Tumgik
#i am once again asking people to remember that martin has MORE job experience at the institute than literally any other character
bananonbinary · 3 years
Text
Time for a Salty Meta Post about Martin!
people who’ve followed this blog for a bit know that spending six hours combing through text for some goddamn sources is my specialty, so i compiled every time jon ever talked about martin’s work in season 1. which for the record, he stopped complaining about all the way back in episode 26, where he was angry that martin of all people got hurt.
things jon gets mad at martin for:
not being able to find records that don’t exist
not being able to find someone based only on a first name
the Dog
not wearing trousers in his off-hours
being the one that got caught up in the jane prentiss thing
mag 004 and mag 012 both have jon taking potshots at martin over research that was proven accurate by outside sources
things jon has never once complained about:
martin not understanding the filing system and just putting stuff away at random
martin being clumsy, constantly ruining things, spilling tea everywhere everyday, etc
martin turning in incompetent, poorly-edited, or badly formatted reports
martin not understanding the terminology used, skills expected, etc., and generally being extremely new to the field
please for the love of god stop making martin the silly bumbling idiot who can’t do anything right just because he doesn’t have a formal education. there’s zero evidence for it in the text, and it’s really weird to act like a 4 year degree would outweigh the *10 years* of job experience he has, not just in academia, but in the institute itself by season one. my boy has worked there longer than ANY of the rest of the main cast. screw you guys.
tl;dr: martin is never once shown to be bad at his job, jon pretty much only ever gets mad at him for the really stupid first impression and also not finding stuff that no one else was able to find either. after martin got hurt, jon talks about his research basically the same way he talks about tim’s or sasha’s work.
fucking proof under the cut:
(i didnt include the s1 finale or martin’s statement bc that’s just...two entire episodes of them talking to each other, but there isn’t really any notable Martin Complaints in either of them imo)
I swear, if he’s brought another dog in here, I’m going to peel him.
[pre-launch trailer]
.
Well, technically three, but I don’t count Martin as he’s unlikely to contribute anything but delays.
[...] Alongside this Tim, Sasha and, yes, I suppose, Martin will be doing some supplementary investigation to see what details may be missing from what we have.
[MAG001 Anglerfish]
.
Martin couldn’t find any records of Ex Altiora as a title in existent catalogues of esoteric or similar literature, so I assigned Sasha to double-check. Still nothing.
[MAG004 Pageturner]
.
I had Martin conduct a follow-up interview with Mr. Woodward last week, but it was unenlightening. Apparently there have been no further bags at number 93 and in the intervening years he has largely discounted many of the stranger aspects of his experience. I wasn’t expecting much, as time generally makes people inclined to forget what they would rather not believe, but at least it got Martin out of the Institute for an afternoon, which is always a welcome relief.
[MAG005 Thrown Away]
.
Martin was unable to find the exact date the original house was built but the earliest records he could find list it as being bought by Walter Fielding in 1891.
[...]
We cannot prove any connection, but Martin unearthed a report on an Agnes Montague, who was found dead in her Sheffield flat on the evening of November 23rd 2006, the same day Mr. Lensik claims to have uprooted the tree.
[MAG008 Burned Out]
.
According to Martin, who was here when they took this statement, it was at this point in writing that Mr. Herbert announced he needed some sleep before continuing. He was shown to the break room where he went to sleep on the couch. He did not awaken; unfortunately succumbing to the lung cancer right there. Martin says the staff had been aware of how serious Mr. Herbert’s condition was, and had advised him to seek medical aid prior to giving his statement, but were told rather bluntly by the old man that he would not wait another second to state his case. I can’t decide whether this lends more or less credibility to his tale.
[MAG010 Vampire Killer]
.
“Veepalach” might also be a mishearing of the Polish word “wypalać”, according to Martin, which means to cauterize or brand. Admittedly, if Martin speaks Polish in the same way he “speaks Latin,” then he might be talking nonsense again, but I’ve looked it up and it appears to check out.
[MAG012 First Aid]
.
I sent Martin to look into this ‘Angela’ character - not that I want him to get chopped up, of course, but someone had to. Apparently, he spent three days looking into every woman named Angela in Bexley over the age of 50. He could not find anyone that matches the admittedly vague description given here, though he informs me that he had some very pleasant chats about jigsaws. Useless ass.
[MAG014 Piecemeal]
.
Martin declined to help with this investigation as he’s “a bit claustrophobic”
[MAG015 Lost John’s Cave]
.
There simply aren’t enough details given in this statement to actually investigate, short of Martin confirming that Mr. Vittery did indeed live at the addresses he provided.
[MAG016 Arachnophobia]
.
Oh, he’s off sick this week. Stomach problems, I think.
Blessed relief if you ask me.
[...]
I asked Martin to try and hunt down Mr. Adekoya himself for a follow-up, but have been informed that he passed away in 2006. 
[MAG017 The Boneturner’s Tale]
.
MARTIN
Well, I need to tell someone what happened, and you can vouch for the soundness of my mind, can’t you?
ARCHIVIST
That is beside the point.
[MAG022 Colony]
.
Martin! Good lord man, if you’re going to be staying in the Archives, at least have the decency to put some trousers on!
[MAG023 Schwartzwald]
.
Martin found one other thing while combing through police reports for the Hither Green area. About a month after this statement was given, on May 15th, 2015, police were called out to once again investigate the chapel.
[MAG025 Growing Dark]
.
I know, but it would have to have been Martin, wouldn’t it? I mean, anything goes wrong around here, it always seems to happen to him. Anyway, we’re getting off topic. Why didn’t you report this?
[MAG026 A Distortion]
.
Martin made contact with the son, Marcus McKenzie, but he declined to talk to us, saying that he’d “already made his statement.”
[MAG027 A Sturdy Lock]
.
Tim and Martin had a bit more luck investigating Tom Haan, though only really enough to confirm that he seems to have completely vanished following his departure from Aver Meats on the 12th of July.
[MAG030 Killing Floor]
.
Martin’s research would seem to indicate the place employed a reasonable number of international staff they preferred to keep off the books
[...]
TIM
Ah well, that’s actually what he was asking, huh! Um, apparently Martin, uh, took delivery of a couple of items last week addressed to you. Did he not mention it?
ARCHIVIST
No, he… Oh, yes, actually. I completely forgot. He said he put it in my desk drawer, hold on.
[MAG036 Taken Ill]
1K notes · View notes
kicksaddictny · 3 years
Text
Kicksaddict Sneakerhead PROFILES Interview Series: @CakedaGawd
Tumblr media
After a long Hiatus, we’ve returned! Our popular Profile series has been requested almost on a daily basis (Thanks for the tweets, dms and emails). We were even threatened! (Thanks by the way).
Cake The Gawd! This one was so much fun. Tap in.
Where are you from? Brooklyn, NY born in Crown Heights raised in East Flatbush.
How long have you been collecting sneakers? I was introduced to sneakers in 1991 but I started collecting for myself in 98.
What’s your favorite sneaker and why? Air Jordan 6 Infrared. It's the shoe Michael was wearing when he won his first championship, and to me just it’s just the most beautiful Jordan shoe to date! The silhouette is unmatched, it is timeless, and no matter how many times it is retroed I will buy it!
Tumblr media
Besides your hometown, what is the best city for sneakerheads that you know of? Why? I would say LA 100% !! It is a vibe out there. I am part of a sneaker group and 75% of the people in there are from LA. They really about the culture they know their shit and they are fresh as fuck too.
Do you collect just for collecting or do you collect and rock? I collect and rock. That is why I double up on certain shoes.. Some kicks you gotta have for store and show but some you just have to rock them!
What sneaker got you into the sneaker game? I cannot pinpoint one thing, it is so many things. It was Music, my parents introducing me to Nike, my older cousin, basketball, the dope boys around the way, and my 3rd grade crush and her cousin who both had Aqua 8's. (LOL) I cannot just say 1 thing because they all had a significant part in it.
Tumblr media
What are your thoughts on these fake celebrity sneakerheads? I hate them all! All of these dudes just get perks, some of them do not even know the shoes. That shit really gets under my skin. Showing off shoes that they get and not even knowing the name or numbers of the shoes, creating their own names. Shit is sickening. S/O to the Sneaker Gawd Wale !
How do you feel about the Off white collabs? I liked the first round of the collabs. With the Presto's, Air maxes, Blazers, and Jordan 1's. I think after that it should've been left alone. But I can respect what they are doing over there. I just won my first pair of Off-White's with the Lot 50 joint.
If you could wear only one sneaker for the rest of your life, what would it be? Air Jordan 3 Black Cement. Yes 6's are my favorite of all time but the Black Cement 3's just go with EVERYTHING!
Tumblr media
What advice would you give as far as storing and preservation of your sneakers? Wear your kicks man. I store and rock! I get it, wanting to save shoes but putting them away and never rocking them, when you finally do ya it’s separating and crumbling. In order for your kicks to last they gotta be worn anyway. Unless you're truly just on some collecting only for show vibes.
What is the most you’ve ever spent on a pair of sneakers? $900... I was able to land Black and Red and Royal 1's from 2001 together. A friend of mine had them and said he couldn't think of anyone else. I had literally just started my new job. A chunk of my first check went to that pick up.
Have you ever waited in line for a pair of kicks? I waited in line once in my life for shoes and swore I would never do it again. It was for the 2001 True Blue 3's. I waited online at like 7 in the morning at Kings Plaza. LMAO I said this will never happen again. I didn't have the patience for it. I do not know how ppl used to do that shit or camp for kicks. I was there for 1 hour and I was like this is ridiculous.
You're also a photographer, how long have you been taking photos? I have been taking photos since 2011 but officially became a photographer in 2013.
How do sneakers play a role in your photography? That is a great question because I didn't want the 2 to mix at all. Because I'm a scenery and landscape photographer. But I got into photography because of sneakers. No offense to anyone but a bunch of these  "influencers" get on IG with their DSLR cameras, take some on foot shots and call themselves "Photographers". 90% of them do not even understand lighting. I didn't wanna be one of those guys because I actually live this and study it. But recently I just started letting it be that and owning it. I am nice with this photography shit when it comes to sneakers. I have a deep connection with shoes and I love incorporating that into my art. I thank my wife for that. I told her I don't wanna be just another sneaker photographer and she said to me who said you have to be ?! I took that and ran with it. Off-White just recently featured some of my pictures on their Instagram.
Tumblr media
I remember you saying you're a sneaker enthusiast, what is the difference between that and a sneakerhead? An enthusiast really studies sneakers. Sneakerheads just love sneakers like it ain't really about the history and all that for them. They just love shoes because it is cool and makes them feel good. Us Enthusiasts are invested. Things matter like knowing years of a shoe. For example, an enthusiast would look at a pair of Jordan's like Taxi 12's, We know Michael wore those in the 1996 - 97 season, but we also know that Martin gave away a pair on his show for the Christmas episode to the kid who had holes in shoes. They are tied to iconic moments. A sneakerhead may love Bordeaux 7's because they are dope looking shoes. Where for me it's that Michael Jordan wore those in a video with Michael Jackson and Kris Kross in the 92 Jam video. MJ and MJ in a video with Kris Kross, do you know what that did to my childhood?! Give you one more example that is not even Michael Jordan related. Piggy backing off of Kris Kross,The Patrick Ewing’s were one of my favorite kicks growing up besides seeing Pat play in them one of my favorite Hip Hop covers of all time is "Totally Krossed Out" and Kris Kross is wearing both colorways. So you see what I mean there is so much tied to it with being an enthusiast. This is just my opinion though some may not agree so don't shoot me! (Ha)
From the time you started collecting up until now, would you say that the sneaker game changed for the best or the worst? I have been collecting for 20 plus years now. I have seen the game at it's best, I have seen it die, I have seen it revive, and now I am witnessing the death of it again. The sneaker game is disgusting right now, and I honestly do not think it will ever recover. It really saddens me. It is a popularity and money contest right now.
Does pricing affect your collection? Hell No! And I hate that some people are trying to make this the norm. IDGAF if you paid $500 - $2000 for a pair, It doesn't mean shit.  The narrative is getting outta hand.
What does the word “Hypebeast” mean to you? Hypebeast is a person that only buys shit for status and popularity. They cannot form their own opinion about shit. They have to wear and cop items based on what every celeb is wearing or whatever these Social Media "Influencers" are saying is hot! It is not only sneaker related either. N*ggaz were hypebeasting for PS5 last year..
What are your thoughts on the females in the sneaker game? They are the best! I wish we had a Sneaker union and it was only run by females! The men in this game are annoying and so over the top. It is so bad that they feel the need to compete with women. The men get shoes just to show off to one another. Like what type of shit is that? The females are cool. I had a dude on twitter tell me women don't know the value of a shoe let alone about the shoe. The men feel like they always gotta try to shit on the women. The women are just trying to be part of the culture and enjoy it. And they shouldn't have to try to be part of something that is open to anyone who is willing to be invested and understand the culture.
Any advice for a young kid coming up in the sneaker game? Wear what you like! Respect the game and the people who have been doing it before you. Because this new generation of sneakerheads are little entitled dicks. No respect whatsoever!! I don't care about Travis Scott shoes. Without Jordan being who he is Travis wouldn't have a Jordan silhouette to collaborate with! Same with Off-White. These silhouettes were here before these guys. Say know your history and pay homage!! BUT STAY humble.
See I follow you and I'm loving the way you include your daughter in your work, what does that mean to you? Man, it is beautiful!!!! Without even trying she is invested in the culture. Both photography and shoes. Myself and my wife are both heavy into photography, art, music, sneakers, and clothes. My daughter is into all the same things but we are letting it be her own experience. We are not forcing anything on her. We want her to enjoy being a child and whatever things she picks up from us along the way is just a bonus. But I love shooting her, and I love when she asks myself and her mother "do we like her fit". It is truly a blessing man!
Tumblr media Tumblr media Tumblr media
All photos by CAKEDAGAWD
Follow : https://twitter.com/CakedaGawd 
https://www.instagram.com/whatsinthesyrup/
7 notes · View notes
ofclaires · 3 years
Photo
Tumblr media Tumblr media
IV. CLAIRE WALSH
PAST SELF PARAS: april 2020 / september 2020 / march 2021. 
hi, before the read more i just wanted to say THANK YOU. getting to play claire has been absolutely a treat, a challenge, and genuinely, a huge part of my life for the past year and a half or so. it occurred to me when writing this and looking back at other things i’ve written for claire that i didn’t just feel like i was writing this for myself or for claire ; but i was writing it for you guys, too ! that has been one of the most special things about gallagher for me is the writing community that i feel like we built, taking such a huge investment in our characters and everyone else’s writing. i feel like i’m writing with and for some of my best friends. i also feel like i’ve grown so much ( ok, i actually don’t just feel like it, i can look back at those three paras and SEE how my writing has improved. ) i am so blessed to have gotten to write claire with all of you and to share her story, i feel like she has been so fucking beloved & it’s given her so much life. i am so proud of her and it’s really bittersweet that i’m finally saying goodbye to her as well. so, thank you all so, so much, gallagher has been a writing experience like no other for me & i love you all ! 
trigger warnings : domestic violence & abuse, death
PART ONE: CHILDHOOD.
The trailer that Claire spent the back half of her childhood in never felt like home. Maybe because trailers are made to be temporary, or the fact that if she accepted that this was where she belonged, she’d have to give up hope.
It’s normal Maggie Walsh to be out late, Claire’s usually cleaned up the kitchen and tucked herself into bed by the time her mother comes in the door – but she’s not sleeping. She’s always had trouble with that, brain bouncing around from one thought to the next until eventually she hears the creak of the door.
Her mom’s home.
She hears the usual stumbling, the clatter of dishes falling from where she’d neatly placed them on the drying rack. Maggie’s drunk, Claire’s sure of that. Ten years old and she knows what it means to be so drunk that you can hardly see straight, that the words you say under the influence are a different reflection from the person that you really are. She inhales deeply and crawls out from under the covers to check on her. Ten years old and she knows the steps: Help her take her makeup off, make sure she sleeps on her side, glass of water on the bedside table, trash can on the floor. Maggie is only twenty-six years old herself now, not done with her childhood by the time that Claire was born, not ready to be a mother. Claire’s had to figure it out most of it herself.
“Mom?” Claire knocks on the door lightly, plastic cup full of water already in hand.
“Don’t – don’t come in!” Maggie sputters, and Claire’s confused. She defies her request and opens the bedroom door the rest of the way. When she sees her mom, she drops the cup on the floor, small hands curling into fists.
“What happened? Who did that to you?”
“I told you not to come in here, Claire,” Maggie repeats, but Claire has always been on to disregard commands. She learns at a young age that authority only means older than you or some assigned title, not that they know best.
“Who did that? Why?” She repeats her questions. Despite being mature for her age, it’s hard for Claire to wrap her head around the black eye obscuring Maggie’s face, and the swelling on her cheek.
“It doesn’t matter,” Maggie sighs, dejected as she flops down on the bed. Even in her state, she knows that there’s not much use telling Claire to back off or go away once she’s decided that she’s not going to. Her little girl is a spitfire, strangely enough reminds Maggie a lot of her own mom, like living with a miniature version of her. Maybe that’s why Claire wins most arguments. “Come here.”
Claire walks closer to the bed, kicking the cup aside on her way for no reason other than to kick something. She crawls into bed next to her mom and looks up at her, waiting for more of an explanation or literally anything but silence. 
“I don’t know why I keep looking for a happy ending. I leave you home alone, I come home like this...not helping either of us,” Maggie presses a kiss to the top of Claire’s head, runs her fingers through her daughter’s hair. It’s so soft and Claire is so little, she can’t help but look at the spilled cup on the floor with a pang of guilt. “I’m sorry,” she adds, voice choked up and words a little slurred. Tears squeeze out of the corners of her eyes when she closes them, hugging her daughter closer, “I’ve blamed you for my fucked up life for so long...that’s not fair.”
Now, Claire is only ten, but those are the kind of words that you remember forever. Still, she smiles. “It doesn’t have to stay fucked up. It can get better,” a childish spark of optimism in her heart that hasn’t yet been put out. It makes Maggie smile back though, kissing her daughter on the top of her head yet again.
“I like that,” she says, and they fall asleep curled up beside each other. Claire sleeps soundly, thinking that it’s possible. Things really could get better, and for a while, it seems like there really is a sort of shift. Maggie starts cooking, cleaning again, and she doesn’t even stay out so late. That’s when she meets Martin.
He seems better than the rest. Until he isn’t.
But Claire does her job as her mother’s protector, just as she’s been doing all of her life, and it’s that event that jumpstarts the rest of everything that happens next.
PART TWO: GRADUATION.
Claire’s come to the formal conclusion that graduation ceremonies are a waste of time. There’s all this build up, everyone’s so excited, and then you have to sit around and wait for your name to be called so you can spend two seconds walking across a stage while everyone claps. She would have skipped it entirely if her mother hadn’t already come up, and if she knew that people were going to insist. The small talk afterward is even more agonizing than the ceremony itself. It is sort of painful saying goodbye to everyone, and it occurs to Claire that there’s more people that she’s going to miss than she ever expected.
“Callum and his mother are here,” Maggie points out.
“And?” Claire rolls her eyes. Seeing Callum again to begin with had brought up a lot of old feelings, and generally, even though they’d resolved things, she tries to avoid him whenever possible.
“Well, it’s probably weird if we don’t say hello, at least, right? I’m going to say hello,” Maggie interjects, “he’s such a sweet boy.”
Claire’s eyebrows rise on her forehead as she crosses her arms over her chest. “Go ahead then,” she sighs, “I’ll wait right here.”
“Claire,” Maggie draws out her name with a withering stare, but Maggie has never been able to establish that sort of authority with Claire that would prompt any inclination of obedience, so Claire just shrugs her shoulders, unimpressed. She’s not going to budge. “Fine, I’ll be right back.”
Claire’s done her best to put the chapter of their life that includes Martin out of her mind when rekindling things with her mother, and she certainly doesn’t want to stand around making small talk with his other ex-wife, trying not to look at Callum with his matching jawline, trying not to remember everything she hates. It all comes back in a flash. The horrible cracking sound that her mother’s head had made when it connected with the wall, the blood on the marble floor. They say you don’t remember trauma properly, that your memory doesn’t work quite right, but she will never forget the way her fist connected with Martin’s face : like a puzzle piece, like it BELONGED there, and she’d done it over and over again until she heard sirens.
