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#i have like. a bunch more sketched out LOL
journen · 8 hours
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Okay @chaos-vulpix asked me for Simon & 141 encountering Koroks thoughts and so here is my little ramble
Was discussing this with some others too, so also some brainstorm credit / idea credit is owed to Govan, Kells and Goblin!! xD I'm not sure if you guys have tumblrs but I appreciate you all in also indulging in this fun silly idea with me. XD
So this is all inspired by this recent art I did of Simon with a korok lol.
I think he'd hate these little fuckers. They are small and supposed to be cute, and he is confused. Simon would encounter it and be like what the actual fuck is this thing and call Johnny for backup. Johnny thinks they're cute, and tries to convince his LT they are harmless but Ghost doesn't trust them. "These fuckers aren't in the field manual Johnny".
We also joked that Ghost, not knowing what the hell these koroks are at first, would just unload a whole mag in one but little does he know they're immune to bullets and tank the whole mag and are just like YA HA HA 😭😭😂
But maybe Ghost is actually a korok magnet lol. These little fuckers like him for some reason, against his will, and follow him everywhere. They are like lost puppies who follow Ghost around and show up when he least expects it. Disney princess Ghost with koroks. He hates it and wants them to leave him alone. One grabs his leg to give him a hug and he trips and injures himself trying to fucking kick it off and Soap just stands there laughing his ass off at him xD Simon is having a day.
I think Price would be confused by these little guys too and would tell Simon to get rid of them and Simon, exhausted, eye twitching, "I CAN'T!!" One would definitely spook the shit out of Gaz too, Gaz doesn't know what to think of the little guys xD
The koroks also leave little seeds and berries out for Ghost to find and he is so annoyed. He also thinks he has gotten rid of them all at some point only to make up in the middle of the night with one staring at him and he literally screams and it wakes up Soap.
Soap likes the little koroks but they just don't give him as much attention as they do Ghost. But he is very amused by his LT's frustration with these little beings and gets a ton of joy out of it 🤣
I have a few more drawing ideas from this too haha like Simon being cornered and scared by a bunch of koroks. Him walking and just a line of them following behind him. Soap holding a korok going "they're not so bad, LT!". Price smoking a cigar and having an intense stare down with a korok. A korok with a bunch of bullet holes 😭 just going YA HA HA and Simon having a mental breakdown.
And the thing that inspired all this was this fic I wrote that's an AU if Simon left the military to raise his young nephew Joseph, and Soap Is visiting them when he is sent on medical leave. Soap gets really into playing Zelda and when he's away Simon takes the controller to try out the game, he goes on a whole tirade of why he hates koroks xD I had totally forgotten i'd written all that and so it also inspired that artwork I linked earlier ahaha.
I definitely also think he and Soap could be a force to be reckoned with if they team up to play totk because they would absolutely engineer the most elaborate creative korok torture devices xD
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Okay sorry for the long ramble ahaha. I hope some of this is kind of funny! Hope to maybe do a couple other sketches for this idea too.
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toffeebrew · 20 hours
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Ink sans headcanons!
Disclaimer: I don't claim anything to be canon. Although, I tried to make sure it didn't conflict with canon for the most part.
Ink has something similar to a bag of holding tied to his belt. He picks up little trinkets in the aus he visits (something small, of course, like a flower!) It can hold an endless amount of objects. It also stands as as way of reminding him of where hes been and who he's met! he puts any gifts he gets there as well.
He has this weird ability that if you point at something he knows the exact hex code and color name it is. Why? Not even he knows, but it may be a creator giving him knowledge somehow thing.
For his paints? They all taste a little different. They taste like, something? But the exact flavor is so vague it's "hard for him to describe". If anything, they taste like a whole bunch of flavors at once. A little overwhelming to the palate. They all differ in sensation as well, fizzy, smooth, milky etc.
(more yapping under the cut)
Consistency wise, they both smell and have the thickness of acrylic paint. Specifically that kinda watery acrylic paint you can get for cheap at a store (like apple barrel).
