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365filmsbyauroranocte · 6 months
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Atlanta S01E01 "The Big Bang" (2016)
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anderwater · 1 year
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ATLANTA 4.09 “Andrew Wyeth, Alfred's World” – directed by Hiro Murai, cinematography by Christian Sprenger
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patrickerville · 9 months
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Probably the most profound and unifying minute of my life, atop Lakepoint Tower in Chicago on our scout in the fall of 2019, when for the first time in my life I saw as a showrunner how you could do anything.
What’s funny is almost nothing I say about how we’ll use this roof ends up being true in the story; in fact, we don’t even go to the roof, and for the sequence in the end we used the neighbors’ apartment. But the concept we needed was that Jeevan would get to a place where he could see in a different direction, not the lake. The idea is it would be this ice prison and impassable.
Then we really got up there, and it was this incredibly beautiful fall day, and I went over by Hiro and saw Chicago in the sun and it was one of the most beautiful things I’d ever seen. AND terrifying, given the height. And there he was with his camera, loving it.
Maybe what I learned more than anything that day was that the right people were up on that roof, and we were all the right kind of crazy.
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agustinrmichel · 1 year
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Donald Glover’s ‘Atlanta’ 🍑
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skeletonfumes · 1 year
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Atlanta (2016-2022) "It Was All a Dream"
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boardchairman-blog · 1 year
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**Shots of the Episode**
Atlanta (2016)
Season 4, Episode 10: “It Was All a Dream” (2022) Director: Hiro Murai Cinematographer: Christian Sprenger
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mehlsbells · 1 month
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If we love anything more than oners . . . okay it's split diopters and dolly zooms and incredibly tight rack focuses and intentional line crosses and texas switches and forced perspective and using bodies or vehicles as screen wipes
but also: fake oners!
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rickchung · 2 months
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Mr. & Mrs. Smith (prod. Francesca Sloane).
[Donald] Glover and [Maya] Erskine have a sparkling on-screen chemistry as a fake married couple playing pretend before things turn slowly turn real. This Mr. & Mrs. Smith stands on its own as a fun contemporary spy fantasy comedy series about the drama inherent in romantic relationships—even fake ones.
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laotree · 1 year
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Clean and weathered versions. This series was deep, I imagine an Atari version would be like Oregon Trail x Fallout, just going around the Wheel in a caravan, stopping for performances, bartering and fighting marauders. And then levels actually taking place in space in the graphic novel.
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thackerycinx · 1 year
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Atlanta Season 3 directed by Hiro Murai, Donald Glover, and Ibra Ake
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365filmsbyauroranocte · 6 months
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Atlanta S01E03 "Go for Broke" (2016)
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anderwater · 1 year
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“Andrew Wyeth. Alfred's World.”
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twiststreet · 2 years
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“It was interesting,” Bill Hader said, remembering when Murai first directed episodes of his HBO comedy, “Barry.” “I noticed differences in his lighting. We had the same DP, but he was very specific in the way he lit [scenes]. I had this weird thing: I didn’t want to see the source of the light in the shot, and he would actually have it in the shot. I always thought [that wouldn’t work.] But [seeing it,] I was like, ‘Actually, that looks pretty great.’”
Once you start looking for them, Murai’s lights are everywhere. They run along the walls of the stash house Hader’s reluctant assassin Barry Berkman raids in Season 1. They’re hanging ominously inside an empty grocery store in the “Station Eleven” premiere. And they’re all over “Atlanta,” from the pilot’s opening flash-forward, where long tube lights frame the liquor store parking lot, to the lone streetlamp on the fateful bridge that welcomes viewers back for Season 3. Diegetic lighting isn’t a trademark or a calling card or any sort of signature. But once you notice it, your eye starts to pick up what else is in the frame and why.
“We design a lot of scenes in ‘Atlanta’ around the idea of where the light is coming from in the room and how we block the actors around those light sources,” Sprenger said. “Perhaps a simple way of saying it is that you’re using a lot of practicals to light your scene, but ultimately the philosophy behind it is that it helps [the story] feel more grounded. [If] what’s happening is outlandish or larger than life, contrast that by grounding it in this very believable existence.”
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eccliesiastronaut · 2 years
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“Not all great things come from great pain. Sometimes it’s love. Not everything’s a sacrifice."
Atlanta (2016-), Season 2
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skeletonfumes · 1 year
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Atlanta (2016-2022) "It Was All a Dream"
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