And yet, Claire can’t deny that it’s a part of her life that got her here, where she is today. She thinks life is shitty and random, and that not everything has to happen ‘for a reason.’ Still, she’ll catch Kass’s eye across the room and see her smiling so brightly that it seems impossible not to believe in something. Claire can’t help herself anyway – she smiles back. No one has ever been able to produce Claire’s smile in its truest form the way Kass has, unashamed of being so happy to look at someone. She once thought the idea of looking at a person and seeing your whole future was ridiculous, that you’d have to be stupid to put that much of yourself into someone, but it isn’t like that at all. All of it was unintentional, like by the time she realized it, Kass was already everything. And she feels so safe with that thought that she doesn’t mind at all.
“Am I interrupting something?” A figure steps in front of her, cutting off her line of sight. She’s not really fond of being snuck up on, so she opens her mouth to say something snarky when she’s met with the gaze of Lisanna Harlin, one of last year’s mentors. Her daughter, Elisa, is there, but she’s not graduating, so Claire’s confused by Lisanna’s presence.
“No, Ms. Harlin,” Claire says, though there’s a spark of indignation in her words that practically goes hand in hand whenever an adult commands authority.
“Lisanna is fine,” she says with a light laugh, like she’s amused Claire’s greeted her this way.
“Can I...help you with something?” Claire asks, mostly curious about how long this interaction has gone on. While she’s friendly with Elisa, she was Kass’s roommate last year, they’re not exceedingly close, so she’s not sure what else Lisanna would have to say to her other than maybe a polite hello.
It’s more than a polite hello. Lisanna Harlin works for Lexon Corp in Durham, North Carolina, a private military company that provides armed guards, bodyguards, and guns for hire. They’re the sort of place that would be looking for the best of the best in combat, and they have a bit of a reputation for hiring Gallagher girls. Claire had given up on the job search months ago since the video went out, in fact, she’s had a job lined up for graduation already : at a boxing gym in D.C., where the scene isn’t too bad. It was suited to her, but not exactly the sort of thing that her Gallagher education had prepared her for. Lexon Corp? Everything her rigorous love of January boot camps were tailored to. And they want to interview her.
A month later, Claire’s sitting on the cusp of a completely fresh start. It wasn’t easy to backtrack on the plans that she and Kass had made together, knowing how much was changing for the both of them, it had been nice to have the stable idea of an apartment together on the horizon. Now, she’s a four hour drive away, and she goes home to her one-bedroom studio in Durham after rigorous training throughout the day. But she’s grateful for the chance to work her way back into the field, and she can remember what Lisanna said to her when they gave her the offer.
“We’re aware that with your history that we’re taking a chance on you, Claire,” Lisanna said. “But we think the reasons that made other agencies look past you are exactly what makes you an asset. You care about your jobs, the people that you’re involved in, and you’d have a partner’s back until the bitter end. You listen to your intuition, trust your gut...and above all else, you have follow-through. I’m excited to be able to offer this position. Don’t prove me wrong.”
Claire swears that she won’t.  
PART THREE: KIPTYN.
Kiptyn isn’t supposed to be in the left hall closet. 
In fact, he’s not supposed to be awake at all. But who can sleep the night before their birthday anyway? Sure, he’ll be thirteen, and that’s probably old enough to have gotten over the magic of it all, but...he’d still been lying awake with excitement, the anticipation keeping his eyes open for hours on end. Well, that and the video game he’d been playing under the covers, but he’d obviously only been playing it because he couldn’t sleep in the first place.
Then he started thinking about the left hall closet and the conversation that they had at dinner the other night. In Kiptyn’s defense, Dahvia – his younger sister – had totally started it and he was an innocent bystander. After all, Kiptyn’s old enough to know that they don’t bring up Claire to mom, because it just puts her in a mood and then you can forget about doing anything else for the rest of the evening. But Dahvia’s ten, practically a baby, and she doesn’t know any better.
“Hey, mom? What sort of accident did Claire die in? Nina asked me at recess and I didn’t know,” Dahvia pipes up, before she’s even properly sat down. Kip visibly cringes. He’s older, wiser, knows this won’t go well. Still, he dares to look at his mom’s face and he notes the faraway look in her eye, like she seems to experience a bunch of things at once. Kip notices how even though her eyes are glassy, she doesn’t cry. Though sometimes, their mom will just cry randomly, like two weeks ago when he asked for help with his Spanish homework and she couldn’t even help him finish the first worksheet.
“It was a car accident,” she says stiffly, “eat your dinner.”
Kiptyn kicks his sister under the table and flashes her a look that says : Great. Look what you did, ruined dinner. Dahvia sticks her tongue out at him.
So, he knows that he’s not supposed to be in the left hall closet because he could ruin many more dinners, but he’s here anyway. He’s been thinking about it ever since they sat in silence for the rest of that half hour, and he’s come to the conclusion – his mother was lying. Because all sorts of things make their mother cry, like a bowl of mac and cheese or Spanish class, or motorcycles, and she won’t let Kiptyn take boxing lessons though his friend Robert is and he thought it sounded really cool, but she doesn’t have any problem with cars or driving, and also, she’s never told them a single thing about Claire except that. They aren’t allowed to know anything about her, especially not anything true, so Kiptyn is pretty sure that’s a lie. There’s just something just weird about it.
So, in the middle of the night before his thirteenth birthday, he looks up a video on how you pick locks and then he figures it out on the door of the left hall closet. He’s there for at least forty-five minutes, practically ready to give it all up when he hears the clicking sound, and then it opens. His first thought is : Woah. This is a load of junk.
And he’s right. There’s boxes upon boxes of paperwork, old clothes. Some things start to click, like when he finds a pair of worn boxing gloves with Claire’s initials embroidered on them. His favorite thing that he finds is the fattest scrapbook he’s ever seen – his mom always makes them, there’s one for every year of his life. Dahvia’s too, they love looking at them. The cover of this one, though, says Italy 2021. It’s all pictures of his mom and Claire, probably in their early twenties. Kiptyn mostly notices his mother’s smile, how he’s only seen her look like that a couple times in his life and yet it looks so EASY here, like she wears it all the time. It’s so strange to him. He sets the scrapbook down and crawls toward the back of the closet. His eyes land on two leather folders with gold embroidery, and he opens up the first one. In big letters at the top : GALLAGHER ACADEMY.
It’s a diploma.
This certifies that Kassandra Sutton has satisfactorily completed the…
“What are you doing?”
Kiptyn yells out like a child, not having heard anyone creeping up on him. He claps his hand over his mouth as if to shush himself. “The door was open! I don’t know how, but I just...noticed it was open and wanted to make sure that...no one was stealing your stuff!” he grins sheepishly, hoping that he can ride on the high of his birthday week to get him out of this one.
“It was just...open?” his mother looks down at him with raised eyebrows before brandishing a twisted paper clip between two fingers. The one that had formerly been stuck in the door. His guilty expression widens, he can’t help it.
“Okay, I might know how it opened,” Kiptyn admits. He hesitates for a moment, before he realizes that he’s ALREADY in trouble, he might as well just come out with it and pray to the birthday gods. He holds up the diploma with her name on it : “What’s Gallagher Academy?”
Kass’s sigh is heavy and deep, accompanied by the amount of exhaustion that comes with raising two curious kids by herself. After Claire died, she moved her family to London to be closer to their aunt and away from everything that reminded her of Claire. She never told her children why. From hiding that world from them, the world that took so many people from her : her father, her ex-girlfriend, and the love of her life. She swore that she would never lose her children to it, too. But Kiptyn looks up at her with wide eyes, desperate to know about his mother and his past, and Kass also knows what it’s like to have part of yourself missing due to family secrets that are being kept from you. He is practically a teenager now. So, she relents.
Kass doesn’t go into all of the details, of course. Just that Gallagher Academy was a school for spies, and that’s where it all started. Kiptyn already knew that his moms met in college, so it’s the spy part that’s most interesting to him. She talks about Claire with a light in her eyes he’s unfamiliar with, how she was one of the best fighters in their year, that she grew up with such a talent in the ring that she probably could’ve gone pro if her life had gone in a different direction. She talks about how they had to part ways after graduation, because Claire got a job in North Carolina and she got a job in Washington, DC, but they made it work, and both got very accustomed to the four hour drive – though it was sometimes closer to three for Claire, because she always drove too fast, even on this big, black motorcycle which Kass swears that she hated. She tells Kiptyn about how they got married, the way she’d almost moved to England for a dream job and that long distance threatened to drive them apart again – until Claire chased her down in the airport with a ring and proposal.  
She also talks about how Claire really died : the abridged version. It was an overseas mission where they’d been cornered, and Claire risked her life to save the rest of their team. There were no other casualties, and the information they were able to bring back helped stop the terrorist organization they’d been chasing to end them for good. Kass tells the abridged version for her son, gives Claire a hero’s death. In some ways, it was. She doesn’t mention the ways that Claire was consumed by the case, it was an organization hellbent on killing spies and it likely reminded her of the brotherhood. Kass had been worried about the case the whole time, because it felt like Claire was taking it too personally. In the end, she may have been right : because Claire had let it take her life in order to close it. She also doesn’t mention that such a sacrificial death means that her wife died fighting alone, swinging her fists until her very last breath. But still, she was all alone.
She had no choice but to take her kids as far away from that life as possible.
Kiptyn tries, but he doesn’t really remember Claire. He’d only been three years old when she passed away, and before then, she’d been so consumed by her last case that she was barely present. Still, he thinks she sounds badass.
He falls asleep on his mother’s shoulder that night, looking through the scrapbook of pictures from their trip to Italy in 2021. He’s animated for the first part, pointing out buildings and asking questions, wonders if Claire was sweating in all that leather, but he slowly starts to drift off. He wakes up on the couch the next morning, no trace of the book or any of the other papers he’d hauled out of the closet the night before. He looks at the closet and there’s an extra padlock. Figures.
It comes up in little ways, like a private joke that he has with his mother, like she’ll say something and flash him a secretive smile. He likes that, and he understands that this is a big secret that he has to keep. It doesn’t come up again until his fourteenth birthday the next year, the summer before high school. It’s a strange letter in a manila envelope, sealed with some expensive red wax, his name written in fancy calligraphy. The most attention-grabbing part, however, is not Kiptyn Sutton-Walsh in big cursive letters. It’s the return address :
GALLAGHER ACADEMY.
learn her skills, honor her sword. keep her secrets.
14 notes · View notes
galaxy-parchment · 4 years
Text
Nepotism at its Finest
I’m back on my bullshit, fellas! This time we’ve got something fun. A fic that I wrote based on another TMA AU, ‘Timeline of Theseus’, by @creativitycache.  All you need to know is Jon has been the Archivist since he was 8 because time-travel shenanigans and now Elias is his reluctant dad, I would highly suggest reading ToT if you enjoy this fic and even if you don’t. This also hasn’t been beta-read because this is spoiler-y and my usual beta-reader hasn’t listened to TMA and honestly this is pretty self-indulgent.
--
Jon, despite being an Archivist for as long as he could remember, only got the ‘official’ title of Head Archivist once Gertrude finally died. He knew Jonah was the one that did it, but honestly, Jon was just glad he didn’t call in someone else to do his dirty work for once. He always hated when a random avatar barged in and somehow always left some kind of damage in their wake.
Working as an archival assistant wasn’t so bad, other than that. After a while, just to justify him hanging around the Archives all day reading statements, Jonah had given him a position as Gertrude’s assistant. Not that she ever asked him to do anything. It was just a formality.
At this point he’d given up on only reading statements that included people that were already dead. He’d take one over the newer statements, certainly, but the problem was that there’s only a certain number of people that have had supernatural experiences, and if they survived the encounter, they don’t tend to die as quickly as the ones that didn’t make it.
He still occasionally got odd flashes of things he never actually did, but it wasn’t like they had a manual about how his powers worked. Jonah just half-explained that it was probably something to do with his omniscience filling his head up with blanks that didn’t exist. The fuzziness and lack of detail certainly matched up with that theory. Just one of the perks of suddenly gaining knowledge powers at the age of 8, he supposed. At least he’d finally managed to get a grip on what exactly he Knew at random intervals. The Eye still liked to give him the odd unwarranted insight or two, but he didn’t mind all that much.
Strangely, though, he did ‘remember’ all of the assistants Jonah had chosen for him on his first day as the Head Archivist. Sasha, Tim and Martin, although for some reason Sasha didn’t look like how his ‘memories’ picture her.
Jon was weird, to be honest. Tim knew it the moment he walked in and saw the guy. Looked like he’d been raised by wolves then taught how to act like he was a respectable academic. Sure, he looked the part, but you could tell he didn’t care about being a ‘scholar’, he only cared about the statements.
He also obviously had some weird tension with Elias. Whenever Tim mentioned him Jon would always change the topic and refuse to acknowledge the man’s existence. He’d worked here for a while, though, probably just a standard ‘gradual resent for your boss’ scenario.
At least Tim thought that was it until Monday.
They were all in the break room, Jon included, eating their lunch, when Elias wandered in and gave them all a polite smile.
“So, Jon,” He said pleasantly, “I was wondering how you were settling in as Head Archivist.”
Jon glanced back from the coffee pot, “Doing fine, thank you…” he grumbled.
“That’s great to hear,” Tim could hear the condescending tone dripping from his voice, “I know that you’re not used to such an active role in the Archives, is all,”
“What? You don’t think I’m capable of the job? You didn’t need to give me the position you know, I can do what I need to do here without it,”
“Oh, goodness, no, you were fully deserving of the promotion,” Elias said, raising his hands in defence, a knowing smile on his face.
“And as I told you when you promoted me, theres no need to worry about me,” the archival assistants stayed silent and glanced at each other awkwardly.
Elias grimaced, “Is it really so bad that I just wanted to see how you were? I have every right to worry,” Tim didn’t know what the relationship there was, but that was definitely a weird thing for your boss to say in his books.
“Elias, I am 24 and an adult who’s been working here for a while, I am perfectly capable of taking care of myself,” Jon said sternly, turning to face him with his arms crossed. Okay, that was definitely a weird thing to say. Sasha hid her face in her mug and Martin was fiddling with his hands and staring at them.
“Fine, but you know where to find me if you need anything,” Elias sighed. He turned and walked out the door.
Jon scowled for a moment, the tension in the air thick. He suddenly marched up to the door and yelled down the hall, “You’re not my father, you know!”
Tim was about to ask what the hell that was about before he heard Elias call back.
“I have paperwork that says otherwise!”
Well, that certainly explained a few things.
The ‘break room incident’ was still a talking point among the assistants, but at this point it was mostly just Tim complaining that Sasha just didn’t get the job because of nepotism. Jon didn’t even have a degree of any kind, he just got a position as an assistant and then got the Head Archivist promotion.
Martin tried to connect with Jon, though. He’d heard about how all of the old assistants just went missing over time. That must’ve been lonely for Jon. So he brought him tea every day. Sure, Jon didn’t always drink it, but hopefully it helped him feel more comfortable with them.
He did give Martin odd looks occasionally, though, as if they’d known each other and Jon was trying to place his face. He certainly would have remembered meeting someone like Jon, though.
When he wasn’t reading statements, Jon actually came out and spoke to all of the assistants directly when he needed something, which was a bit odd. Not spooky odd, but still odd.
Jon was instructing Martin on some follow-up he would need to do at his desk when Elias made his second appearance of the month. The others stayed quiet, knowing how things went last time.
“Jon, I have some good news!” Elias said, unusually chipper.
Jon seemed unimpressed, “Do tell.”
“Peter and I are getting married!” Martin was about to congratulate him when Jon beat him to it.
“I give it three months,” he deadpanned, not taking his eyes off Elias, who seemed far less offended than Martin would have been in his situation.
“Give me some credit, Jon”
“You’re right, he never even replaced the vase he broke before the last divorce did he? Make it two.” Wait, divorce? Last divorce?
“He’s changed, really, he even said he’d actually replace it once it was official,” Elias defended. Martin spotted Tim in his peripherals jamming his face into his elbow to stifle his own laughter. Sasha had a not-so-subtle smile creeping onto her face.
“Oh, and let me guess, he also promised you he’d ‘start trying to really connect with Jon’ like he does every time, as if he doesn’t literally feed off of doing the exact opposite.”
“No, but he did-“
“No, wait, I’ve got it this time, he said that this time, he’d keep his voyages short and make more time for you!” Jon guessed, intently waiting for Elias’s response
“Yes.” He said curtly. What on earth was happening? Martin wanted nothing more than to be anywhere but this exact position, right next to both of his bosses having a family squabble.
“Let me guess, you came down here to tell me right at this moment because you need me to drive you? Of course,” Jon ran his hand flat across his head to give his hair the gelled flatness Elias’s always flawlessly maintained, “I’m Elias, I’m going to ask Jon to drive me and my fiancee to the courthouse for our tenth marriage! I can’t drive myself, though, because then Peter is going to insult my driving and then I’ll tell him that he has no place to do so since he doesn’t even have a license! Then we’re going to cancel and try again the next week!” He ranted in a tone that was obviously meant to imitate Elias.
“We’re going next Wednesday.” Elias said.
“Fine.” Jon replied without a second thought, turning back to Martin, who hadn’t realised he was holding his breath. Elias silently turned and headed out of the Archives.
The room was silent for a moment. Sasha spoke up first.
“Did you say tenth time?” She asked incredulously.
“Yes, and that’s only the legal ones. I’ve seen them ‘get married’ one night and the next they’ll swear vengeance on each other. Peter gives excellent Christmas presents, though, what with the insurmountable wealth.”
Tim barked out the laugh he was suppressing, “Jon, I just really want you to know, that is the funniest thing I’ve witnessed in my life, thank you,"
--
For the record I’ve changed a few rules of how the whole Jon situation works and I mostly just took the concept of adult Jon and Elias father-son dynamic and sprinted with it.
90 notes · View notes
haberdashing · 3 years
Text
Biting Your Own Neck (6/?)
Mid-season 2, Jon’s life is abruptly upended by the intrusion of two unexpected and eerily familiar visitors.
on AO3
Chapter 1 / Chapter 2 / Chapter 3 / Chapter 4 / Chapter 5 / Chapter 6
A brief moment passed in which Jon, Martin, and Tim all sat in silence before Tim finally spoke up.
“I still want to know why I don’t have my own spooky future double.”
“Perhaps it has to do with the ‘incident’ that apparently led to you being employed here in the first place.” The words came out sharper than Jon had intended; honestly, he was more surprised that his recent investigation into his archival assistants hadn’t uncovered anything about this so-called “incident” than anything else.
“It had better not.” Tim’s tone matched Jon’s own in sharpness. “If it does, well, ‘Jonny’ and ‘Kay’ will deserve what’s coming to them.”
“Wh-”
Jon stopped himself mid-word. Jonny had warned him against asking questions outright, and while Jon certainly didn’t trust Jonny and his cryptic warnings, when the best case scenario was “ask a friend about a probably-sensitive topic” and the worst case scenario was supposedly “steal a friend’s trauma” (whatever that meant), it probably didn’t hurt to be a bit more circumspect in his approach.
“I’m curious about this ‘incident’ Jonny mentioned, and what he knows about it that I don’t.”
“Of course you are.” Tim’s voice wasn’t as sharp as before, but there was still an undercurrent of bitterness within it.
“Jonny, er, said it involved trauma. A traumatic experience, then.”
Tim let out a bark of a laugh. “Yeah, that’s one way to put it.”
“And, and given that it brought you here, I’m guessing it has some connection to the supernatural.”
“Yup.” Tim popped the P at the end of the word.
“So, you came to the Magnus Institute because of a traumatizing encounter with supernatural forces.” A statement, not a question.
“Jon...” Martin said. Jon could hear the unspoken warning in Martin’s voice, but he wasn’t about to let that stop him.
Tim looked away from Jon, pointedly staring at an unexceptional patch of wall as he responded. “Yeah, that’s right. Does it matter?”
“Well. Erm.” Jon cleared his throat before continuing. “I suppose that makes two of us, then.”
“Wait, two of you?” Jon hadn’t expected Martin to be the first one to respond to that statement, and he certainly hadn’t expected the bewilderment in Martin’s voice.
“Sorry, should- should that be three of us, then?”
“What? No, I just- both of you dealt with the supernatural before coming here?”
Jon and Tim exchanged a tense glance before nodding nearly in unison.
“Jesus, am I the only one whose first run-in with that stuff was with Prentiss?”
“Maybe Sasha-” Jon started, but Tim shook his head and interrupted before Jon could finish his train of thought.
“Sasha worked in Artifact Storage when she got here, remember? She knows- she knew as much as any of us did about all this. And look where that got her.”
“If she knew the most of any of us, and she still...” Jon couldn’t bring himself to finish the sentence, to acknowledge that Sasha was gone, to admit that the “Sasha” he thought he knew had apparently been an imposter for months now. “What hope do the rest of us have?”
Another silence filled the room for a long moment, this one gloomier than the last.
