’s sword to represent his use of magic.

Both of them are wearing somewhat "fancier" versions of typical outfits that we've seen them in from the comics - I've pulled various elements in, (the sashes and medals from Doom's wedding issue) and from Kristoff's appearance in New Avengers. 

Victor’s scar is designed after Jack Kirby’s unmasked Doom drawing. 

Quote Source: Marvel Voices Infinity Comic (2022) #10

This art commission is a companion follow up to a previous Von Doom family portrait art that Ecairnsart created for me, in the older piece Victor and Kristoff have a more whimsical vibe, with Victor reading a book of children’s tales to a young Kristoff while their pet tiger lounges by them.

After Ev presented this piece I knew that I needed an art that showed them in later years, that it needed to be something more somber and austere than the fanciful family portrait of Kristoff’s youth. I wanted to show that years have passed, how the hardships and their personal choices have created a sort of invisible gulf between them but they have a deep bond as adopted family that they can’t ever fully sever. Both are dressed in their best clothing and armor, their portrait shows the image they’ve created for themselves, this is how they present themselves to the world. In contrast to the older portrait there are no colors nor fantastical tiger, instead there are two dogs that give off an almost cerberus vibe, guard dogs instead of a powerful but tamed tiger. Kristoff is waiting just outside of the shadows as Victor’s heir to take his place on the throne of Latveria while Victor sits at the ready to swing his sword in defense of his beloved country and people.

The call back to Victor being the “Lion of Latveria” is in the engraved lion’s head which I thought was another brilliant idea from Ecairnsart. I love how much thought they put into every detail of their work, and how they brought in Victor and Kristoff’s Romani heritage. Ecairnsart also created an unmasked Doom version which I absolutely love as much as the masked version. I love how Victor’s unscarred side is the one he presents to the viewer while the scarred side is hidden a bit more, how he might be uncomfortable being seen unmasked and that perhaps this version of the portrait is one he keeps only in family living spaces in the castle while the other masked version is prominently displayed in the public spaces of the castle. I’ve been a big fan of Ecairnsart’s work for years now and every new piece they create only reminds me how wonderfully talented and dedicated they are to their craft.

I love Victor & Kristoff very much and I’m overjoyed to have another family art of them to cherish. 

just a fun lil sketch 🔥

PETER PARKER HEADSHOT COMMISSION -

and a silly little sketch of Johnny too <3 i forgot to post these

actually i think the fallout show should just be a sitcom about these two trying to co-exist within the cramped walls of the helios one

based off that one old-ass joe biden meme

drawing a marvel character every day until i get too tired to do it pt 1: johnny storm: human torch

Some Nimona comic vs movie fanart after watching the movie today : )

I am abusing timezones to make a surprise art gift attack!!! >:D

This is for @lavenoon and her fabulous Accidentally Undercover AU (although this one is about an Au of that Au XD) based on a section of this post! I've been enjoying this story so much and all the alternate scenarios Luce has been exploring! It's so much fun, so I wanted to make something for it! If you like secret identity shenanigans you really should go check it out! Hope you like it!

And a little bonus of y/n adter their encounter with Sun haha

If you could give the other a makeover (just a temporary one for funzies) what would you do?

Amy: Oh I love a good makeover! Oooo! (♡°▽°♡) *Shadow rolls their eyes* Amy: Stop it! I know you pride yourself on your appearance! *Shadow runs their hand over their quills with a smirk* Amy: Yeah, yeah exactly, so shush. Okay, so if I could give you a makeover... Hm. You know, I love it when you pull your quills back. Shadow: (⊙_⊙)?! Amy: It looks really nice! Plus it brings out the structure of your face. You've got these fantastic cheekbones, and I really like how it highlights your eyes. Shadow: ... (//˘︶˘//) Amy: Haha! Now there's the smile I missed! *(^▽^)* Shadow: (⁄ ⁄•⁄_⁄•⁄ ⁄) Amy: Gaia, you are so red right now (≧▽≦) Okay, if you could give *me* a makeover, what would you do? Shadow:... You look fine as you are. Amy: That's not the point of a makeover! (≖､≖) The point is to try something different that you think would look good! Sooo~ What would you do? Shadow: ...I- ... maybe-... I like-... Amy: (≧▽≦) Wow you are struggling with this! Shadow: Ugh (￢_￢;) ... There's a photo of you at Vanilla's with your quills short. It looked- you looked-... nice. Amy: Aw, really? Wow, I haven't worn my quills like that in a long time. Been trying to grow them out for ages. Shadow: I know. Amy: You really like them short? Shadow: ... Maybe? Amy: Haha! (≧◡≦) Well, wouldn't hurt to try something new I guess. Maybe I will cut my quills short. Shadow: (O_O)... Well... maybe I'll wear mine up.

