#i know it's probably going to be chill because most tattoo artists are inherently chill and great to work with | Explore Tumblr Posts and Blogs

deacxns · 5 years

Text

task 001 ------ camper file

the basics

camper’s name: deacon elias santiago camper’s age: twenty camper’s birthdate: january 21, 1923 camper’s birthplace: ???? good question. gender identity & pronouns: cismale, he / his sexual orientation: bisexual

personality

+ traits: helpful, empathetic, resilient, sincere - traits: blinded, doubtful, reserved, atoning zodiac: aquarius moral alignment: lawful good hogwarts house: I took a quiz for him that tells you the percentage you get for each house and he tied for gryffindor and hufflepuff, so he’s like ... a hatstall. but he’d probably choose hufflepuff for himself which I guess answers that. mbti: infj enneagram: types 2 & 6 four temperaments: melancholic celtic tree sign: rowan

appearance

height: 6′0″ hair color: brown eye color: brown any tattoos/piercings?: a small arrow on his ankle. his sisters had similar tattoos, in the same place, if not really matching. they got them done by an old woman in arizona when deacon was fifteen and the family was passing through on the way to earthquake relief somewhere on the west coast, and their mother flipped her shit in the most elegant way when she found out. noel was only thirteen, which was an ordeal. he still thinks it was worth it, though. other attributes: n/a

the demigod

godly parent: hades any mortal family?: samson and verity santiago (adopted parents), ava, tamora, and noel santiago (adoptive sisters). an unknown biological mortal mother who likely died years ago, who deacon has no real desire to figure out the identity of. abilities: shadow travel that he uses pretty much exclusively to pop in and out of the underworld to chill, inherent knowledge of the rites of the dead, ability to sense when others are dead or dying. good at listening, good at calming others down. relationship w/ godly parent: deacon genuinely likes hades and really respects his father --- appreciates how he went above and beyond in keeping the promise deacon forced him to make about seeing his three sisters safely through wwii when it became clear that deacon’s end of the deal had been fucked up by the lotus hotel. their relationship can be strained sometimes because deacon is shit with honest words and expressing emotion, and hades, as a god, can be the same way; deacon feels that hades is continuing to apologize to deacon for something that never needed apologizing for, and the two of them don’t know how to go about talking that through. but they can chill. deacon liked the time he spent recuperating in hades’ palace before popping into camp, that period of respite to make up for being displaced from time. when/how was the camper claimed?: he was claimed shortly after being attacked by a monster on a boat with his sisters when he was sixteen any quests? or smaller missions?: deacon has not been on a quest but has probably done a couple of smaller missions? he doesn’t have a lot of the cooler hades kid powers but he’s not useless and would want to help what is their fatal flaw?: yikes!!! probably his monumental amount of self - doubt. his inability to stop comparing himself to people that are no longer around, and, therefore, infallible --- though deacon was guilty of putting his family on this pedestal of sainthood even when they were alive. what is their preferred weapon?: a celestial bronze shield and spear he took from hades’ palace

favorites

favorite camp memory: the realization that he had siblings again, once he finally dragged himself to camp favorite food: potatoes in pretty much every one of their various forms favorite color: burgundy favorite animal: penguins favorite movie: a farewell to arms likes: snow days, overly sweet and done up coffee, the sound of fire crackling, flannel button downs, reading four different books at once, sunflowers, artistic photography dislikes: when bread gets too soggy, heat without a breeze, holes in jeans, being alone on open water, too much down time, strong perfumes and colognes

