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#i did the lines and he colored and i am absolutely frothing at mouth for how he’s rendered this all
gncrezan · 2 years
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suggested to @usurper-clay to do some tarot collabs with our blorbos of all time and absolutely as always he delivered :’) !!!!!
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earwaxinggibbous · 5 years
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10 Worst Hits of 2018!
I hate the 2018 hit list.
I hate all the artists we brought back. I hate all the new ones we got. I hate the fact that Lil Peep kicked the bucket without getting on the hot 100 but XXXfuckassaton got three hits. I hate that nothing off of Kamikaze reached the year end hot 100 despite it being one of the only good hip-hop albums that dropped this year. I hate that we’re all alive and that Tumblr has banned porn. But life goes on.
Bad hit songs. Bing bang boom.
Fair warning, I’m gonna be hitting a lot of trigger topics including abuse, pedophilia and rape.
10. Lucid Dreams - Juice WRLD
Before I say anything, can I just point out that ‘Juice WRLD’ is one of the absolute worst rap names I’ve ever heard in my entire life.
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Anyway, Lucid Dreams.
I feel like rap music has been having a lot of sad pathetic break-up songs lately. And this won’t be the last one, absolutely not. Pretty much everything about Lucid Dreams, much like a seizing, dying epileptic old man, is wriggling and frothing uselessly in a puddle of its own filth. With nothing to do but choke out on a mouthful of blood it can only try to scream weakly through a pool of foamy spit that’s settling towards the back of its throat. It’s sad in the same way that ASPCA commercials are sad, as opposed to how a good break-up song feels.
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As Juice WRLD brokely copies the beat of Lil Uzi Vert’s smash hit XO Tour Llif3 from last year, and also randomly samples a song by Sting, he stumbles weakly through lyric after insipid lyric that sounds like it was written by a 13-year-old. I tried to find an example of specific bad lyrics but holy shit, I’d honestly be better off just putting the lyric genius page here, complete with verified translations of this lyrical xanax binge from our boy Juice WRLD himself.
It’s a break-up song, but it’s as whiny as one can get. With Juice WRLD claiming “evil girls have the prettiest face” (gag) and insisting the girl in this song “wants him dead”. His whimpery vocals don’t help any part of this droning septic tank that I can only describe as the closest similarity we’ll ever get between a song and the pokemon Muk.
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Even the music video is just a shittier version of XO Tour Llif3, and while it’s honestly more interesting than the other 75% of rap videos, what does it really add? I can only imagine that whoever was directing it realized this song has literally nothing going for it other than the possibility that stoners and pill-poppers will mistake it for XO Tour Llif3 if they’re high enough and threw in some surrealist imagery with the excuse being that, well, it’s titled Lucid Dreams. 
Really the most egregious thing about this song is that, in the lyric genius page, Juice WRLD goes on some tangent about how popping pills isn’t cool and he was popping pills “before it was cool” and now kids are doing it. Hey Hi-C, you know these kids look up to people like you, right? Why not actually make a song about how doing drugs is bad instead of just offhandedly mentioning how you used to pop pills to, quote, “feel a-okay”? Not that I’m assuming you ever thought of that when you were writing this, most likely dosed up on a gallon of cough syrup.
Then again, I dunno if I wanna be preached to by the man who wrote a song titled All Girls Are The Same.
A lot of songs this year were underwritten and boring. Lucid Dreams isn’t the worst offender, but it’s definitely the saddest. And I don’t think it was sad the way ol’ Juicy Juice was intending. Personally, I’d rather just drink the kool-aid.
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Blurgh... Muk cannot change you... Muk must replace you...
9. Meant to Be - Bebe Rexha ft. Florida Georgia Line
Is it bad that I honestly wasn’t sure who was the feature and who was the headline of this song?
Anyway, here we have Florida Georgia Line returning for another year of meathead bro-country crap and Bebe Rexha returning for another year of having literally no personality whatsoever with a song that has so little substance it may as well just be air.
I’ve never really extrapolated my thoughts on Bebe, mostly because she’s a complete and utter non-presence in every track she appears on. I honestly didn’t even realize she had a music career of her own, I felt like she just existed to feature on everyone else’s shitty music. What the hell is she gonna sing about besides the damn factory she was built in?