Each of his vials has three dosages. One vial is like daily usage. But they can sometimes run out unevenly depending on how bad/good that day is (ex: on an extremely bad day, he has to take more of a positive emotions) so he had extra markings to "top off". Given there's no consistent time frame hes in, he just takes them whenever he wakes up. [ note: this particular headcanon was partially inspired by @/the-local-eldritch-microwave headcanon lol ↓]
He can actually last maybe about few days without his vials, but his emotions just become duller after 24-48 hrs. Taking a sharp decline after about 72 hrs. Their mobility and mental health declines with it as well, so he'd rather not wait for the decline to start! haha unless he got stuck in some situation where he had no choice!!! :D haha
He tried chugging all his vials at once for experimentation! He vomited everywhere. He'll not be attempting that again. Too much at once...
He has a reallllyyyy long scarf so he has enough room for all of his notes. It drags behind him and also dramatically blows behind him when there's a draft. It tracks stuff in it, due to its length. The bottom of his scarf is all colorful because of all the crap hes tracked in it! LOL
If he ever needed it, he'd add more fabric to the end for more notes. I guess eventually it would get cartoonishy long. At least, until it became completely impossible to manage.
On that topic, hes actually quite messy. Although, its more in a "organized chaos" sorta way. He knows where everything is, even if you don't. hes also MESSY not dirty very clear distinction!
In my mind the reason Ink would have a gap tooth in my version is when he was a "sketch" his teeth were more uh implied? So when he's born (how the hell would you word that? conceived? idk) he now has a permanent gap tooth.
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vehemourn · 1 year
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Tweetpaw and Dashclaw meet again...
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sysig · 3 months
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Permission to headbutt: Granted (Patreon)
#My art#UT#Sans#Papyrus#Ft. something smol and I do on a regular basis ♪#This could be Handplates or it could be classic Undertale I leave that up to you lol#I definitely picked up a lot of the style quirks lol - but there are some of the ones that I like myself! Like Papyrus' darkmode clothes lol#And Sans' shorts having the stripe in the front haha - little details ♫#Realistically it probably is Handplates tho just based on where my head's at lol - I love the Handplates dynamic :D#Handplates#I talked myself into it! Pfft ♪#I found myself relating a lot to Sans especially while rereading - I want nothing more in the world than for my siblings to be happy! <3#So I gathered up a bunch of ideas of things especially me and smol do together and this was the most obviously cute one haha#Easiest to do! Tho I did still go a little extra on this lol#I'm trying to do more digital stuff ♪ It wasn't the best art day and I'm still a little nervous to jump right in :')#Not doing any sketches on paper beforehand feels weird but I guess it is thematic in a way lol#And I'm still pleased with how they turned out hehe#It really does feel nice to be drawing them again <3#And doing silly sibling things! Hehe#I dunno how clear it is since it's so ingrained into how smol and I talk to each other lol family language!#One of us will literally just announce ''bonk'' and the other will prepare for/lean in for a headbutt haha#She is a tiny bit taller than me - it's not quite /this/ extreme but she does lean down for me! S'cute <3#I like to think Papyrus would do the same hehe ♪ Let your lazy brother headbutt you! He can only reach so far!#On minimal effort anyhow hehe#It's just a fun way to be silly together ♫♪#Also yes I did show this to her and she cosigned lol - ''Cute'' -smol
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skitskatdacat63 · 3 days
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Can someone assure me it's okay that I haven't finished any drawings in over a week 😭😭
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solradguy · 2 years
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I hope the stars align again for me to be able to do inktober this year because my art improved so much just from drawing like 40 Sol Badguys in one month lol 
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somelazyassartist · 1 month
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Designing plushies is so fun actually,,, only slightly related to my earlier poll because I'm still not sure what the results will end up being but I like sketching characters as tiny little toys it's very nice and relaxing and I like thinking about how and what to simplify to work better in a squishy 3D scale
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roaringheat · 8 months
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ok today i WILL figure out to draw Charles even if it kills me
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nonomives · 11 months
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Hunt vs. Hunted AU
(a.k.a. Vampire Wally AU)
Meet the Kardashians—i mean the Pillars
Part 1 || 2 || 3
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Character line-up (Oldest to youngest)
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So a bit of character Info:
There were more of them, but given the dangers of the monster hunter's profession, theyre the only ones left.
Hannah Pillar
She isn't the actual eldest sibling of the bunch, but among those who are still alive and somewhat sane, she is the oldest. A former mercenary whose main weapons were firearms. She was quite successful in her career but a traumatic incident happened that led to her not being able to weild a gun anymore. She eventually got hired as a desk worker in H.A. (Hunter's Assossiation) mainly handing out missions or intel to monster hunters.
