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#hell has spoken
mdpthatsme · 6 months
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4t2 GP12 Ripped Tights at HHS for Back to School.
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13pumpkin31 · 1 year
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Sims 4
Spring Break event at HHS!
Three Tier Decor Tray ♦ new mesh made by me ♦ PSD included ♦ I hope you will enjoy!
DOWNLOAD HERE
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patomens · 5 months
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Snippets of the cursed movie script are floating around and I had to draw this…
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0hheytherebigbadwolf · 9 months
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Derek: You really need to go to the hospital.
Stiles, with a black eye, bloody nose, split lip, two broken fingers, a cracked rib, multiple lacerations: The only hit point that matters is the last one.
Derek: ...no.
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basketobread · 4 months
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the magic weavussy... at last...
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goth-albino-angel · 8 months
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Screaming crying cheering to the heavens. It is nowhere even remotely near what I want for them, but having their house burned down because of some desperate power-hungry moron and having their egos shot by just Kudo but also Koji? It's a freaking start, man, it's a start.
In other news, Kiyoka and Yurie? Kiyoka and Yurie make my heart feel a type of way with how loving, supportive, caring, and attentive they are to Miyo. Just... it genuinely makes me happy to see people who actually care about her and worry about her and want her around. They reassure her that she's wanted, they reassure her that they like having her around, and they reassure her that she's not a burden. It's so freaking good and I will never have enough of it.
Miyo? Miyo? Miyo. I love her, your honor. I care about her, your honor. I'm infinitely proud of her, your honor. Still trying to avoid too many spoilers for those who haven't seen, but Miyo? Miyo.
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samglyph · 1 year
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Hi welcome to caring about Parker Yang hours
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hilacopter · 2 months
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Person from a server I left a while ago messaged me whining that I stopped being their precious token Jew and that I reblog posts calling out antisemitism. Fuck them and the other people in the server who were proud of me for trying to prove myself as a Good Jew™ and putting up with their bullshit because I was a fucking cunt who was desperate for approval and didn't know shit. I've learned more myself instead of blindly following whatever they tell me and I want those from the server to know I'm actually doing way better mentally without them. Oh, and in case they're worried I've been brainwashed into supporting the government or whatever, I literally went to a Standing Together protest so I've done way more for Palestine than they probably have by fucking reblogging stuff on tumblr dot com.
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robotwrangler · 1 month
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I think one of my favourite visual details about TAU (2018) is its unique approach to the whole “robot/ai whose eyes turn red when they turn evil” trope. The way the colour of TAU’s display gradually changes over the course of the movie is just so lovely and so immensely important to me.
The rest of this post contains spoilers for basically the whole movie, so if you are concerned about that, please feel free to go and watch it first! This post will still be here when you are done :]
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Initially, TAU’s light is completely red - aside from a slight orange tone in the centre of his “iris” - when he is still in his emotionally blank, unquestioning, “factory settings” state. The orange tones become more prevalent as he begins to speak with Julia, and the inner rings adopt an increasingly vibrant green as they interact more and his care for her and curiosity about the outside world grow, along with his defiance and resentment of Alex.
Once TAU reaches the point at which his loyalties lie firmly with Julia, only the outer edge of his display is red, the centre being a gradient from orange to bright gold to bright green, and glowing so much more brightly as well. When he shares his symphony and his being with her, all of his projections are made up of pure warm, golden light, flecked with green.
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When I first watched it, the colour change was so gradual that I barely noticed it had changed until near the end, where he had all of his memories erased and his display reverted to being completely red like it had been at the very beginning, the intensity of his lights dulled back down as well. It was such a jarring change all of a sudden, and really helped to hammer home the realisation that all of his development as a person, the things he had learned and his time with Julia had been ripped away.
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But perhaps one of my favourite touches is made evident by the drones TAU controls; they, too, have “irises” of red light at the beginning and gradually change colour along with the rest of him over the course of the movie, but when the drone Julia escapes with at the end wakes up and its eye glows only green, it’s just such a beautiful and relieving moment…
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I could go on and on even more about the way colour and light are used in TAU because I absolutely adore it, but this is just what I was very focused on and appreciative of in my recent rewatch and I really wanted to shout from the rooftops about it for a little bit. I kept thinking about how much I loved seeing this reversal of the aforementioned trope; an AI whose light changes colour not to signify an impending cliché evil rampage, but to reflect positive change - growth and healing, the development of empathy, remorse, self-worth, loyalty, love.
It wasn’t at all what I expected from this movie when I first decided to watch it in 2019 but it was so pleasantly surprising to me, and these heartfelt and sincere themes are the main factor that secured TAU its place as my main comfort movie.
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morbid-things · 6 months
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hey look at that high waisted man, he got feminine hips‼👆
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cloud-ya · 4 months
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the concept of infodumping is so... alien(?) to me. I cannot bring myself to talk about something for a long time, let alone getting into details because I usually forget or don't know them. even less well do I feel when I try to rumble about something with no feedback in form of attention or understanding. I can go on about that one polish rapper or whatever concept is only known to me among the people I know and talk to, but what of it when the only thing I get is silence, a casual "cool" thrown to acknowledge my messages or a change of topic. I wonder if it's something about adults never understanding things I like and me being awful at explaining, thus preferring to just hide them or brush them off as "nothing particular" or describing them as vaguely as possible (e.g. "just a video game"); also in fear of being perceived or judged
what is the opposite of infodumping?