“The only thing we have going for us that she didn’t is that apparently I have some, some kind of power, if Jonny’s telling the truth, something to do with asking questions... Perhaps we should test that, see how far it can go, in case I need to use it down the line.”
Martin and Tim exchanged a glance, but neither of them said a word.
“Would either of you be willing to volunteer?”
Both Martin and Tim quickly said “No,” though Tim’s response was half a beat faster than Martin’s.
“Why not?”
Tim made a face before repeating Jon’s words in a bitter tone. “Why not?”
“Yes, Tim. For all we know this power might be the only thing saving us from... from the next Prentiss, perhaps, or another thing like the one that got Sasha. Why not see what it’s good for here and now, so we know what the limits are before it comes down to some life or death situation?”
“Why should we?” Tim’s words came out fast and quick. “Why should we go along with being your guinea pigs in some spooky magic experiment just so you can get something out of it? A spooky experiment based on the words of someone you obviously don’t trust in the first place, no less!”
Tim stood up, shoving his chair roughly aside and throwing his hands in the air. “Though I don’t see why you don’t trust Jonny, I mean, it’s not like Jonny stalked your house and took pictures of it, or, or accused you of being a murderer for some reason, after you’d been friends for years... what the hell would we even get out of killing you, anyway? Because if you think we want your job, believe me, I want no part of this mess, I would quit in a damn heartbeat if I could...”
As Tim’s speech slowed to a halt, he pulled his chair back towards him, the chair making a loud noise as it was dragged against the tile floor, before collapsing in it. He was shaking slightly by the time he stopped speaking, though after a brief moment he spoke up again, looking Jon right in the eye as he did so.
“I... I didn’t mean to say all of that.”
It took a moment for Jon to realize what Tim meant by that, but once he did, his stomach sank.
“I’m sorry, I didn’t mean to-”
“Oh, you’re sorry. You’re sorry you used your spooky magic to make me spill my guts. Well, that makes it alright then, doesn’t it?”
“Tim, Jon, can-”
“I didn’t say it was alright, but-”
“Jonny tells you not to ask people questions, and what’s the first thing you go and do?”
“It wasn’t the first thing I did, we had an entire conversation-”
“Will you two stop fighting and realize what this actually means?”
Martin’s voice came out sharper than Jon was used to, and the unexpected harshness in his tone was enough to get both him and Tim to quiet down.
“What are you talking about?”
“Jonny was right, clearly, about the whole question thing. He knew something about you, something you could do, something that you didn’t even know about yourself yet! Even if he was, was some sort of mind reader or something, he couldn’t manage that much. So isn’t this proof that maybe Jonny and Kay are telling the truth about all this?”
Jon thought for a moment. “Well... either they’re telling the truth, or the rabbit hole goes even deeper than I thought.”
Jon didn’t see who, but he heard somebody else let out a long, dramatic sigh.
9 notes · View notes
majwrites · 3 years
Text
Request: Imagine Martin Whitly helping age regression! reader
This one's for @sherazyjade (thanks to you for being the first to request smth😇) who requested Martin Whitly calming down the reader. hope this turned out okay since my knowledge and experience with age regression is very limited. Reader is a journalist and not related to the Whitly family.
Warnings: age regression, talk about murder, mention of a family history of mental illness, psychiatry, Martin Whitly
Spoiler: the real name of the bone collector from the Lincoln Rhyme TV show is mentioned
Today was the day. New York Times well known journalist (Y/N) (L/N) would interview Martin Whitly at Claremont Psychiatric Hospital. They weren't a stranger to interviewing criminals, after everything they had gone through they thought it would be better to face all their fears. This had lead to them being one of the most famous crime journalists in the United States though. (Y/N) was well known for making the cruelest serial killers beg for forgiveness and regret their actions by asking well researched questions. They'd been around the country. Howard Epps, Peter Taylor, Shane Casey...name them, (Y/N) has interviewed them all.
Except for one: Martin Whitly. But that would change now as formerly stated. Everything went smoothly at first. They entered the building, went through all safety checks and finally entered the cell of the surgeon. "Oh look who we have here", stated Martin, "the most popular of them all". "Good morning to you too, Dr. Whitly", answered (Y/N). They took their time to look around the room. For the fact that this was supposed to be a life long prison sentence this man really ended up in a good place. "I'd like to ask you a few questions, it's nothing Ainsley wouldn't have asked you before but this time I demand the honest to God answer and take your time to think about it if you haven't done that during the past 22 years", (Y/N) was set on revealing the truth and if Whitly would come at them with the same 'I am sick in the head' answer they'd lose it. The majority of their own family was mentally ill and they wouldn't tolerate it anymore, the way it was always used as an excuse to murder people. Sure, some people could pledge insanity but not this man. He had enjoyed murdering. And this interview would reveal that.
(Y/N) only had a suspicion as to what caused it, anything had gone well up until this point. Up until the moment they realized Dr. Whitly was on a leash. Which (Y/N) was convinced was even more dangerous than if they just let him run around freely. It stressed them out. Big time. And suddenly they were hiding under the table just like back in school when they were only twelve.
Martin Whitly was surprised, but despite being a serial killer he was also a doctor and he was definitely not stupid. He knew if anything would happen to a journalist (who also was one of the most famous journalists New York had to offer) they'd hold him accountable. So he remembered that he once knew how to take care of children. He was a father after all. So he got up from his chair and knelt down on his end of the table so he was on eye level with (Y/N). To be fair, Dr. Martin Whitly was a surgeon and not a psychologist so he didn't exactly know what was going on and how far gone the journalist was.
He started off simple. "Hey, (Y/N). Could you please look at me", no reaction, they were still looking at the ground. What next? Touching them would be a bad idea, it could trigger something worse. So he continued talking: "There's no need to be afraid. I'm a doctor, it's my job to help people". Nice one Whitly, 23 victims erased from the narrative. But it seemed to work. They looked at him. "Alright, that's better. Now would you like to tell me what's troubling you?, he put on the most sympathetic expression possible. A few seconds of silence followed. "It's not safe here", stated (Y/N). "See, (Y/N). Is any place on earth really safe?", mental note to Martin Whitly, this was a bad move. So he tried again. "I can assure you that we're safe here. You see the door behind you? It's one of the strongest doors this country has to offer. And as I said before, I'm a doctor. If anyone would attack I'd know many ways to get rid of them"."That would be murder and that's wrong" "Don't concern yourself with that, (Y/N). It would pass as self defense", it really would if someone attacked now and the surgeon would try to protect (Y/N). "If you say so", of course (Y/N) would question it. They'd always had the need to question everything. "Alright, now that we're clear on this could we get up from the ground", he offered a hand to (Y/N). They nodded and let him help them off the ground. (Y/N) sat back down in their chair.
A few minutes later (Y/N) returned from their state of distress, unsure as to what had just happened. They decided to let it slide for now and go on about this interview.
13 notes · View notes
Text
Catch Me (If I Should Fall)
pairing: sterek
wc: 4877
notes: a literal pair of idiots, attempts at angst, unresolved sexual/romantic tension until it’s not anymore. written because it’s 2 am and this writer has emotions (sometimes).
-
Red: is unsolved.
-
The first time they kissed, Derek’s eyes were red.
Stiles was an idiot teenager and maybe he knew that none of this could last. Falling head over heels was much so easier knowing that they might not survive one day or the next. But still, spending the summer at Derek’s side searching for two missing betas, Stiles really should have known better than to decide against reigning himself in.
He didn’t do it for Derek. Not in the beginning, not in the end. Stiles showed up at the loft one day with his backpack slung over his shoulder and his laptop tucked underneath the crook of his arm because he was haunted by two pairs of terrified wide eyes. Crackles of electricity that buzzed through the air and a steel-toed boot that sunk into his stomach over and over again.
Stiles hadn’t gotten to know Erica outside of “I can be your Batman” or Boyd outside of “Tweeenty” but then again, when three people spent the night together in a basement, maybe all of that could be thrown out the window. There was no bonding experience like torture.
No bonding experience like torture. Stiles really hated his own head sometimes.
There was something about spending entire summer days in close proximity with the same grumpy-growly person that really alleviated the tension. That’s what Stiles would say, at least, when he glanced across the room to watch Derek pour over old maps with his laptop balanced on his knees and his mind wandering.
Because fuck it, Stiles wasn’t invincible. He could look at Derek Hale all day long and insist that he didn’t feel a thing, but he was only human. And only so much could not change when one week turned into two, two turned into three, and one night when Stiles fell asleep at the loft still wearing his clothes with a pen in his pocket, a notebook on his chest, and it wasn’t on the couch this time.
Stiles would like to say that Derek Hale was an enigma, but the man really wasn’t that hard to figure out. There was a morning when Stiles found strong arms wrapped around his chest, pulling him into a warm body, and then that was never mentioned again.
Derek didn’t do feelings, that much was obvious. So Stiles decided he wouldn’t either.
Three weeks turned into four, four weeks turned into five.
Stiles thought that one year ago, he would’ve seen himself spending his Junior year summer playing video games with Scott, getting a part-time job, and maybe, maybe, trying to figure out what he wanted to do with his life. If he was feeling like it, that is.
He was a teenager, remember? Things moved so fast, Stiles felt like he’d been sixteen a day ago, dragging Scott out into the dark and scary woods to go looking for a dead body.
Stiles was a teenager. He moved through life fast and did his best not to linger on that. Or his possible future. He was a teenager and he was determined to milk that for everything it was worth.
And the night Stiles fell asleep in Derek’s arms with no reason other than he wanted to, he realized that really, none of this could last. And maybe that was the beauty of it.
Since Lydia Martin, Stiles knew better than to attempt love.
Sometimes, his dad looked at him and Stiles thought maybe he was aging too fast. The man didn’t know what he was doing with his summer, the silence between them stretched until it was gossamer thin, and Stiles continued to keep his mouth shut. He liked to say it was because he was keeping his dad safe, but he was pretty sure it was a matter of his own pride.
Pride, anxiety, emotional well-being. What was the difference?
Stiles was seventeen and two months old when Derek Hale kissed him. There was something about red eyes and sharp fangs that made Stiles’s heart leap into his chest and dammit if he hadn’t always wondered what kissing Derek would be like. He figured those thoughts all started somewhere between “I’m the Alpha now” and feral roars in the empty police station, Stiles’s heart leaping all the way up into his throat while heat shot straight to his groin.
But still, he didn’t do love, alright? He didn’t.
Kissing Derek Hale was like taking a step off the edge of a cliff, knowing there was an eventual end and not caring as long as the fall came with a rush of adrenaline that would make him feel things he’d never known before. Stiles would accept the fall if it meant Derek was falling right alongside him.
What a cliche.
At this point, Stiles had seen far too much in his life to be a giggling school girl. But he still felt like he was halfway to being drunk throughout the rest of the week, grinning at every word anyone said. Scott noticed, Stiles thought, but the other boy was far too preoccupied with Allison to ever ask.
And Stiles wasn’t the type to kiss and tell.
Fast forward to the end of the summer and they still hadn’t found Erica or Boyd. There were no more soft kisses before Stiles went home, no more lips on his own to bring him back to the real world in the early morning. Derek came at him with the hunger of a wolf and the frustrations of a man slowly losing everything, and all Stiles could do was see the bottom of the abyss as he took it.
He wasn’t losing Stiles. Not yet, at least. But Stiles could never find the words to tell him that.
And then eventually, Derek did.
Lose him, that is.
Stiles stopped coming around the loft as often. His dad was spending more and more time at the station, having re-earned his badge and doing everything he could to prove he deserved it. Stiles was pretty sure Scott had forgotten they were missing two members of the pack, Derek didn’t seem to be around when Stiles sought him out, and then the killings started to happen.
Boyd lost Erica, Derek lost Boyd, and Stiles nearly lost his dad.
He didn’t speak to Derek for a long time.
-
Gold: is to be determined.
-
The second time Stiles let himself fall, it was to eyes of gold. Eyes of gold that came to him long after Stiles had been broken.
Scott would ask how he was and Stiles would promise he never had nightmares. That there wasn’t the feeling of blood on his fingers or crusting underneath his skin anymore. He totally didn’t feel like there was still a presence in the back of his mind watching and waiting— waiting for the upper hand.
Scott would ask, eyes distant, the boy’s memory still lingering on Allison, and Stiles would answer the best way he possibly could.
He was fine. They were fine. Everything was fine.
His dad wasn’t always around to pin him to the bed when Stiles woke up screaming.
But then one night, Derek was.
Solid eyes of gold startled Stiles awake so hard one night, he thought he was still dreaming. He was on his feet in a second, stumbling across the room until his back rammed against the wall, and then all he could do was wait. Wait for the wolf standing opposite of him to come and rip out his throat; or maybe Stiles would be the one doing that this time.
Void had always known how to mess with his head. And even three months gone, he still did.
But Derek just raised one hand, blood staining through his shirt, and Stiles straightened. His heart leapt all the way up into his throat as he moved forward carefully, lifting up the bottom of the werewolf’s shirt. And suddenly he realized this wasn’t a dream. This wasn’t a nightmare.
Derek hadn’t come to see him in so long, Stiles almost couldn’t believe it was really the man himself standing in front of him. He could have almost laughed.
He didn’t. But he could have.
If Stiles thought about it, the last skin-to-skin contact they’d had was Stiles resting a hand on the man’s shoulder. Or maybe Void grabbing Derek around the wrist and throwing him against the nearest wall. But then he supposed there was that one time a younger Derek had slammed him against the wall of Scott’s bedroom, eyes flashing blue, and all Stiles had been able to do was try and forget old memories.
He wasn’t losing his mind. He wasn’t. But Derek had a way of making him feel like maybe he was losing everything else.
“Derek, your eyes—”
The man blinked the color away and all but stumbled toward the bed, losing his balance at the last moment as he slipped to the floor. Stiles was moving forward in an instant, linking an arm underneath his own and lifting the man up. Together, they made it to the edge of Stiles’s bed.
“They’re gold,” Stiles said, breathless. Derek just shook his head.
“It’s fine.”
“No, it’s not fine,” Stiles said, eyes flitting to the blood on Derek’s shirt. Once more, he lifted it up, fingertips brushing across Derek’s skin, and the man groaned. “Something’s wrong. Why aren’t you healing?”
“I’m fine.”
Stiles rolled his eyes, biting back a sharp retort.
Because this is what they did, wasn’t it? Stiles made some comment, Derek brushed him off. They could go back and forth over and over again without ever getting anywhere. Stiles was pretty sure this was exactly why he’d stopped going to the loft in the first place.
Or maybe it was because of how empty it felt. Or because Stiles could never glance over at the bed without reliving old memories and realizing he hadn’t been the only one sleeping next to Derek in it.
Like a teenager having fallen head over heels. Stiles really hated his head sometimes. And he was pretty sure he’d had this conversation with himself before.
“Your eyes are different, Derek.”
“I don’t want to talk about it.”
“Then why the hell did you come here? Just to scare me halfway to hell?”
When Derek looked at him, his eyes were tired and sad, and Stiles felt like he’d seen that look before too. Maybe during the time he’d spent at Derek’s side after Boyd’s death, the man wrapped in his arms as he shattered into pieces. Or maybe when Stiles had confronted him about Jennifer and all that Derek had done was look so broken, Stiles couldn’t do anything but turn away.
Stiles was an idiot teenager who knew better than to fall in love. He could claim in a million different ways that he hadn’t, but he knew it would be a lie each time.
Stiles knew better. He was supposed to know better.
He was seventeen years and eleven months old when he kissed a golden-eyed beta and decided it was time to take the plunge yet again.
Sometimes he could think maybe Derek needed him. Maybe he needed Derek. It was this ridiculous dance of pulling together and then pretending as if it had never happened. Stiles had spent so long after the Nogitsune pretty sure Derek had abandoned him, only to learn the man had been buried in an Aztec temple, that he’d gone from zero to one-hundred like whiplash. 
And now that was a whole different set of problems that had thrown them together once more. As if they were any better off together than they were separated.
Stiles didn’t know what they were better off at. Certainly not this.
He was pretty sure it wasn’t this.
It didn’t matter, though, when Derek kissed him like a man on his deathbed. He was something that had been missing from Stiles’s life for so long and he realized that maybe he’d been better off without that. Not without Derek, not exactly. But the confusion? The stolen kisses when no one else was looking and all Stiles could think was wait, stop, no, come back. 
That was one way to send him plunging off a cliff. And not in a good way. Not like he’d originally thought. Though, he wasn’t sure if it had ever really been a good way. Not in the end.
What a cliche.
One cliche of golden eyes, kisses in the night, and it lasted all the way until suddenly, golden eyes weren’t golden anymore. The man died in front of him and Stiles was pretty sure his heart had been ripped out and stuffed back into his chest again.
Derek came back with blue eyes. He looked at Stiles like he was apologizing and wishing him goodbye all at the same time.
And then he left with someone else.
-
Grey: is the line in between.
-
Stiles told himself he wouldn’t call. 
Not after Derek left, not as one month turned into two, two turned into three, and Stiles started to forget what the man tasted like. He told himself he’d never call. But then again, he’d always been good at lying.
To himself and those around him.
“You’ve reached Derek Hale, please leave a message at the tone.”
“Hey, Derek, it’s Stiles. Look, I know you’re off being all furry with Braeden or something, but there have been a few issues in Beacon Hills. And this isn’t a very hopeful message, I know, but if you could just get your furry little ass back here, maybe we’d actually stand a chance against whatever is coming. 
Think you could do that? For me?”
Message ended.
“You’ve reached Derek Hale, please leave a message at the tone.”
“So, you’re either being an asshole and ignoring me, you’re an idiot who lost his phone, or this is an old number that I’m just leaving stupid messages on. Whatever. I’m a senior now and a big boy, I can handle it if you’re pretending I don’t exist. I’m just a little pissed off, I guess. But there’s a new dude in town. Theo. I don’t like him, no one cares what I think, and it’s the same old thing. Just wanted to let you know. I didn’t die last time so hopefully, I won’t die this time. Just in case you cared.
Don’t worry, I don’t expect you to.”
Message ended.
“You’ve reached Derek Hale, please leave a message at the tone.”
“I was right about Theo. Probably about to die right now. The usual. I hope you’re on a beach drinking margaritas and eating expensive food somewhere. And I actually do. I wish you the best even though I hate it.
Furry asshole.”
Message ended.
“You’ve reached Derek Hale, please leave a message at the tone.”
“You always believed me, right?”
Message ended.
“You’ve reached Derek Hale, please leave a message at the tone.”
“You’d hate me for what I’ve done, I think.”
Message ended.
“You’ve reached Derek Hale, please leave a message at the tone.”
“Someone’s dead, Derek. Someone’s dead because of me.”
Message ended.
“You’ve reached Derek Hale, please leave a message at the tone.”
“I’m not a monster Derek.
Or maybe I am.
I killed him, Derek. I killed someone. A kid. A fucking teenager. I killed someone and Scott thinks I’m a murderer.
This time I think I am too.”
Message ended.
“I lived. Uh, I graduated.
I miss you.”
Message ended.
Stiles told himself he wouldn’t call after that. 
This time, he didn’t.
-
Blue: is just pretty.
-
There was a man with blue eyes that showed back up in Beacon Hills the summer after Stiles graduated. They’d all been through so much, seen so much pain, survived so many obstacles, that Stiles really thought he was prepared for the things that came with Derek Hale’s return.
He wasn’t.
Because when Scott mentioned catching Derek’s scent, Stiles showed up at the loft with balled fists, and the man just looked at him quietly, Stiles couldn’t do anything but feel like he’d been punched in the stomach.
“You’re back.”
Derek’s silent nod was enough to make Stiles go from quiet and helpless to angry and frustrated in less than three seconds. He stalked across the room, shoving a finger into Derek’s chest, and all the man did was look at him.
“A nod? That’s all I get? How about a hello, asshole, huh?”
“Hi, Stiles.”
“Fuck you, Derek! Did you ever get my calls? Do you know the kind of things we’ve all been through? We’re teenagers, Derek! What the hell? Do you know what this group of teenagers has faced while you’ve been off who-knows-where with Braeden?”
“I haven’t seen Braeden in six months.”
Stile felt some of his resolve falter for a moment. But then once more, anger and bitterness came rearing its ugly head and Stiles shoved him, making the man stumble. That was almost enough to make Stiles feel some sort of victory.
It wasn’t close to enough, though.
“I hate you, do you know that? I wish you could know that. I fucking hate you, Derek Hale. Your stupid face, your stupid voice, your stupid eyes. Why are you back, huh? Why the hell did you come back?”