She has a stable relationship with all of her siblings, sometimes the person everyone tells their worries to. She's nutruing and mature, but can also be quite cold and strict when need be. She is also often apathetic to things around her, something that got carried over even after she stopped being a hunter.
Harvey Pillar
Acting second oldest, Harvey is the genius of the group, or so he constantly claims himself to be. There is truth to what he says though since he works as a researcher in H.A. where he gathers information about the various mythical creatures the company had captured. Once, he used to admire this type of work until witnessing a thing or two which led him to be quite nihilistic. He's mainly just in it for the bragging rights and the money now.
Complete drama queen. Heidonistic and arrogant, he can come off as an asshole once he opens his mouth. Hannah keeps him in check most of the time. He does try to act like a big brother but struggles to be sincere about anything because he thinks it's a weakness. Very insecure, easily gets envious, especially of Howdy. For as vocal as he is, he does have many skeletons in his closet.
Howdy Pillar
A very popular hunter that is crowned The Hero of the Century, succeeding his late older brother, Howard Pillar. This is all due to his countless instances of saving people from dangerous monsters, especially feral vampires. Add this and his family background, he was made the H.A.'s face man, appearing in many interviews and posters for the company. He is quite the busy man, and Hannah usually acts as his manager, helping him with his packed schedule.
Howdy is closest with Hannah, but he also enjoys the banters he gets with Harvey. Charismatic and witty, many would think he is a perfect person, the ideal hero. The reality of it though is that Howdy is only in it for the revenge of his deceased siblings. While he smiles and acts relaxed in public, he is otherwise serious and gruff. Doesnt trust easy either. He also doesnt like how the media portrays him and would try to avoid being detected by anybody while he's on the job.
Here's a sketch lol
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Honey Pillar
The youngest of the group. She is the black sheep of the family, refusing to associate with H.A. or monster hunting in general, and choosing a career as an actress instead. Despite the controversy that came with this decision, Honey ended up becoming famous because of her alluring personality on the screen.
Aside from Hannah, she despises everyone. She hates Howdy especially because of an instance that lead to her twin sister's death and her loss of 2 arms. She hates Harvey a little less but prefers not talking to him at all. Honey is a drama queen herself, but in a less direct way.
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darqx · 7 months
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Hi I understand if you don't reply, but I was wondering if you have any advice to beginners who want to start making their ocs a reality? (Like in the sense of having Charecters that have been in your thoughts for a while, but it's hard to encapsulate them into physical form?) As I have some that id like to make either into a game or comic but I'm a little stuck..
Also I'm curious if there will be any other content with the best boy himself rire?? : 0
Hullo! Ah, (physically) designing characters, how fun ❤️ - there is part of a reason why I only have a handful of them lol XD; ANYWAY here are three things that help me, so hopefully they can help you as well :)
(I'll use Demon!Rire as an example as unless you are an old guard of mine, he will probably be the most recognisable of my characs.)
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❓What do you know about them?
First of all since you already have your character in mind, congratulations you are most of the way there already! It's helpful to know the general vibe of them. And I don't mean the super detailed things that may arise from like..."Get to know your OC" quizzes - we are more looking for the core feeling of a character here. If you dumped this character into different AUs what things are going to stay the same/similar? Some things you should consider are:
What is their personality like? Why do they do the things they do?
Do I already have any physical traits for them in mind? Hair/eye/skin colour? Body type? Age? Name??
📝 Write a simple paragraph or some dot points about your character with these things in mind.
---EXAMPLE---
Sophisticated and charming, Rire outputs an aura of power and elegance. His pleasing physical appearance and gentlemanly demeanour usually enchants or commands people. Realistically, he is extremely manipulative and sadistic, and finds entertainment in the reactions of others.
---/EXAMPLE---
🤔 Make informed choices
Ok cool, you know something about your charac! Now build upon what you know to make them real - it is important here to try and match your design choices with the characterisation and "why"s of the character, and less with what you personally think will be cool/cute/whatever. What I mean by this is just pretend they are a person you are describing to a forensic sketch artist - you are giving "facts" as to what you think they look like not making stuff up (eg you would NOT be like "oh yeh she was totally a punk rocker however i'm going to say she wore a long flowing gown cos I think she'd look prettier in it?"*)
*Note that designing a character with opposites in mind can work out if you can at least answer the cursory "why" of it being a part of the character design. For eg maybe the punk rocker is secretly the alter ego of a socialite - flowing gowns and high fashion by day, grunge by night. Like Batman.
📝 Feel free to use dress up doll games and image searches for particular types of clothes/hairstyles/etc if you need inspiration. Thumbnail a bunch of different designs and see what works.
---EXAMPLE---
In my prev example paragraph I highlighted a few things in red. Here I'll break down how they can help craft a physical appearance:
Sophisticated and charming / elegance - to me, these combined make me think of ballrooms and black tie functions and nice suits. A well tailored outfit and someone who knows how to wear them.
Gentlemanly demeanour (well to some degree lol) - since I already know he's hundreds of years old (973 to be exact) I decided that an aristocratic Victorian-esque aesthetic would suit him. Somewhere in between a modern look and something with a bit more fantasy steampunk flair. He smiles quite genially until he's doing it with all his teeth.
Aura of power - he's got to be a bit of an imposing character so he's quite tall (or at least taller than all of my other characs) and carries himself confidently. Hooray for the ability to loom. Dark colours for this character, to cut an impressive figure.
Pleasing physical appearance - kinda stereotypical type of good looks that aesthetically most people would be like "yeh he's pretty". Athletic build - muscular but not bulky, broad shoulders, tapered waist etc etc.
Extremely manipulative - first of all, he looks rather human, for a demon - his entire species is designed very particularly like that. Then there's the sunglasses. The "why" [does he wear them] is they function to hide his eyes (one of the main parts of him that give away his demon-ness), but also as a bit of a red flag to the audience that something isn't quite right with him. I mean, look past his charm and he wears them all the time. The black and yellow colour scheme also ties in as warning colours ⚠️
Put them all together and this was one of my first sketches of Demon!Rire.
*Note that I already more or less knew how he looked other than his outfit; you will probably have a lot more sketch duds as you figure out what your character looks like.
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---/EXAMPLE---
🔐 Don't lock yourself in
Despite the fact I've just said "pretend your character is a person", remember you're still their creator so obviously you have final say over them. Sometimes you'll find that they grow and change from what you initially thought of them (or you just evolve in how you draw them). Don't be afraid to make the tweaks and changes that enhance these - whether they be physical or core characteristics - and you'll get closer to the true character you always had in mind.
---EXAMPLE--
I now draw Rire with a more pronounced V-shape, longer, wavier hair, and somehow he ended up with way more pronounced eyelashes than I usually draw on my male characs. Which works out quite well considering how I tend to draw his eyes. Anyway the point of this is that these things developed over time as I kept drawing him.
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---/EXAMPLE---
🍀 Try it out with your own characs! Have fun and don't force yourself to try and get it "right" on the first go.
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cupcakeslushie · 2 months
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Hey guys! Just wanted to give a life update. I’m trying to plan with a friend to do a local market on March 9th, so things might be a little slow for a while. And I also discovered I have to move in a couple months, so now I’ve gotta go apartment hunting. I am not too happy about this fact :/ lol
I was hoping to get a lot of drawing done during the previously mentioned 3 day, at home EEG, which I had to do this week, but it ended up being a lot more….distracting and cumbersome, than I’d thought, and sadly I didn’t get much accomplished. (Basically for four days it felt like fire ants were living on my head and it was insanely hard to concentrate. And I could only get up, and be disconnected from the bundle of wires for like 20 min at a time)
Febuwhump has taken a big backseat. I might put out a few more pieces before the end, but I’ve got a lot on my plate with this market so I’m not stressing about it anymore. So if you don’t see me posting at my usual level during the next two weeks please don’t panic! I haven’t “left” or “abandoned” the fandom or anything. Im still plotting out the next updates for EW, Feral Leo, and Brainworm Donnie.
Also if you’ve sent me anything for the TMNT AU competition, please know I’ve seen it, and would love to reply but it may be awhile. We might have to eventually do a bunch in big batches, but I love everything I’ve been sent! And please don’t feel like this is me saying I don’t want you to send me stuff, just be aware I might not get to it immediately!
I’m not gonna be disappearing completely during this time, but I think I’ll only be able to post little sketches and smaller scale stuff for a few weeks. Bigger updates will have to wait, and be worked on when I’m done with the market.
So that’s the skinny, for now!
💚💚💚
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sanctus-ingenium · 6 months
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Just wanted to ask, please forgive me if you've already answred this, what program do you use? Your art fucks HARD and like. I was looking at your art of the two moths over the city they die in and I was hit with the wave of "oh that looks really fucking fun actually." Like i know my art program can't do some of those effects and like, I'd love to try fucking about with them.
hi there, thank you! all my art is done in procreate and paint tool sai
because you mentioned that drawing in particular i thought it would be fun to break it down and show ppl what exactly went into each part of it so check this out
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sketch & lineart - the brushes come from georgbrush.club and the urban sketcher is my most commonly used lineart brush, it has a nice irregular shape. the square brush is nice for big blocky sketches.
the cityscape was REALLY hard but basically I got a photo of the skyline of florence, traced some basic building shapes, then bullshitted the rest using the vertical symmetry/mirror tool to cut down on the amount of work (so i only had to sketch one half of the city). then for lineart I turned off vertical symmetry, turned on the two-point perspective tool, and got this:
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the rose windows were made using the radial symmetry tool.
I didn't like it being so flat, so I used the liquify tool to make a kind of fish-eye effect (limited success tbh). I liked how it looked but the buildings in front needed something to cover them up to make the liquification less obvious...
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first pass colours. I felt they were very washed out, aside from the sun which i loved. I use the spectra brush (default procreate) for skyscapes a lot, I love the texture. Although the clouds were filled in using the lasso selection tool, I softened the edges using the square pencil again and added texture using true grit sampler grainy brushes. The translucency effect comes from my setting the brush as an eraser. The sun rays come from the radial symmetry tool.
Blocking in the moths' colours was done with the urban sketcher again.
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Something people may not have noticed is the labyrinth hidden in the sky! yeah I had a bunch of versions where it was more obvious but I found that it clashed a bit and was too busy, so I made it subtle. But yes. I searched for "royalty free labyrinth" and picked one.
The toner grit brush is one you've seen before if you've looked at any art on tumblr lately (this is such a popular brush) and it's from the true grit fast grit set. The pointillism brush is from the true grit free sampler pack, like my grain brushes.
I added shadows to the moths, increased saturation overall, and changed the clouds to a translucent blue (you can even see in the sun where I forgot to block in the sun itself because the clouds over it used to be opaque lol). Moon rays were drawn using the radial symmetry tool but this time with rotational symmetry off. I also moved the moon down closer to the moths because I felt that it was a bit far away, and this served to visually divide the drawing into three equal parts, so I chose to lean into that and divide the sky colours too, to show passing time, or an endless moment - morning, evening, night, etc.
And then the oroborous, I tried a few different effects on it because I wanted it to be very clearly separate from the main scene - I settled on a dot matrix newsprint texture, using procreate's onboard tool, and some heavy chromatic aberration. This is because the oroborous isn't real, it's purely symbolic and the moths' demise started when they became photographers so I liked the print media aspect there as well. The story itself is about grief without closure, cyclical violence, and sunk cost fallacy, while everyone explores an endless labyrinth, so an oroborous fits I think
what makes art fun to me is thinking up ways I can tell a story using just a single image. and sure a lot of it will be lost to an audience who isn't familiar with the characters or backstory but i want to leave enough in there that even complete strangers to my work will be able to construct a narrative about what's happening here, rather than it just being a cool image. that's my goal.
Finally I exported it to sai on my pc to give it a once-over. this is really important because the retina display on an ipad is oversaturated on purpose, to make everything look amazing and vibrant. but what this means is that on other screens, your work might look washed out. it's especially bad at displaying yellows! so i look at it in sai on my pc and i make minor adjustments, in this case I actually added another multiply layer on the moths and an overlay on their non-shadowed parts to increase the contrast there.
finally if you've read this far, I played a little trick with the caption of the drawing. yeah, THEY die... but only one of those moths is a theythem pronoun haver... the other has to survive. he isn't given a choice in the matter.
