What are some ideas you have floating around that you don't have any plans on writing but like to entertain as a thought?
Many of them, in fact! Though they sort of vanish from my memory if I don't make a record of them, here's a few ones I jotted down when they came to mind.
For a domestic one: Bill thought he'd hate a lot of being married! Even though he loves Dipper, he thought he'd rebel against the chains of domesticity - and in some ways he still does - but one major benefit he's found is not having to be 'on' all the time.
No need to be perfectly performing all the time! No shoving around for social influence, no intimidation, or clever tricks. No commanding attention or taking up the room. Hell, there's surprisingly little upkeep! Bill can undo his tie and pick his nose and bitch about his day to someone who isn't bending over backwards to agree with him on everything. Someone who doesn't give him a weird look and sneer if he, god forbid, actually wants to sit down, read a book, drop the grin for an hour or two.
The concept in question is Bill's very first moment of great surprise. That when he isn't being the most charming, terrifying, and exciting guy in the universe, and just chilling out for like, five minutes, Dipper comes over and snuggles up to him on the couch, or wraps his arms around his shoulders and kisses the top of his head. And when Bill asks 'what was that for?', Dipper shrugs and goes 'eh, just felt like it'. It's both baffling and extremely compelling.
A short where Reincarnated Dip is Definitely Sure he's Not Gay!!! Especially not for this Hot Demon Man who is getting so close and touchy with him with his big smile and horrible wiles. Yep. Just keeping an eye on him to make sure he's not up to something Nefarious ™.
A discussion between Dipper and Bill where Dipper insists that Bill should understand this, or not do that, because, like. Y'know, Bill's a guy! There are guy things! Making Bill stare at Dipper like he's an idiot. He proceeds to informs Dipper how that's stupid for multiple reasons! First, that Bill's Not Human to begin with, his gender can't be put into a little box! And frankly, he never filled out the paperwork for his original one, come to think of it. Sure, he/him's fine, but c'mon, sapling, thinking of the whole shebang like a binary is dumb as hell. Now Dipper has to do some mental readjustment re: his own issues with masculinity/gender.
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At least for the aspec part of the leverage fandom, I’m guessing it’s the heavy themes of found family between the entire crew and the queer platonic vibes of the OT3
yeah. yeah. oh man. like we have a story that prioritises relationships that aren't shown to us as romantic just as highly as the relationships that are, and we have parker who regardless of how you interpret her can be read as a-spec and loved and supported by the people around her and that's great, and we have a happy ending that says "actually, our tough guy (who doesn't seem to settle down with anyone romantically, though we see him date) would be most fulfilled with hardison and with parker, with no explicit romance, but with a lifelong promise of mutual devotion."
(it's a very important thing to me that the story works like that, with parker+eliot+hardison being totally platonic. I love other readings. I do. but what we were given, viewed through the least shippy goggles available, works. and it packs a hell of a punch.)
and listen, I've said it before but "my nana used to say that what's normal is whatever works for you" is such a beautiful sentiment to be applied to SO many things (gender, neurodiversity, queerness, polyamory, queerplatonic relationships, choosing a life of crime instead of a 'proper' career, etc), and it is lovely.
which is to say… yeah. agreed. it's great. and it does make sense. :D
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ᴍᴜꜱᴇ ᴅᴇᴍᴇᴀɴᴏʀ ᴀɴᴅ ᴍᴀɴɴᴇʀɪꜱᴍꜱ ɢᴜɪᴅᴇ.
ᴇʏᴇꜱ. Avoids eye contact when nervous, maintains eye contact when agitated, avoids eye contact due to being neurodivergent, enjoys eye contact as a means to read and convey emotion, looks down when emotional, looks up when emotional, cries openly, wipes tears quickly, suppresses tears, wandering gaze when lost in thought, holds gaze while thinking, seeks out eye contact for reassurance, seeks out eye contact to gauge enthusiasm during conversations, eyes constantly move during conversation, expressive eyes, emotions only evident through eyes, uses eye contact to intimidate, looks up while thinking, looks down while thinking.
ʜᴀɴᴅꜱ. Clasps behind back, rest in lap, fidgets with clothes, twiddles thumbs, chews at nails, pushes back cuticles, draws patterns on table/counter surfaces, makes animated gestures while speaking, only gestures to emphasize, utilizes sign language, speaks only through sign, callouses, scars, smooth, wrinkled, worn, soft, delicate, bone-y, slender, thick, vein-y, touches others while speaking, reaches out while laughing, reaches out to comfort others, reaches out to seek comfort, places face in hands when exasperated , places palms over eyes to hide when overwhelmed, rests chin in hands, taps fingers when impatient, taps fingers when nervous, taps fingers while thinking, scratches scalp, strokes chin, rubs back of head, toys with objects around them, runs fingers over surfaces while walking by.
ᴍᴏᴜᴛʜ. Chews lip, chews at inside of cheek, licks lips, bites tongue, chews on straws, resting frown, resting smile, neutral resting expression, resting pout, grinds teeth, flexes jaw, covers mouth when laughing, covers mouth when shocked, covers mouth when concerned, hands to lips while thinking, covers mouth when chewing, chews with mouth closed, chews with mouth open, smirks, grins, subtle smiles, wide smiles, sad smiles, intimidating smiles, menacing grins, openly smiles, tries to suppress smiles, bares teeth when angry, lips quiver when emotional, stutters, speaks quickly, speaks slowly, good pronunciation, poor pronunciation, moderate pronunciation, purses lips, sucks in lips, holds mouth open when shocked or confused.