The man’s face was stony but somewhere deep in his eyes, Stiles thought he could make out a crack. And in some twisted, ugly way, he wanted to see that crack grow wider.
“I wish you had never come back.”
Derek looked at him for a long moment. Arms crossed over his chest as if that could serve as a shield. Saving Derek from Stiles or Stiles from Derek, he wasn’t sure. But Stiles hated it. He hated the man in front of him so much it hurt.
Stiles thought some part of that sentence was a lie. And he hated everything even more for that.
“Why are you back here, Derek?”
“Beacon Hills is my home.”
“Beacon Hills has almost burned to the ground a dozen times since you’ve left. And what would it be then? Another home burned to the ground, huh? But this one you could have at least attempted to save.”
That crack finally widened. Widened until Stiles was pretty sure Derek was about to shatter. And he knew he could make Derek shatter. Stiles knew he had the ability to make Derek shatter, just like the man could easily take Stiles apart if he ever wanted to as well.
And then suddenly, Stiles hated himself.
He felt like he could be sick.
“Oh my god,” he said, stumbling back. The anger faded so fast, all Stiles could feel was nausea, his spat words circling over and over again through his mind. His throat constricted and he couldn’t even meet Derek’s gaze anymore, so sure it contained hurt, pain, or grief that Stiles didn’t want to see. “I’m sorry,” he said, scrubbing a hand over his face. “Fuck, I’m so sorry. I didn’t— I didn’t mean to—”
“Stiles.”
“No, Derek,” Stiles said, turning around. “I should go. Uh, welcome back to Beacon Hills.”
Derek caught his arm before he could escape.
Stiles went stock-still, gazing at the door only a few feet away. He knew well enough that he could yank away. He could pull his arm from Derek’s grasp, walk right out of the loft, and if he asked, Derek would probably never speak to him again.
That didn’t make leaving any easier.
“Stiles, please.”
When Stiles turned around, it was to blue eyes and a pained expression. And dammit, Stiles couldn’t make himself look away. Derek— the asshole— was just so pretty. Blue was just so pretty. Stiles could fall forward and let it engulf him without a second thought.
He tried to have a second thought.
“Derek, I can’t—”
Stiles really should have expected to be eighteen years and four months old when for the first time since leaving, Derek Hale kissed him. Fuck, he should have known that was the exact thing he was looking for from the moment he’d stepped foot into the loft.
Was that thing he used to tell himself? Taking a step off the edge of a cliff was all about the fall. The fall with the landing. The impact of when he finally hit. When ultimately, he didn’t touch ground just right.
Except Stiles had made the landing so many times only to fall again, he was starting to think it was a false floor.
Stiles thought it was all pretty telling until he found his back against the wall, his legs wrapped around the man’s waist, and suddenly he could see a little more red than blue. But no way in hell was he about to backtrack.
Derek kissed him like a man desperate for air and Stiles was more than okay with being that source. He carded his hands through Derek’s hair and tightened his grip to pull the man closer. And when Derek growled his name around Stiles’s lips, it sent shivers down his spine.
He thought he hated how much Derek could make him feel with a single look, a single word, a single sound. He thought he hated it, even if that was a lie.
He wasn’t some damn doe-eyed kid anymore.
But fuck if Derek wasn’t gorgeous when Stiles found himself pinned against the mattress less than five minutes later. The man looked down at him with bright blue eyes, a hand splayed across Stiles’s chest, and he nervously wet his lips, his skin alight with nerves.
“I won’t do this unless you want it, Stiles.”
Godammit. “I want you.”
“Me.”
“Yes, Derek, you giant furry asshole. Now either you kiss me again, fuck me until I can’t think straight, or my hand is going to be my new best friend again tonight.”
The man’s eyes sparked again as Derek stripped off his shirt. And Stiles had totally never thought he could write poetry about Derek’s abs, but maybe he could. Just… not when he was lying on his back in Derek’s bed with a steady hard-on that he was really hoping would be taken care of tonight.
Welcome back to Beacon Hills.
Derek kissed him again, Stiles squeezed his eyes shut, and hated himself just a little bit less. But that was their thing, right?
Self hatred with a side of ‘fix it fast’.
-
Green: is solved.
-
There was something about grey-green eyes.
The grey in them always made Stiles halt. He’d look at Derek and wondered what the hell color his eyes were and how was that even fair? Everything about the man was gorgeous. Nothing about that made sense.
Grey made him think twice. Grey made him remember the colors could always change, things could always change, and one day, Stiles was bound to find himself alone again.
But then sometimes in the light, all he could see was green. Green like the softness of his henley, green like strings across Stiles’s whiteboard, green like the preserve where they’d first met.
Sometimes Derek’s eyes were so green, they hurt a little bit to look at.
Stiles couldn’t make out Derek’s eyes in the darkness, one summer into his return to Beacon Hills as they laid curled around each other, but he’d like to imagine they were green. Nothing but green.
Not that Stiles wouldn’t fall head over heels for whatever hell other color Derek’s eyes became. They could turn purple for all he cared. But maybe he found himself dunked underwater when Derek gave him one of those secret smiles with nothing but green in his eyes, and Stiles felt something twist in his chest that he couldn’t quite explain.
That night, Derek was watching him too. But the expression on his face was unreadable. Stiles wet his lips nervously, one arm tucked underneath his pillow as they laid in the silence, and decided he’d be the first one to break the peace.
“So.”
The man raised an eyebrow. Stiles blushed.
“Never mind.”
“You can talk to me, Stiles.”
“There’s nothing to say.”
Stiles knew when his heart skipped a beat. Having gotten used to werewolves, he’d taught himself to feel when there was a skip, just so he’d know whether or not he was going to get caught in a lie. Not like they always listened. Stiles had tried to talk to Scott on multiple occasions with nothing but truth in his voice, except the boy had much much too emotional to ever know truth from lie.
But Derek always knew. Derek always knew.
“Stiles—”
“I should probably go.”
The man’s other brow raised and Stiles felt his face grow hotter. He didn’t think that’s what he’d meant to say, but maybe that was the easiest way he could get out of here before he did something he’d regret. Because Stiles was pretty sure he’d finally figured out the rules here. There was no wait, stop, come back when one of them was wrapped in the other’s embrace, arms, bed, whatever.
Stiles knew the rules. Even if he hated them a little bit.
He’d never meant to fall in love.
“Stop thinking so hard.”
Stiles blinked at him. This time, he was pretty sure it was Derek blushing. The man huffed, breaths warm on Stiles’s face.
“Your heart is beating like crazy.
“It always is.”
“Yeah,” Derek said, rolling his eyes. “But right now, that’s all I can hear. And neither of us are going to get any sleep if you’re halfway to a heartattack and that’s all I can hear.”
“Glad to know you care, Sourwolf.”
He could’ve sworn the man’s face softened a little. “I do. Care, that is.”
“About certain parts of this bod? Trust me, I know.”
Derek’s face tightened. Stiles was pretty sure he’d said something wrong.
He made an abortive move to push himself out of bed, but Derek’s hands wrapped around his wrist before he could get anywhere. The man slowly tugged him back into bed, guiding Stiles back into his arms, and Stiles hated himself for the way he relaxed into the warm embrace.
He’d never meant to fall in love with Derek Hale.
The man’s arms suddenly tensed around him and Stiles blinked upward. Green eyes face— with a hint of that stony grey— and Stiles’s heart suddenly stopped as the realization kicked him.
“Oh my god.”
He was wrenching out of Derek’s arms in a second, all but stumbling back. The man stared in silence and Stiles ran a hand through his hair, terror crashing over him in waves.
“I didn’t say that out loud. I didn’t.”
“Stiles—”
“No, no,” Stiles said, raising a hand. “I know the rules. I didn’t break them. You’re hearing things and I swear to god if you try to say a damn word—”
“Stiles.”
He went still, trembling a little. Derek pushed himself out of bed, quietly padding over. The moonlight caught the man’s eyes and all Stiles could see way grey. His stomach clenched. He felt a little sick.
There was red, blue, gold. Stiles had survived all of those. All of those damn colors. It wasn’t fair that he was about to meet the end of the fall because of green.
Fucking green.
“Don’t,” Stiles said, because he apparently wasn’t above begging. Derek paused a few inches away and Stiles swallowed hard, shaking his head. “Don’t let tonight be the end of this, Derek. I’m sorry.”
The man looked at him quietly. Stiles dropped his eyes to the floor, waiting for impact, waiting for Derek to set him away. But then careful fingers tipped up his chin and Derek swallowed hard, looking just about as terrified as Stiles felt, if not more.
“I love you too.”
The adrenaline was gone. The floor returned underneath Stiles’s feet. He stood there, dazed but whole, and stared for a moment. Because he’d heard wrong, hadn’t he? It was another false floor.
“I love you so much it hurts, Stiles.”
No false floor. Stiles blinked dumbly at him and wondered why he couldn’t feel anything but warmth in his chest anymore. Because this wasn’t what they did. There was no landing.
Not one that stayed, at least.
“Stiles?”
“Is this real?”
Derek blinked. Then a small smile tugged at the corners of his lips and he moved closer, fingertips ghosting across the side of Stiles’s face. “You tell me.”
Stiles was eighteen years gold and six months when Derek Hale kissed him with no color to his eyes. No color but faded, human green. No hidden agenda but soft, careful love. And with nothing but a silent, sworn promise.
A promise of no more false floors. Not more landings that ended up being torn out from underneath his feet. Derek kissed him like it was the first time and Stiles only hesitated for a moment. And then he kissed the man with the decision to take one more fall.
It wasn’t long before he landed perfectly. 
- -
(if you enjoy my writing, consider supporting your struggling student writer? You can also request a prompt if you’d like!). https://ko-fi.com/rh27writer
28 notes · View notes
bubonickitten · 4 years
Text
MAG 167 spoilers
I am once again back to obsessing over Gertrude and Jon as narrative foils!!
And just – the narrative does such a great job of using that foil to illustrate Jon’s neverending struggle with his own humanity. Because although Gertrude didn’t embrace her Archivist powers in the same way that Jon sometimes does, she was arguably monstrous in her own way -- in ways that Jon ultimately isn’t. 
I keep thinking back to Jon’s conversation with Gerry, in particular this bit:
GERARD: Well, she could make people tell her stuff, sometimes. They’d suddenly get real talkative, and lay out whatever she needed. She didn’t do it often though. I don’t think she liked it.
JON: Oh, er, I can do that, too.
GERARD: Huh. Do you like it?
JON: I – I don’t know. I never really thought about it. Yes, I… I suppose I do.
GERRY: Hmmm.
I think after his coma, Jon has a much more negative view of his abilities, but early on, he admits that there’s a part of him that does like being able to compel people. It fits, honestly – of course someone like Jon, so intolerant of mysteries, so prone to overthinking, so full of questions and so voracious for answers, fresh out of a paranoid episode that left him unable to trust any answer that anyone offered him, would like having the option to ask a question and receive a guaranteed answer and to know that the given answer was the truth. At least until he no longer has control over it, finds himself accidentally compelling people and unable to stop knowing things even when he doesn’t want to.
But even if Gertrude was further from the supernatural aspects of the Archivist role, she was still ruthless in her crusade. Her conviction and boldness made her a badass, certainly, but at what cost? The answer depends heavily on how you feel about utilitarianism as an ethical philosophy.
Gertrude Robinson would have a clear answer to the trolley problem and not apologize for it. Jonathan Sims would agonize over all the potential choices and outcomes until he’s paralyzed with indecision. (Annabelle Cane knew exactly what she was doing when she gave him that statement about the nature of free will in a moment where he was struggling so profoundly with self-doubt.)
People are always comparing Jon to Gertrude, telling him that he’d be better off behaving more like her, urging him to accept the premise that ruthlessness is a strength in a world that offers only fear and pain, and that humanity is a weakness and a liability that he doesn’t have the luxury to indulge.
And in Season 4, he tries that philosophy on for a brief while. The Eye drives him to compel people to tell their stories; he starves if he doesn’t obey that instinct. He feeds the Eye the trauma of innocent bystanders, and now he’s the monster haunting the dreams of his victims. (And, to his credit, that’s what he ultimately refers to them as: victims. He uses that word. That’s significant.)
When Basira witnesses him do that and calls him out on it, Jon replies by pointing out that Basira (among others) told him that he should be more like Gertrude: “She got the job done and didn’t care about the cost.” 
Basira responds, “But I thought you did.” 
And that highlights the fundamental difference between Jon and Gertrude! He’d temporarily forgotten that – he’d lost touch with that piece of himself, of his humanity. It makes sense; everyone around him saw him as a monster, and it’s hard to believe in your own humanity when no one else does, when everyone around you is building a self-fulfilling prophecy for you.
It takes Martin reaching out in the only way that he can – urging the others to talk to him – for Jon to wake up and admit that what he’s doing isn’t right and that he needs to do something to stop it. He goes back and forth with himself for a bit – Does he have any control? Is he doing it on autopilot? Is the Web influencing him? – but ultimately he decides that, no, he has to hold himself accountable. Helen asks him if he’s sure he didn’t want to do it, and he takes that hard-to-swallow pill and engages in some introspection and comes to the conclusion, Yeah, while supernatural influence is at play here, I made a choice.
BUT if he made a choice, it means that he can make a different choice going forward. He doesn’t have to be the monster that everyone else expects him to be. He doesn’t have to traumatize others in the same way that he’s been traumatized. (And, eventually, maybe he can learn to see himself as Martin sees him.) And he changes his behavior accordingly!
I keep thinking of Jon’s comment on Gertrude sacrificing Michael to end the Spiral’s Ritual:
“I thought moving away from my humanity would have made that seem more acceptable. That sort of sacrifice… But it just makes me sad. I remembered Gertrude’s notebook. We found it alongside the plastic explosives, but it rather got lost amongst the business of… saving the world at the cost of two lives.”
And this comment, from one of Jon’s many navel-gazing arguments with himself over the nature of humanity and how he fits into that:
“Why were we chosen? …Is there destiny here? Bloodlines, and prophecies? Or did we just – stumble into this. Maybe… maybe we’re the opposite of Agnes. Maybe our doubts are exactly what we need.”  
What keeps Jon in touch with Jonathan Sims, human and distinct from The Archivist/The Archive isn’t just an anchor/reason (Martin) or his own intense guilt, but that capacity for doubt. I mean, it does feed into his self-loathing and it’s unhealthy for him in a number of ways, but that doubt is also what saves him from fully becoming the thing he fears, in a way?
It’s interesting how that doubt and questioning feeds into his innate curiosity. That incessant need to know, even if his discoveries might destroy him, to go with Gerry’s definition of Beholding, is Jon’s fatal flaw, and it’s what makes him so well-suited to the Eye, but it’s also so very human.
That, along with Jon’s choice to change his behavior throughout the story is, imo, the strongest argument in favor of his humanity.
From where Jon is standing, every other Avatar has become so divorced from their prior self that they barely resemble humans anymore. But the question of free will is nebulous for most of the Avatars. 
Some of the Avatars seem to have sought out the power that overtook them, or at the very least openly embraced it. Jude Perry sought to destroy others to make herself feel more alive long before she met Agnes; the Desolation just lent her the power to do so to a greater degree, and she leaned into it. Jared Hopworth was already a bully; becoming the Boneturner just gave him a new way to express that preexisting pattern of behavior. 
Some of the others stumbled into it out of sheer bad luck, or in some way attracted a certain power. They were initially afraid, and typically resisted, but eventually were overtaken – or… gave in? Because that’s the recurring question: How much choice is involved?
Take Oliver Banks: 
“The thing is, Jon, right now you have a choice. You’ve put it off a long time, but it’s trapping you here. You’re not quite human enough to die, but still too human to survive…. I made a choice. We all made choices. Now you have to.”
Or Daisy: 
“I hate a lot of what I did back then; doesn’t mean I’m not responsible for it, doesn’t mean it wasn’t me.”  
Even if some of the Avatars could have done something differently to avoid their ultimate fate, they didn’t necessarily deserve that fate. Helen Richardson could have not opened the door, but opening a door out of curiosity shouldn’t be a punishable offense.
And when the Distortion and Helen ‘become’ one another, it’s interesting that there’s still enough of Helen left (at least at first) for her to feel guilt and doubt over what she’s becoming, in much the same way that Jon does: 
“I took a man, wandering the halls of an old tenement…. It was nourishing, but… I didn’t like it. I feel… wrong.” 
(Side note: I understand why Jon feels like he can’t trust the Distortion, but it does make me wonder what might have gone differently if he’d maintained an open dialogue with her re: humanity vs. monstrosity, similar to the sort of understanding Jon and Daisy have after the Buried.)
The story has been asking these questions all along, but MAG 167 put it back under the microscope in an important way. It really doesn’t matter as much what Jon is, because what he does is a much better measure of humanity and goodness. 
Jon looks at his own choices, looks at Gertrude’s choices, looks at the things that neither of them had control over and looks at the things that they did, and comes to a final conclusion: 
No, he doesn’t want to be like Gertrude. Human connections are important. He needs an anchor. He needs companionship. Trust and communication don’t come naturally to him, but it’s worth confronting that vulnerability in the end, because it’s what keeps him in touch with his humanity, with who he is and who he wants to be. 
It really complements Martin’s philosophy, too. I’ve gone on and on about it before, but I still think the line that most exemplifies Martin’s character is his response to Simon Fairchild’s brand of flippant, fatalist nihilism: 
“I think our experience of the universe has value. Even if it disappears forever.”
It would be so easy for Jon and Martin to just... give up. Give in to self-loathing, to guilt, to loneliness, to a world gone horribly, possibly irreversibly wrong. Early on, Jon is inclined to do just that. He tells Martin that “this is no longer a world where you can trust comfort.” But what does Martin do instead? He comforts Jon. He puts comfort into a world where it seems like none can exist. It doesn’t matter if that gesture is significant in the grand scheme of things -- however you want to define significance on a cosmic level. In that moment, Martin cared, and that mattered to him, and it mattered to Jon, and that fact won’t change, even when they’re both dead and gone. 
It’s... really the same stubborn sentiment that Jon offered in the Lonely, and Martin is mirroring it back when Jon needs it most. 
They make an active choice to build a relationship, to try to make a change for the better. Even if it ends in failure, the fact that they tried is still significant. Jon looks at how Gertrude lived her life, compares it with his past and current choices, and (rightly imo) comes to the conclusion that, yeah, it hurts to trust and to care, but it’s worth it, and it’s necessary if they want to survive (and, of course, he also doesn’t just want to survive). It’s just... a very brave, very compassionate, and very human way of confronting the end of the world. 
42 notes · View notes
rhetoricalrogue · 4 years
Text
31 Days of Wayhaven, Day 17
Prompt: AU Rating: PG for Nicky’s language Words: 2,222 Characters: Unit Charlie, brief mention of Units Alpha and Bravo, as well as Detective Aubrey Miller. Summary: What happens when the coffee shop co-worker and the University co-worker get tired of their partners sighing over the other and decide to take matters into their own hands.  
For the @31daysofwayhaven event.
Penny rolled her eyes as she came into work, hanging her coat on the nearby staff coat rack.  Nicky had gotten there earlier than she had, which meant that he got to pick the music for the day, which also meant that she was going to be in for a day of listening to him sing along with Dean Martin.  Not that it was a bad thing, but they’d done an entire shift of the Rat Pack the other day already.
“You’re late.”
She grimaced as she pulled on a dark brown apron and quickly pulled the strings around her waist to make a tidy bow at her hip.  “Yeah, car trouble.”
Nicky shook his head.  “You really ought to sell that thing, get you a new one.”
“With what money?  No, the car trouble was because my brother decided to borrow it without asking me.  I woke up to a note and had to grab the bus.  Then the bus wasn’t on time, so I walked the rest of the way.”
He poured her a drink, a smooth hazelnut latte with a dusting of chocolate on top that he made perfectly to her tastes.  At least that was something to cheer her up on a rainy morning, especially since he was practicing his foam art and made her a graceful looking swan on top.  She caught a glimpse of herself in the stainless steel overhead countertops and winced.  The soft, drizzling rain wasn’t  enough to soak her or anything, but it had played hell with her long, silvery blonde hair.  The sleek braided bun she had put it in earlier was now a frizzed out mess and her cheeks were unnaturally red from practically running to the cafe in order to be there on time.
Penny hated being late to anything.
“You’re too soft on Lars,” Nicky told her, pushing half a toasted bagel loaded with cream cheese her way while eating the other half.  “He needs to have some responsibility, especially if he’s couch surfing at your place.”
