Tumgik
#hotd ep 7
daemyradiscord · 2 years
Video
The Daemyra shagging scene but WITH LIGHT. You can actually see and hear them in this and it’s glorious.  Credit to @kylesbats on twitter!
6K notes · View notes
arishatistic · 2 years
Photo
Tumblr media
"You and I are made of fire. We were always meant to burn together." 
1K notes · View notes
amazonthese · 2 years
Text
Rhaenyra: I want you.
Daemon:
Tumblr media
1K notes · View notes
last-ofthe-starks · 2 years
Text
HOTD Episode 7 Thoughts and Easter Eggs
Shoutout to Daemon’s helmet in the opening credits and now flowing into Rhaenerya’s symbol. Credits move so fast it is hard to catch things within it. 
Opening with this scene is heartbreaking but I enjoyed not having a huge time jump this episode. Also Rhaena being held by Rhaenys is a great way to show that in the ten years time they were apart, they must have still spent time with one another because they are close.
Otto with that stupid pin pisses me right off, but to me seeing them zoom right in on that pin on his chest is to emphasize just how easily Otto was able to become HAND OF THE KING - arguably the most important role in court someone could have - and the man who banished him for being a snake and untrustworthy has somehow allowed him to return to court. (Also, you can see that he bites/picks his nails like Alicent). Say what you want about his health, but if Viserys were a strong man (like Daemon has always said), this would never have even been entertained, and yet here we are. 
Daemon is losing it during the funeral while Vaemond Velaryon is speaking, and rightfully so. The poor guy sees through all the falsities and knows that every person involved in the throne is playing the same game. Low blow from the Verlaryon’s to say their true blood runs thick and may never run thin while looking right at Rhaenyra. This episode really drove home the point that Rhaenyra is at the very end of her rope with trying to claim her children are not the children of Harwin Strong. It is becoming impossible for her father to defend her against the opinions of the public. 
They mention the Merling King during the eulogy - this is the God who rules over the Narrow Sea. That is obviously a book reference, and in the house Velaryon, it is believed that Driftwood Throne was a gift from the Merlin King to their family to conclude a pact. 
The opening scene following the funeral with the dragons flying together again over Driftmark is fairly symbolic; we know that by the end of the episode they will never all be together again harmoniously. 
Alicent knows what’s up as soon as she sees Rhaenyra and Daemon in the same area. I like how they shot the scene with everyone on the patio area because you can feel how awkward it is, with all the tiny pockets of people and hardly anyone talking. It’s also a great visual tool to show how isolated Daemon continues to be. When Viserys’ finally does speak with him, you can see that it is too little too late. I think you can tell that Viserys regrets not making a greater effort to keep him around - Daemon warned Viserys of all of this happening in the very first episode. Additionally, having Rhaenyra walking in the background of the crowd watching the two brothers speak again with a nervous look on her face is a great parallel to the wedding episode, when Viserys was watching her and Daemon. 
It is incredibly telling that no one is consoling or even talking to the widowed husband, and in a later scene with Rhaenys calling Daemon self serving (fact), we understand that the people of Driftmark likely share her same sentiments. In the books, it is said that everyone on both sides were angry when Daemon and Laena wed behind everyone’s back and ran away to Pentos. Surely his reputation is even more tarnished with her now dying and not being at home to big birth.
Watching the dynamics of all these kids being circled around for so long is very important foshadowing for how they will all be interacting in the future. I actually really like the actors, they are doing a great job and each one of them is really able to say so much about their character without having much dialogue or extended screen time. Shout out to the writers for managing to achieve that, it is no small feat. 
Jace is such a sweetie pie, and now that he knows his father was Harwin, it makes it all the more sad watching him trying to mourn a man when he is not allowed to. Rhaenyra is such a good mom and you can see that she is emotionally a very nurturing and caring parent to her children. It’s such a shame Alicent doesn’t learn a thing or two from her. 
Having Daemon and Laena’s girls Baela and Rhaena reach out their hands to Jace is so sweet. In the books it made it seem like Daemon and Rhaenyra saw quite a lot of each other, with Rhaenyra becoming quite close with Laena, but in the show it’s implied that these cousins would hardly know one another. It is clear in this one act that they trust one another and feel like they can be vulnerable with each other. This is reinforced when the girls go get Jace first after Vhagar is stolen, and when the boys defend them against Aemond. 
