I’m sorry but you all aren’t listening, lyctorhood itself is not the “indelible sin” and you can pry this theory from my cold dead hands, honestly, maybe not even then. TazMuir herself could not dissuade me until she explicitly tells me otherwise. My proof for this you ask? Pyrrha’s conversation with Varun in NtN chapter 9.
But let’s backtrack for a second. John has stated that the resurrection beasts are after him and the lyctors for committing the indelible sin of lyctorhood, and as such the lyctors can never return to the Dominican System for fear of drawing the RBs back to the Nine Houses. I’ve never believed this was true given the fact that John is always the greatest common denominator when it comes to the presence of an RB and there’s no mention of an RB going after a lone lyctor. Sure, lyctors have been killed fighting resurrection beasts but there’s a huge difference between being caught in the crossfire and starting a firefight. For me, Nona the Ninth only reinforced that what we’ve been told is the “indelible sin” is either John misunderstanding the RBs (doubtful) or lying for his own purposes (more likely).
In chapter 9 of NtN, Nona recounts the story of her disastrous beach trip and towards the end of this recitation Nona says that Pyrrha;
“…crossed to the taped-up window, bottle and glass in hand. To Nona’s awe, she twitched the blackout curtains aside—stood bathed in the hyper-blue light from the sky as Nona held her breath—and she said to the window, “Here’s to Camilla Hect, yet another of devotion’s casualties,” and knocked back the glass. Then she said to the light, quite gently, “No, I don’t blame you, man … He was always looking for things to throw himself on.”
Pyrrha stands in front of Nona, bathed in the light of Varun the Eater, and proceeds to have a conversation with it. We only get one side but based on the context of the last line, “No, I don’t blame you, man … He was always looking for things to throw himself on.” Varun seemingly apologizes to Pyrrha for killing G1deon. It’s proven later on in the book that Varun can speak to Nona, and while it could be argued that since G1deon is dead and his soul is gone the “indelible sin” has been undone this still begs the question; why would the punisher apologize to the sinner?
If Varun and the other RBs are hunting the lyctors to dole out justice for their sins why would they apologize for doing the very thing they sought to do unless that wasn’t their true intent. The “indelible sin” is not the consumption of another soul, it is the consumption of a specific soul. It is John taking Alecto into himself, not being able to house all of her and instead making an exchange. Housing a piece of her in him, and a piece of him in her. Splintering the soul of a great and terrible force into manageable parts. Which explains Varun’s ominous presence hanging over the planet in the first place.
If RBs are hunting Lyctors there are no lyctors on this planet. Palamedes has not consumed Camilla’s soul, G1deon is gone, Harrow is in the River, Gideon is thumbtacked to her dead body, the only soul of any significance to Varun is Nona. Later on in chapter 13 Varun, by way of Judith, says to Nona;
“…what they did to you and what they wrung from you and what shape they made you fill—we see you still—we seek you still—we murdered—we who murder—you inadvertent tool—you misused green thing—come back to us—take vengeance for us—we saw you—we see you—I see you.”
And in chapter 27,
“….what did he do to you, to make you this way.”
What did HE do to you!!! what did HE do to YOU!! To give John credit he doesn’t deserve he may not realize it himself but the RBs have been looking for Alecto this whole time. They don’t want the lyctors, they want what John stole, they want the piece of Alecto inside of him. Want to make her whole again, their misused green thing. She’s almost there. She has her piece back from harrow’s body, united with the piece of her hidden in the locked tomb. She only has 1 piece left to collect. And god knows what will happen when the green and breathing thing is whole once again.
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the third (and... maybe final?) niki shiina analysis
thats a lie there's a nonzero chance i'll do more <- i really like reading into his character
the focus of this is intended to be the foil relationship of niki and mayoi. this is something observable between all members of alkaloid and crazy:b, with clear distinctions between who is meant to be a foil/mirror of who: rinne and hiiro, kohaku and aira, himeru and tatsumi. while i would love to do a full in depth analysis of every member in this particular grouping, i've been avoiding any discussion of events that are out on jp but haven't been on en, if only because i want to experience the stories myself, which is why, for the time being, i'll be skipping the rest of the alkaloid and crazy:b units.
there's a second major factor as to why i'm focusing on niki and mayoi: they have the weakest link. that is to say, everyone else in the group has a clear connection in their pasts. niki and mayoi lack this. while you can extrapolate and make guesses (mayoi living in the basement of es and having a surprising amount of information in the building construction and hidden rooms; niki's father being kicked off the air in preference of idols; my conclusion here is that mayoi's parents probably run es and likely ran niki's off the air. is there proof? no. that's why i'm not counting it.), nothing for them is as explicitly stated as it is for the rest: rinne and hiiro through the nature of being brothers, kohaku and aira's childhood friendship online, whatever the hell is happening with himeru and tatsumi's complicated fucking relationship. niki and mayoi have... none of that. and arguably, that's a connection in and of itself, that they have no past in common, but given the care taken for the rest of the units it feels almost like an oversight.