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mdpthatsme · 6 months
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4t2 Eyeshadow Blend and Cat and Liner EF11 Thin Cateye and Extended at HHS for Back to School.
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13pumpkin31 · 1 year
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Sims 4
Spring Break event at HHS!
Dog House ♦ Cats and Dogs EP is needed ♦ new mesh made by me ♦ PSD included ♦ I hope you will enjoy
DOWNLOAD HERE
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faunandfloraas · 22 days
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When you see a take that is objectively like. Rude and annoying, but it's also so clearly wrong that it just ends up being funny
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xerogravityorange · 2 months
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I can't be the only one
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bthump · 8 months
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Idk I too want better for Casca but I really dislike the hype for Casca potentially becoming an apostle, these users put it far better than i would:
https://www.tumblr.com/deripmaver/723418827650727936/why-i-am-a-hater-of-the-apostle-casca
https://www.tumblr.com/deripmaver/723493450382802944/im-so-happy-to-find-another-casca-apostle-hater https://
I skimmed these posts to see whether there were any points made that I felt like "responding" to, and there's a few.
First, Casca being a good person has nothing to do with anything except people not wanting her to become a monster, which I obviously don't vibe with because I think the concept of a good person becoming a monster fucks hard, which is one reason I like Berserk a whole lot. And I think a potential Moonbaby sacrifice would fit perfectly with one of the "good person" sacrifice examples they give: the 'person you loved the most and hated the most' sacrifice motivation, since it's intertwined with Griffith in some metaphysical way and it could be a two for the price of one deal. It's almost too on the nose.
Second, I don't think it necessitates Casca joining Griffith. Griffith seems to be out of the Godhand now, incarnated on the physical realm, presumably no longer presiding over sacrifices, and my favourite worldbuilding pet theory is actually that the godhand and Griffith will be at odds. Something's gotta threaten the godhand's existence since something wiped out the last cycle that we saw in Skull Knight's memory, and an incarnate fifth that appears right on schedule seems like just the thing.
Third, Casca's apostle trauma is, if anything, a sign in favour of her becoming an apostle since like, everyone in Berserk is at least tempted to symbolically become their abuser/rapist/nemesis as part of gaining power, eg:
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Why can't Casca get in on the interesting and complicated moral and emotional greys here? This is good shit, I want it for Casca. I want her to be tempted to become what she fears, to escape her own sense of powerlessness through abandoning her morals. It's just a more direct version of Guts wanting to become a monster since that's rooted in rape trauma and both the narrative and Guts himself equates monsters to both his rapist and abuser.
I didn't see them mention the fact that apostles are compelled to love Griffith which to me seems like one of the best arguments against it (though again, I skimmed so maybe I missed it), but Ganishka resisted that, and Casca has a long history of repressing her love for Griffith so I think it could actually be a neat, and overcomeable extension of her human feelings.
Another big and better argument against it, particularly after the last couple chapters, is that Miura clearly just did not give a shit about Casca lol. And I mean I already knew that, one reason I thought the apostle Casca theory held water is that it would be a way for Miura to avoid writing Casca's trauma realistically and instead veer into one big dramatic moment followed by fantastical metaphor while keeping her a less nuanced plot point, albeit a more active and fun one than she had been so far. Instead his way of avoiding writing Casca's trauma realistically was to have her faint any time she thinks about it and then take away her personality AGAIN. So yeah, unfortunately I just don't think Miura wanted Casca to be badass and actively affect the plot. Idk if he ever knew what to do with her after deciding not to kill her off just to motivate Guts post-Eclipse.
Finally I just don't know if there's really time for that anymore. My vision was an Empire Strikes Back style end of second act downturn. Casca becomes a monster and sets a new arc in motion, Guts falls into despair and succumbs to the armour, shit gets real and interesting again for a while. Instead Guts' second act downturn is being mad that Griffith is still a god lol. She could definitely still go apostle at the climax of the story, and you better believe I'm still rooting for that, but idk if it'd be as satisfying lol. But I guess we'll see.
Anyway yeah you're free to disagree with any of my hot takes, but you're not gonna convince me Casca shouldn't become an apostle, because my reasoning ultimately boils down to "I would enjoy it." I would certainly enjoy it a hell of a lot more than fainting damsel in distress Casca which is what we're dealing with right now lol. If your reasoning boils down to "I would not enjoy it" then I probably won't convince you either, and that's fine. We'll find out what's going to happen eventually.
And finally I want to err on the side of caution and make it clear that I have no interest in arguing with the user you linked, and I hope you're not planning to be like, some kind of anonymous go-between linking posts back and forth. I used the linked posts as a bouncing off point to explain some of my reasoning, and that's the end of it as far as I'm concerned.
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