I’ve also never extrapolated my thoughts on Florida Georgia Line.
Here’s what I’m imagining their brains look like:
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Yeah. So a combination between two walking cans of Pabst Blue Ribbon and a literal sex robot. What can go wrong? Well. Everything.
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With a title like Meant to Be, you’d think it’s about running screaming into a relationship because you know it’s gonna work. Not so, as it’s actually about staying relaxed in a relationship. We got time, right? At least that’s what like, 75% of it is about that.
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Bebe seems more than ready to rush in and get sloppy, but you think Florida Georgia Line are 100% ready to enter a steady relationship with a dead person? I wouldn’t be.
The production is just a piano and some sad trap drums, so basically every other Florida Georgia Line song. It has nothing going for it other than maybe masturbating to the music video and Bebe’s sweet, sweet inflatable titties trying desperately to crawl their way out of her country girl flannel.
And that’s really it.
You tried.
(Or did you?)
8. Friends - Marshmello ft. Anne-Marie
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Aww! They’re so cute.
Marshmello is kind of a cryptid to me. I never really understood the whole trend of producers and DJs wearing these weird things on their head. And part of me, well, all of me feels like Marshmello rides purely on quirkiness alone.
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Look at him! He’s so wacky!
The production on this isn’t bad per se, other than this high-pitched squeal they drop into the final chorus, but it’s definitely not great and kinda has me wondering why Marshmello is basically producer of the year despite not doing anything much more interesting than all the other producers. At best he has a little bit more energy behind him.
Anne-Marie has apparently, allegedly existed before this year, but I have literally no recollection of any song by her. But if this song is anything to go by, she’s annoying and sucks.
Friends touts itself as “the friendzone anthem” and tries to be relatable to teenage girls who’ve had to friendzone a boy, and if I had to guess this is sort of in response to all the friendzone songs from 2016 like Treat You Better. This would be fine except 1. you’re two years late, 2. nobody wants to hear a friendzone anthem and 3. this song is the highest level of cuntiness anyone can comprehend.
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Here’s the thing about the concept of the friendzone. Nobody sits around wanting to friendzone people. Nobody is chilling in their bedroom with their friends wishing they could have a friend who has a crush on them and then that friend is like “I like you” so they can be like “uhh we’re just friends”.
Which is why we don’t really need an anthem for it.
The friendzone sucks. It’s not even a real problem, dudes just make it a problem because apparently being friends isn’t good enough for them. Nobody wants to have a friend who’s crushing on them, nobody’s happy about that. And the catty Mean Girls tone that Anne-Marie takes to it makes it seem like she’s a strong independent woman trouncing on the hearts of men like some kind of TERF horse when really nobody feels that way when having to “friendzone” a person.
Plus judging by the lyrics, this guy is showing up at 2 AM in the rain. At some point you need to stop being friends when he starts obsessively stalking you, maybe a few words to consider would be R-E-S-T-R-A-I-N-I-N-G O-R-D-E-R.
Women have the right to see their male friends as just that. But nobody is proud of having to do it. It’s not a point of pride, it’s just a choice people make, like what shirt they wanna wear in the morning. Trying to sell it as some kind of bootleg female empowerment anthem is pathetic.
Also I swear to god she spells friends as “F-R-I-N-D-S” in the chorus.
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“We’re just frinds, Deadmau5.”
7. Yes Indeed - Lil Baby and Drake
Who the good god damn is Lil Baby? I’d never actually heard of him until someone in my music history class gave us a presentation on Lil Baby and how cool he is. I’d literally never heard of the guy before, because I never really listen to any of these hits until the end of the year.
Turns out Lil Baby is just another mumble-rapper, this time jacking his style from Young Thug. Color me surprised, I guess. How come none of the mumble rappers I actually like came back this year? No Desiigner, no Lil Uzi Vert, no Lil Xan? No. Fuck you. You get Juice WRLD and Lil Baby, two of the worst rap names on the planet.
He’s on the list of rappers made famous by Drake, and Drake had a monster year this year. Even with me living in a hole I knew the impact God’s Plan had, but apparently all 25 of his crummy songs charted at some point. That is 25 monotonous Drake songs circulating through the radio stations, 25 Drake songs constantly weighing on the shoulders of the collective public, and 25 Drake songs even his detractors probably knew all the words to just through exposure. Even I’m sick of the guy, and I have Hotline Bling on my Google Play Music library.