miscellaneous

mini playlist: it’s called: freefall by rainbow kitten surprise (I seriously Cannot express how much this is his song, y’all); south by hippo campus; death & taxes by daniel caesar; kids these days by shakey graves; coins by local natives. describe their aesthetic: standing alone in a field of golden grass so tall you can’t tell where it ends or begins. waiting until the day grows late and your shadow grows long to do what you’ve been putting off. sinking into an old chair, or sofa, bed, anything so soft and worn it feels like it remembers you. reaching for a cup of dark coffee before it’s had time to cool and not even minding the fire it burns down your throat. churches of a faith you no longer believe in but still find comfort in when you need solitude. the dark silhouettes of spiny trees in the heart of winter. the golden touch of someone you feel you don’t deserve --- to know, to hold, to love. the red behind your eyelids when you close your eyes to the sun. if your camper was a vine, which one would they be?: the only time he enjoys parties is when his eyes go out of focus if they weren’t a demigod, where would they be in life?: ... probably dead, idk?? he’d probably have stuck with his parents and his sisters forever, just travelling and doing what he could to help people in need. forever feeling inadequate and trying to make peace with that. anything else: n/a

#fleece.tasks01 #( ⁎∴◦ ⊱ ━━ do i grow or do i fade away┊hc. )

3 notes · View notes

badcharacterization · 7 years

Text

A Court of Mist and Fury

This book has appeared on so many “Best of 2016″ lists, and after reading it I wonder how many 2016 releases these people actually read... Strap yourselves in, kiddos, this is like 8 pages of rage in the original Word document. Unpopular opinions under the cut.

Note: I originally took these down as notes on my phone, I’ve edited for clarity and punctuation and stuff, but not everything is properly capitalized because this book has taken enough of my precious time already. I did something similar with ACOTAR, and will probably post that one later (it is on goodreads though). I should have cited page numbers but that would have taken forever so you’re just going to have to guess from context clues.

-time skip time skip

-the mating bond sounds super yucky

-is this foreshadowing, is Ianthe going to steal Feyre’s shitty man?

-look at them sweet gender roles

-“inherent female magic.” no thank you bro

-Feyre is straight up depressed…and it’s actually depicted well…whoa

-I’m already tired of male this and female that though. We gotta make sure that everyone knows that the Fae are “primal” and “animalistic”

-and everyone is super duper straight apparently?

-so basically Amarantha was faerie Hitler? Just in case you didn’t already think she was super evil. There’s still no explanation of why she was so twisted, and I don’t expect the author will ever give one.

-I smell some vaguely Middle Eastern cultural appropriation

-also Feyre hasn’t learned to read after months in the spring court?

-Amarantha banned holidays, like the White Witch. How original.

-Rhysand suddenly has Feyre’s best interests at heart. He must have an identical, nicer twin.

-I’m still not over him drugging her and forcing her into skimpy outfits. That will never be okay to me, no matter how nice to her he is

-let’s have some more foreshadowing about Ianthe. It’s a little not subtle and barely qualifies as foreshadowing

-I know Feyre is depressed but she is passive in an out-of-character way. She used to disobey Tamlin pretty much reflexively.

-what did Feyre think Tamlin did for income? Of course it’s egregious taxes on all his subjects

-it’s almost like the author realized that ACOTAR had problems at some point and is trying to correct them all. She apparently doesn’t really plan or outline any of her books

-it feels like Tamlin has even less self control in this book than the last one, though it was always pretty bad. The author/narrator acts like this is a significant change and a sign of how what happened has traumatized him but it…isn’t? He was always physically intimidating her and manipulating her.

-I appreciate the author acknowledging that Tamlin is an abusive overprotective jerk, but Rhysand has issues too and he hasn’t really apologized or made amends at this point

-I didn’t expect Tamlin to want a domestic wifey but I guess this is a fae thing or an “omg look how evil he is now” thing

-have some awkward writing

-it is kind of a relief when she leaves the Spring Court, mostly because nothing interesting seems to happen there and it’s all a lot of foreshadowing about Ianthe, and Feyre being surrounded by courtiers with no bearing on what happens

-the introduction of Azriel, Cassian, and Amren is kind of…fanfiction-y. There’s something about the dialogue and how you can tell them all apart in an instant that feels like it was once part of a fanfiction.

-if Velaris is so famous for art and has so many artists and its location is supposedly secret…then who’s buying the shit?

-also where are the farms

-if a girl notices a guy’s scent, it’s done.

