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#generation los fanart
putkbum · 1 year
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pick up the phone...
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doodlingwren · 3 months
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Thanks to my trustworthy Saint Seiya memes dealer @floaromaxtowns
Bonus:
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Original image under the cut:
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elquiu · 1 year
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happy RD day yall
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Do you know who they are or are you uncultured?
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paletteturtle · 6 months
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A Pokémon and Dia De Los Muertos art combo for October. Also, in honor of Hispanic Heritage Month.
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leook-art · 2 years
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*emoción in lesbians*
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mewymarsher · 2 years
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Zelda game with motion controls my beloved.
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snayos-necessities · 5 months
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Hay tantos fanarts hermosos de Basil y Ratigan aquí; a veces los veo mucho, pero olvidó rebloguearlos. Quisiera darle amor a todos pero lo olvido.
Si eres artista del fandom, solo quiero decirte que hacer un excelente trabajo, sigue así 🥺💖
*If you are a TGMD artist, I just want to say that you are making a excellent job* 🥺💖
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moogghost · 1 year
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i love funny snake guy (hasn't drawn him in several months)
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bloobluebloo · 8 days
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I was just reminiscing on how hard this fandom was shilling for a complex Ganondorf for the wilds era, and this wasn't even confined to niche parts of the fandom. Every time there was a hint that Ganondorf might be involved in some way, the fandom went wild with speculation. It's like people these days, when defending TotK's poor handling of Ganondorf's writing, forget that a complex Ganondorf, or at least a Ganondorf that had a bit more character depth than a puddle on sidewalk, was something *everyone* wanted. Most people were not content with an "evil for the sake of being evil" Ganondorf.
When the first trailer and images of BotW dropped, a lot of people saw the cloth around Link's forearms and noticed the patterning there. Many thought it was similar to Gerudo patterning. Lo and behold people began speculating that Link may have a close relationship with the Gerudo, and perhaps with Ganondorf him. Cue all the theories and fanart and fanfic of Link and Ganondorf growing up together, being close friends, knowing each other, before Ganondorf's turn to darkness. Okay so as BotW's release approaches we learn about Calamity Ganon and then we see this mysterious old man. He seems pretty large in stature and is dark skinned. Cue the second wave of rumor mills that this may be Ganondorf. Perhaps a weary old washed up soul, or perhaps a manipulation tactic while his real form, the calamity, keeps Zelda trapped inside the castle. The tapestry with the red haired hero. This one causes a big wave of rumors that perhaps the past hero was a Gerudo, maybe an iteration of Ganondorf.
The first trailer for TotK drops, we see the murals, Ganondorf's corpse, what looks like a horrifying vision of how he ended up here. Rehydrated Ganondorf starts trending. People are wild with speculations of who he was. Many link him to the hero on the tapestry. Most speculation about Ganondorf now is what sort of horrendous thing happened to him that he would end up here, and less about how evil he must have been to end up here. The official "rehydrated Ganondorf" art drops. Everyone sees his design, how he seems more heroic in this art piece. Again, people are still speculating on how complex this Ganondorf might be, between what we have seen thus far. Many note he is not smirking in this art as he usually is, perhaps a hint that his character this time might be different. And we have reached TotK Ganondorf, with the most generic evil villain writing we have seen of him yet. Ganondorf is a big appeal of the LoZ games. He deserves more than just being hot.
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hardly-an-escape · 21 days
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what's in a name? | Dream/Hob | 9300 words | rated E
this is my submission for @designtheendless's 3K commission giveaway: a Dreamling fic based on their fanart above!