Lucerys’ conversation with Corlys was so sad, about Jace becoming king and Luke would inherit Driftmark. It reminds us all that there is so much already riding on all of these kids shoulders. For Luke to respond in such an innocent way that only a young kid can really puts it all back into perspective. Combine that with Aegon getting drunk and behaving like a teenager yet again, and you can see how if left to their own devices, these kids would have likely been friends and lived contented lives.  
Helaena being married off to her brother Aegon is true to the book, but seeing Aemond wishing Alicent had betrothed her to him is a new twist. Last week Rhaenyra tried to marry her to Jace to strengthen the family bond and Alicent refused. Alicent was married off as a political move as well, and had completely rejected the notion of Targaryen’s marrying within the family when she was younger. We see now that as an adult, she will truly do anything to prevent Rhaenyra’s claim be stronger than her children’s. 
Helaena predicted Aemond losing an eye last episode, and in the short scene we get with her she makes mention of “weaving Dragons with thread”, which could be her foreseeing Daemon and Rhaenyra’s wedding. 
Viserys calling Alicent Aemma!!!!! 
Like I mentioned earlier, Rhaenys’ clear disdain for Daemon is just the tip of the iceberg. She has clearly been harboring resentment towards Corlys for putting their family at risk, which she warned him about at the very beginning of the show. For a man so hell bent on revenge over men who didn’t listen to his wife, he sure does not listen to his wife a lot. She also cannot look Rhaenya in the eye in this episode, so it is clear that she is deeply disappointed by both sides of her family and it ultimately costs her both of her children. The Targaryens have taken everything from her, so I can’t wait to see how next week plays out with her. 
“History does not remember blood, it remembers names.” What a line. Sadly, if Corlys were to take Rhaenys’ suggestion to heart and name Baela and Rhaeyna, they would eventually get married and lose the Verlaryon name. Corlys knows this, and even though the boys do not have his blood, it is his name he values more. 
Rhaenyra confirming that her and Laenor tried to have a kid is a big deal my friends! 
Harrens Curse - Rhaenyra mentions this and it is a reference to Black Harren. A lot of owners of the land ended up dying by violent means, and Larys made mention of this in last weeks episode as well. 
“we were happy enough” - what a loaded statement. “I’m no longer a child” - also a loaded statement. In their relationship she is clearly the one running the show.
Aemond going after Vhaegar and claiming her to ride - what a scene to showcase just how big she is. you can tell that she smells him and for whatever reason, allows him to ride her. I know that is bad news bears but still a very cool scene. To see someone ride a dragon for the first time again like Jon Snow was so cool and well done, especially considering her size and that back then they actually rode them like horses. In the books, Viserys told Aemond that he would bring him to Dragonstone after the funeral so he could pick a hatchling but he takes matters into his own hands. Vhagar was originally owned by one of Aegon’s sister wives, Visenya. 
Lykiri is a word in High Valyrian used to calm dragons down. 
AEMOND IS SUCH A DICK, wow he becomes an awfully cocky bastard once he has a dragon. And then to throw is brother under the bus so easily, you can feel the resentment in him. This fight between the kids is also slightly different than how it was told in Fire and Blood. In the book, Joffrey sees Aemond sneaking out of the castle. Aemond kicks him into a pile of dragon poo so that he will stay quiet, In the show, we didn’t see Joffrey, and instead it was Baela and Rhaeyna were the ones to see him take Vhagar. 
Poor Viserys, my man, he just wants peace and his people refuse to let him have it. But at the same point in time, he is really (to take a quote from Outlander) sailing on a ship made entirely of paper at this point, and everyone can see through it but ultimately because he is King it is the only thing maintaining Rhaenyra’s entire life and social standing. There is an obvious inequality between the family. Every law he puts into place ends up having the Streisand effect. 
Alicent freaking out was actually an incredible scene, I knew what was going to happen and my heart was still pounding. Her fall from grace has been huge and the standoff in the center of the room was incredible. The dagger is emphasized a lot in this scene, so I hope to god they somehow make season 8 makes sense with this damn show. Also Criston Cole smirking, I wanted to smack his smug face. 
Thank god Daemon actually stepped in to protect Rhaenyra this time unlike episode 5, but I think it’s telling that he blocks Criston instead of going for Alicent. To me, I think he knows Rhaenyra is strong enough to protect herself, and always has.
Otto being proud of Alicent is even more insight into how big of a scumbag he is. Him saying Aemond’s eye was a thousand times worth the price he paid was insight enough into just how far they will go to win. At the beginning of her conversation with Daemon, Rhaenyra says Alicent is not capable of cold murder, but now she can see the true face of her enemy. 
