summary; there's little time between fast cars and spaceships, but you make it work
pairing; lando norris x fem! star wars actress! reader [ no faceclaim ]
a/n; if i see ONE more "but at what cost" comment i will explode you with my mind
[ series masterlist ]
liked by charles_leclerc, maxverstappen1, kellypiquet and 100,004 others
yn.jpg life recently
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kingmag9 I scrolled so fast I legit thought this is a lando.jpg post
darthjadusdefender are the rumours true, then?
princepercival please respect their privacy and leave the conversation out of her comment section
shae_vizla_2 So no KOTOR movie set pics? :(
vettelover no lando either...
liked by oscarpiastri, mclaren, martingarrix and 875,995 others
landonorris it’s race weekend time 🖤🧡
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angelricciardo oscar: 🧍♂️
sugarussell pr team working overtime
cherryhamilton Oscar is an unpaid employee actually
astongoatin day 4785 since our last y/n photo on this account
inchidentlover Where's Waldo modern reboot
dannyavocado so close! your wife is actually missing ♡ please find her
codelh44 everyone else moved on, i stayed with the fact that they took out the -l/n -norris off their twitter names
liked by mclaren, davidcorenswet, oscarpiastri and 925,221 others
yndeathtrooper the only spa weekend that matters
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sunnysainz now why is the only photo of lando with his back to the camera...
tyrescreamer divorce babe DIVORCE
holidaykimi OSCAR LOOKS SO GOOD
alfajuliet i threw my phone across the room i can't take it anymore
generalkenobi3 so no kotor? at all??
papayasalad did you yell "OBJECTION" at least once during the carlos slander i need to know
carlossainz55 ...
yndeathtrooper obviously
liked by danielricciardo, oscarpiastri, yndeathtrooper and 2,014,808 others
landonorris as dom toretto said
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yukinator22 oh we're COOKED y'all
albogeant your guys' shoulders must be aching from reaching that far, clearly she's taking the photo
simplyclerc THAT'S WHAT IM SAYINGGGG SHE EVEN LIKED THE POST
mcmango ok but why wouldn't she be in the picture like????
super_max A GOOD CAPTAIN FALLS WITH THE SHIP
shadownorris oh okay im just gonna go play my mitski daily mix for the fourth time in a roll that's fine
liked by alex_albon, davidcorenswet, kellypiquet and 148,007 others
yn.jpg goodbye belgium you'll always be famous
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kellypiquet Girls Night 😊
yn.jpg YEAHHHHH
bottaswiththefur aaa the outfit matching the luggage is so cute
lionkingseb lando search party
rock4rrari max???
g3org3zilla i read this in the tone of the seagulls from nemo
pic credits: pinterest and instagram
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What No One Tells You About Writing Fantasy
Every author has their preferred genres. I love fantasy and sci-fi, but began with historical fiction. I hated all the research that historical fiction demands and thought, if I build my own world, no research required.
Boy, was I wrong.
So to anyone dipping their toe into fantasy/sci-fi, here’s seven things I wish I knew about the genres before I committed to writing for them.
1. You still have to research. Everything.
If you want any of your fantasy battle sequences, or your space ships, or your droids and robots, or your fictional government and fictional politics to read at all believable.
In sci-fi, you research astronomy, robotics, politics, political science, history, engineering, anthropology. In fantasy, you have to research historical battle tactics, geography, real-world mythology, folklore, and fairytales, and much of it overlaps with science fiction.
I say you *have to* assuming you want your work to be original and unique and stand out from the crowd. Fanfic writers put in the research for a 30k word smut fic, you can and will have to research for your original work.
2. Naming everything gets exhausting
I hate coming up with new names, especially when I write worlds and places divorced from Earthly customs and can’t rely on Earthly naming conventions. You have to name all your characters, all your towns, villages, cities, realms, kingdoms, planets, galaxies, star systems.