Penny chewed on her bagel.  “You don’t understand, he’s my baby brother.  It’s my job to look out for him.  Besides,” she took a sip of her drink.  “He was going out for a job interview.  Hopefully this one takes.”  She adored her youngest brother to pieces, and she understood that he was in a rough patch, but at the same time, she was quietly frustrated that he showed up at her doorstep without calling first, ate all her food without shopping for replacements, and left his dirty laundry on the bathroom floor.  She was going to have to have a talk with him once they were home to set some boundaries down.  If not, then she would happily call their eldest brother Andreas to see if he could help out before calling the big guns in and contacting their mother.
She hated to jump around in the family pecking order, but enough was enough. 
“I can relate, seeing as I have a little sister, but I still say you’re being too soft on him.  There’s a fine line between older sibling responsibility and being a doormat.”
“I know, and you’re right.  Taking my car without my permission and making me late for work is definitely something I’m going to talk with him about.”
Nicky made a mmhm noise as if he didn’t quite believe her.  “Don’t worry, Pen.” Nicky told her, changing the subject as he made his own cortado and leaned against the counter to sip on it.  “You didn’t miss him.”
She was glad that her red cheeks could hide the sudden blush that she felt rush up from her throat to her face.  “Miss who?”
“Oh, don’t play coy with me, donna forte!”  He elbowed her in the side.  “The Tall London Fog with the soft Scottish accent.  The one who looks like a golden retriever if a golden retriever was over six feet tall and had dimples when he smiled.”
“Careful, you make me think you’re the one with the crush on him,”  Penny muttered as she sipped on her drink.
“Please, I know I’m handsome and charming, but I’m not an asshole.  I wouldn’t steal anyone from my dearest friend and co-worker.”
“You’re not stealing anyone from anybody,” she grumped.
“Maybe if you actually got off your ass and asked him out.”
“He’s a customer!” 
“Like that’s ever stopped anyone that works here!  I mean, have you seen what the Bravo shift is up to lately?  There’s good money on when Adam’ll get the courage up to ask Miss Grande Half-Caff Nonfat Latte with Caramel Drizzle out before the end of the month.”
Penny rolled her eyes.  “Adam?  Admitting he has feelings for anyone?  I give him a year, minimum.”
“Hello, Pot.  I’d like to introduce you to Kettle.”  He turned to wash out the things he’d used to make their drinks and kicked at her calf.  “Speaking of not admitting feelings, here comes London Fog and Dirty Chai.”
Penny masked the sudden lurch in her pulse by twirling around and grabbing the loose leaf tea from an overhead shelf and measured enough into a French Press, adding a spice mix and a little bit of fresh ginger before pouring in hot water to steep.  She grabbed the canister of lavender Earl Grey she knew he liked and did the same in a separate French Press while Nicky called out a greeting, confirming that they both wanted their usuals.
“Actually,” London Fog said, coming up to the counter.  “Could I add something a little more substantial?  Perhaps one of those sausage rolls and a slice of pumpkin loaf?  I fear today is going to be a long one, seeing as it’s grading season.”
“Oh?  You’re a teacher then?”
“He’s a professor,” Dirty Chai interjected, already setting up her laptop.  She’d moved from their usual two-person table to a larger four-person one so the both of them could spread out.  “Don’t let him get modest; he’s brilliant in his field.”
Penny looked over her shoulder as she brewed a double shot espresso to add to the chai.  “Where do you lecture at?”
The soft question had him looking up at her with an equally soft smile before he quickly looked down, suddenly very interested in the counter’s bakery display.  “Wayhaven University.  I’m one of the Professors in the Folklore and Ethnomusicology department.”
Nicky took over building their order when another person came in and distracted Penny.  “What a coincidence,” he all but purred.  “Our dearest Penelope is studying on that campus!”  He caught the sudden interest London Fog gave and leaned conspiratorially against the counter. “She’s going back for her master’s degree, if I remember correctly.”
“Oh?  What study?”
“You know, for the life of me, I can’t recall.  Sounds like an interesting question to ask her though, Professor…?” Nicky trailed off, realizing that neither he or Penny knew their regulars by name, only by order.
“Buchanan.  Cameron.”
“Call him Cam,” Dirty Chai said, taking her order and sipping with a happy sigh.  “I’m Winona.”
“Nice to finally meet you both.  I’ll go warm up that sausage roll for you.”  On his way to the back kitchen, Nicky nudged Penny with his shoulder, silently winking at her.  She turned her face so Cam and Winona wouldn’t be able to see her expression and narrowed her eyes at her partner before going back to helping the short line of customers that had already started to form for the morning, shaking her head as the first heartfelt strings of Come Back to Sorrento could be heard coming out of the kitchen, Nicky’s smooth baritone making one of the ladies in line sigh dreamily.
Penny transitioned from building orders to taking payment while Nicky bustled in behind her on cleanup and prep duty, the two of them working well.  Every so often, her eyes would stray to Cameron and Winona’s table, the two of them with their heads down and fingers clacking over their laptops. Two hours later, Cameron was looking at his watch and cursing under his breath while quickly packing his things away.
“Thanks for letting us stay so long,” he said, sticking money in the tip jar.
“It was nothing,” she told him, fiercely hoping he didn’t catch the way the tips of her ears were a bright pink.  “I’m glad you could stay with me - us long enough to get some grading done.”
He smiled and she couldn’t help but mirror the same smile back.  “I’d have loved to spend more time, but my office hours are going to be starting soon and I usually have a few students wanting to talk around this time of the year.”
“We’re always here in the mornings!”  Oh, smooth one, Fisher, she thought, mentally kicking herself for forgetting how to talk to people when the person in question was one she had a silly crush on.  Don’t flirt with customers, it’s just an awkward experience for everyone involved!
Cameron nodded.  “And stopping by is always a great start to my day.  Your partner mentioned you were studying at the university?”
“I am.”
Cameron shouldered his laptop bag and smiled again.  “Maybe we’ll run into the other on campus then.”
“I’d like that.”
“I would too.”  He blinked, as if he had been reluctant to break eye contact.  “Well, I’d better get going, or else I’m going to miss some student appointments.  I’ll see you tomorrow?” 
“Bright and early!”  Or so she hoped.  She really was going to have to speak with Lars about him getting his own transportation.  Penny sighed as the bell over the door chimed and tried - and failed - to not watch as Cameron walked down the street.
“He’s not that old.”  
Penny jumped at the sudden appearance of Winona at the counter.  “Pardon?”
“Cam.  He’s not that old, just in case you were worried he was some stuffy professor with a really good skin regimen.”
She let out a nervous laugh.  “I wasn’t…” Penny nervously tucked a stray bit of hair behind her ear.  “I mean, I didn’t want to presume…”
“Like I said, Cam’s brilliant in his field and made career moves way before the usual timeline.  I’m guessing he’s around your age.”  She put more money in the tip jar.  “You know, if that was a deal-breaker for you.”  Before Penny could say anything in response, Winona waved and left.
Penny ran a hand down her face before frowning.  There was something other than money in the tip jar.  Curiosity getting the best of her, she fished it out, finding it was a business card with all of Cameron’s information on it.
FYI, a woman’s loopy handwriting in bright red ink read at the bottom, your partner wrote down your phone number on a napkin when he gave Cam his order.  Thought I should even the playing field and give you his too.
Penny’s eyes widened as she flipped the card over.  And BTW, he thinks you’re cute too.
“Whatcha got?”  Penny all but jumped out of her skin at the sound of Nicky’s voice unexpectedly at her ear as he tried to look at the card in her hands.
“Nothing!” she yelped, clutching it close to her chest before sticking it into her apron’s pocket.  Turning around, she grabbed Nicky by the ear.  “And what are you doing, giving strange men my phone number!”
Nicky winced, leaning down as he tried to wiggle away from her grasp.  “He’s not strange, Pen!  He’s a regular!  Practically family!  Ow, fuck!”
She let his ear go.  “You could have asked me if it was okay first!”
Nicky rubbed at his ear and rolled his eyes.  “Yeah, and at the glacier pace that either of you were moving, you may have gone out for drinks when you were both eighty.”  
She washed her hands at the prep sink and started making sure that everything they’d used was washed and ready for a new order.  Lunchtime was a sort of quiet lull, they got a few regular orders in, but it wasn’t anywhere near the morning rush.  She checked the schedule.  The Alpha shift was coming in for the afternoon to evening times, which meant that she needed to come in a little earlier tomorrow morning to make sure that things had been properly cleaned and organized and that the morning breakfast items were fully stocked.  She loved them to pieces, but Tane and Maaka weren’t the most organized of duos.  She made a mental note to check the to-go cups as well: Tane had a habit of using a marker to black out the Warning, your contents are extremely hot and make it read Warning, you are extremely hot instead.
The good thing is that on dead nights, the brothers would come up with some interesting off the menu recipes and leave notes for her and Nicky to try in the morning.  Maaka was more organized than his brother and the notes were always fun to read, especially when he added his own commentary.
“You never know,” she told Nicky, the business card in her pocket weighing far heavier than it ought to.  “I just may surprise you.”
Cha cha cha d'amour
Take this song to my lover
Shoo shoo little bird
Go and find my love
6 notes · View notes
alovevigilante · 3 years
Text
Tumblr media Tumblr media
Me: Ok. I’ve made an executive decision on behalf of all of us...
Me also: are you an executive?
Me: yes.
Me also: at what company?
Me: ours. Yours and mine.
Me 3: and mine too!
Me: yes, at threes company, ok? Will you just listen to me? (The other me’s sit, silent) thank you. Now, we have all come to terms with the fact that we’re 46 and still not sure where the hell we fit in in society, let alone a career to help aid it, right?
Other me’s: yes, Agreed, (hub hub etc...)
Me: ok, good. Well, not good, but yes, we all concur. Now, we, collectively, are a fucking mess, so I propose this: we start from scratch. At zero point, ok? Ok! Great!
Me also: um, question?
Me: yes?
Me also: I don’t mean to be a contrarian or anything, but we’ve been here on earth now for 46 years, and we’ve experienced a butt ton. So, how do you just scrap it all, and have that be something that’s widely accepted by society as a whole?
Me 3: yeah! Cause I saw this one “I love Lucy” where she couldn’t even audition for a tv show without having some experience.
Me: yeah, but we’re completely walking away from the entertainment industry...
Me also: yeah, but what are we going to do? Walk into a different profession, let’s say, being an astrophysicist, and they say, “hey lady, where are your degrees and your on the job training, & oh, I see here on your non resume that you have never even taken a physics class. Were you in a coma for 50 years or something?” And then we’ll look like an asshole.
Me: good point. So, since we can’t start at a zero point, how do we make life ok from where we’re at if we’re feeling lost and confused about what to do next?
Me 3: I dunno.
Me also: well, maybe we can mediate.
Me: eh. You feel like that?
Me 3: not particularly. Me also?
Me also: I was hoping one of you would do it for me...
Me: no.
Me 3: no.
Me also: fine. Any other ideas?
Me: well... how about thinking about shit.
Me also: that’s what got us in this mess to begin with!
George Carlin: hello ladies! May I be of some assistance here?
Me 3: why not? We’re plum out of ideas...
George: ok, well, let’s simplify a bit, Kari, singular, let’s chat.
Kari: hey George.
George: love the pic you choose to rep me.
Kari: yeah. You’re being a lil Italian when you talk with the garlic clove shaped hand you got going there. 🤌 🧄 🇮🇹
George: Yeah. I’m diggin it. But you know, in your mind, I’m one of the reasons you’re here in this ass place.
Kari: you are? how do you figure?
George: people don’t like the fact that you write on behalf of the deceased.
Kari: well, Tim burton did it in beetle juice and a lot of folks love him..
George: ok Kari, can I be Frank... Sinatra-like with you?
Kari: I dunno, can you?
George: yeah. Just pretend I’m sporting a fedora, a cigarette in one hand, and throwing my jacket back over my shoulder with the other looking at you coyly.
Tumblr media
Kari: ok... if you want to... but is the cigarette in his pocket? Cause if it’s lit, that shits gonna hurt his Netherlands eventually....
George: (like Sinatra) no. Now listen up, baby, it’s not normal to write on behalf of a dead person that was not a character, and that whom was once alive. People get touchy about it. We have friends still alive that knew us and probably don’t dig it.
Kari: I see.
George: so it seems like we’re at a crossroads here. What do you want to do about it?
Kari: do about what?
George: your writing! It’s freakin everyone out! Kari, look, you know how normal Hollywood is, ok? They are all normal, non creative, in the box gladly thinker kinda people...
Kari: they are?
George: yes!!! Come on, keillor, get with the program! You are too far fetched for these folks! They want normalcy, and sameness, and only all the shit that’s ever been shat!
Kari: George, are we talking about Hollywood California, here? Or Hollywood podunk nah? Because Hollywood California is where all the creatives go to create!
George: right! And guess what, Kari Keillor! You are not welcomed in Hollywood, California! They have a sign up with your picture on it at the airport that says, “beware! No to this woman! Too much with the weirdness! She writes dead people!”
Kari: I write live people too... hey, do I have a cowboy hat and a mustache on for my mugshot on that sign?
Tumblr media
George: nice one Cookie Monster! Well, Keillor why not?! You may as well, because this story has as much validity as any other story you make up and make worse in your head cause you’re sensitive about of your writing...
Kari: you’re the one that said all that shit! You planted it in my head!!!
George: so I did, but remember, I’m a facet of you. So, decide. Is there any validity to what I/you said?
Kari: how the hell should I know?! I haven’t been in lax recently...
George: right! So you never know until you try talking to some people.
Kari: I’ll call the airport... Listen, George, I’ll be perfectly Frank Sinatra with you now, ok.?
Don rickles: no mere woman can be like ole blue eyes...
Kari: Shut your misogynistic, ass-kissing pie hole, Pickles.
Pickles rickles: oh fuck... she does it to me every time...
Frank Sinatra:, you tell him, baby!
Kari: I’m 46. (Back to George Carlin) Anyway, look George, I have had a few successful people from my entertainment past either shun or block me for no apparent reason, so I’m pretty sure that I’m not well received again, for whatever reason... probably because I wrote the truth about a second city class I took when I was 16, about the current state of snl which I am completely unfamiliar with because I do not watch it, and the way comedy has changed or not over the last many years. Come to think of it, maybe it was because I love frank oz, and frank was mad cause I wrote that belushi John was teasing him and calling him an asshole, another ironic statement because clearly frank oz, NOT an asshole, was many of the muppets for years, and Frank is one of my idols! (Not a true central religious figure to me, but someone I admire a lot...)
Frank Sinatra: who loves ya, baby??
Kari: (to Frank) kojak. (Back to herself) Or it could be because i called bill murray, the beloved patron saint of comedy, an asshole like me, yes, I said like ME, out of jest and irony, because yes, he cared about the kid in meatballs making friends, ok?! That’s probably it. & yes, i was kinda stoned when I wrote it, and also yes, I still can’t figure out why the movie was ducking named “meatballs”, cause there wasn’t an Italian to be seen in it! Ok?! And come to think of it bill as Peter venkman in ghostbusters 2, written in part, by him I think but let’s just say yes cause it supports my point, called all of New York City and it’s tri state area, all 3 million people, miserable assholes, and they took a head count, & they still (probably mostly) all love him! & that shit was good (I love that movie so much) and it was made in 1989, and that was a long ass time ago, ok? And some of those people, have procreated since then, and again, they all love bill Murray and now those “miserable asshole’s” kids, ALSO love Bill now! Double the miserable assholes! Why?! Because he’s funny, and much like me when I’m being tongue and cheek, he didn’t mean for people to take the shit he says seriously! See for yourself! https://youtu.be/t1gkRAWvxOs (1:15 on)
youtube
So yes!!! I just think people are not into that kind of talk from me and me alone, even though it wasn’t coming from a mean or spiteful place. It was coming from a place of love for my craft, and of both frank oz, and bill Murray. The rest, as I say once again... I dunno....
George: Kari, frank just told you he loves you, and you blatantly ignored him...
Kari: no, he asked who loved me. He didn’t say he loved me.
George: Keillor, stop being so mean to the dead crooners, ok?
Kari: pickles isn’t a crooner! He’s a ye olde well paid curmudgeon who made fun of everyone like a jerk fach.
George: um, Kari...
Kari: no, ok? No! The difference between me and pickles, besides everything under the sun other than the fact we’re both human, is the fact that I am pointing out the obvious hypocrisy of the way we are set up as society, and wanting to heal it within myself to make it a more palatable world for me and my family and friends and acquaintances to live in. And pickles thought making fun of people was ok. What royal lineage did pickles come from that he’s able to rip on everyone the way he did? And even if he was of a royal bloodline so fucking what?! And dude got paid to be mean! And normal people made him rich and famous! And how did that become prevalent, let alone celebrated in this world?! Roast em! Yes! Hilarious.
Dean Martin: oh noooo... hey, listen pally...
Kari: dean, don’t get me started, ok? Cause I like you, I really do, but you know how I feel about that shit... Listen, Dean, you left a legacy here that was mostly great, but in my opinion needs a lil tweaking. Instead of “roasts” which people do to this day, and I can’t see how it can make the honoree feel anything other than like major ass, we should have “toasts” (copyright Kari keillor 3/19/21 actually before this date but I never published publicly...)
Pickles rickles: toasts?!? What is THAT supposed to mean?!
Kari: it means, my curious lil ornery pickles, that instead of roasting someone and being a mean rotter egg to them, you can “toast” them. Cheers to you, honoree, we salute you, in a hilarious way, by being honest about you but not vicious, viper like, and cruel. It’s where everyone laughs together cause it’s not a character assassination, instead of ripping on someone. It’s being funny, and yes, in a KIND and uplifting way. Where you actually celebrate the person being honored. Now, will that take a lil more brain power then the go-to usual jerk fach? Yes. But, it’s a challenge I hope everyone will accept for the good of all of us. Cause I guarantee that no one walks out of a roast feeling great. And if they do, cause they thought they killed or whatever, they probably did. And not in a good way. And that, again, is ass. No one wins. It’s a short lived feeling, the feeling of “one upping” a person. It never makes you feel better about you in the long run.
Dean: I see. I think I’ll go work on my volare now...
Kari: see?!? Now THAT I like! It’s not at anyone’s expense!
George: oh shit.... kari.... Why do you give a fuck about all this?
Kari: you know why George? Cause this has become our accepted collective energy! The haves and the have nots! Take away your money and what have you got?! Who are you, without the people who have made you who you are?! People, make other people in the 3D reality we live in. So take away everyone’s cash money, homes, clothes, and all the cars, and all the shit, and what do ya got? A bunch of naked humans starring at our different body bits, ok?! We’re All the f’n same. So think about it. What are we each individually contributing energetically to the whole of us? What message are we sending the next generations In our every day lives? I’ll tell you what message. Whatever we feel about ourselves individually both good and bad. THAT’S what energy we all give, and receive from one another. That’s what we’re teaching the kids. They model themselves after how we feel, and how we choose to think, and how we decide to act toward others. So let’s all collectively recognize that, and how we treat other human beings and wake up first inside ourselves then beyond ourselves so we can all make the whole, better.
I am not an asshole or a human joke or any other kind of joke. I’m not going to cry over the fact that I’m not accepted by people who’s energies don’t match mine. And by the by, no one is a joke, no matter who they are, or what their socioeconomic standing is. So I don’t wear an ascot and a smoking jacket, and a neck full of gold chains and chest hair, holding a whiskey on the rocks with an umbrella in it saying “see that?! be somebody!” ok?! I’m not Steve Martin in the jerk, ok? https://youtu.be/tBfXTyzaUfQ
youtube
I’m not even close to Hollywood! I live in the Midwest! I’m Kariwood, ok? And I’m not even kari wood, I’m no woods, ok? cause I’m pretty much never in the woods or the outdoors for that matter, so much so that I just purchased a sweatshirt that says, “indoorsy” on it, ok? True story! So yeah. Cause one time I was in Wisconsin in the woods, and I was thinking, “look at me! I’m in the woods! Weird, no?!” (Cause never in the woods, but I thought, I’ll give it a shot! What’s the worst that can happen?) And guess what? Despite my shower the night before, I felt something on the base of my skull the next morning, and I picked out a really nasty, creepy and scary tick. And it was alive, and disgusting, and wiggly. And I started screaming. And I am still freaked out to this day about it. And that happened at least 17 years ago. And I didn’t like it. So that’s how “non woods-y” I am... I’m not even a fan of woodsy the owl, ok?
Tumblr media
So I don’t know how I feel about all that. All this to say that I am definitely not Hollywood, but yes, I am included, as a “somebody”. I may not be an award winning, keillor, but I am still somebody, and I may not be rich and famous, but yes, I am somebody, and I may have been on one trajectory and now I do t know what the heck I am now, ok? It’s true, and yes, I’ve posted this before and I’ll keep posting it until everyone in me gets on board with it, yes! I am still somebody because yes, dear me, we are all this: somebody! : https://youtu.be/tu0lNcrZjG8
youtube
George: hard to argue with that.