Laenor being MIA mourning his sister for most of this episode is so sad. It really is so difficult a position he is in. And thankfully Rhaenyra does truly care for him and recognizes that he is a wonderful person and honorable man. That said, you can see the disappointment in her face when Laenor recommits himself to her. Daemon’s return is breathing new life into her and giving her the strength she needed to fight back, something Laenor will never be able to give her. This scene is very successful because at the end of the episode for a moment, you can believe Rhaenyra would have been willing sacrifice him to get what she wants.
“Fire is a prison, the sea offers and escape.” At first I was unsure how or why Rhaenyra was saying this in reference to her and Daemon, because the sea being her escape isn't an option if she kills Laenor. But after the episode ended, the idea that Rhaenyra knows her and Daemon’s fate’s are tied to their Targaryen blood, but Laenor has an escape if they give it to him is very clear. Another great line from this episode. 
Rhaenya and Daemon speaking to one another again in High Valerian  - and it is Rhaenyra asking Daemon to marry her again. Girl really has it bad. Rhaenyra has been depicted as an overall honorable person thus far, staying in her lane in court and despite sleeping with Harwin and siring bastards, the new context we gain this episode that she and Laenor did in fact try to have kids makes her situation more sympathetic. They tried, and couldn’t. That says something about her character that previous episodes denied. 
When Daemon and Rhaenyra begin talking about marriage and needing Laenor to be dead in order to do so, I immediately was sad. Having Daemon do her dirty work and implying that upon Daemon’s return she would be willing to betray the only other family she has ever had when Laenor did nothing wrong, it would have been very Game of Thrones and I would have been very disappointed. This was all masterfully shot; juxtaposing the audio of their plotting with the scene of their wedding with their kids watching made them seem incredibly selfish, then having it all take place RIGHT after Lenore’s implied death rather than six month after the fact like the book implied is just crazy, honestly. And then you TWIST IT ALL and you see Laenor and his lover leaving together and my faith in Rhaenya and Daemon is restored once again and DAMN what a way to end the episode. But, no one else will ever know they did that, and it will paint them in an incredibly ugly light. For Daemon that is a strength, but Rhaenyra has never had to live with that shadow of darkness. 
When they get married they cut their lips and hands with dragon glass! And Rhaenyra touched his chin like she had in the brothel again! We love a good parallel and continuity.
John MacMillan was good in all his scenes this episode, but to see how tormented he was with Rhaenyra when he promises to be a husband to her now...so well portrayed. She knows he is not a strong enough husband for the fight to come, and loves him enough to set him free. I wish we were able to see the conversation between Rhaenyra and Laenor (and likely Daemon) and be able to know his reaction because when you think about it, they gave him and incredibly selfless gift. 
767 notes · View notes
cyprus-green · 2 years
Text
Regarding Daemon and Beach Sex
Tumblr media
So I, like most, completely agree that the Beach Sex scene would almost certainly have been better with anyone other than Sapochnik directing. But the people mentioning how appropriate and perfect Daemon and Rhaenyras reactions are, are on the money for me.
To me, this is the apperance of much older, broken and bruised people. Someone mentioned it in the Daemyra discord, but the grief they feel is in large part the loss of 10 years. They're mourning what their lives became because they couldn't (or refused to) be together.
Daemon must feel immense guilt. He knows he's favored his neice. He knows there's something there that calls to him, something deep in his blood, as consuming as it is ancient that calls him to Rhaenyra. He realizes just how deeply in the brothel. And he bolts. She can't see him she can't love him. He fucks his partners from behind , forever taking pleasure. Rhaenyra wants to consume him. Wants him. Her choice (of which women get very few in this world) is this Rouge Prince. His hands were made for violence. For bloodshed. For taking. For fucking.
But we all know that Daemon is , at his core, absolute mush. His most vulnerable self is when he's pressed his forehead against the people he loves. Facing them, presenting himself without looking them in the eye. To look someone in the eye is to open yourself up to rejection.
This night, he warns her. Gives her an easy out. But he's out of excuses. There's no where to run or hide. He can't reason out of this. The fact is that Rhaenyra loves him, wants him, needs him.
Daemon leaving created beautiful and loving --but not supremely fulfilling-- relationships. But what is wasted, what they lose from Daemon's fear is eachother. For 10 years. Daemon loses sight of who he is, without Rhaenyra. He has no home without her.