-have some more pretty fae dudes, as if there weren’t enough already

-I don’t think the Illyrians were supposed to be POC but their portrayal as warlike, women-abusing brutes is still kinda not nuanced. The name also refers to a historical region and people in the real world so…that’s not great

-Also the mating bond seems to be purely sexual, judging by the case of Rhysand’s parents. It’s actually kind of horrifying, the idea of becoming magically bound to someone you’ve just met and may come to hate in time. Why is it so desirable? Does it usually work out fine? What happens when one partner is already married or spoken for?

-Also it’s creepy as per the usual

-Also obvious foreshadowing lol

-Also a great excuse not to properly develop a relationship

-Time to bash Feyre’s disabled father again

-Ellipses everywhere

-“You needed not to be alone.” How about you quit telling her what she needs mmmkay?

-This sentence made me gag a bit, so I’m sharing it: “the voice was at once the night and the dawn and the stars and the earth, and every inch of my body calmed at the primal dominance in it.”

-And she’s using her pet word, primal, again

-There are flushing toilets in what seemed to be a medieval shit-land…okay

-At least this relationship is being built up better, but I still can’t get over the forced drugged striptease shit

-Amren’s back story is cool

-“Deadly bit of flirtation” Feyre needs to stop being so melodramatic, he was just flirting

-The Weaver is exactly the kind of weird, creepy faerie I’ve wanted to see in this series.

-Barbecue is an odd choice of words

-Rhysand feels more like her tough life coach than a potential love interest right now.

-Why is Feyre acting like Ianthe approaching Rhysand for sex was some unforgivable assault, when he had the power to make it stop immediately? It’s not even comparable to Amarantha.

-And how could Ianthe theoretically force herself on Lucien when males seem to hold more power than females in the Spring Court? Are priestesses an exception? Are there rules about turning them down? Does she enjoy some kind of special status?

-Foreshadowing about Ianthe and Tamlin again

-It’s almost like…Ianthe was behaving like literally every male character in this goddamn series. “The ownership and arrogance in that gesture” hmmmmmm…that sounds familiar

-Double standard time: Sexually aggressive men are just alpha males, sexually aggressive women are eeeeeevil

-Feyre complains that being rich and a woman in the human world is restricting but it seemed like she had a lot of freedoms when she went back and her father had his fortune back. Also, when she was poor. Someone had to know she was sleeping with that Isaac guy. Nesta certainly did.

-Almost forgot about the female mercenary, too

-Also apparently there are queens who are in charge in the human lands, though it was only mentioned in this book?

-The whole humans not having holidays thing is still dumb. They would have created new ones after disavowing fae ones. Whenever people abandon an ideology en masse, something usually crops up to fill the psychological void.

-time to reminisce about how shitty Feyre’s human life was

-It’s not like Feyre’s sisters were also kids when they lost their mother and their fortunes fell or anything

-Cassian and Nesta’s hate thing is a little exaggerated; the ship is almost too obvious. “Look, they’re acting like they hate each other” is a sloppy shortcut to “they have sexual tension and they’re going to end up in a relationship.” Because the author doesn’t want to spend too much time fleshing out any of the other relationships in this damn book

-If Amren ends up being a villain, too, I’m gonna lose my shit.

-Feyre’s human life sucked guys, remember? REMEMBER??? ISN’T SHE SO MUCH BETTER OFF IN DOUCHEY MISOGYNIST FAERIELAND???

-There’s an unnamed brown faerie…such diversity. Much wow

-The food is so good and spicy and shit it’s somehow curing her depression a bit…okay

-Feyre pays a lot of attention to Azriel. Begins to feel weird after the first couple of times

-“Yeah, Rhys, thanks for making me dance like a stripper, but the magical disembodied music was great”

-I almost like Cassian now. Almost

-Unless Ianthe is secretly super powerful I think Lucien doesn’t have to worry about her “preying” on him. Chill.