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Yes Indeed is honestly void of things to say about it. Drake is boring, Lil Baby has one of the worst voices in recent history I can think of, the beat is nothing, it’s just a nothing song. The only noteworthy thing about it is that Lil Baby references Pikachu, a big mistake, as Young Thug also referenced Pikachu on one of his first hits. Though I’ll admit a yellow car has more similarities to the electric mouse pokemon than diamonds do.
What bothers me about this song is less the song itself, as the song is a non-presence, but moreso that in a world where streaming has finally seeped its way into the Hot 100, we have come to the conclusion that this is what people want to hear. They wanna hear Yes Indeed. And I just don’t get it.
Also, “waah waah waah, bitch I’m a baby”. High art.
6. Te Bote - A whole shitload of people
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I feel like Spanish reggaeton has been an on-and-off interest of the American public. But it really reached a head recently thanks to Despacito, which all Alexa memes aside, is a great fucking song. But the fruits of its labor have been less than impressive, from last year’s goat-screeching jam Mi Gente to whatever the hell this is.
It’s nice knowing that foreigners write music as shitty as we do.
The title, Te Bote, roughly translates to “I dump you”. But it can be read much harsher in Spanish as bote is often the verb people use to describe tossing out garbage. And boy, is this song... uh... you know.
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I don’t like to barf out the word “misogyny” constantly just because, well, anything can be misogynistic if you look deep enough. There’s a point where even I, the ratty little feminist I am, just don’t care. But Jesus, referring to your woman as garbage in the most backhanded way is... wow.
But I’ll be honest, being an English speaking moron, I don’t care about the lyrics. My problems run much deeper than blatant misogyny and pettiness.
Namely that this song sounds like ass.
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Te Bote has six artists on it. Six artists, and not a single one sounds good. Most of them are squealy. I don’t actually know who’s who except Ozuna and Bad Bunny. Ozuna is considered one of the worst Spanish artists of today, and I can see why, because he just straight-up sounds like the lovechild of Akon and Lloyd.
As for Bad Bunny, I was slightly more drawn in by him because he looks like a cross between Blackbear and Pitbull, and I dunno if he’s dropped any other better singles, but on this he straight-up sounds like Barney the Dinosaur. Not as much as Lil Yachty, but still. Most of the others sound like autotuned mice, but there’s one guy who tries some kind of low-voiced speed-rapping and it sounds weird and wrong. The production is nothing notable, and uses the bum, bum-bum drumline of literally every reggaeton and Spanish pop song including Despacito.
And I could forgive all of that.
But let’s look at this for a moment. Each artist has their own verse. That’s six verses. Six verses plus five choruses, one pre-chorus, an intro and an outro. And how much does that add up to?
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Nearly seven minutes.
Seven minutes of the same beat. Seven minutes of basically the same kinds of singers. Seven minutes of misogynistic lyrics. Seven minutes of garbage, garbage, garbage. Imagine listening to this whole thing. There are people on this earth who have actually sat through this whole garbage song multiple times and thought, “yeah. I like this.” 
I mean of course Te Bote barely got any radio play, it’s nearly 7 minutes long with no breaks. So obviously some massive group of people had to be streaming it and listening to it by choice.
5. Taste - Tyga ft. Offset
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Remember Tyga? He was one of the Young Money rappers that didn’t completely fall off after the 2000′s, along with Nikki Minaj and Drake. But after he put out $timulated, a song about how he fucked a 17-year-old Kylie Jenner but, in the words of Slim Shady, “look at her bush: do it got hair?”
we all dropped him, because that’s fucking gross. Kylie Jenner dumped him and is now dating someone else, I forget who because I don’t care. And with us having to deal with 6ix9ine I was comfortable leaving Tyga in the wastelands. 
Honestly? The only reason this song is even here is because it’s a return Tyga single. I’m not even mad about Freaky Friday, because like, whatever, it made me laugh like a stupid idiot, but this? We asked for this. A Tyga single in 2018, about nothing, with a nothing beat, and Offset still bragging that he’s the best member of Migos when that’s like being the twinkiest member of One Direction. And once again, people actively wanted to hear this song about nothing in a year full of songs about nothing that, at the very least aren’t by pedophiles.