So this time Daemon doesn't run away. Because there's no where to hide. He's moved across the sea. Had another life. A wife. Children. Male Lovers. None of it satisfied. But now his refuge is gone. Laena was refuge for this wayward Dragon. As Ser Harwin was for Rhaenyra. But their shelters are now gone.
He can't run anymore. Rhaenyra has no one to numb her pain anymore. Daemon left her heart shattered and angry. But like the practical woman she was, she found happiness where she could.
This sex scene is an apology. It's Daemon looking love in the eye, and saying "very well". It's Rhaenyra finally feeling as if she's not alone. If Daemon is by her side, she's invincible. He makes her aware of her own power. He brings out the fire within her. He reminds her that they're made of the same Valyrian stuff. When Daemon looks at Rhaenyra he sees parts of himself. He sees a dragon, desperate for comforts of home.
This love scene is the embodiment of "taking her as she is" but for Daemon. He's craved love and attention the entire time. True attention. He wants to be needed by his family. He wants to be asked to be by his familys side. So when Rhaenyra asks him, when she admits that she needs him, for him. When she makes it clear that through him she's made stronger. She does what Viserys never did. She asks him to be by her side. For good. Forever. She does what he cannot admit to Viserys. He says he needs nothing. Rhaenyra knows. She admits the truth for them both.
The love scene is mature and pensive, but mostly beautiful in how Daemon allows himself to be seen, accepted and consumed. There's no where to hide. And he gives himself up to love.
Pic Credit to Veru on Daemyra Discord
462 notes · View notes
selene-bathory · 1 year
Photo
Tumblr media Tumblr media
And in "Scenes That Did Not Make It to the Final Cut"... I wonder where in the Seven Kingdoms are they 🤔 
House Of The Dragon - Episode 7: Driftmark
154 notes · View notes
aella-targaryen · 2 years
Text
"Cursed by the love that I received"
Tumblr media
"From my Brother's Daughter"
Tumblr media
"Mystery of Love" Sufjan Stevens.
112 notes · View notes
muadweeb · 2 years
Text
Tumblr media Tumblr media
father, son and holy spirit
85 notes · View notes
walled-flwr · 2 years
Text
Tumblr media
84 notes · View notes
daemyradiscord · 2 years
Photo
Tumblr media
This interaction between them tho....those little smiles
326 notes · View notes
carothehotmess · 2 years
Text
This episode does a great job of forcing the audience to face the fact that these are children.
The way the writers were actively showing that they are children who are grieving and trying to process the sadness and pain they feel. And each of them is processing it differently.
And then showing how grief can force you to latch onto certain ideas out of nostalgia, and that being one of the main causes of the fight between Baela and Rhaena and Aemond, and then how that escalated to involved Jace and Luke. The girls are so offended that Aemond claimed Vhaegar for many reasons, but mainly because that is their mother’s dragon. And it seems wrong for her to be ridden by anyone other than their family.
And then the shouting in the hall, the hiding behind their parents or grandparents, the insults and finger pointing, all just really depict children in a way that is a far more accurate portrayal than most shows, and is definitely more accurate than the books.
The moment that really made it clear to me that the writers actually knew how to write child characters was Aemond and his infamous quote. They had to include it- that quote is just too good and too damn accurate to his characterization to leave it out. But him just immediately spouting some random, wise-sounding phrase like that immediately after getting hurt isn’t something a kid would do either.
As someone who has spent a lot of time around kids in classrooms and babysitting, do you know what kids actually do? They shout and insult each other and blame other kids for their actions and cry and ask weirdly difficult, existential questions and grin and pout and hug you and randomly say things that sound like poetry. So having Aemond yelling and pointing fingers and crying and smirking and saying, “It was a fair trade. I might have lost an eye, but I gained a dragon,” and then immediately going to get comfort from his mom is just a very very accurate depiction of a child.
1K notes · View notes
arishatistic · 2 years
Photo
Tumblr media Tumblr media
Daemon and Rhaenyra: Fire on Fire
1K notes · View notes
duckpearyuki · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
DRIFTMARK 🌊
111 notes · View notes
amazonthese · 2 years
Text
This is my masterpiece
Tumblr media
120 notes · View notes
baelathebold · 2 years
Text
trying very hard to recognize the emotional significance of rhaenyra's dynamics with alicent, criston, and daemon but after she spent 10 years having full carnal knowledge of one man with whom she made & raised three children with all the love imaginable... idc
63 notes · View notes
filmreveries · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
“We will know the truth of it and our enemies won’t. They will fear what else we might be capable of.”
House of the Dragon, Ep. 7 ‘Driftmark’
61 notes · View notes