-So Rhysand and Feyre are basically texting…okay

-Rhysand is petty as shit about Tarquin: “I know we’re not in an actual relationship or anything…but I’m mad because you smiled at him.” All the men in this series need to chill

-Varian and Amren makes no sense. It just crops up out of the blue…and is…a thing

-The language around attraction is interesting and gendered. Men are “predatory” when they’re interested in a woman. He gets “lethal focus” on her. Which leaves me wondering…does he want to fuck her or eat her? I honestly can’t tell.

-What does “tattooed panes of his chest” even mean? His chest is a window?

-Have a very vague description of Rhysand’s room

-SJM always writes romances where the characters instantly click or feel attraction, and the only thing keeping them apart is stubbornness

-This part feels like a draft, it’s a summary of Feyre’s training and interactions with Mor, and I actually want to see what that’s like. Mor was supposed to be a less manipulative replacement for Ianthe, but we hardly get to see her interactions with Feyre

-The way Feyre is dressed, she’s basically being presented as Rhys’s partner and she doesn’t seem to mind? Unless Mor gets a crown, too, and the author just neglected to mention it

-So two of the queens are married to each other? Yay! Background token LGBT characters

-How do the mortal lands even work, politically? Two of the queens can be married to one another and not have to worry about producing heirs? Why so many queens? Do they rule together or each govern different kingdoms?

-Most of the queens get a sentence or two of description, but then SJM goes on and on about the beautiful one and treats her as the most important woman in the group

-Also all beautiful women hate each other at first sight y’all

-I thought she only picked Mor’s name because she thought it sounded cool but she’s actually (clumsily) referencing Irish mythology

-So humans and fae can interbreed, like in the Throne of Glass series

-“The Black Land” seems like the author gave up on names. It also resembles the name for Ancient Egypt, and the description of its history confirms that

-Also what is with all the evil faerie queens running around? How can someone be much worse than Ms. Tortures-Everyone, Amarantha?

-If the queens know of the Veritas but have never actually laid eyes on it, how would they know it shows the truth?

-Okay, let’s have entire pages all about the sex lives of Illyrians. Thanks, Sarah, I really needed to know that

-Of course sex stuff is more thought out than anything with the politics, magic system…or like anything else

-Okay, obviously Rhysand is someone she likes now, why is flirting with him still “lethal” and “dangerous”? Is she afraid of Tamlin’s reaction?

-…how would wings make for interesting sex positions? Maybe my imagination is just lacking but…why

-the description of the court of nightmares is super vague

-It feels like YA female protagonists always have to have a female friend or servant who’s more into clothes and makeup to dress them. It’s almost like a main character can’t actually be invested in girly things

-I think this scene is meant to show how much things have changed since Rhysand forced Feyre to dance like a stripper and drink drugged wine Under the Mountain, because now he asked her permission before including her in his schemes…but it rings hollow for me. This romance doesn’t work unless you ignore everything from book 1

-“That primal, male rage” you just gotta gender everything

-also really convenient that the author gets to attribute everything awful Rhysand has ever done to his “mask” or persona as a high lord

-Yeah let’s keep woobifying him and brining up how awful Amarantha was. It makes him look better…if you don’t think about it too hard

-The Starfall scene is kinda vague and doesn’t do much narratively, just like the solstice scene in book 1.

-LOOK LADIES RHYSAD IS A FEMINIST!!! DOESN’T THAT CANCEL OUT EVERYTHING BAD HE’S EVER DONE?!??!?!?

-So the Illyrian blood rite is basically faerie Hunger Games.

-So Rhysand is not only the most powerful high lord alive, but he’s also the most powerful of all time?

-Feyre’s description of him fingering her is ridiculous. “Every point in my body, my mind, my soul, narrowed to the feeling of his fingers…”

-Why does it seem like SJM has a thing for whipping? Also why are they whipping him? Torture for information? Just to show that they’re a bunch of irredeemably evil dicks?

-This isn’t a YA novel. It just isn’t.

-I sense some drama over the whole “you knew we were mates all along” thing

-Yep

-How is this the most important thing in a fae’s life though?