You have to name your rebel faction, your imperial government, significant battles. Your spaceships, your fantasy companies and organizations, your magic system, made-up MacGuffins, androids, computer programs. The list goes on and on and on.
And you have to do it all without it sounding and reading ridiculous and unpronounceable, or racist. Your fantasy realms have to have believable naming patterns. It. Gets. Exhausting.
3. It will never read like you’re watching a movie
Do you know how fast movies can cut between scenes? Movies can balance five plotlines at once all converging with rapid edits, without losing their audience. Sometimes single lines of dialogue, or single wordless shots are all a scene gets before it cuts. If you try to replicate that by head-hopping around, you will make a mess.
It’s perfectly fine to write like you’re watching a movie, but you can’t rely on visual tricks to get your point across when all you have is text on a page – like slow mo, lens flares, epically lit cinematic shots, or the aforementioned rapid edits.
It doesn’t have to, nor should it, look like a movie. Books existed long before film, so don’t let yourself get caught up in how ~cinematic~ it may or may not look.
4. Your space opera will be compared to Star Wars and Star Trek
And your fairy epic will be compared to Tinkerbell, your vampires to Twilight, your zombies to The Walking Dead, Shaun of the Dead, World War Z. Your wizards and witches and any whisper of a fantasy school for fantasy children will be compared to Harry Potter. Your high fantasy adventure will be compared to Lord of the Rings.
You can’t avoid it, but you can avoid doing it to yourself. When people ask about your book, let them say “oh, you mean like Star Wars” to which you then can say, kind of, except XYZ happens in my book. These IPs will never fade from the public consciousness, not while you exist to read this post, at least, but Harry Potter isn’t the only urban fantasy out there. Lord of the Rings isn’t the only high fantasy. Star Wars isn’t the only space opera.
Yours will be on the shelves right next to them, soon enough, and who knows? You might dethrone them.
5. Your world-building is an iceberg, and your book is the tip
I don’t pay for any of those programs that help you organize your book and mythos. I write exclusively on Apple Notes, MS Word, and Google Suite (and all are free to me). I have folders on Apple Notes with more words inside them than the books they’re written for.
If you try to cram an entire college textbook’s worth of content into your novel, you will have left zero room for actual story. The same goes for all the research you did, all the hours slaving away for just a few details and strings of dialogue.
There’s a balance, no matter how dense your story is. If you really want to include all those extra details, slap some appendices at the end. Commission some maps.
6. The gatekeeping for fantasy and sci-fi is still very real
Pen names and pseudonyms exist for a reason. A female author writing fantasy that isn’t just a backdrop for romance? You have a harder battle ahead of you than your male counterparts, at least in the US. And even then, your female protagonist will be scrutinized and torn apart.
She’ll either be too girly or not girly enough, too sexy, or not sexy enough. She’ll be called a Mary Sue, a radical feminist mouthpiece, some woke propaganda. Every action she takes will be criticized as unrealistic and if she has fans who are girls, they will be mocked, too.
If you have queer characters, characters of color, they won’t be good enough, they won’t please everyone, and someone will still call you a bigot. A lot of someones will still call you a bigot.
Do your due diligence and hire your army of sensitivity readers and listen to them, but you cannot please everyone, so might as well write to please yourself. You’re the one who will have to read it a thousand times until it’s published.
7. Your “original” idea has been done before, and that’s okay
Stories have been told since before language evolved. The sum of the parts of your novel may be original, but even then, it’s colored by the media you’ve consumed. And that’s okay!
How many Cinderella stories are there? How many high fantasies? How many books about werewolves and witches and vampires? Gods and goddesses and celestial beings? Fairies and dragons and trolls? Aliens, robots, alien robots? Romeo and Juliette? Superheroes and mutants?
Zombies may be the avenue through which you tell your story, but it’s not *just* about zombies, is it? It’s about the characters who battle them, the endurance of the human spirit, or the end of an era, the death of a nation. So don’t get discouraged, everyone before you and everyone after will have written someone on the backs of what came before and it still feels new.