Kari: eh. You know what I am, George?
George: yes, Kari. I know what you are. But do you?
Kari: well, I feel, like I’m one of those kids on Sesame Street sometimes, looking up at and intently listening to Jesse Jackson, wondering how to get from small to big, and from where I am, to the success that he reps, you know? The importance of being admired by many. Having a big platform to play on. A huge soapbox to stand on, you know?
George: yes. I get it, Kari, I really do. And we’ve all been there. But everyone’s story about themselves, is different. How we all got to where we are, was our own personal trajectory that we designed with our beliefs. And our thoughts. There’s no set pattern or manual to follow. The only energy you must follow, is your passion and your joy, aka the love. That’s it. So, if you want to be, and decide to be, you ARE Hollywood,. Because Hollywood isn’t a specific person or group of people, it’s a place, and an energy. Hollywood is what you make it to be with how you view it. You don’t have to “be” Hollywood to be in Hollywood...
Kari: you said I wasn’t allowed in Hollywood..
George: you may not be. All I’m saying, is that you are whatever you decide you are. The end.
Kari: well, am I or not? Cause I don’t want to go and be turned away. Besides, I love visiting olvera st.
George: Its a fine street, it is. Great margaritas... listen Kari, you cannot achieve anything in this life that you don’t truly believe is in the realm of your possibility. So yes! You can be, and pretty much are are Hollywood keillor, even if it’s in the Midwest in your own home.. You are creative, and love the arts, and are nutsy, and ballsy, and you may hold the title as being the first person to ever separate the two, and bring them back together in a scote sack, ok? So keep writing, and be yourself.
Kari: I dunno. But what I do know is this: I did it again...
George: did what?
Kari: reactivated all the shit memories and feelings from the past that I’ve felt about my career, allowing myself to relive all those fun feels of inadequacy and upset alllll over again.
George: aww, it’s happened to the best of us. Listen Kari, you are, in my humble not so humble opinion, since I’m still you, a loving person. So you reflect that way; with humor, and yes, absurdist, surreal comedy.
Kari: well, I’ll try.
George: You already do. Your credentials are superfluous. Your love and support of you no matter what you do moving forward is what you’ll feel when you choose to, and it’s available anytime you want to feel it. And when you feel that, it really doesn’t matter what you do.
Kari: ok, well, thanks George. It’s nice to know I have you around.
George: Kari, you were once told that you are golden, no?
Kari: well, I was told that I’ll be golden at some point moving forward doing whatever it is I choose to do.
George: right. So, when are you going to decide to experience that?
Kari: hopefully soon.
George: Kari, why do you chop to talk to and write about us “passed over folk”?
Kari: I dunno. I guess it’s cause I love and miss you guys in theory, even though I didn’t know you personally. And I like to re-experience your energy, as I appreciated and admired it. It helps me feel better.
George: you’re now golden.
Scene.
Appendices: if you choose to perform this scene, good luck. I’d like you to do it all in one breath, if you are a more advanced, and professional actor. 🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣💕💕💕💕
1 note · View note
ask-de-writer · 4 years
Text
LOST TIME (part 1 of 3) A fantasy of Flocking Bay.
Return to the Master Story Index
Return to Flocking Bay
LOST TIME
by
De Writer (Glen Ten-Eyck)
5556 words
© 2020 by Glen Ten-Eyck
written 2003
All rights reserved.
Reproduction  in any form, physical, electronic or digital is prohibited without the  express written consent of the author or proper copyright holder.
//////////////
Copyright fair use rules for Tumblr users
Users  of Tumblr.com are specifically granted the following rights. They may reblog the story. They may use the characters or original characters in  my settings for fan fiction, fan art works, cosplay, or fan musical   compositions. I will allow those who do commission art works to charge   for their images.
All sorts of Fan Activity, fiction, art, cosplay, music or anything else is ACTIVELY encouraged!
///////////////////////
It stands out even in the dark ... It shouldn’t. It’s just a house. A damned old house. Not even that old really, not for New England. It’s a two story salt-box style with an observation deck under a cupola at the peak. It is probably just the setting. Rusty old iron fence, gnarled elderly trees, unkempt lawn not quite out of control, windows that the neighborhood kids haven’t broken. It should be a witch’s house but it isn’t. It is mine. I just closed on it yesterday.
The kids are going to have a field day this time. I don’t like the daylight... been on night shift as far back as I can remember. That’s a longish way back. But I’m not a witch, nor vampire. Nothing exotic that I know of. I’m just one of those people (you probably know one or two) who don’t show their age. If you envy me, think again. YOU try to explain to a traffic cop why your ID has you pegged for seventy+ and you don’t look over twenty. I carry a copy of my fingerprint record from the military, because they can check that.
Funny part of it is, I really don’t have the slightest idea how old I am. Traumatic amnesia the doctors called it, during the war. The head wound was minor, they said.
That is a matter of opinion. It robbed me of my past, my name, my identity, my loves and hates but left my skills intact. I was an empty shell. I am still trying to find my past.
The name that I use comes from more or less modern myth. Vandervekken. The Flying Dutchman. Wandering Dutchman would be more accurate. He sails the seas off the Cape of Good Hope until Judgment Day. He can’t find his home either. I bought the house because it is the first place that I have seen in over fifty years where I want to stay. You explain it.
The rusty gate opened silently, thanks to the bit of oil that I put on the hinges. Going up the uneven walk, between the looming trees is an experience. The door lock is old-fashioned but still works smoothly. Covered furniture could have made ghosts to haunt the place, if I were superstitious or given to being easily frightened.
As I said, I like the night. I even enjoy things with a bit of a spooky atmosphere. I also like antiques and handcrafted things which is why, if I ever find out who did it, I will cheerfully throttle whatever philistine covered the finely inlaid hardwood parquetry floors with battleship gray paint.
Stripping and refinishing those floors was on my priority job list. Actually, I shouldn’t beef too much. Pointing out the problem got me a price reduction of nearly $2000 on an already underpriced house with all of its furniture as part of the deal. Estates can be wonderful when you are on a tight budget. Too bad that someone else had to die to create my good fortune.
As I pulled the dust covers from the furniture, I saw that my good fortune was been complete. It was all sturdy, hand-carved hardwood with Chinese silk brocade upholstery. The furniture alone was worth what I had paid for the house and contents. The tops of even the smallest hall tables were inlaid with rich veneers, ivory and mother of pearl. You couldn’t buy furniture like this any more. Besides the cost, the ivory in the inlays is no longer legal to obtain. I could get as much from the sale of just one or two pieces as I could from a year of writing if I could bring myself to part with any of this treasure. It just feels like the house would not be complete without it.
Whoever it was that had died and left this for me to have has whatever blessings it is in my power to bestow. The only wonder is that this place stayed on the market long enough for me to find it. Usually, deals like this get snapped up by the real-estate brokers before people like me ever see them.
When I got to the kitchen, I received another little jolt. I knew that it was fairly up to date, but some thoughtful soul had stocked the fridge and set out a bit of a snack for me. Just cookies and a glass for the milk, which was staying cold in the cooler. Thoughtful. I wondered who did it.
While munching on the cookies, I opened a few windows to air the place out a bit. Going out to my car, I saw that the flags of the walk needed leveling because of the weeds that grew up between them. I drove around to the alley behind the place, opened the garage and parked Lilitu, my classic pre-war Packard touring car. She looked right at home in there. Few, even of modern garages were big enough for her. I ferried my few personal goods up to the house. On my last trip, I saw a couple of wide-eyed kids looking over the back fence.
“Told ya, told ya so!” one of them chanted. “There’s somebody sneakin’ inta the ol’ Vekin place!”
“I wouldn’t call it sneaking, to move into your own place,” I answered as civilly as I could manage. “I just bought it. Why do you call it the Vekin place?”
“If ya ain’t sneakin’, why ya goin’ in the back way? An’ after dark, too?” she shot back. I could now see that they were a girl and a boy. She was obviously in charge.
“I like nights. I’m a writer, so I can keep any hours I like. Why is it the Vekin place?” I asked again.
“Dun’no - Crazy guy named Vekin used to live there,” she contradicted herself.
“Lot of folks tried to buy the place since then,” the boy piped in.
“But nobody ever stays,” the girl finished for him firmly.
“So, this is the neighborhood’s haunted house?” I inquired jovially.
“No,” was as far as the boy got.
“Its down the street, on t’other side,” she cut in.
“I looked at that one,” I said thoughtfully. “The old Victorian. Somebody’s broken out all the windows. Not like here. If the Vekin house is so bad, why hasn’t some kid chucked rocks at it?”
“‘Cause we’re not THAT crazy!” exclaimed The boy, getting out a whole thought. The girl gave him a push, and they ran off into the night.
I got up about noon, after the most restful night’s sleep that I’d had since the War. After my breakfast and a quiet tour of the place from attic to basement, I went out. My goal was the local newspaper. THE FLOCKING BAY VOICE was sprawled across the plate glass window in Old English style letters of gold leaf and black. Smaller letters proclaimed Est. 1841. I pushed open the door. My nose was assaulted by the multiple odors of printer’s ink, paper and grease. The VOICE occupied one large room. An elderly web press crouched at the back of the space, behind several rolls of newsprint. Cubicles made offices in the middle of the room. An old oak counter that had once seen duty as a bar had several signs suspended over it on thin chains. They read ‘submissions’, ‘advertisements’, ‘subscriptions’, ‘billing’.
There was a bell on the counter. Some wag had put a sign on it, “Please ring bell, it won’t help but it will give you something to do.” I gave myself something to do, energetically, a few times.
A trim little blond lady answered the bell’s summons. She wore a green eyeshade and a pin on her sweater announced, ‘Lois Martin - cook, bottle washer & EDITOR in CHIEF.’ “What can I do for you, today?” she asked.
“I came to see what I can find out about the Vekin place,” I answered, trying not to stare at her.
“Just a moment, I’ll get the file out of the morgue. I was going to get it anyway. Somebody went and bought the place again.”
“Wait a minute,” I protested. “Someone buys a house and that makes news in Flocking Bay? This town must be even quieter than it looks.”
“Oh,” she retorted, “it can get downright interesting around here when the old Vekin place sells. You’ll see.” She disappeared among the cubicles and I heard her feet clattering down a flight of stairs. I heard a file drawer creak and slide, then slam shut. It wasn’t long before she reappeared, a rather fat file clutched in her hand.
“If you’d like, we can have lunch over at Mike’s Soda Shop,” she proposed. “He makes decent submarine sandwiches and real ice-cream sodas.”
“Well ... ” I pretended to hesitate, “I haven’t been invited out by a beautiful blond in a long time, so, yes.”
“I hope that I haven’t just made a fool of myself,” she remarked, laying aside the eyeshade. “You are Mr. Vandervekken aren’t you? The man who just bought the place?”
“Too true,” I said.
“Then I’ll make it an interview and deduct it from my taxes,” she smiled.
“You make enough to pay taxes?” I asked, looking back as we crossed the street.
“I have hidden assets. The paper is a tax shelter.” She opened the door of Mike’s and ushered me in.
As I was seating her, I just couldn’t help blurting out, “Your assets seem to be pretty obvious.”
She grinned, “Go ahead and stare. I don’t mind. If I did, I wouldn’t wear a snug sweater and put my pin just here.” She pointed, then added, “Looking at it will keep you off your guard while I ask my questions.”
“OK, Ms. Martin, but let me look at the file first. You can order for me. You know the food here,” I said, reaching for the file.
“Lois,” she replied, “call me Lois, everyone else does.” Then she hollered to the man behind the counter, “Oh, Mike! Two butterscotch sodas and a big turkey sub! Divide it in half!”
“How did you know that I liked butterscotch?” I asked. “It’s not that common a preference these days.”
“I just had a hunch, that’s all. You looked like another butterscotch type person.”
I was leafing through the file on the rather beat-up table while we waited. I couldn’t resist snorting with amusement at the name of the house’s builder. Capt. Von Der Vekin. The house had been built in 1894 by the Capt. and his elusive son, Charles. Nobody had ever seen Charles until he came into town, on April 1st, 1900, to report his father’s demise and burial on the property. He ordered a headstone hewn of the local limestone. Charles had returned from WW I with honors and lived quietly, claiming to be a writer, though nobody ever saw any of his work in print. When asked, all that he would say was ‘Pseudonyms are great for privacy’. He was not so lucky when he volunteered to assist the French resistance in 1939. He never came home.
Next==>
Return to the Master Story Index
Return to Flocking Bay
6 notes · View notes
asdamagicbiscuits · 4 years
Text
Theatre Highlights 2019
My Top 11 Theatre Highlights and Moments of 2019 (in no particular order other than roughly chronological.)
Let's get stuck in!
Panto at the Palladium
So my first theatre trip of the year saw me head off to Panto land at the Palladium to see Snow White and the Seven Dwarfs. It was great to see Danielle Hope on stage again and she was the perfect Snow White. Massive shoutout to Simeon Dyer who was ace as one of the Dwarfs in the show, it’s not everyday you get to see your pal on stage in their West End Debut, he did a brilliant job. The Palladium always delivers fantastic Pantos and I’m excited to see what their next one is!
Book Of Mormon
So Book Of Mormon was again one of those shows I wasn’t rushing to see, that is until Luke George went into the company. I had heard a lot of things about it and I was worried as I had been told if you get easily offended that I wouldn’t like it. I saw it and loved it. It was nuts and very tongue in cheek humour. Turn It Off is one of my favourite numbers in the show, the company are fantastic in it! Tom Xander as Elder Cunningham is pure magic. No other way I can describe his performance. He’s so cheeky and mischievous, the PERFECT Cunningham. Paired with Dom Simpson as Elder Price they are a dream team. You and Me (but mostly me) is such a joy to watch. It was also so lovely to watch Luke and see him on stage again. He is as brilliant as ever!! The Book of Mormon is playing at the Prince of Wales Theatre in London’s West End and it’s also on tour too!!!
Cursed Child - Year Three
I think I said this in last years post but Cursed Child combines two of my biggest loves Harry Potter and Theatre. The Year Three company were exceptional and I saw a huge array of covers. Martin Johnson, Danny Dalton, April Hughes, Jordan Bamford, Leah Haile and Susan Lawson Reynolds. I can remember all the shows when I got to see them and the little details of their performances. Also as #KeepTheSecrets is over I’m gonna talk about April as Delphi. I ADORE April as Delphi. Like hands down my favourite interpretation of the role. Delphi is so sweet and then BAMN. That switch is flicked and her true intentions come out but even then April brought such a warmth to her that I found myself really sympathising with Delphi. She’s just a very misunderstood character and I just wanted to give her a hug. On the other side April’s interpretation of Myrtle is ICONIC!!! That giggle she does in the moment after Scorpius ask if everything’s going to be okay? And Albus replies going of course it is. Pure brilliance!! Also I have to mention the fact I FINALLY got to see James McGregor as Draco. It happened gang. I don’t know how I managed to get to see him three times, still blows my mind as I was worried I wouldn’t get to see him once but I did. It actually happened. ‘Twas beyond brilliant in every sense of the word and well worth the wait, exceptional performances!
Shitfaced Shakespeare
Another fantastic season for those boozey Bard loving beans! The Taming of the Shrew and Hamlet in London and Midsummer Nights Dream on tour. It’s always a joy to see them perform on stage. For those of you who read last years Highlights I can confirm that I broke the curse. I got to see Saul Marron Compère THREE times!!! He also was the drinker for the show of Midsummer I saw in my hometown on the tour. It was lovely to revisit my first show I saw them do, plenty of laughs and so much fun! Bring on next season for more Shakespeare, laughs and most importantly - booze! 😜 haha
Venice Preserved/The Provoked Wife
Now my theatre highlights wouldn’t be complete without me seeing a show Natalie Dew was in. This year I got to see her in Venice Preserved and The Provoked Wife both at the RSC in Shakespeare land (Stratford Upon Avon). Both shows were absolutely fantastic and I gotta mention Sarah Twombly who really stood out in The Provoked Wife as Mademoiselle, stunning performance! I adored Venice Preserved so much I saw it twice! It was gritty, edgy and the whole production value was fantastic! It was also so good to see Nat in such a different role, it’s not everyday you get to see your stagey fav play a dominatrix. She was so badass, strong and the moment at the end of the play with the look the gave another character, I’m getting chills just thinking about it. Perfection!
Edinburgh Fringe
Each year my trip to Ed Fringe just gets better and better and this year was no different. I managed two trips this year and saw a whole host of different shows which were all incredible and I got meet some lovely people, both leafleting and chatting to a few of the actors before the show. I’ll leave a link to my Ed Fringe post so if anyone wants to check out what I saw give it a read - here. Massive shoutout to the Bodily Functions gang as they were super lovely, Friendsical cast, David Colvin was so lovely too, the Shitfaced Shakespeare and Showtime lot. I could go on. But I’m buzzing to see what Ed Fringe 2020 will bring!
The Indian Queen
When in France, go to the Opera? So this still links with theatre but I want to talk about Pierrefonds, it’s my blog so I can do what I want 😜. Firstly BIG shoutout to my friend Sej, the only person mad enough to agree to go to France with me to visit a castle and to see an Opera. So firstly Pierrefonds. I still can’t believe I got to visit the castle where they filmed Merlin. It’s been on my Bucket list for many years now so thrilled I finally got to tick it off. It’s a gorgeous place in the cutest little village ever, genuinely would move there if there was more theatre. 100% will be going back again and would recommend to anyone about going. I had a great time! The other part of my trip saw me go and watch my very first Opera, The Indian Queen! The Opera House in Lille is stunning, so so beautiful. Now I can’t comment on what happened at the beginning as I was raging at the subtitles being in French, it wasn’t until it was 10/15 minutes in that I realised it was all sung and spoken in English. (yep. I am that dumb and yes it took me that long 🙈) I loved how they had the screens move around in the background with the opera on. It had been prefilmed and all the actors were in costume whereas the actors were all in blacks performing it in front of the screens live. As a first venture into the world of Opera, wasn’t what I was expecting at all but I really loved it. It was also so great to see James McGregor on stage again too!! He’s very good!!
Fiddler On The Roof
Wow. Just wow. I was completely blown away by Fiddler On The Roof, the set was gorgeous and how the company went through the auditorium felt so natural. You really felt like you were in Anatevka and part of the community. The whole company were phenomenal!! Andy Nyman as Tevye delivered one of the best performances I have ever seen from any West End Lead. His vocals and comic timing were on point!!! Maria Friedman as Golde played really well opposite Andy’s Tevye, they are a formidable duo. I’m so happy I was able to see them on together. Molly Osbourne as Tzietel and Joshua Gannon as Motel really stood out, stunning performances. Hands down the best show I saw this year without a doubt and I wish I could go back in time and relive it!!
Mary Poppins
Now Mary Poppins is so very dear to me. The movie is an absolute classic, a timeless piece but I had never seen it live on stage before. I had my tickets booked since January when they went on sale and it did not disappoint when I finally got to see it in November. Charlie Stemp was a brilliantly charming Bert and Zizi Strallen was, excuse the pun, ‘Practically Perfect in every way’ as Mary. I sobbed my way through the show and when Zizi flew up over the audience at the end of the show I was in bits. The best way I can describe it is when you love something so much and your just full of nostalgia and emotion and that’s how it came out. Step In Time, Feed The Birds And Practically Perfect were all highlights for me. I have so much love for the whole company for delivering a phenomenal show and I can’t WAIT to return to Cherry Tree Lane once again next year. Although hopefully I will be able to get through the show without crying next time. Haha. Mary Poppins is currently playing at The Prince Edward Theatre in London’s West End.
Dear Evan Hansen
Now I had to be the only person in theatreland who wasn’t rushing to get tickets or proper hyped for it. It was one of those shows for me which I was like - I’ll see it eventually but I’ll let the rush of people pass and I’ll go when it’s all died down. Then the cast got announced and I was okay. I need to see it and I need to see it in previews as I need to see Rupert Young on stage again. Thankfully one of my best friends Johanna was desperate to see it when she was over in November and she managed to sort us tickets. (Thanks Chummy. You’re the best. Love you) It generally was such a phenomenal experience, the audience was so quiet and the only sounds you could hear were the quiet sniffs of people crying. You could hear a pin drop and I don’t believe I will ever experience anything like that ever again. That’s great Anne but why has it made it into your highlights? Don’t worry. I’m getting to that gang 😜 haha. The whole cast were phenomenal. Sam Tutty was flawless as Evan, I connected immediately with him. I was sold and invested from the beginning. The fact there is only 8 people on stage for the whole show blows my mind. Like WHAT?! Outstanding performances from all. In particular Mr Rupert Young as Larry. Now the only thing I knew about the show was that You Will Be Found closes the first act. That’s all I knew, didn’t read up on it or listen to the soundtrack before hand. I went in completely blind! Now You Will Be Found starts and I can hear people crying and I’m sat there thinking. This is great. I haven’t cried at this. Brilliant. The thing which broke me and had me sobbing was when Rupert Young broke down and cried during You Will Be Found. That is what got me and I can relate so much to it. How I view it is that Larry has delayed grief and that happened to me personally so it really struck a chord with me. I’m basically a convert and this is a piece of theatre everyone needs to see and I can see it running for a very long time in London. Dear Evan Hansen is playing at the Noel Coward Theatre in London’s West End and if you haven’t already, GO BUY A TICKET!!