-Feyre has every right to be mad at him, and confused and shit. Jeesh.

-So the mating bond involves the female offering food to the male…gender roles galore

-If he felt the mating bond when she was human, does that mean that high fae can bond with humans, or that she was meant to change?

-So the faeries who tried to assault Feyre on Calanmai are called “Picts”…that’s an actual historical people, just like Illyrians. Kinda icky, even if no one really identifies with those names anymore

-Her descriptions of orgasms are always ridiculous

-“A slow, satisfied male smile” WE GET IT SARAH HE’S MALE JESUS CHRIST

-They sexed so hard they caused an avalanche? The fuck?

-What’s with all the roaring

-Another “male” smile. This is my least favorite phrase

-Post mating bond behavior is not cute. He wants to fight any “male” who looks at or comments on Feyre, including Cassian, who’s just a little shit

-“Feral” returns

-The mating bond makes them act like animals in heat and FEYRE CAN’T SO MUCH AS GLANCE AT ANOTHER MALE WITHOUT RHYS REACTING? HOW IS THIS DESIRABLE?

-And, sure, he’s fighting it, but this is still being presented as a model relationship?

-“Purr” has returned

-oh no the human queens are such awful bitches for not trusting the people who historically screwed humans over a bunch.

-The description of what happens and what Mor looks like when she holds the Veritas is kind of vague

-It’s understandable and logical for the queens to suspect manipulation, the only really bad thing about them is that they’re willing to abandon the humans on Prythian

-Lemme guess, Nesta and Cassian are mates, too? Isn’t it supposed to be super rare?

-So the beautiful young queen is nice after all. Beauty=goodness, kiddos

-How does Feyre know that the other queens betrayed them? The info could have been tortured out of them and they could be dumping the other bodies all over the city for all she knows? It seems like she’s leaping to conclusions [note: she ends up being right, of course]

-How can Feyre see Amren? Are they that close to each other? Cassian and Azriel are airborne but it sounds like city streets are between Feyre and Amren and buildings should be obstructing the view

-Sometimes SJM tries too hard to be a serious writer

-The fight is pretty cool, it just feels a little too effortless and efficient. It’s also frustrating that Feyre has had this vast power and hasn’t really used it much in combat until now

-her skill is made a little more believable by the fact that she doesn’t have a lot of precision, just raw power.

-Rhys is respecting her autonomy! Let’s just forget about book 1 completely

-So…the ring retrieval was a test to determine if she was strong enough to be his mate, too…not a douche move at all

-So convenient that all of the Hybern soldiers/underlings are sadistic creeps, it means the mains don’t have to regret killing them

-Jurian is described as tan, like many of the other characters in the book. But it just makes me think they’re meant to be white people with tans.

-The King of Hybern has no name and is also described as “blandly handsome” like a man in his 40s…wait I thought all fae are super beautiful and look young?

-So…literally all the faeries in Hybern’s court are dead-eyed and evil and there’s no art or furniture. That sounds fake…but okay.

-Just in case you didn’t understand that Tamlin isn’t just a bad person, now he’s super evil and possessive…oh wait he always was

-He actually has a point about Rhysand, how can you ever fully trust someone who could possibly mess with your mind?

-Also kind of messed up how two of the evil humans queens are like the only queer characters in the goddamn books so far

-why would the queens buy the idea that the king of Hybern is on their side? He wants to bring down the wall, unless he somehow hid that part from them

-it’s baaaaad for women to want power and eternal life. They can only have it if men give it to them

-Speaking of which, IANTHE IS EVIL GUYS! WHO SAW THIS COMING???

-So Hybern and Ianthe’s plan is to overthrow the high lords and let the priestesses rule. I know they’re supposed to be corrupt or whatever, even though there’s not any concrete evidence of this, but how is overthrowing the high lords a bad thing?