The duality of 1610 Reed Richards. He can be a ridiculous, overmuscled, overchinned supervillain. Or... A pitiful scrunched up piece of liquorice.

Ok, but really, the depiction on the right cracks me up with how over the top it is, even by most comic standards. I guess the artist wasn't confident they could make him intimidating without the generic buff male character body-type. Which is a shame, because his appearance in The Ultimates proved otherwise, by depicting him as a gangly, slithery, gooey shoggoth, and it was glorious.

...Although it does make me a little sad that they only allowed him to go full monstrous creative mode with his powers when he became a villain. Obviously with the intent of dehumanizing him. They didn't have him do anything half as interesting when he was a good guy.

(On the plus side, Ryan North has had 616 Reed doing freaky stuff that reminds me of the Parasyte manga, which I love!)

I think when it comes to body types, Ig Guara's depiction of Reed in Ghost Spider #7 really nailed it:

Skinny, awkward nerdy supervillain in a bootleg xenomorph costume. As it should be.

Just look at that horrendous posture. This artist gets it!! And the random wires and stuff make me think of Mewtwo in the lab from the first Pokemon movie, which fits so perfectly. I love how well the artist was able to achieve those unsettling vibes of devious experimentation in just one page.

"The Girl I Love!"

Fantastic Four #95 (February 1970)

Stan Lee, Jack Kirby and Joe Sinnott

Marvel Comics

What’s that? It’s time to bend your ear about this one Corinthian storyline in the comics? Damn right it is!

--------(Spoilers for “The Dark Rose” comics arc. Issues 20/21 of “The Dreaming”, 1996)

So there’s a very very low chance that it’ll ever come about, given that it’s from the 1996 run of “The Dreaming” comics (post original run), which didn’t come direct from Gaiman, and moreover was retconned by later Sandman comics, but it would be fascinating to see an updated adaptation of the short “The Roisin Dubh” storyline.

In it we get to see (for possibly the only time? Could be wrong.) the Corinthian being a HELPFUL, USEFUL Nightmare. Doing the kinds of things that he was ostensibly built to do. In this case, (the short/simplified version could be read as) helping a gifted trans artist come to terms with himself and who he’s happiest being.

(The Corinthian, as ever, is still his own warning, >.>)

Long story short, (and from my perspective specifically, as there ARE multiple ways one could read it) The Corinthian is involved with a fantasy allegory for a “dark forest” that the protag wants to enter, and the mysterious amazing man trapped within it. The Corinthian is the key to entering the woods. The woods that represent the “unacceptable”, the “Roisin Dubh”. A life as a skilled, macabre, gory, wild gentleman artist that our protag here desperately want’s to live, IS already living, but has deeply repressed.

I mean, it still smells like the 90′s, and would require an update for a number of reasons probably, (God DAMN is there some intensely misogynistic “ew gross! woman bodies!” Corinthian not fully shown here) but it’s a really rich story, and it would be wicked to see it adapted.

I’d want to see it if only for an instance of the Corinthian actually fulfilling his intended purpose, or at least a potentially helpful purpose, so that we could paint in some more details and themes about what he really is, what he means.

What he represents to Mr. “Collective Unconscious, Shaper of Forms, Eons of Life, THE Storyteller” Dream as his “Masterpiece” for at least a bit more then the prior 1000 years of human dreams (Pre-Orpheus at least).

That is, in a broader sense then “A very 80′s flavored collective gay fear of violence”. Which is seriously fucking interesting by itself, of course! And if it is that the Corinthian is so wrapped up in the time the Sandman was originally written, that that’s all he is at heart, then so be it. But either way, he’s a compelling idea that that you can’t help but want to analyze more. (Like so much of the Sandman in general. Obvi. I mean that’s pretty much it’s THING. Archetypes, the nature of stories, secrets and mysteries. All that jazz.)

ALSO.

The protag is friends with Oscar Wilde, so that’s also fun: