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#i don't really write william as nearly that intense actually
crumbleclub · 10 months
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There's this weird and very gory French + Canadian film called Martyrs (exercise caution when looking it up in terms of images if that stuff freaks you out) and the basic concept is like. Some cult trying to understand what happens after death by bringing people to the brink of it in the most traumatic and agonizing ways possible. And I just realized that that's really some William Afton shit, both for the original motive and for remnant extraction.
(Accidentally wrote an essay in the tags so, ah. Read those I guess)
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actuallysaiyan · 3 months
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hiiii,
May I request the valentines day request with vergil sparda x f!reader (dmc5 version) with this prompt [Reader/Character writes their loved one a Secret Admirer’s note and tries to deliver it discreetly. They are caught by their loved one!]
Where reader writes vergil a love poem or a confession and tries to tuck it like under his room door but he happens to be heading towards it and catches her off guard? They are not in a relationship but reader has feelings for vergil and considered the idea of confessing through the letter because she is shy :^ anyways so they encounter and reader quickly retreats shyly to her room where vergil then comes up to her to confess after reading the letter? Could be SFW or NSFW after the last part.
Totally love your writing, feel free to ignore it a shorten it if it's too much.
Love ya, xo.
(Also if u don't mind I want to be anonymous because I'm shy and anxious sorry for that :">)
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warnings: smut, love confessions, mentions of crying, Nero's mother is slightly mentioned, cunnilingus/oral sex(fem receiving) word count: 1.1k pairings: Vergil x Fem!Reader summary: you write a sweet love letter to Vergil and are so nervous about him finding it. when he does find it, he's so touched...he shows you his true feelings through actions.
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You keep rereading those words on the page. Your hands are shaking. Though you know that you won’t be getting a response right away, even just the thought of sliding this love poem/confession under Vergil’s door was making you so nervous. You had thought about doing it this way for weeks. The eldest Sparda twin had very much caught your attention, and the only way to confess to him perfectly would be to write him a love poem. Sure, you were no William Blake, but you knew he’d appreciate the sentiment regardless. That was…if he felt the same way. If he didn’t feel that way about you, you’d have to quit your job as Dante’s secretary and run very far away from Devil May Cry.
With a deep breath, you get up from your bed. Vergil had been on a mission all morning and well into the afternoon. Coincidentally, that was the time it took you to really get the nerve to even begin writing this letter. It was beginning to eat at you too, especially as you continue to reread it and desperately want to make corrections. But you know it also comes from the heart and that means everything.
So you tiptoe across the floor and open your room door. You peer outside into the hallway, looking for signs of anyone. When you don’t see any flashes of white hair nor do you spot Lady, that’s when you make your move. You grasp the letter and you walk a little further down the hallway, finding Vergil’s room door.
It’s silent save for the beating of your heart and the rushing of blood in your ears. It’s so frightening because you have this sinking suspicion that he’s going to find your letter and he’s going to toss it away. He’ll probably laugh at your sad attempt to write the literary man some kind of pathetic poetry. He won’t even look at you anymore after this, prompting him to ask Dante to kick you out.
You almost lose your nerve again when you crouch down to slide the letter under the door. Just as you’re getting back up, you notice someone is in the hallway with you. As you turn around, you come face-to-face with the man in question. Vergil cocks an eyebrow when his gaze meets yours. Your heart nearly stops as you try to come up with the right thing to say.
“Can I help you with something?” He asks, a ghost of a smirk on his face.
You shake your head, “N-no…”
You scurry away; you feel like you could faint. This was all so intense and you couldn’t believe you actually slid the letter under the door. He was seconds away from reading your confession. Seconds away from reading the contents of your heart. You couldn’t even think straight as you managed to hide yourself in your room.
For a few moments, you dive right under the covers and hide from the world. You try to convince yourself that your blankets will shield you from the rejection that is sure to come from this. And it keeps you safe and hides your tears as you feel them sliding down your cheeks. You were almost certain that Vergil wouldn’t even be the slightest bit interested in you.
Oh but you were so wrong about that. Through time and perseverance, you managed to capture the heart of the eldest Sparda twin. Even the first time he met you, he thought you were the sweetest thing in this world. A ray of sunshine in the darkness that loomed in his heart. He had his eyes on you from the very beginning, something that made his brother tease him to no end. Yet, Dante had swore not to meddle in the love affairs of his twin.
Vergil found your letter immediately as he stepped into his bedroom. He opens it up and reads it, leaning against his now closed door. Tears well up in his eyes as he reads the beautiful poem. You had reached into his chest and stolen his heart. It was almost too much. He wasn't even sure if plain old words could even be considered good enough to tell you how he felt.
After a little while, he decided to just go talk to you. He was beginning to think maybe just being able to be open with one another could help. Vergil knocks on your door, and you’re startled. Was he coming to reject you? You take a deep breath once more and open the door for him. His eyes widen when he takes in the sight of you.
“I…I…” he starts, but can’t even continue.
You gasp as he pushes you into the bedroom, closing the door behind him. His large hands cup your face and he pulls you in for the most passionate kiss you’ve ever felt in your life. It’s soft and sweet, but there’s a lingering hunger in it. 
“My love,” he says between heated kisses. “Your words have ignited a fire in my heart.”
You gasp when you feel his large hand enveloping yours and placing it over his heart. You feel the way it races just for you. Then you two meet in another sweet kiss, but the hunger lingers in this one as well. He guides you towards the bed, and within too much fuss, he begins to undress you. It’s slow and passionate, and you don’t feel pressured at all.