-While the twist with Nesta and Elain has interesting potential, Nesta and Cassian being mates is boring

-And super obvious

-Weird that Feyre suddenly thinks of her father, out of the blue, after weeks of not giving a fuck about him, when Elain is changed. Also prioritizing men’s feelings…again

-King of Hybern made a creepy comment about Mor and then forgot her, very cartoonish

-THIS SCENE IS DRAMATIC ENOUGH!!! Why add the Elain/Lucien mates reveal? Jeesh

-Gotta demonize that young ambitious queen for looking at fae men

-Sudden convenient powers

-And now a sudden chapter from Rhysand’s POV

-So Amren says mating bonds can’t be broken, but I’d be more interested in the story if it was in fact breakable and if Feyre and Rhysand would have to decide to live and love without it. This book treats it like the end-all-be-all though

-Awww Amren cares about Feyre after all

-Rhysand’s narrative voice sounds like Feyre’s, where I would expect him to sound very different

-GUYS RHYSAND MADE FEYRE HIS HIGH LADY DOESN’T THAT MAKE HIM THE BEST FEMSINIST EVER?!?!? WOMEN CAN STILL ONLY DERIVE POWER FROM MEN IN THIS UNIVERSE…BUT RHYSAND IS A SEXY FEMININST

-this is treated like a plot twist and I wish the scene had actually been shown…although that would only make this godforsaken book even longer.

-Aaaaand it’s totally confirmed after like two pages that the mating bond isn’t broken…just kill the drama and tension…just murder it

-Lucien is obviously suspicious of Feyre

Final thoughts

-Tamlin allying with Hybern comes off as stupid, not evil. Granted, he did not seem all that intelligent in ACOTAR, but you would expect someone who’s lived for centuries to be a bit savvier. He had to have heard of what Hybern was all about

-Women are constantly defined by their relationships with men. Like apparently the mating bond existed when Feyre was still human and Rhysand sent her visions of the night sky to comfort her and she painted it on her dresser drawer. It’s a minor thing but it just keeps coming up

-Feyre just kinda lacks agency in general. It’s supposed to be this cool, “she’s learning how to fight and defend herself” plot in the middle of the book, but Rhysand determines her goals, and his wants and needs drive the plot more than hers. It gets worse after the mating bond sets in.

-Also Ianthe is the only female character who does not have a devoted relationship with one man and she is demonized for keeping herself independent and sleeping around. Mor also isn’t in an established relationship, but it’s obvious that the author is hinting at her and Azriel being a potential couple.

-I would like to see Cassian cope with a disability, one that makes him worthless in the eyes of his culture…but I know that shit is getting cured ASAP, of course after milking it for a bit of melodrama and man feels. Like, there is no way he’ll actually have to go without his wings

-Ianthe’s betrayal of Feyre’s sisters lacks a real punch. Even when Feyre implicitly trusted her, she obviously didn’t like Ianthe much and her sinister intentions were heavily foreshadowed. If that relationship had actually been established as a strong friendship, the betrayal would seem like much more of a betrayal. Instead, it’s kind of like “Oh no, I knew there was a reason I didn’t like her all along.”

-This book seems to call into question the idea that the high fae are superior to and different from lesser faeries, especially if Illyrians can interbreed with high fae. This still doesn’t indicate where things like the Suriel and the Weaver fit in the hierarchy. It’s implied that both are more powerful than individual high fae, though it seems that the Suriel is pretty easily deceived and captured. The world building doesn’t make any sense if you question it too much

-The whole “lesser faeries deserve better” message that crops up once or twice, in between all the feels and sex, also rings hollow because pretty much all lesser fae so far have been demonized or portrayed in a negative light. The Picts, the Naga, the Attor and his dudes, etc.

-If Rhys is so awesome, why let the Court of Nightmares keep existing in its current state? Especially if he supposedly cares about Mor so much?

-In that scene where Feyre is watching her sisters get dunked into the cauldron, it all feels very detached. She’s watching Cassian and Lucien’s reactions, when I feel like she should be very narrowly focused on her sisters and what’s happening to them. The author doesn’t fully commit to the first person POV, because she wants to make it very, very super obvious to the audience that Cassian is Nesta’s mate and Lucien is Elain’s, but it makes the scene lack something emotionally. First person gives you the ability to make the narration emotional and immediate, but that comes at certain costs. One character can’t see or notice everything you want them to.