I don’t even wanna talk about this anymore.
4. I’m Upset - Drake
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Me fucking too.
Like I said, Drake dropped 25 songs on his new album Scorpion, and all of them became hits. The worst of which, in my opinion, being I’m Upset. Just look at that title. That’s how your father talks to you when you slam a window open with a baseball and he walks through the glass shards. 
This one has backstory, my favorite, longtime rival Pusha-T stated in some song that Drake actually had a secret child with a porn star and was planning on using that kid for like, an Adidas sponsorship or something. Which is fucked up. And at least part of that has been confirmed on Drake’s end, he did have a secret son with a porn star.
And then Scorpion and I’m Upset dropped. And it sucked. All of it.
The chorus of I’m Upset is weirdly catchy, but the beat is like every other Drake beat, Drake himself sounds about as upset as he can convey, which is very little, and it’s all just really really boring soundwise. When Drake goes on for long enough he begins to just sound like a bunch of bees. Bees, bees, bees, nothing but bees. And I’m tired of Drake bees! I’m sick of it! I don’t want anymore!
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Anyway, lyrically the gist of I’m Upset is about how Drake doesn’t like paying alimony, and NO.
BAD DRAKE! BAD! BAD RAPPER! GO TO YOUR ROOM!
You do not get to be a world-famous rapper with fuckillions of dollars to your name and get to whine and bitch about paying alimony to your baby mama. You don’t get to roll on the floor whimpering about how your evil harpy whore of a porn star one-night-stand is (legally) receiving money from you to take care of the son that YOU ditched. 
You had 25 hits this year. 25. And you’re getting pissy because you have to pay and I quote fifty to a hundred thousand dollars child support. For you that should be nothing. You are practically drowning in money, and if you really don’t wanna pay child support you could, I dunno, raise your goddamn son instead of leaving him in the hands of someone who probably barely makes a fraction in a year of what you make in a month?
Look, say what you want about Eminem. At least he was a good father on record, and if he isn’t a good one in real life I’ll be very very shocked.
I’m upset too, Drake.
3. Roll in Peace - Kodak Black ft. XXXTENTACION
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I fUCKING HATE KODAK BLACK
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Might wanna consider writing stuff down, Kodes.
May I call you Kodes?
Anyway, Roll In Peace is the only song on this list that isn’t ACTUALLY in the Year End Hot 100, but I couldn’t just let it slide. Not when it’s a collab beween Kodak Black and XXX. Not when it sounds like ass and feels like being shot.
If Drake sounds like bees then Kodak sounds like mosquitos, right in your ear, in the deepest parts that can only be reached by one of those earwax slurping tools. The beat has that flute again, probably because it’s half of what made Tunnel Vision famous. (The other half being controversy of course.) X’s verse has like, two lines to do with the actual plot of this song. And what is the plot?
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Oh, poor pitiful Kodak can’t roll in peace. Poor Kodak Black can’t have any time to himself! The media is just all over him and X for no reason whatsoever! He’s never done anything wrong, other than, oh I don’t know, the rape allegations? The abuse? Armed robbery? Assault? That one time X nearly killed a gay dude in prison for no reason other than the gay part?
Yeah, fuck you.
You can’t “roll in peace” because you don’t have the right to anymore. You are a bad person. And X, when he was alive, was a bad person too. Sure maybe he was claiming to be working on self-improvement, but the only way I’d believe it is if I saw it, and it’s too late for that now.
As long as you refuse to apologize, you will not “roll in peace”. As long as you don’t see that you have done something wrong and continue to blame it on systemic racism which is a very real thing that you continue to trivialize again and again so you can avoid your rape allegations, you aren’t allowed to have any peace in your goddamn fucking life.
You can’t try to deflect it on Lil Uzi who posts Satanic imagery on his Instagram despite wearing a Jesus piece. You don’t get to deflect. You get nothing, and you deserve to go broke and fuck off.
There’s a joke I can make, but it’s too soon.
2. Gummo - 6ix9ine
Oh, okay, I can do this.