He tenderly spreads your legs, watching you through hooded eyes. You’re so beautiful like this. The soft lighting of your room makes you look almost like a painting. He then leans in to kiss your lips once more, making you feel lightheaded and breathless. Your eyes meet his gaze and he smirks as he begins removing his gloves. Then you let out a soft moan as his bare hands massage your thighs.
“May I taste you, beloved?”
Your heart skips a beat, but you manage to squeak out a “yes”. Vergil smirks at you, but it’s a genuine smirk. Then he spreads your legs, lowering himself onto his stomach between them. The smell of you makes him a little dizzy as he leans in to taste you. The moment his tongue touches your folds, he knows he’s done for.
He’s not ready to let you go.
Long languid laps of his tongue from your hole to your clit have you squirming beneath him. His name falls from your lips in soft pants and desperate little mewls. Vergil has never felt more hard in his entire life. This was all new, and yet there was a familiarity to it all. He wonders how he could have ever pulled himself from Nero’s mother if this is what it was to pleasure her.
He manages to push those thoughts away and focus solely on you. Just the sight of you being pleasured was enough to make him grunt against your wet skin. Your whole body feels warm, your eyes are rolled back in your head and your chest heaves as you pant to catch your breath.
“You are mine, my darling. All mine.”
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chainofclovers · 5 months
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sex education s4
Anyway so finally finished the entire series...
Sex Education is such a fascinating show and I really genuinely enjoy a lot about it and I think nearly all of the actors are VERY talented which makes it a joy to watch but also I struggle with the dialogue-writing so much. I feel like the ethos of the show is to try to capture the ways humans make mistakes and try hard and screw up and find and re-find each other (which is a very, you know, human and relatable thing), all within this hyper-stylized world that contains all the same problems of our world but also contains a deeply engrained emotional intelligence that informs nearly every conversation?!
So you've got all the normal fuck-ups of life and also all the honoring of emotional journeys, and somehow the way the emotional journey piece of it is written actually makes the sex and relationship mistakes feel more shocking?! It's like we rarely get to settle into those intimate scenes between people for long enough to really feel repercussions. And instead we keep having to pause so some character can say the most basic thing. I don't think this is an actual line in the show, but it feels like half the stuff that comes out of people's heads is basically "Relationships can be intense and that's why relationships are so hard."
And I think Jean Milburn's bad radio show is kind of a way to poke fun at the very unnuanced therapy speak of it all, but maybe not?!
The show is WONDERFUL when the dialogue is specific and weird. Like when Adam and Eric reunite at the funeral and Adam's like "I work with horses now." What a line! Perfection. But those moments were far too few and far between for me.
I do like that the show makes it clear that as much as you might try to craft a safe, thoughtful, emotionally careful world for yourself, that doesn't mean life isn't hard. Cal's dysphoria and sense that the world doesn't want them is incredibly real and well done. And I thought Eric, Viv, and Jackson all had important moments of connection that transcended the dialogue and felt real, too.
I struggled a lot with Michael's storyline. I was actually interested in him and Maureen realizing that the work they've done as individuals makes them more appealing to each other, and I liked that they ended up exploring that and will likely end up getting back together. But! Michael's rebound with that teacher was never going to be what he needed, but I hated the way that lesson was taught. Sure, maybe he was always going to return to the familiar-but-new of his wife and family unit. But I HATE that the sex scenes on the show are often centered entirely around a specific moment of performance/pressure/penetration (literal or emotional) at the expense of what a human body might actually need. There's something in the middle of the spectrum of being humiliated for losing your erection during casual sex and returning to your wife. That middle point is sex--even casual sex--with someone who's willing to connect emotionally, to compliment, to experiment with foreplay, to kiss and touch and make it feel safe to have sex. I don't believe a show has a responsibility to depict that, but in this specific case it felt bad to watch a character so deeply need something other than he was getting and for the "lesson" to feel skewed a few degrees away from where I felt the real lesson actually was.
And let's be real, a large reason I've stuck with this show is because of how much I love Hannah Waddingham, and I found Jackson's storylines with his mums a bit strange precisely because of the surface level pseudo-deep emotional dialogue they're all forced to work with. At this point I've watched many, many hours of Hannah Waddingham working. She's so good. And you've got Hannah Waddingham, Sharon Duncan-Brewter, and Kedar Williams-Sterling, three phenomenal actors, in a room together, and it felt like an opportunity to go into exactly WHY they hid the real story of Jackson's conception from him, and why they went to such lengths to create the handmade picture book (adorable, but in hindsight so strange). All of these actors are more than capable of really getting into it re: deep desires for a particular type of family, and the haunting of the past, queerness, how Roz felt as the biological parent who wanted to give Sofia a certain type of family, how Sofia felt as the new partner starting a relationship with a pregnant woman, etc. There was no need to rely on a letter nonsensically kept in a bedside table, or surface-level platitudes.
Over and over, I feel like they created such fantastic scenarios, and cast such wonderful people to act them, but then the actual words spoken in conversation didn't ring true. And the juxtaposition of the frantic snapshots of sex (which do paint an empathetic portrait of desire and how lonely desire can be) with the tedious dialogue just didn't do it for me this time around. I'm all for some heightened utopian fantasy coupled with the painful reality that even when people love you, identity and self-determination are struggles. They just didn't quite make it there. But the actors really are so good that I enjoyed it anyway. Mostly. Often.
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