Rage But Hope
I was very lucky to be able to catch this show at Ed Fringe this year so I was thrilled I was able to make it in to see it again during its London run in November. I stand by everything I said before and it was fantastic to see the development of the piece, which is a current and important issue we all should focus on. The whole company delivers stunning performances and I adored the addition of Matt’s characters monologue. I felt it tied together what he said in a conversation with James earlier in the piece and it gave much more depth to his character. The Layla’s List monologue remained one of my favourite moments in the play and goes to show the importance younger generations have and that they are far wiser than their years suggest so not to under estimate them. Let’s preserve this world for many more generations to come. The writing is stunning and hats off to Stephanie Martin for an incredibly well written play. The scene at the end of the play was new for the London run and I felt it really hammered home the message. Tell the truth. Act Now!
So that pretty much wraps up 2019’s Theatre and what a year it was.
2020 - a New Year, a New Decade and I can confirm a lot more Theatre adventures.
Thanks for reading, make sure to come back next year for my 8th Theatre Highlights (that is MAD!!) to find out what I got up to!
Until next time, cheerio!
2 notes · View notes
callioope · 5 years
Text
Questions Meme!
Hello, yes, this HAS in fact been sitting in my drafts for ages and ages. Thank you to both @crazy-fruit and @ruby-red-inky-blue for tagging me and for waiting forever for me to answer (oops)! I’m sorry I took so long, but y’all ask really good questions and I had to think about some of them!
Question Set 1
1. How are you?
Oh, I’m doing alright! Thank you for asking. The earlier part of this year was rather rough, but therapy has been helping. I’ve been rather busy these past few weeks with traveling, and my schedule going forward is rather busy, too, so while I’m excited for those things, I’m also excited for the eventual moment I can just relax.
2. What would you say are your talents?
Writing. Making fancy color-coded spreadsheets. I’ve been told that my super power is getting random (annoying) songs stuck in other people’s heads. Does that count as a talent? 
3. If you had the chance to start your life again, would you take it?
NOPE. No thanks. I like where I am at right now, and I would not want to relive my awkward years. Er, at least, my more awkward, younger years. Cuz I’m totally still awkward. Just less awkward. I hope?
4. Which language would you like to speak instantly? 
HMM. ALL OF THEM. It’s really hard to choose! 
Language fascinates me, and in another life I feel like I would have devoted a lot more time to learning more of them. Unfortunately, I really hated German class in high school because of the teacher’s tendency to put people on the spot -- I think that is sort of inherent in a language class, but I get anxiety speaking in public. 
Anyways, I suppose I’ll answer Turkish to this question, since spouse and I keep saying we’re going to try to learn Turkish via Duolingo. For the record, my HS offered six languages, which was the most I’ve ever heard of an American school offering, and I was always quite happy with my choice of German. (The others were Spanish, French, Italian, Chinese, and Latin.) I do wish I had maintained my German better, and I that I had more time to learn Spanish. 
5. Where would you like to be right now?
Honestly? I’m pretty happy when I’m at home. But if I had to answer where “else” would I like to be right now, out of the whole world? Being back on safari in Botswana is a top contender, as are a variety of places in Turkey, and also Munich. 
6. What name would you give yourself?
I’ve always liked my actual name (Elizabeth). I know I go by Liz; one of my HS friends was quite stubborn and I’m a bit stuck with it now, but I don’t mind it. There are worse nicknames that come from Elizabeth. I used to go by Fiona online; I’ve always been fond of that one. 
7. What is something you’re currently learning?
OOF, what a good question. I sorta blanked on this at first, and my first thought was uhhhh learning how to cope with my OCD??? I’m doing exposure therapy right now, ish. Emphasis on the ish. Also mindfulness. Does that really even count? I started a beginner’s knitting project several months ago that I never finished, does that count? (I just need to seam it, that’s what I’m putting off. I have knit plenty of scarves; however, this is my first hat.) I’m sort of teaching myself ukulele although I haven’t really learned any new chords or songs in awhile. I would very much like to take more photography classes with a focus on wildlife photography. That involves buying a new camera and... signing up for classes. 
Question Set 2
1. What is a detail in a piece of art/a text that you like that you really admire?
This was very difficult, at first because it was like looking at a bin full of loose things and just seeing an assortment of color and being overwhelmed by it all, and then because once I did start digging around, I kept finding different ideas and it was too hard too choose.
Character-building: In the A Song of Ice and Fire series, when Arya starts working for the House of Black and White, Martin stops using the name “Arya” as she dons different identities. For example, he uses “Cat” for a bit, among other names. It shows she’s trying to be someone else, but the caveat is that there are still little mannerisms and such that show she hasn’t really left Arya behind (I think maybe she bites her lip or something? I don’t remember specific examples because it’s been over 5 years since I read these books, but I do remember really appreciating the general technique at the time). 
Music: In The Beatles’ “I Want You (She’s So Heavy)” I love those repeated arpeggios, over and over, building, intensifying, as the white noise comes in and you can just feel the heaviness of desire, of want... (and then I love how it just breaks so suddenly! And I know it wouldn’t have been intended this way because that’s the end of side one, but since I listen to the whole album on spotify, then those bright chords of “Here Comes the Sun” come in and god Abbey Road is the best Beatles album)
Writing: the poetry of Florence + The Machine’s “All This and Heaven Too,” obviously, since literally the title of my blog comes from that. I’d quote that whole song honestly. There’s something that speaks to me about the incapability of language to fully encompass just... everything. I mean, love in specific here, but also just everything. Words are just these little boats we put meaning on and we hope they make it to the other side but everyone takes ‘em a little differently. 
Like, look at this: 
And the words are all escaping, and coming back all damaged And I would put them back in poetry if I only knew how 
And this: 
Words were never so useful So I was screaming out a language that I never knew existed before
Anyways, there’s also something just incredibly soothing about the music, too, and how she sings the song. There’s another line, from Sara Bareilles’ “Miss Simone” that goes “How does she know what a heart sounds like?” which pretty much sums up how I feel about “All This and Heaven Too” (and also many of Sara Bareilles’ song, especially that particular album, but I digress).
Anyways I did have some art examples, but I think I’ve rambled long enough.
2. Is there an idea that you really liked but had to discard because you couldn’t get it to work?
If I really like an idea, I don’t really “discard” it so much as put it on the shelf to attempt later. Out of recent fic ideas, I’ve really struggled with “How to Lose a Spy in 10 Days.” I first thought of this in late spring 2017, and for awhile I couldn’t stop thinking about it, but I was working on Whatever I Do at the time, and wanted to wait before starting another WIP. By the time I got to writing this, the inspiration well had sort of dried up. 
I really like the idea of a fun cat-and-mouse rom-com idea where Jyn and Cassian keep outsmarting each other, with a whole lot of competency kink, some “oh shit we actually work well together!” and maybe some battle couple. And I was really looking forward to both the moment when they both finally let their guards down around each other and the big confrontation when they actually find out each other’s identities. But it involved more mission writing than I was prepared for, and I really struggled with it. I think I need to start over but that involves a lot of working, so it’s unfortunately shelved for now, and I’m working on a “You’ve Got Mail” concept instead.
3. Is there something fandom-related you would like to be able to do (i.e. I’d like to be able to make gif sets but can’t)?
Oh, yes, absolutely! Really anything that’s not writing related, lol. Gif sets, art, etc. But most of all, I have a music video idea for the song “So Close” from Enchanted--like I have a whole story board plotted out in a google doc. But I don’t have any video editing software, don’t even know how you get the scenes for a music video, etc. I have made videos before, but not since high school, and I don’t even have the cheap, basic video editing program I used back then. Sometimes I think I should just attempt make a gif set instead, but there are so many lyrics! and scenes that go with the lyrics! that I don’t know how to consolidate it into that format anyways. 
4. What is a skill you’ve acquired through fandom work?
Hmm, this was tough. I’m going to say HTML. I’m not up-to-date on webdesign at all, but back in my early fandom days, I ran a few fansites. I still sometimes use HTML while leaving comments or to edit posts on dreamwidth or w/e. It’s super basic, but it has helped me at work at a variety of jobs. I take it for granted that people my age should know basic HTML, but a lot of them don’t, and then a lot of people I work with now are older and definitely not tech savvy. 
5. Do you think anyone can learn to create great art, or does it take talent?
Well, I’m going to cheat a little. I do think think that anyone can learn to create great art, but I also think that everyone has a talent at something, and part of learning to create great art is recognizing your skill sets and honing those. If that makes sense? I’ve sort of seen both sides to this. I’ve seen naturally talented people create great things, but I also think that they’re probably cheating themselves if they’re not learning and honing their craft and trying to get better. But I’ve also seen people who started out making things that maybe you wouldn’t call great, but they worked hard over and over again, and looking at their work now, you’d say they were talented without ever knowing the difference. Great art = talent + learning + passion. Did that even answer the question? ...moving on
6. Do you prefer AUs or in-universe? Why?
I prefer to write in-universe, for sure. I find modern AUs more challenging, mostly because--and I feel kinda bad saying this--it’s very difficult for me to tap into Jyn and Cassian’s characters without some kind of tragic background. Their experiences and how they coped with them shape their personalities, and it’s really hard to separate them from those. My WWII was easier because, hey, it’s war, not so different from in-verse. But I initially tried to write Learning Curve in a modern AU and I was just totally bored. Putting it in universe made it more interesting to me, especially having to finagle a happier plot inverse. IDK, it might even be that I generally struggle to make up any conflict in modern AUs that feels interesting.
THAT SAID, lol, I definitely read either. So it’s probably strange for me to be hung up on it because I’ve read nice fluffy modern AUs and found them perfectly engaging.
Tagging: @theputterer, @magalis, @allatariel, @mythologicalmango, @threadsketchier  MY USUAL DISCLAIMER APPLIES: no pressure if you just don’t wanna, AND if anyone sees this and was like “aw hey i wish she’d tagged ME” well guess what, I wish I did too! so go ahead and do it and let me know and then i’ll know to tag you next time, too :-) 
Questions:
When you suffer a setback or a series of setbacks when creating (writing, drawing, knitting, any kind of crafty project thing you work on... even work), what are some strategies you use to cope with that stress and move forward?
What’s the hardest thing you’ve ever had to create/make and what did you learn from it?
What part of a bicycle would you be?
What’s a helpful writing (art/crafting/work) technique you’ve learned?
What’s a piece of art that made you see things differently?
You’re a new addition to the crayon box. What color would you be and why?
What was the last board game you played and what did you like or not like about it?
*sorry these came out rather writer heavy!
4 notes · View notes
waveridden · 4 years
Text
FIC: pieces of you stuck on me
Jon and Basira have both had… well, frankly awful experiences with missions that Elias has specifically assigned. But they can handle these things - or at least, he’d like to think they can. They’re literal secret agents, after all. It’s their job to handle these things.
(A spy AU; specifically, a M:I Fallout AU. JonMartin, 2k. Content warnings apply for canon-typical violence and one death via gunshot.)
AUcember || read on Ao3
#
“You look tired, Jon,” says Basira.
Jon is tired - tired enough that he can’t tell if that’s Basira’s way of showing that she’s worried or if she’s making fun of him for something. He settles for running a hand through his hair and saying “What are you doing here?”
“I’ve been tasked to get you to your next mission in one piece.” She arches an eyebrow at him. “Heard the last one nearly ended with you in lots of pieces.”
“One piece, just with bullet holes.”
“Great work as always, Agent Sims.”
Jon rolls his eyes. He doesn’t enjoy the field work the same way that Basira does, or that Tim and Melanie tend to. He’s just… unlucky, in that he needs to go out on missions often. “What exactly am I doing today?”
Basira pushes a door open, and Jon follows her onto the tarmac. “New mission,” she says. “Straight from Bouchard himself.”
“Oh, straight from Bouchard,” Jon mutters. “Makes me feel so much better.”
She huffs a breath out through her nose. “You and me both.”
Jon and Basira have both had… well, frankly awful experiences with missions that Elias has specifically assigned. Basira came back from one and wouldn’t speak to anybody for a full six weeks; Jon still has limited range of motion in the hand that he burned. But they can handle these things - or at least, he’d like to think they can. They’re literal secret agents, after all. It’s their job to handle these things.
“Any idea what it is?” Jon asks, even though he’s sure Basira doesn’t. Elias is notoriously tight-lipped. He’s sure he’s going to get onto this plane and have a dossier there waiting for him, and he’ll be the only other person in the world to have all the information in it.
“Think it’s a follow-up to what happened in Prague,” Basira says breezily. “Don’t wince like that.”
“I’m not wincing,” Jon mutters, even though he was wincing. Prague had been… horrible. Tim had nearly died. That’s not the best feeling for a team leader.
“Mmmmhm,” Basira says, and then abruptly stops moving.
Jon follows her gaze to the ramp of the plane. There are two women standing there: Daisy Tonner, and someone who Jon swears he’s met before.
“Basira,” Daisy says, cautiously.
Basira takes a tiny breath through her nose, and for an instant Jon feels horrible. Daisy went AWOL on a mission, got disavowed, and got immediately snapped up by some other agency. He’s not even sure which one. He knows that Basira misses her horribly. And judging by the look on her face, she wasn’t expecting to see Daisy again.
So instead, Jon shifts his attention to the other woman. He tilts his head, trying to size her up. It’s someone he hasn’t seen in years, but it’s someone he’s seen. It’s-
“Sasha,” he says suddenly. Of course it’s Sasha, why wouldn’t he remember Sasha? They’d been on investigative teams together, and then she’d left for another agency. But they’d always gotten along well.
Her face lights up all at once, beatific and friendly. “Jon! I wasn’t sure you’d recognize me, I’ve changed my hair.”
“Changed your hair,” Jon repeats. He remembers her hair being darker and longer, that much is true. “Of course. It’s good to see you.”
“Good to work with you,” she says. “It’s my understanding that this is an inter-agency mission.”
“Right,” Daisy says. Her voice is too gruff, and Jon can feel Basira shift minutely next to him. “Bouchard reached out to our people, something about nuclear power cores, I don’t really know the whole thing. He wanted us to provide support for this mission.”
Basira shoots Jon a look. “Nuclear power cores?”
Jon clears his throat, suddenly feeling embarrassed. “Things in Prague went… poorly.”
Daisy slowly raises her eyebrows. Sasha just keeps smiling, which is almost more unnerving.
“Very poorly,” Jon says, just to be clear.
Basira just sighs. “Fine,” she mutters. “You have ways to contact us if you need it?”
“Always.”
“Great.” She nods curtly at Daisy and spins on her heel, footsteps fading quickly as she heads back inside.
Jon glances at Daisy. “You alright?”
“Alive,” she says, and grimaces. “She, uh… how’s Basira?”
“Also alive,” Jon says. It feels like the kindest way to say that she’s been doing poorly.
Daisy exhales, a slow huffy breath. “What the hell happened in Prague?”
Jon opens his mouth to answer, then pauses. It’s a classified mission, perhaps more than most. “I’m not sure how much you can know.”
“How much does my agent need to know to do her job?”
“There was an incident,” he says, which is a colossal understatement. “I’m assuming you’ve heard of the Syndicate.”
Sasha leans in, eyes sparkling with fascination. “Orsinov’s Syndicate?”
“It’s barely hers,” Jon points out. “Nikola Orsinov has been in maximum security lockup for the past three years, ever since-”
“Since a previous mission,” Daisy says sharply.
“Right,” Jon says sheepishly. He’s always been awful at this confidentiality thing. “A mission that Agent Tonner here and I were involved in.”
“ Jon, ” Daisy says, exasperation laced through it. “What happened in Prague?”
He sucks in a breath. “Orsinov’s Syndicate has been after a couple of nuclear power cores. A team of agents and I were tasked with preventing them from buying those cores. The mission came down to either getting the cores ourselves and letting an agent die, or sacrificing the cores for the sake of the agent.”
“And you picked the agent,” Sasha finishes, as though it’s obvious. Maybe to her it is. She’d worked with Jon for a long time.
“I picked the agent,” he says softly. It feels like an underwhelming way to explain what had happened: the dim lights of the city, the gunshots, the shouting. Tim yelling that he’d never fucking speak to Jon again if Jon saved his life instead of the world. He’s held to that promise, too; he hasn’t said a word to Jon since then.
Daisy nods slowly. “Word of advice, Sims?”
“Sure.”
“Next time, don’t pick the agent.” She gestures at the plane. “Get on. James, keep me updated.”
“Yes ma’am,” Sasha says smartly, and starts up the ramp on the plane.
Daisy gives Jon one last meaningful look - what meaning he’s supposed to get out of it, he can’t say - and then turns to leave, the opposite direction from Basira.
Jon sighs, and turns to the ramp. Time for a new mission, he supposes.
  #
  They end up in Paris, at a nightclub. At a very loud nightclub, naturally. It’s all part of the mission, but that certainly doesn’t mean Jon has to like it.
The dossiers have informed Jon that the nightclub will be housing a charity event, run by one Helen Richardson. She’s famously wealthy, famously charitable, and famously vicious in underworld circles. And the key to getting those nuclear cores is getting into that event.
It’s easy enough to get into the club, and to get changed into formalwear. It’s something of a relief to actually arrive in Paris; Sasha is eerily silent the whole trip. Jon doesn’t remember her as being talkative, exactly, but he remembers her talking and not just dodging questions. Maybe it’s a side effect of being more experienced. That seems… possible.
The dossier, unfortunately, did not tell them how to find Helen Richardson, or get into her charity event. That’s Elias for you, Jon supposes. All the information you could want, except for the information you actually need.
He lifts a hand to his ear, where he’s synced his comm with Sasha’s. “Anything?”
He can hear the tone of her voice replying, but he can’t make out any actual words. The music is head-splittingly loud, and even with Sasha speaking directly in his ear there’s no way to actually hear her. Instead, he looks around frantically, trying to spot anything or anyone that looks like Helen.
What he finds, instead, is Max Mustermann, staring across the club at him.
Slowly, he presses the button on his comm. “Sasha,” he says urgently. “Sasha, there are Syndicate agents here.”
Mustermann starts moving towards him. “ Shit, ” he mutters, and starts looking for a door. The closest one is the restroom, and he takes a moment to hope that nobody’s inside before he slips in. He looks around - nobody seems to be there, and if they’re hiding they’re about to get a nasty shock - and pulls out his gun. God, he hates shooting people, but he’s not seeing a way out of it this time.
The bathroom door swings open. Jon barely has time to take a breath before something goes flying directly at his head. He ducks, swearing as he goes, and then Mustermann is careening into him, knocking him to the ground.
Jon tries to wedge an arm up between their bodies, give him some leverage to knock Mustermann off, but the man is much, much stronger than Jon. He settles an arm across Jon’s throat and he wheezes, trying to angle his gun, trying to do something, anything-
“Orsinov says hello,” Mustermann says, and Jon scrabbles at his forearm as he presses down, driving into Jon’s windpipe, there has to be something he can do-
There’s a very loud bang. Something warm and wet splatters across Jon’s face, but the pressure at his throat goes away. Jon gasps for air, shoves the body off, scrabbles for his gun. He sucks in a breath and looks up. “Sasha-”
The words die in his throat. It’s not Sasha.
The last time Jon saw Martin Blackwood, it was when they had just captured Orsinov. She wasn’t even properly arrested yet, but she was still arrested. Martin had been forced undercover working with her, trying to find enough evidence to send to his handler to get him out of the Syndicate. The arrest was supposed to be what got him out of the game, got him somewhere safe. Clearly, it hadn’t worked.
Slowly, Martin lowers his gun. He looks breathless. He looks guarded. He looks… he’s looking at Jon. “Alright?”
“Alright,” Jon manages, even though he’s suddenly sure that nothing about this is alright. “Hi.”
Martin doesn’t smile. “You’re here for Helen, then?”
“I am. You?”