ʟᴇɢꜱ. Bounces leg when nervous, draws knees to chest when sitting, draws knees to chest as a means of comfort, sits on knees, sits with legs criss-crossed, sits with legs spread open in chairs, crosses legs when sitting in chairs, sits with one leg folded under the other, places feet on furniture, never places feet on furniture, sits on counters, sits on desks, sits on tables, sits on edge of seat, sits hunched over with forearms on knees, arches one knee up, sits on the arm of chairs/couches, feet on dashboard, swings legs back and forth when sitting somewhere elevated, wiggles toes when nervous, wiggles toes as a general tick, shuffles feet, kicks foot into ground, stomps feet, loud footsteps, quiet footsteps, silent footsteps.
ʜᴀɪʀ. Runs fingers through hair, tugs at hair, picks at scalp, chews on hair, twists locks of hair while thinking or nervous, smooths out locks of hair while thinking or nervous, prefers hair out of face, prefers long hair, prefers short hair, wears hair back, keeps hair down, smooths back hair, plays with other’s hair while talking, plays with own hair while talking, strokes hair to comfort others, likes having hair stroked for their own comfort, braids others’ hair while talking, braids own hair while talking, flips hair out of face, pushes hair out of face, leaves hair alone even when falling into face.
Tagged by: I stole it on the dash, but I forgot who, I thiiiiink it may have been @arlquin
Tagging: @delusionaid (Wriothesley) @immobiliter (Beidou first, and if you want to do it for Navia and/or Furina too, go ahead 💙) @feilyne @maquiscursed (Kazuha!) @infernaliscor @spiderwarden @avaere (Kaveh or Itto) @lunaetis (Hu Tao!) @sortilegii (Give me that Blade food!) @electrohunter @shrineofprophecy (Ningguang) @nivuruheim — gosh, who else, @narvvhal and whoever else wants to: steal it and tag me!
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About Judgment: In short, I think RGGS was intending to continue the series. There were indeed rumors at one point that the series would end at Lost Judgment due to a disagreement with Kimura's agency, Johnny & Associates, about porting the games to PC--I'm unclear on why, there was speculation but I don't think it was ever stated. Obviously the PC ports are out now, so either that wasn't the issue or they moved past it.
There's also just general disbelief around there being a third entry simply because there's this idea (joke?) that Kimura never does three of anything, which isn't true at this point. It is true RGGS historically hasn't done three of anything in terms of spinoff series (Kurohyou, Mobile+Kizuna, and arguably Kenzan+Ishin), but it's also true that none of their past spinoffs have been as successful as Judgment, and we're seeing a lot of "firsts" from the studio lately.
The fact is that Yokoyama himself said something along the lines of "and of course, we won't forget about Judgment" (not literally, just the closest English expression I can think of that can be misinterpreted in the way I'm about to explain) while talking about future works. But for some reason, people took it as if he meant it "in mourning" rather than an obvious confirmation of more to come, I guess? A TV show was also announced, so I really don't get why they'd invest so much into a series they were going to end. I know Kurohyou got a show too, but this seems different.
Anyway, that's the most recent information, but it's from some years ago. There is a major new development, however: J&A talents' contracts are being cancelled left and right as of the last couple of months due to the agency's dogshit handling of and response to an investigation into Johnny Kitagawa's serial abuse of allegedly hundreds of his talents. That's been going on since the man died in 2019, basically, but a lot's happened this year.
This has left the talents with the incredibly tough decision of either remaining at an agency that refuses to even change its name and is rapidly breaking down or leaving. It has historically been very difficult to do the latter. On top of what you'd expect, J&A controls their talents to an insane degree and has leveraged their control of the media to suppress the careers of those who leave.
Broadly, in terms of how media companies have responded so far, I understand not wanting to associate with J&A and that J&A would likely benefit from the contracts more than the talents, but it still feels like the talents are the ones being punished... I have to imagine at least some of them were victims, so to be victims of the blacklist on top of that... That, and some of these companies kept the truth from coming out for decades.
With J&A losing its foothold in the media, though, there may be no better time than now to leave the agency. I don't know if Kimura will--rumors have been circulating ever since his idol group were forced to break up years and years ago, but while they all went independent, he never has--especially because a lot of seniors like him feel a responsibility to stay and change the agency for the better. As of right now, I'm not aware of Kimura's contracts getting cancelled, so I can't say one way or another if that'd have an effect.
I don't know what happens from here. I'm not sure if RGGS will look at it as collaborating with J&A or with Kimura or both, and how they'll factor in what's going on right now into working with him. Hypothetically, it would be possible to continue the series even without Kimura (any of the other mains do or would make great protagonists), but at the same time, Judgment is hugely reliant on Kimura's charisma. That's why people who play the dub (or people who don't like Kimura) often come away with the impression Yagami's kind of a dick or doesn't stand out much.
So... that's the state of Judgment right now. We won't know until we know, I guess.
OHHHHH OK saucy... sucks about J&A- it'd be cool if yk. they could face the consequences of their actions LMAO but that Could involve displacing hella workers now wouldnt it
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