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Uh, Gummo is this really good movie directed by Harmony Korine about some kids in this town that was totally wrecked by a tornado. And after that everything’s in shambles, so these kids can just do whatever they wa...
Oh. Oh dammit.
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GOD IS DEAD GOD IS DEAD GOD IS DEAD.
So imagine you’re me looking at the Hot 100 for one of the very first times about a year ago, and you see a song titled after one of your favorite flicks of all time. And sure, it’s being sung by a guy who looks like a Lisa Frank condom, but god you just love that movie so much. And sure, Nicole Dollanganger has already made songs referencing that movie, but you want MORE.
Then you play it and it has literally nothing to do with it.
It’s loud and obnoxious and stupid and has a very clearly hispanic dude dropping the n-word like he fucking owns it. He’s just screaming these nonsense lyrics about nothing. And it’s not like I just don’t get songs with screaming. I have the entirety of Carcass’ Reek of Putrefaction on my phone. But this? This sucks. It sucks! The beat doesn’t fit at all and no matter how I look at it it wouldn’t fit anywhere else, and 6ix9ine’s flow is the death of all art. The only thing he can do, much like a child in a well, is scream and scream and scream and it’s horrible.
And trust me.
This was far before I knew of 6ix9ine’s baggage.
In case you don’t know somehow, this Rainbow Brite little fucker was actually convicted of filming a sex tape of a 13-year-old. While I don’t think he actually had sex with her, he was at some level sexually involved with her.
How did we respond? We gave the ugly fucker a hit. And his hit was this. Where he directly references his sexual involvement with this 13-YEAR-OLD GIRL.
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He doesn’t give a shit. And he knows his fans don’t either. He continues to release low-effort garbage music, and in an interview about FEFE he even openly stated that he doesn’t put any effort into writing lyrics. He doesn’t try, he’s a bad person, and his blind fanbase continues to shower him in money like he deserves it. 
We’re idiots.
An awful song made by an awful person. The only way to hold a candle to it would be, well, an even worse song made by an awful person.
Anyway, dishonorable mentions.
FEFE - 6ix9ine ft. Nikki Minaj
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This song sucks too. And Nikki Minaj should be ashamed for working with this fuckhead.
God’s Plan - Drake
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I’m almost definitely a minority in absolutely loathing this song, but I can’t stand it. It’s not structured, there’s no flow to it, it just feels like a whole lot of nothing with no point. And while I will give it to Drake that throwing money at homeless people is a really good thing regardless of why he did it, it was still a super obvious publicity stunt.
Plug Walk - Rich The Kid
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Boring.
Girls Like You - Maroon 5 ft. Cardi B
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Also boring. My tolerance for Maroon 5 has lasted way longer than anyone else’s, but I think it’s about time we let them go.
I Like Me Better - Lauv
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I’ll be honest, the only part of this song I really hate is the weird synth interludes. The singing is fine, the content is fine, it’s all the perfect level of mediocre without that violin fart synth. 
No Brainer - The ‘I’m The One’ crew, but we replaced Wayne with an actual baby
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Really just an even less interesting version of I’m The One, but without Li’l Wayne. Also Justin Bieber kind of looks like a trucker now, and I hate to say it, but that’s the most attractive he’s ever been in my opinion.
Freaky Friday - Li’l Dicky ft. Chris Brown
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I’ll be honest, I actually love this song. It’s funny to me, I mean, maybe I’m a simple-minded man, but a good dick joke can send me off the rails. But I’m still at least a little miffed that we’re letting Chris Brown have money, so it gets a mention.
Gucci Gang - Li’l Pump
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It would be here if it wasn’t also a hit last year. Consider this a placeholder for any crossover hits I didn’t like, like Mi Gente, Perfect, Believer, and Sorry Not Sorry.
Let’s do number one. And if you know me, you know what this is. If you don’t, don’t just immediately get pissed with me when you read it. Okay? We’re good here? Alright.
1. SAD! - XXXTENTACION
So here’s a fun little sobstory for you. Less than a year ago, my boyfriend introduced me to this great artist. They were in a really oversaturated genre but doing something completely different with it, and I fell in love immediately with their dark topics, interesting production, cool music videos, and general aesthetic. And their name was not XXXTENTACION, it was Melanie Martinez.