“You really shouldn’t tell other people your secret missions.”
“Martin-”
“I shouldn’t be here,” Martin says suddenly, like he’s remembering something. “I shouldn’t have done that.”
“Martin, breathe-”
“You shouldn’t be here either-”
“Martin!” Jon pushes himself to his feet, staggers for a step or two but comes to a stop in front of him. He has so many questions - what is Martin doing here, why would he kill Mustermann, shouldn’t he be safe, why isn’t he safe - but he forces himself to push all of them down. “Stop. We can figure this out.”
Martin stares at him in disbelief. “You think it’s that easy? To just… just figure it out?”
“Of course not.” He takes another step closer. “Not easy. But if you’re here, I’m making sure we both get out of here.”
“You say it like it’s simple.”
Jon huffs out a laugh, just this side of hysterical. “Nothing about this is simple, Martin. But I told you I’d get you out, and I meant it.”
Martin takes a deep breath. “Fine,” he says shortly. “It… fine. I’m glad you’re okay.”
Jon glances back at Mustermann. “Me too,” he murmurs. “Thank you for that.”
“You need to get cleaned up.” Jon turns back to Martin, who makes a face and mimes scrubbing at his cheek. “You’ve got a little… you know.”
Jon lifts a thumb to his cheek and wipes away some blood. He looks expectantly at Martin. “Better?”
Martin doesn’t laugh, not quite, but he says “Not at all, really.” And there’s something to his voice, a mirthful tilt in it, that makes Jon think that maybe they can get out of this in one piece.
1 note · View note
gotgifsandmusings · 5 years
Note
(Part 1 of 3) So I was discussing with some show-watchers on Twitter about Tyrion being an asshole in the books and the showrunners making everything they can to turn him into a Nice Guy™. One of the things I mentioned was him raping a sex-slave in A Dance with Dragons. A book reader retweeted this with a comment saying he also has raped Shae in A Clash of Kings. I couldn't remember this AT ALL, I literally Googled this to see if could find some thread discussing this. Nothing. I asked her the +
(Part 2 of 3) + context of the scene and she said it was when he went where Shae was hiding and there she was sleeping naked. That turned him on and he penetrated her and only woke up after he came. Once again, didn’t remember this happening, I had to read each of Tyrion’s chapters summary and then look it up on the book. Surprisingly, it happened indeed, but the way it’s written it didn’t seem like it was rape, especially because she got wet and moaned. Isn’t this… problematic? Am I reaching?
(Part 3 of 3) Because to me, it should’ve been considered as rape but literally no one else has said anything about this. Did you notice this as well?
There’s…a whole lot to unpack in this question. 
For one, I think we need to set aside the arguments of if someone “seems into it”, then it can’t be rape. It’s a dangerous mentality, it only focuses on “well are they going to enjoy themselves?” rather than them actually giving consent, there’s no one way anyone looks during a sexual act they did not want to occur, and it’s actually a big factor in why men raped by women are rarely taken seriously, since an erection “disproves” the lack of consent, or something like that. 
(We’re also going to set aside Tyrion’s POV bias in how the event is described.)
This particular situation is I think a good deal more complicated than say, the question of if someone can wake up their sexual or romantic partner with a sex act. In my book, that’s something that obviously needs to be discussed ahead of time. Even there, it’s heavily context dependent, and there’s certain acts where I know I’d have a discomfort no matter what. I’m definitely not the arbiter of sexual consent for everyone, of course. So the best we can say is, “have conversations with your partners about what your boundaries are.” If a partner violates a boundary they were unaware of, it can really vary how anyone would react or feel about it and how that would unfold, and what the nature of that boundary is.
Basically, some people might view something as assault that another person would view as like...a conversation to have. If a partner violates a boundary that had been communicated, then that’s obviously assault, however.
To be clear, I’m not trying to argue there’s “shades of rape” or any shit. I’m saying there is not one conception of consent we all walk around with, and we’re going to react differently and feel differently about certain sexual situations. As long as we all agree to respect each other’s consent, and defend each other if there’s a feeling of violation in that regard, then that’s what’s important. 
Okay, back to this scene: did Tyrion and Shae have a conversation about this first? I’m guessing not. And yeah, it’s made more complicated that she is a sex worker he’s contracting. There’s a power imbalance between them, and part of her services kind of involve this “girlfriend” experience. Does she seem “into” it? Well, it’s her damn job, and clearly we find out later that that’s the only extent of it for her. Could we have a missed an off-screen discussion between the two? No, they only exist on the page. So is it fair to point out there wasn’t consent here? Of course.
But alright, then Tyrion and Shae aren’t real. So when we’re talking about the rape of fictional characters in this setting (and in my book, I don’t see either of them viewing this as rape in a Watsonian sense), so what are we gaining from this conversation? Are we asking: is “does Tyrion have troubling views on consent and an entitlement with women where he ignores their agency and desires?” Cause uh, yeah, obviously. Dude married a 12-year-old political prisoner and then got frustrated that she wouldn’t be emotionally intimate with him. And yes, he rapes a slave very much knowing it’s wrong and rape in A Dance with Dragons.
Is Tyrion nicer than a lot of men in Westeros? Sure. That’s maybe more of a reflection of the setting, then, isn’t it.
So of the question “is this problematic?” Yes, most definitely. Martin didn’t write Tyrion and Shae’s relationship to be an example of positive, healthy consent among adults. Tyrion ultimately kills her because he gets the feedback that yeah, she was a sex worker doing her job who goes on to publicly embarrass him (in a situation where she basically had no recourse anyway). 
I think it is also valid to ask, “is this problematic in a way Martin didn’t see or intend?” Certainly the intention of this scene was to paint Tyrion as very earnestly into this relationship, and pretty much buying into the belief that it was reciprocal (though he does challenge himself internally on this a few times). Was it explicitly to paint Tyrion as indifferent to Shae’s bodily autonomy? I’m definitely doubtful. And frankly, this is reminding me exactly of the Cersei/Jaime sept scene where like...ya, it’s rape, though when the show made a choice where it was basically a complete attack that couldn't be viewed in any other light, Martin went on record saying that he meant for it to be a disturbing scene, but not in the way viewers were disturbed (aka, by the rape). 
I guess summarizing thoughts: this is not a thing you should do to a partner unless you’ve talked about it first, I don’t think Martin really thought through that aspect, in-verse characters certainly wouldn’t think twice about this because Westeros is such a fucked up place (though they’re not real unlike us, the readers, so not sure how helpful that values dissonance even is), and at the end of the day, I don’t think this really changes anything about Tyrion’s character, arc, behavior, or narrative function.
22 notes · View notes
themurphyzone · 5 years
Text
Lucky Thirteen Ch 3
Ch 3: Three’s a Crowd
Come to Alvizo’s Cafe on Haywood Street. My treat. 
He sent the text, wondering if Dakota was even awake. He’d see the text soon enough, and the promise of brunch would be incredibly tantalizing for his food-obsessed mind. 
The quickest way to Dakota’s heart was through his stomach after all. Cavendish paying for the meal was just the cherry on the sundae. 
The downside was that he’d also have to pay for Doofenshmirtz’s meal too. There was no way around it. Dakota would get suspicious if he didn’t pay for Doofenshmirtz. And Cavendish couldn’t afford to be seen as anything less than a gracious host. 
“That’s weird, the Tip-inator’s supposed to automatically calculate the tip based on your bill and generate the right amount. I have no idea why it’s spitting out enough coins to fill up a Swiss Bank.” 
The floor was completely littered in dimes and quarters, and workers had to take it slow so they didn’t trip over the metallic piles. Many patrons were shooting dirty looks at Doofenshmirtz, though he didn’t seem to notice or care. 
“Can’t you turn it off?” Cavendish asked. 
Doofenshmirtz rolled his eyes. “And miss a chance to do good? Society doesn’t appreciate servers and vendors enough! I should know, I used to be a bratwurst street vendor. I would do my whole ‘I am a Superstar’ routine again if it meant getting this many tips.” 
Cavendish’s phone buzzed. 
Be there soon. Yum! 
Dakota had tacked on a slew of food emojis at the end of his message. For some reason, Dakota insisted on using cups of tea and hamburgers in every text conversation. 
“Moving on. Dakota will be here in just a few minutes. Remember, your job is to make things less awkward than they already are,” Cavendish said. 
Doofenshmirtz threw up his hands. “Hey man, I’m a do-gooder, not a miracle worker. But look on the bright side you unjolly green giant, you don’t have to worry about your budget. If you don’t have enough, you can just scoop some coins off the floor to make up the rest of the bill.” 
Cavendish wasn’t cruel enough to subject a poor worker to counting that many coins. Go figure that Doofenshmirtz managed to figure out a way to help an employee with finances while simultaneously diminishing their efficiency at work. 
Cavendish patted his lapel, making absolutely sure the ring box was secured. He couldn’t afford to lose the rings again. 
The clock’s hands ticked on. 
Dakota still wasn’t here. 
There weren’t any new messages either. 
What’s the exact timeframe of ‘soon’ in this context? A few minutes, an hour, a day, or when the Earth ceases to exist? 
Doofenshmirtz snapped his fingers in Cavendish’s face, bringing him back to the present. “Geez, did you eat something last night that turns you into a praying mantis? Cause I don’t want to be anywhere near you if you’re gonna adopt the whole behead your mate thing.” 
Cavendish realized that he’d been involuntarily holding his arms in front of him, bent at an awkward downward angle. The praying mantis description was somewhat accurate. He shoved his hands into his pockets, slumping against the back of his chair. 
He’d never been good at hiding that particular nervous tic. 
“No, I am not adopting that bug’s appalling mating or dietary habits,” Cavendish muttered petulantly. 
“That’s a relief. Just thought I’d warn you from personal experience, avoid all insects during your proposal. They tend to bug the intended fiance,” Doofenshmirtz said, grinning widely at his own pun. “You see what I did there? Bug as in insect bug?” 
“Yes, you’re a pungeon master entirely worthy of an Emmy award,” Cavendish muttered. “So you’ve proposed before? What did you do?” 
“Wrote a musical number and hired backup singers. Jazz is Charlene’s favorite genre. Had this whole nifty bit with the saxophone. She was impressed. Then a swarm of bees were attracted to the pots of honey we used as background props and stung almost everyone. Charlene managed to escape unscathed, but the backup singers had at least four stingers each and I had to go to the hospital because of allergies. Charlene managed to smooth everyone’s feathers out, cause the backup singers weren’t that happy with me afterward.” 
Note to self: Try to avoid anaphylactic shock via bee stings during proposal. Easy enough to prevent: just don’t involve honeypots in any way, shape, or form. 
“Then we got married, had Vanessa...remind me to show you pictures later, she’s always frowning in her baby pictures but she looks so adorable doing it...oh, and now we’re divorced.” 
Cavendish thought he’d misheard that last sentence. 
Doofenshmirtz coughed. “Now that I think about it, mentioning divorce probably isn’t soothing your nerves.” 
Divorced. Please let me fall to Earth’s molten core so I don’t have to deal with this anymore. 
Dakota arrived half an hour later. He munched on a chocolate donut, casually wading through the pile of coins that were now ankle-deep. 
“What took you so long?” Cavendish griped once Dakota sat down. 
“Donut place had free samples. Figured I’d grab one for the road,” Dakota replied, licking the chocolate off his fingers. “And I can’t say no to the breakfast burritos here.” 
“Yes, heaven forbid that you refuse food,” Cavendish agreed. 
“Yeah, he was all worried about being jilted,” Doofenshmirtz added. “Perry the Platypus did that to me from time to time. Like, I get the mysterious secret agent schtick, but at least tell me why you can’t thwart first.” 
Cavendish scowled. “I wasn’t worried about being jilted! You’re completely misconstruing the situation!” 
Realizing that people were staring, Cavendish quickly buried his head in the menu and pretended to read the pancake options. Since Cavendish was preoccupied with his embarrassment, Dakota was the one who signaled a waiter to come over and take their orders. 
“Blueberry pancakes with tea,” Cavendish mumbled to the waiter, regretting that he couldn’t hang onto the menu to hide behind when he needed a moment to recuperate. 
Rather predictably, Dakota ordered breakfast burritos. 
Doofenshmirtz decided on eggs and bratwurst. He spent four minutes rambling about the superiority of bratwurst to hot dogs before the waiter got fed up and left for the kitchen. 
“How’s Milo doing?” Dakota asked. “I’m trying to lay low for a while. I think his parents are trying to get me and Cavendish to pay for a new table since we used theirs to temporarily plug a deadly vortex.” 
“He told me some of my bad luck came from not thinking things through,” Doofenshmirtz said. “I think he’s onto something.” 
“Yeah, he’s a smart kid,” Dakota said.  
“So if I just take enough time to think about my actions, I can avoid stuff blowing up in my face at a later point. Alright, so I ordered eggs and bratwurst, and that doesn’t come with dairy, so my body won’t react from lactose intolerance, the cafe gets $10.99 from my order alone, unless the coins build up enough to cause structural damage which they’d have to spend money to fix,” Doofenshmirtz mused. He quickly pressed a button on the Tip-inator, and the coin flow trickled to a halt. “Oh, that’s useful. I found a potential consequence and I figured out how to avert it. Thinking through stuff works!” 
By now, everyone’s knees were buried underneath the coins. Parents had to carry their children out the door. 
The waiter finally delivered their food, then rushed over to help a coworker who was stuck behind the counter.
Cavendish tried to focus on cutting his pancakes instead of how he had nothing to talk about. How did one broach the topic of engagement? 
Thank you for not letting me stay dead. Will you marry me?  
Yeah, that would go over well. 
“You gonna say something or what?” Doofenshmirtz asked, poking Cavendish with his fork. “Cause you’re quieter than Mother whenever she gave me the silent treatment.” 
Cavendish brushed the offending utensil away. “I was about to say how...nice the sun is today.” 
Dakota pointed to the gray clouds that blanketed the sky. “It’s overcast.”
“Of course,” Cavendish quickly amended. “The clouds look nice today.”
“Are you sure you’re feeling okay?” Dakota asked. His breakfast burrito threatened to dump its contents all over his pants. 
“Dakota, keep that greasy thing over your plate,” Cavendish scolded. 
Dakota sighed in relief. “Never mind, you’re fine.” 
“Look, a nonspecific thing in the ceiling!” Doofenshmirtz shouted, pointing above Dakota’s head. When Dakota glanced at the ceiling, Doofenshmirtz snatched Cavendish’s arm and hauled him to the restroom. 
Cavendish yanked his arm out of Doofenshmirtz’s grip. The doc was faster than he looked. 
“What’s gotten into you?” Cavendish snapped.
Doofenshmirtz scowled. “That’s my line, mustachio. The sun is nice? The clouds are nice? I can’t believe you sunk low enough to start talking about the weather! That’s like, first date material! The kind that doesn’t lead to a second date!” 
“I was nervous!” 
“I was nervous when I proposed! And you know what? I just did the musical number anyway! Just pop the question already!” 
“Why are you even here?” 
“You told Brigitte and Martin that you wanted my help! Okay, Martin seemed oddly happy that I was out of the house but oh well. They filled me on the way over here,” Doofenshmirtz said. 
“You’re the worst wingman in the history of wingmen,” Cavendish growled. 
“I’m beginning to understand why Perry the Platypus always seemed more annoyed when he had to wingman my dates,” Doofenshmirtz sighed. “Still, I don’t think I was ever this hopeless.” 
He has a point. This is hopeless. 
Cavendish turned to the sink, splashing his face with water to clear his mind. 
“What do I even say?” Cavendish muttered. 
“Well, if you can’t do musical numbers or long, flowery speeches, there’s always the direct approach.” 
Though he was fairly certain that Doofenshmirtz and direct were complete opposites, Cavendish decided to humor him. “What’s your idea for the direct approach?” he asked. 
“Some punching, a little kicking...you know if you throw your hat like a projectile he’ll probably find it cool. And trapping! Trapping him in your clutches works too!” 
“Never mind. I regret asking.” 
“And the manager had to bring out this really tall stepladder! And he was afraid of heights so he asked our waiter, but he was afraid of bats. So they tried getting this other girl to do it but she was afraid of ladders,” Dakota said, continuing his play-by-play of the events that Cavendish and Doofenshmirtz missed while they’d argued in the restroom. “So they got their chef out here and guess what?” 
“He was afraid of ceilings?” Doofenshmirtz guessed. 
Dakota shook his head. “Nope, he was scared of the spider that made its home in a top corner of the ladder. But they got the bat down, so crisis averted.”  
Doofenshmirtz and Dakota laughed together, but Cavendish really didn’t see what was so funny about it. At least heights, ladders, bats, and spiders were all tangible. 
Cavendish couldn’t pinpoint his fear toward one thing when it came to the dreaded question. 
Their food was cleared away, then the check was dropped off. Cavendish felt a bit guilty when he saw the receipt.
“What’s up? More than you expected?” Dakota asked. 
“Said it was my treat, didn’t I?” Cavendish said, carefully counting out his money to make exact change. The total price of their meals didn’t bother him, but the physical receipt did. 
He looked up to find Doofenshmirtz pinching his index finger and thumb together to form a ring shape, not so subtly indicating Dakota with his other hand. 
Okay, maybe I can do this. How hard can it be? Face Dakota. Open mouth. Try not to insult him. Take out ring box. Actually, speaking should go somewhere in there too. 
“Dakota, there’s something-”
“WE HAVE SECURED PERMISSION TO SEARCH THIS CAFE!” 
Everyone screamed as coins suddenly flew everywhere. Three men in perfectly tailored suits and sunglasses spread out, swiping through coin piles and upturning tables as they searched. 
“Excuse me, gentlemen,” one of the men said, stopping at their table. “Many of the patrons have stated that a machine is the source of these coins. They pointed us to your table. Do you know anything?” 
Cavendish and Dakota were fully prepared to deny these accusations, but Doofenshmirtz beat them to the punch. 
“The Tip-inator’s mine,” Doofenshmirtz said, brushing coins off the machine and setting it in front of the stunned agent. “Waiters won’t have to worry about bad tips again with this puppy!” 
Some people were just asking to be punched in the face with an elephant. 
“Counterfeiting is a federal offense. We’ll have to take you in,” the man said as he handcuffed Doofenshmirtz. Then he gestured to Cavendish and Dakota. “Are they accomplices?” 
“No,” Doofenshmirtz scowled. “I was wingmaning them cause the leprechaun can’t-” 
“Yeesh,” the agent grimaced, and Cavendish was grateful for his timing. “Word of advice: don’t pick felons for wingmen.” 
Tell me about it. 
“Wow, so this is the consequence I should’ve been wary of, not the structural damage thing,” Doofenshmirtz said as he was led to a white federal vehicle and taken away. He may have the right to remain silent, but he sure as heck wouldn’t be taking advantage of it. 
“Why was he wingmaning us? Did you need a mediator cause you’re mad at me for some reason?” Dakota asked. 
“Yes and no,” Cavendish said. 
“This is about me dropping your Professor Time boxers into the red load at the laundromat, isn’t it?” 
“No, it’s not that. I wanted a nice brunch and then he goes and gets himself arrested and I’ve been overcome by the urge to strangle my twenty-year-old self for buying that Professor Time pin-up calendar...and you dropped my Professor Time boxers into the red load?” 
Dakota grinned. “I plead not guilty.” 
“Don’t even joke about that,” Cavendish muttered. 
“Thanks for the burrito. It was good. There’s an adoption fair in the mall today. You wanna go look at cute animals?” 
“You go ahead. I think I need a me day,” Cavendish said. Mostly to think about his next course of action, since Operation: Propose After Brunch was a complete bust. 
“Catch ya later then,” Dakota said, humming to himself as he walked off. “Goin’ to the fair. Goin’ to the fair, and then I’m gonna see some animals!” 
The world didn’t end. It’s not exactly the worst case scenario. 
“Krrr.” 
Cavendish looked up from his sulking to find Perry the Platypus examining the Tip-inator. The men must’ve forgotten to take the machine for evidence. 
“The federal agents arrested Doofenshmirtz for counterfeiting,” Cavendish explained. “He was trying to correct the issue of bad tipping.” 
Perry tipped his hat in a silent thanks, scribbling out a note that stated he would speak to Doofenshmirtz later. 
And use some cartoonish physical violence too. Cavendish chose not to question it. 
Perry flipped a switch in the Tip-inator, and the coins vanished in a flash of light. Then he ripped out a wire, disabling it for good. 
“When you see him, can you punch him once for me?” Cavendish asked. 
Perry saluted, more than happy to oblige the request. 
It wouldn’t solve his proposal problem, but it made him feel better. 
AN: Talk about a trainwreck
17 notes · View notes