-Also she’s just always got to prioritize male feels over female suffering. OH LOOK SOMETHING HORRIBLE IS HAPPENING TO A WOMAN AND OH NO A MAN IS REALLY REALLY SAD AND ANGSTY ABOUT IT LET’S FOCUS ON HIM INSTEAD

-The author just seems to care more about men than women, in all honesty, and this is part of the reason I can’t just escape into this world or consider this book even a guilty pleasure. The Throne of Glass books were starting to get this way, too, especially because she keeps killing off the girls of color in that series.

-And basically any woman who’s greedy or doesn’t derive her power from a man is demonized. Especially if they’re sexually active or aggressive in their pursuit of the men they want. Rhysand’s behavior in ACOTAR was even worse than Ianthe’s, it’s such a double standard and it’s laughable that anyone would call these books feminist. There is nothing in Ianthe’s actions to imply that she is violating any of the men she’s pursued. She’s pushy, shady, and needs to learn when to back off, sure, but it’s not like she’s assaulting anyone. Especially when the men she’s gone after are obviously way more powerful than her (Lucien, too, is obviously the heir of the Autumn Court, even if he enjoys lower status in the Spring Court).

-I’m still not over the idea that getting rid of the High Lords would not be bad. Like, Rhysand and Feyre both agreed that the current social system is stultified and deeply unfair to “females” and “lesser faeries”? How is the idea itself so bad and repulsive to them? They react with disgust and shock when Hybern brings it up

-I feel like pretty much every character is more interesting than Rhysand, with the possible exception of Tamlin. This may be mostly because I feel that they have potential and that the author hasn’t written enough about any of them and hasn’t had the chance to ruin them or waste their potential (like Manon in Throne of Glass). She just tries way too hard to make Rhysand seem sympathetic and loveable after all of the questionable things he did in book 1. And it shows.

-Come to think of it, it’s super strange that the Night Court lands are so neatly divided into “sadistic shitty assholes” in the Court of Nightmares and “peaceful artsy people” in Velaris. Like, what nation has ever been like that? People aren’t either irredeemable dicks or good people, every place has a mix of people.

-Amren feels like the kind of character I would love with a different author, but is barely developed. Same with the rest of the inner circle: Azriel is too much of a cipher to really make me care, Cassian is kinda all over the place, and Mor is built up as this amazing female role model who’s been through so much and has great inner strength…but then the author barely pays attention to her. Basically, the author cares about her self insert and her perfect love interest, and everyone else is just set dressing.

-The King of Hybern is so boring, and is just like the King of Adarlan in Throne of Glass. The comparison is even more obvious because neither of them ever receives an actual name.

-There were some moments where ACOTAR was well written/compelling, however fleeting. There were also spots that showed some potential. There are more of those in this book, but as more of the world is revealed, it becomes clear that it’s all built on heteronormativity and a rigid view of gender and gender roles. The magic system is poorly developed, the politics and geography is poorly established, and the plot limps. Instead of tightening these things up, the author chooses to focus on romance and sex, pausing frequently to allow the main characters to have sexual tension, going on for pages about the sex lives of her winged fetish-boys, and demonizing anyone who stands in the protagonists’ way. This story isn’t really about the looming war, it’s about two people falling in love and having a bunch of sex. All of the other stuff is just stuff she needs to put down on the page so she can get back to describing male abs and sex scenes. That’s not to say that this is a bad thing, but I expect more plot, world building, and character development out of something that’s labeled as “fantasy” and about 600 pages long. And the romance just doesn’t work for me. Too much brooding and woobifying, the bond is just boring and too convenient.

-There were a few times I almost quit this book, but about midway through I started hearing about what a shitfest ACOWAR is and that motivated me to finish, because I love a good shitfest, if I’m in the right mood.

#Books #YA #Fantasy

1 note · View note