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critterbitter · 3 months
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I finally got all my brain ducks into enough of a row to send this! I just wanted to say that Tumblr recommended your art to me on a whim, and I am actually OBSESSED now lol. I had no prior investment in Submas or anything tangentially related to it prior to this (aside from liking Pokémon generally lol), but I couldn’t help but tear through everything you’ve drawn for these silly little rat children and I love them so much now!!! I wanna pick them up and shake him around like little action figures! The shenanigans and the heartfelt moments are just,, UGH so good! I have no words! Thank you for the food I am going FERAL over them <3
Your art is also high key goals for me now tbh. I absolutely ADORE your coloring and rendering style, and also they way you draw Pokémon in general?? Very animalistic but still recognizably Pokémon?? Literally galaxy brained. I’m going to SCREAM. I know you already posted a bit of your art process, but I’d love to know if you’ve got any rendering tips and/or how you get that clean but sketchy look. It looks so good I want to eat it lol.
(Also I really love the way you’ve been formatting Elesa’s dialog, with the extra lines around the letters. It really gives the vibe that her grasp on Galarian is currently shaky at best and idk, I like that you’ve managed to find a way to convey that over text. I think that’s pretty cool :D)
I SAW YOU REBLOG A WHOLE BUNCH AND IM,,, (throwing hearts at you)
Thank you so so much! I’m glad you love these terrible little guys wandering Unova just as much as I do, haha!
As a treat, lemme pull out some drafting for the mini illustrations. I usually start every snapshot with a run down of what I remember from the area, possible shenanigans encountered, and then a doodle of ideas to come.
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From there, it’s a SUPER rough sketch, followed by lineart and rough color, and then cleanup!
(More thumbs and their finals below!)
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At the end of the day, all my lines are VERY sketchy. I’m a lot stronger when it comes to mashing colors. That, and if you set your line layer from normal to multiply, the lines will always be automatically darker then whatever layer is placed underneath. It’s a trick used quite a bit for placing cel shadows in animation, but it’s useful for lineart in a pinch.
For colors, I like to stick to a limited pallet and branch out only after setting my primary colors. This entire series has been very experimental for me though, as you can probably tell.
As for the last bit— YES… YOU GET IT! As Elesa grows, the lines in her dialogue will start appearing less and less. It’s the little things that map the span of time for these guys.
Yippee!
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indieyuugure · 2 months
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Hi Indiee!!
I luv ur art sososososo much and I was wondering if you have any messy sketches laying around, whether it’s future events for Tms or Indie Tmnt :D (The indie leo angst from the invasion/farmhouse arc is slowly taking control of my body… uh oh)
Pls take your time and drink lots of water!
Aw righty, let’s see what I’ve got.
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Uh, let’s see,
Some newer test designs for The Shredder’s and Karai’s battle armor. I went for more traditional samurai armor.
Me re-working how the Kraang tech works, getting an idea, and then spending like 3+ hours on a drawing 😅
The afterwards of this comic
The pre-cursor to Raph meeting Mrs. Morrison (I have more sketches of it but most of them are just outlines of text)
I decided to add a Battle Nexus arc in which Renet teleports them to a dimension, but then the Dimension Scepter dies so they’re stuck there for who knows how long. The turtles get arrested, but then a very professional woman interested in making dealy-doos (that she will most likely change the terms of at the last second) pays them out on the condition that they fight in her Battle Nexus Arena. The boys meet a whole bunch of people from other dimensions(Usagi) and even some from their own(Traximus). The specific picture I gave is designs for Usagi. Leo has not had enough time to recover from his fight with Shredder mentally and, during is fight with Usagi, breaks down in an episode and goes psycho.
The Banned for Life posters on the bulletin boards at April’s school. The boys will live on through that school’s history as those random Japanese boys straight out of a J-pop band that wreaked havoc on the school for all of 20 minutes then disappeared, never to be seen again.
Lol, hope you like these ^v^ just some random doodles I had.
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meruz · 1 year
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sorry if this has been asked before, but i wanted to ask about your lineart! the weight and line economy are just so nice, i get stars in my eyes looking at your lineart and doodles. could i ask what your approach to lineart is and what tips you might offer?
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Wow I love these questions - Line is so interesting!!! It's a really big topic so I feel like any tips I give will be just barely scratching the surface. It's like deceptively simple...any given line drawing is essentially taking all the information we glean from seeing something irl ie light, shadow, dimension, texture, perspective, etc and boiling it down to the simplest possible visual information.