Late last year she was pressed with a rape allegation, and one that couldn’t be proved either way. Desperately I scraped through the bowels of the internet in search of something that could disprove it and came back largely empty-handed and wounded. Because Melanie’s music meant a lot to me, and I do mean that. I couldn’t sleep. I wasn’t sure what to do knowing that a person I’d based my own aesthetic, my own writing, my art, and my music on would do something like that. I tried to force myself not to listen to her music, but it just wasn’t possible. 
Over time the wound scabbed up and closed and I finally gave up and decided to split the art from the artist, feeling like at the very least I wasn’t directly giving her any money by downloading her music on Google Play. But I’ll still never be able to get back the way she used to make me feel.
So what I’m saying is, I get it.
I’ve actually gone and listened to a few of X’s songs on my own before doing this. And I put myself in the mind of me a year ago discovering a new artist without those preconceptions. And I felt it. I don’t know how, but I did. I felt it. I listened to Look At Me, and I felt like if I’d heard it before I knew what X had done, I’d probably love it. Sure the production is a fucking disaster but the lyrics are just the kind of shock rap that entertains me. The production on Moonlight is really interesting and while I didn’t think Changes was very good and kind of guilt trippy, I could definitely understand it.
But then I circled back around to SAD!
And I lost it.
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Something about this song just kills all the good will I might have ever had for this kid or his fans. And really it’s all because of one line, and everyone probably knows what that line is already.
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So according to lyric genius this line might not actually mean what I think it means and could potentially be referring to X’s friend Jocelyn Flores, who took her own life tragically. And though on X’s song about her and every time he addresses her he seems to make it all about himself, he really did seem wounded by it. He seemed like a wounded, mentally fucked-up person who needed help.
Except that this song is about Geneva.
The girlfriend he allegedly abused.
The girlfriend who was pregnant, who he abused, and judging by this line, who he is now performing the age-old manipulation tactic of threatening suicide if she ever leaves on. 
When I remove this song from context, there’s no way of excusing that line. The rest of it I can understand, and he really does seem emotional in the verses, and I know we’ve all been in a place at some point of being somehow spurned by a lover and still missing them in spite of it. But to threaten suicide if they try to leave is inexcusable.
His voice sounds fine, and the beat is once again stolen from XO Tour Llif3, but there’s a point where I can’t really care about it. Because children do listen to this kind of music. And along with Melanie Martinez, this song brings me back to when I was young and one of my favorite songs was What The Hell by Avril Lavigne. A song about cheating on your S/O and not seeing a problem with it. My sister and I would sing and dance to that song all the time, so much that I never really realized what it was about, or that there was anything wrong with it. Not until I was an adult and I looked back on it. And wouldn’t you know it, children can sing along to SAD! too.
I know X is dead. And I know it’s not my business to dictate how people should feel about things. Geneva deserves the right to be sad about X’s death, and she forgives him, even though I really don’t. But the way people have treated her especially after X died is inexcusable, and it’s in part because he wrote songs like this. He didn’t just manipulate her. He manipulated everyone. Every single one of his fans probably really did think he would kill himself if his girlfriend left her. And yes, X is on record having thoughts of suicide, I would never take that from someone.
I used to have a close friend who would feign a panic attack every time someone criticized him. It felt like he was threatening suicide once a week. And I always supported him because I cared about him. It was exhausting. I ostracized people because they knew he was a bad person. I shut people, good people, out of my life because they wanted to help, and I said bad things to them. Eventually we fell out and I was left cold and alone with nobody left to take me back, and I slugged through mud for a year just to pick myself back up.
I can imagine that’s kind of what being an XXXTENTACION fan is like.
And like me, with any luck, they’ll regret saying the things they did too.
That’s all for this year. I’ll get to the best when I have more energy, but now I just can’t.
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blueskyheadleft010 · 7 years
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Analysis of Stevenbomb: Wanted
There be spoilers under the cut
Ok, so first off I want to say that I am very pleased with this strong narrative Season 5 has started with and am dying for the next episode(s) to come out even though we have none scheduled as of yet. (I swear to goodness it better not be an entire month before we get another episode I’ll be frothing at the mouth and dying by then).
