Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.
I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.
Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?
How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"
And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.
So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.
So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.
And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.
-
And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.
Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.
And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.
So you sail away in a boat together.
And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.
But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.
But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.
You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.
And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-
-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.
You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.
-
And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.
It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.
And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.
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Okay i have yet to see a post about this that isnt filled with ppl being Annoying as Fuck on it, but,
theyve found wreckage of the submersible, it imploded (thank god, thats better than a drawn out suffocation over the course of several days, implosion means it was pretty much instantaneous) and the us navy have revealed they heard a weird sound on sunday from about where communication with the sub was lost, that was probably the sound of the implosion, [implied that they didnt say anything cos they didnt want to jump to conclusions without evidence of a wreckage, if there was a chance they were still alive.] no idea what the banging sounds were.
I do hope rescue efforts are extended to the migrants off the coast of greece, and am angry and horrified at their mistreatment, and that the media clearly cares less for their fates than that of the billionaires on the sub.
also, while i have you here,
The difference between a submersible and a submarine is not that one is safer. The titan was a submersible that was unsafe, but that is not because it was a submersible.
A submarine (or sub) is a watercraft capable of independent operation underwater.
A submersible is a watercraft designed to operate underwater, usually supported by a nearby surface vessel, platform, shore team or sometimes a larger submarine.
submarines generally dont go as deep as our deepest submersibles, but some can be down there for months at a time bc it is like. a self sufficient Ship. not all submersibles can go crazy deep, but to my knowledge, the only crewed vessels that can go that deep, are submersibles. (Alvin, deepsea challenger, limiting factor, trieste, fendouzhe or "striver").
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I care what u think abt Tim's solo!!! tell us your thoughts!!!
fbdhsa okok. long so adding a read more lol. spoilers for tim drake robin ig?
Well, I was pretty disappointed with issue one. And pretty much the first arc as a whole I suppose? It felt a bit too forced in the Coming Of Age esc arc that was happening. I know Tim's like a doubtful person, and throughout Robin he questions himself a lot and wonders if he's good enough to be Bruce's sidekick, but the writing felt so stiff here. Not all of it was bad but some of it was very hand holding and idk. Imposter syndrome is real as hell, but lines like "It is my story.Not Bruce's. Not Dick's. Not Jason's. Or Damian's," was a bit cringe. And I think the whole arc kinda portrayed an air of dependence between Tim and Robin and Batman (however, putting a pin in this, I do think the last issue helped this.)
I also do not think the first few issues did Bernard justice lol. Or really Dc as a whole did not do him justice. Having them 6 months into a practically unseen relationship with Tim doubting if they're boyfriends or not was kinda hhhhhh to me. I feel like they didn't give us a ton to work with, so it both felt slow and fast. I also think the dive into who Bernard is was slow and still isn't fully fleshed out. Post the first arc, I enjoyed the issue about Bernard and his family. I know some ppl disliked it bc having an issue about a character they barely care for can be boring, but I thought it was fun and showed some more of why we should care about the guy. Though the pacing was super weird lol. In gen, I think Bernard is kinda lacking still and his relationship with Tim is his main feature (which i do not think is a good feature in any relationship portrayal), but I'm hoping he sticks around and is developed more.
I did overall like Tim and Bernard's relationship. I think it's sweet they go on lots of dates and stuff. And I think the last issues with Tim worrying about Bernard and Bernard worrying about Tim was sweet. The comic was really relationship heavy, and it would have been nice to focus some more on Tim with his family or friends or even being on his own, but I blame the length of the comic more than anything tbh. There were sections of 90s Robin where it spent a lot of time on him and his gf, and then would be broken up by switching focus onto his personal life or working with Bruce. I don't think this comic had what the 90s run had which is time. Everything will feel a bit rushed or like bases weren't touched if there isn't enough run time, so I don't completely blame the writing for that.
The main part I liked was the ending. Cause I really did not enjoy the first arc, I wasn't expecting much after. But I think the ending was alright for what came before it. I was VERY happy to see Tim mention that he didn't want to be Batman, or even Robin, as opposed to the first issue as well as generally what Dc editors seem to believe right now. I think the vibe of "Tim always wanted to be Robin and he hates when other ppl are Robin" is god awful and a fundamental lack of understanding of his entire character. So I was happy to see it shut down at least a little. I didn't love the entire portrayal of Tim in the series, I think Dc writers make Tim kinda,,, whiny nowadays lol (topic for another day), but I don't think it was horrible. I don't love the writer, and her work on YJ:DC was actually dog shit, but this series had some alright moments, and in some ways, I think it's a shame it's over. I would have preferred a name and writer change but. it is what it is.
OH AND one last piece since name was brought up, for the love of fuck, let this guy graduate from Robin. Any other name, I would take Drake over Robin rn. He is not Robin anymore, oh my god, embarrassing as hell. Let Damian be Robin please. If they give Tim another solo, I hope it's longer and under a new name.
TLDR: idk like a 6/10
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