I think most commonly my line is informed by light source so like. thicker more continuous lines face away from the light and thinner more broken lines towards. and a lot of my spot blacks r simply cast shadows.
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here's a more extreme example
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BUT like everything to do with art there's no hard and fast rules. I use blacks when I think it'll be effective or interesting and I leave them out when I don't need em. umm couple things I find myself doing a lot... using spot blacks to make the separation between characters clearer. I like casting shadow in between characters so its easy to separate and read their silhouettes even when they're mashed together.
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u can go even further to purposely create a silhouette like
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to draw attention to a finger or tongue LOL. There's some comic book artists who are absolute masters at this type of stylization. Alex toth and his spiritual successor Chris samnee come to mind for me right away.
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(toth)
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(samnee)
I feel like I'm also often using line weight to separate planes receding in space
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im naturally a really heavy handed and scribbly drawer(...?) draftsman. and im nearsighted so when i see things i percieve and break it down into big shapes over thin contours. so stuff like spot blacks and shadows came easy to me, the tricky part was making the rest of the lines lighter when they needed to be so the blacks could actually have impact LOLL. a lot of effective visual communication is about balancing contrasts. like I had to really train myself to press less hard on the pen. I think this is actually really evident if u go back in my archive to older sketches LOL
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I actually feel like a lot of how I trained my hand to tackle line weights was thru stuff like hand lettering where you rly have to focus on being sensitive to that kind of thing.. contrasting strokes etc.
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also exercises like figure drawing will have you flexing those muscles constantly
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I'm starting to just regurgitate lessons from freshman year of art school so I'll stop here with the demos but yeah...I hope this was helpful!? I love line!!! I want to get even better at line work so I can feel confident posting work that's only line no color or value... I'll leave you with a bunch of artists who I think have particularly expressive and beautiful linework (not including toth and samnee who I already mentioned and who's work I love so much). You can probably learn much more from them than you can from me...!
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Charles dana gibson LOL
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Matias bergara
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tonci zonjic
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naoki urasawa
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Daniel warren johnson
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shiyoon kim
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michel breton
also yoji shinkawa, tomer hanuka, leo romero, I feel like I'm gonna post this and think of so many more. there's so many good artists...!
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lemonisntreal · 5 months
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Some sketches because it's been months since I drew these idiots oops☝️🥰
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HI THERE. It's been a minute, sorry about that lol. I took a tiny out-of-nowhere and sorta involuntary break from the fandom because I lost interest for a second, but I'm slowlyyyy making my way back. With art, and some news about Tone Deaf for the people who are still wondering about that.
Also I see there's some asks in my box, I'll get to that eventually, I see you ;-; dw
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As stated, I momentarily lost a bit of interest with this movie- partially because I've recently been ensnared in a new fixation that will not be named right now, but yeah. I'm digging my heels in rn, because the last thing I wanna do is abandon this project. But, also, I've clearly bitten off more than I can chew with this being a comic lmao. In over my head and going through all 5 stages of grief and currently on acceptance.
The story got bigger. Like, a LOT bigger. Too big to capture every thought in a drawing and panel it and put it out as a perfectly polished comic without seriously burning myself out. It really doesn't help that my art style evolves by the second too apparently, so I've reached a middle-ground:
Tone Deaf is going to be a fic with some comic-like segments in it. An illustrated fanfic bc I still love showing and not telling a little too much.
This'll help me not only get stuff out faster, but also to help me fill in the gaps I didn't know how to draw with just text. So I can focus on just drawing the juicy shit. This also means it'll all be collected over on Ao3 in a neat little package, and I honestly prefer that over having a bunch of posts of pages that might be hard to find. So yeah, that's the plan.
Another bonus is that the frames can now be a lot more polished and nice looking [in glorious color] rather than hastily mashed together due to my bad habit of going overboard on singular frames without realizing it.
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Tldr; Tone Deaf is technically still gonna be a comic, it's just now gonna be supplemented with word-based fic mixed in because I made the project way too fucking big [the first Act has like 20 chapters I'm going to literally die]. Also it's gonna be on Ao3 and I'll probably be posting all the art here alongside any updates I make so huzzah! Help me :>
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