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the space seed episode of tos where they find khan and the ss botany bay is so funny because right off the bat you have kirk being like "yeah let's get that historian whats-her-name out there, maybe she can be useful for once" and it's like WOAH what's up with the liberal arts hate?? why is kirk being such a bitch to this lady for no reason. then you meet her and she's fucking obsessed with historical strongmen to the point of covering her walls in her own fanart. she lives on a spaceship in a utopian technofuture and she sleeps surrounded by busts of kings on purpose. her vibes are fashy and kirk is right to be a bitch, actually.
then they get to the botany bay and she's immediately driven to distraction by how horny she is for ricardo montalban under a thick layer of extra-dark foundation. sorry i'm gonna compare montalban with and without the makeup because it is SO distracting
also she refers to sikhs in the past tense implying that at some point in the last two hundred years there was a genocide that they're just glossing over. since she also calls them a warrior race it's also possible that she's just racist and somewhere on board the enterprise there are sikh crew members who dislike her as much as kirk does.
anyway you can assume that this is her first actual away mission and she fumbled immediately because she was so hot for khan but it's much funnier if this isn't the first time this has happened. every time they have to interact with a historical earth artifact she gets so horned up thinking about being a tradwife that she's rendered speechless. spock stays polite but kirk can't stand her. by the time kirk found out she was the type of person to paint her own portraits of napoleon and roman emperors to hang in her quarters it was too late to send her back and request literally anyone else. he's supposed to court martial her but offers to let her stay on fashy eugenics planet just so he won't have to keep her on his ship anymore. it's unclear if he lets her take her paintings or jettisons them into space.
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THE STAR BEAST
Is about the RTD era. It’s set in dimly lit London streets. The Doctor avoids going to UNIT directly. Queer identity is at the center of it. The Metacrisis DoctorDonna comes back. He meets a woman named Rose. The plot is moved by strange unexplained coincidences. The Shadow Proclamation is invoked. There’s a big obvious spaceship crash that wasn’t an accident like in Aliens of London. There’s alien law enforcement hunting a real villain like smith and Jones. The Doctor is separated from Donna by a clear barrier like he is from Wilf in end of time. But instead of losing her, he gets her back. She remembers him. Journey’s End is undone.
WILD BLUE YONDER
Is about the Chibnall era. We’re separated from the TARDIS like in Ghost Monument, facing creatures beyond our universe like in It takes you away, Can you Hear me? And Flux. We’re on a spaceship nearly outside of the universe, failing to get as far as Tecteun wanted to go. We’re reminded the Doctor isn’t from this universe. Of the destruction of the Flux that the Doctor failed to stop. And the Doctor refuses to let Donna in, to tell her how badly this is affecting him, just like 13 didn’t let Yaz in. He even almost chooses the wrong Donna near the end. In a different way, 13 also didn’t choose Yaz.
We’re scratching the surface of the Doctor’s trauma but the Flux isn’t the real problem. She’d been keeping her companions out since before that. Why? What happened to the doctor in between Donna and the flux?
THE GIGGLE
Is about the Moffat era. There’s great emphasis on how old the Doctor is, that is the same old Doctor we met in the 60s. We’re reminded how the Doctor lost Amy, Clara and Bill, and the Doctor’s focus is on protecting Donna and Mel over the actual planetary stakes. Time is rewritten. There’s a too-good-to-be-true happy ending. There’s a lot going on.
The Doctor hasn’t stopped moving since losing Bill. Really, he hasn’t stopped since long before then. But the Bi-generation gives him a way to stop without depriving the universe of the Doctor. Amy, Bill, and Clara didn’t just die. They got second chances at life, with their own chosen companions (Rory, Heather and Me) . And at the end of his short journey, 14 gets that same fate. He dies, but finally gets a happy, restful life. Meanwhile 15, already feeling the benefits of his past self’s rest, journeys on.
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