I’ll go ahead and skip analyzing Stuck Together since it aired early and most of the internet has already seen it. Having said that, let’s proceed to The Trial.
While there’s a lot to say about this episode, I’ll try my best to summarize it as just WOW.
True to her word, Rebecca has done it again by giving the fandom exactly what it has been waiting for since Jailbreak Season 1. A meeting of the Diamonds with Steven acting as a key factor. To be honest, I was honestly surprised we were getting straight to the point with this episode, seeing how Steven just sorta decided to surrender at the last moment in I am my Mom, but I’m grateful the Crewniverse wastes no time throwing us into the hellfire of a 6,000-year-old grudge against Rose Quarts as we finally get to see exactly what roles the Diamonds play on Homeworld.
I absolutely adored Zircon in this scene; trying her best to be a good lawyer and losing her cool, and yeah I get the show’s ‘logic’ is supposed to for kids, but honestly her dialogue had me raising an eyebrow or two as she tried to state her case, and I think even Steven knew she was getting nowhere with her argument.
Speaking of that, the attitudes that the different Zircons and Pearls have towards their own kind ruled under different Diamonds was an interesting little bit of information that clearly shows gems don’t seem to find ‘compassion’ and ‘friendship at the top of their list; at least when it comes to other gems ruled under another Diamond. (I also loved how Y-Pearl typed her entry in, while B-Pearl drew pictures. :3)
Adding Lars in for the trial was an interesting touch that I think surprised just about everyone, seeing how up until now he hasn’t really been significant to the plot other than for comedic relief and furthering Steven’s own maturity. I like how he’s just sorta dragged around by the gems, yet is still allowed to do his own thing to an extent. (So long as he doesn’t interfere with whatever the gems are doing). Seeing how he helps keep Steven grounded and focused on the mission I think is what makes him an important plot piece in the episode, as otherwise I think Steven would be very overwhelmed without a direct goal in mind. (And that goal is saving Lars and getting out of there.)
Blue Zircon really makes her debut after the brief court recess, as she finally gets her act together after Steven provides her with some actual evidence, and completely turns the tables around as she goes as far as to accuse the Diamonds of sabotage based on the factual evidence and eye witness accounts.
Here’s something I found funny. Eyeball as a witness. She had no real reason to be there, and frankly made herself look even worse when she admitted Steven healed her during the trial. Why would a Diamond shatterer heal an enemy gem? ;) Still, it was a nice little touch the Crewniverse added for comedic effect and I loved it all the same.
I’ll wrap it up by saying that Yellow seemed pretty mad to be accused of treason, though I have my suspicions that she’s not the real culprit here, nor is Blue. (Though dang Blue’s emotion manipulating abilities are something to be afraid out.) It might be White, since she’s not been seen yet, and she may not even exist I’m just spit balling, or it might be a color switching/shapeshifting alien/gem? We’ve never seen before.
Point is, Rose is pretty much confirmed to not be the killer of Pink Diamond. I’d bet my two cents that she loved PD, and that Pink was actually trying to help humans. :O
Off Colors
Oh you sneaky writers, you ;)
I really like how the title not only foreshadows Lars’ death, but is also a slang term for ‘defect’ on Homeworld, which I never guessed either would be canon in my wildest dreams.
So, we basically meet 3 new gems (8/9/10 ½ ??? If you count the fusions and whatnot) and Lars becomes a hardcore hero who sacrifices himself to save his new friends.
I have to give props to Lars for doing what he did, seeing how he’d basically been a yellow-belly this entire time and only ran away from his problems. Honestly I expected him to do the same this time around, but when I watched him interact with the defects I realized that he saw something he’d never expected to see in those gems. Himself. And why is this significant?
Let me put this in perspective for ya,
Have you ever looked at an old photo of yourself doing something either embarrassing or something that reminds you of a darker time in your life and go, “If only I had a time machine and could go back and tell myself not to do ‘x’ or that life will get better if you just hang on a bit longer… Then life would be so much better for the both of us.” This is Lars seeing his past-self reflected in these, scared, defenseless gems, who have no one to help them.
So this is why Lars decides to become courageous and be the hero he’s always wished he could be but was too afraid to act, and goes ape sh*t on the robonoids because he knows he’s the only line of defense they’ve got.