no matter! i'm not here to discuss what ifs; i'm here to read far too much into the silly goofy character of what is otherwise an incredibly sad and tragic unit (despite their rather goofy construct) because i love him and need his depth to be at the front page rather than ostensibly passed over. enstars where's my niki shiina breakdow-
anyway. with that out of the way, let's start with the most basic parts! game design and character design. for game design, they also typically are in the same spot (spot 4 for the live mechanics), although i'm willing to ignore this due to the fact that kohaku and aira, as well as tatsumi and himeru, do not adhere to this particular criteria. niki and mayoi are the two characters within their unit that have long hair; niki's side ponytail and mayoi's side braid (hey where's the niki shiina hair down car-). interestingly, niki and mayoi's main hairstyles occupy opposite shoulders. while it's something that's easy to overlook, i'm counting it because it's something i think is also an easy way to put differences together, the same way color palette is. and for niki and mayoi, color palette isn't really a concern (the same dictates the rest of the crazy:b and alkaloid pairings, however), but niki's hair is more blue-toned, while mayoi's retains a level of red in his purple (shinobu's, for instance, is way cooler in tone).
but this is all superficial stuff. things you can simply observe. beyond the unspecified parents, where's the digging in way too much?
well.
crazy:b is a unit that is altogether kind of goofy, but the individual characters are by and large, tragic. niki shiina reads as an outlier to this specific set up.
alkaloid is a unit that is altogether serious down to their aesthetic, but the individual characters are largely kind of silly. mayoi ayase reads as an outlier to this specific set up.
as an author's note, right here in the middle of this analysis, i know both units are not so clear cut, and that you can see incredible amounts of angst and silliness in the characters i have decided not to focus on. why i am focusing on niki and mayoi is because of their decidedly obvious contrasting personalities to the larger construction of their unit. niki, more often than not, serves as the crazy:b character who has no indication of what is going on, not to mention how much his personality is driven by his own unspecified condition and his relation to food; mayoi is the alkaloid character who has such a clear indication of his tragedy, as opposed to hiiro and tatsumi, both of whom acknowledge it less, and aira, who does it moreso through inner monologues. i digress.
with both niki and mayoi serving as the contrasting element to their respective units, this does include that they are not always that contrasting element; think, whenever niki puts himself down or reads rinne like a book, or mayoi's clear serious relationship with teaching the other members of his unit.
another aspect that i think contributes to a foil relationship more than the mirroring is the opposite ways they talk about themselves and even moreso, how they think about themselves. niki, by and large, puts himself down as an idol; it's expected, especially since being an idol was never his intention (for fun and profit! and also rinne), so he tends to think of himself (frequently) as someone with less experience. while mayoi's full story (afaik) hasn't been touched on, he shows considerable knowledge to the background and teaching of idols (dropping notes in on unsuspecting juniors, teaching alkaloid the choreography throughout the main story, just to name some off the top of my head), even showing in some ways his mastery of the skills for being an idol. what mayoi lacks for in confidence of himself, he makes up for in being confident in his ability to guide others with advice and teaching. this places niki and mayoi in clear opposite corners of their idol positions. that being said, mayoi hardly does think himself an expert in the industry, but while niki recognizes himself as not being an idol expert, he does frequently call up his cooking expertise, something that cannot be overstated. just with these two skills you can see how niki and mayoi treat their own expertise: niki acknowledges his with frequency, mayoi tries to push people away from knowing his.
niki is a character that tries to stay silly on the surface. to be fair to crazy:b, rinne also attempts this. the difference is that rinne's silliness has been broken clearly before, notably in the main story for the game. niki's character, at the point that i'm writing this post, has not had such a break yet. another aspect of niki is he does try to stay as clueless as possible (try isn't quite the word i'm looking for; he seems genuinely uninterested in the politics of the idol world! this is something i count in contrast to his fellow unit members, as much of crazy:b is focused primarily on that political atmosphere). without such a drastic break, niki's character does read as one intending to be seen as a silly character.
mayoi's character, while being silly in his own over the top reactions to, well, everything (alkaloid and mayoi is bocchi the rock if btr was yaoi, but that's... that's a different post), is probably one i would argue meant to be taken much more seriously in alkaloid. for one, his character does frequently deal with intrusive thoughts, which imo makes his overall character feel more serious. another aspect of this matches him with tatsumi for overall being what i feel to be the more seriously read parts of the alkaloid unit, as tatsumi is shown to be levelheaded often; there are some clear breaks for this particular formula with tatsumi imo, for instance, both his driving and technology usage serve to lighten his character considerably. mayoi's character, i think, due to the heavy usage of self-deprecating language, is meant to be read much more seriously than he sometimes ends up being.
my conclusion is basically... well niki and mayoi occupy (what i think) is an interesting balance for the foil/mirror imagery of crazy:b and alkaloid. their unit structures and symbols, as well as intentions feed into this, as do their character pairs, but due to niki and mayoi's own (mostly) untouched connections, their place in the structure feels much harder to nail down. this doesn't mean it doesn't exist, but it does mean that i can (and more importantly) will tear into this gacha game like its a piece of literature.
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