So ya, needless to say I’m very proud of Lars for sticking up for himself and protecting the defects from Homeworld.
(Also A+ writing for the team thinking about Lars being ‘invisible’ to the Robonoid’s scanners and using that against them! It was amazing and heroic and alkjfhdgjkdhfjgkhfj!)
Lars’ Head
So a bit of a misleading title, but understandable given it’s hard to explain what’s just occurred in a few short words while simultaneously not spoiling the episode. (Even though everyone already knows that Lars is Pink Lion 2.0 from the previous episode).
So wow, again I never expected this to be a canon thing in the SUniverse.
I can’t really express the excitement I got when Lars was revived by Steven, the team discussing death (briefly and without literally saying that word ‘death’ just ‘away from life’), and Lars is PINK now. (And has what I assume is a BA permanent eye scar, along with the fact his ear lobes are probably stretched out forever now hahahaha sucks to be you Lars! ;D)
I think Lars accurately summed up everyone’s thoughts when he asked Steven “Am I a zombie now?!?” because let’s face it, yes Lars, you are in fact a very, very, magical pink zombie. J
So yeah, let’s talk about the defect gems for a second since I totes forgot about them in favor of paying attention to my Pink Son for a moment.
We’ve got the Twins of Rutile, Rhodonite, Flourite, and  Padparadscha Sapphire (Which I’m gonna call P-Sapphire for now).
The twins are rather interesting, as they seem to be the most level-headed of the team, as well as quite possibly two of the brighter gems in the group. I just really love how they don’t seem to be all that concerned about their appearance, and more concerned about the group, which really shows how compassionate they are in comparison to some of the other characters on the show which are way more hung up on their looks than caring for others.
Rhodonite wasn’t a major shocker for me, seeing how we’ve already been filled in about Garnet’s past, but it did raise some eyebrows about how two gems fused on Homeworld and weren’t shattered right away for doing so, just merely replaced. I think theirs’s a lot more to their story the Crewniverse didn’t have time to put in, but hopefully somewhere along the lines we’ll see her again and get to know more about the two of them.
Flourite is… Interesting. Besides the obvious fact that she looks like the Hookah smoking caterpillar from Alice in Wonderland, her personality and combination of gems is so distinct from the others that it’s amazing she’s actually a stable fusion. I get the underlying theme is polyamory for her, but besides that it’s something else to see such a massive fusion remain so gentle and kind while not bickering between herself since she’s got like 6 or 8 gems… Sidenote: something interesting I wanted to point out was how slow Flourite talks when she’s speaking, and one can only assume that’s because of how many gems she’s comprised of, which is fascinating. It speaks volumes that the more gems involved in a fusion, the more time it seems to take to sync up thoughts and even actions, as demonstrated by Flourite’s behavior.
Lastly, P-Sapphire. A classic Rosalina appearance with a heart of gold. I’m really curious to know how the heck she survived this long and how she found this rag-tag misfit of gems since she can only predict the recent past, as she seems to constantly be stuck in her visions as demonstrated by her actions. Regardless, she’s still really cute and I love how eager and excited she is about everything, so hopefully we’ll get to see her character arc grow past just comedic relief.
Anyways, back to Lars. The fact that Lars is essentially a portal home is cool enough, but when Steven steps inside it’s shown he’s got his own tree in there too. So I get Rose can do plant stuff, which explains the tree on? in? Lars, but what I don’t understand is the portal power since it doesn’t seem to be connected to either of her abilities.
The fact Rebecca decided to leave the defects and Lars on Homeworld was a surprise, but an understandable one, not for the story’s sake, but because trying to fit Flourite through Lars’ hair would be a nightmare that I don’t think anyone would want to explain.
So Steven discovers he’s a necromancer and that Lion’s his undead slave pet, and then the gems and Connie and Greg all show up just in time to have a reunion and happy tears are shed. (And then Steven proceeds to eat everything in sight, prompting Greg to go out and buy the boy some more bread lol).
So much has been left out in the open, and I get the distinct feeling this is gonna be the least season for this show. L Still, I feel like everything’s gonna be amazing when we get the next episode, so for now I’m rather content. :D
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