tags: alternate universe - human, photographer Hob Gadling, artist Dream of the Endless | Morpheus, model Dream of the Endless | Morpheus, strangers to lovers, snowed in, only one bed, light dom/sub, oral sex, face fucking, anal fingering, anal sex, anonymous sex, Dream of the Endless is a horny little weasel, and Hob is no less of a horny little weasel, brief Princess Bride references, alcohol consumption, impulsive decision making, callous disregard for the geography of northern California, they go from 0-60 because they’re both nuts, neither of them are in a great place but they do make each other better rather than worse
Hob is on an ill-fated road trip through California. He’s making his way slowly down the coast toward Los Angeles when, trapped by a snowstorm in a small town near Mount Shasta, he meets a mysterious stranger in a diner. They share a night of anonymous passion – but when the sun rises, Hob finds that he can’t just leave the stranger behind…
this story developed partially from Picture Perfect, one of my Fluffbruary 2024 fills. I also incorporated some of designtheendless's other suggested image prompts, so do make sure you check their original post! and thank you so much for extending the deadline, it meant I had time to get my CHBB fic submitted before pivoting to finish this... and even so I'm still barely getting it done in time just because of who I am as a person :D
Hob leans forward over the steering wheel, brows furrowed as he peers through the driving snow at the street ahead. The windshield wipers are going like mad; he’s seen a plow or two out, but they seem to barely be making a dent, so traffic has slowed to a crawl. Which is, frankly, for the best, since the weather is bad enough that only a true nutter would be out in it at all.
Well… nobody’s ever accused Hob of being sane.
His GPS instructs him to take the next right and informs him that his destination will then be on his right. He can just make out the neon sign through the thick flakes: Townhouse Motel. “Vacancy,” it says below the old-timey script, blinking on and off. In the distance, the sun is just beginning to settle behind some mountains that he’s sure would be beautiful if they weren’t hidden behind such inclement weather.
He pulls in the driveway. The lot is nearly empty, so he parks right next to the office door and jams his winter cap on his head before hurrying through the flurries.
The bored teenager behind the front desk barely looks up from the reality show playing on her tablet as she runs Hob’s credit card and gives him his door key – an actual, physical key. Room 1389. He decides it’s not worth it to ask why the room number has four digits when the motel has maybe a dozen rooms total.
He does ask if there’s somewhere nearby to get a bite to eat and a drink.
“There’s a diner across the street and down a block,” the teenager says, “but they don’t serve booze.” Then, finally looking up, perhaps seeing the bags under his eyes and his generally downtrodden demeanor, she relents. “There’s a liquor store about two blocks past that. You can bring stuff back to your room, I guess. It’s not like anybody is going to ask questions around here.”
That, Hob thinks as he heads back outside and moves his rental car a little closer to his door, is obvious. There’s a general air of neglect clinging to the motel, and indeed to the whole street, from what he can see: the buildings are a little more weatherbeaten than can be plausibly explained by a cute vintage aesthetic, and at least one storefront seems to be permanently boarded up. The recession has clearly hit Northern California just as hard as it has the rest of the United States.
What a time to be playing tourist. What a time to be – well, he won’t think about that right now.
His room is clean, at least. Someone, at some point in time, has made a half-hearted attempt to decorate it with a seaside theme. The bedlinens are various shades of blue, rather than your typical beigey-white. There’s an unfortunate painting of a mermaid hanging over the outdated television, and a slightly less unfortunate painting of a lighthouse above the bed. The bathroom wallpaper has little seashells on it.
Hob leaves his camera bag on the desk and his duffel on the end of the bed, grabs his wallet, turns his collar up against the cold, and heads back out into the snowy evening.
The diner is, as promised, only a short walk down the street, but Hob is shivering by the time he gets there. The wind cuts right through him – silly British man that he is, he thought California would be warm, even in winter. He hadn’t really reckoned with unpredictable mountain weather, or with the cold front that was chasing him down through the southern end of the Cascades. The weatherman on the radio had been calling it “freakish.”
A little bell tinkles merrily when he pushes open the door. A waitress calls out a greeting, tells him to sit wherever he likes and she’ll be right with him. There’s only one other person in the diner, a slender man dressed all in black who is hunched over a cup of coffee at the counter. He glances up and immediately back down as Hob stomps the snow off his boots and takes an empty booth far enough away from the front door that he won’t feel the rush of cold air if anyone else comes in.
The waitress bustles over, bringing him a cup of coffee without even asking. Hob wraps his fingers around it gratefully. He doesn’t normally drink coffee this late, but it’s been the kind of day that calls for it: so cold, so uncomfortable and distressing, that the sturdy ceramic mug is exactly what he wants. The bitter note of slightly burnt coffee is tempered by the cheap, artificially flavored vanilla creamer he only ever uses at this kind of greasy spoon diner. He breathes deep and feels something inside him start to thaw.
When the waitress comes back with a menu, he warms up even more. She is middle-aged and comfortable, nice and no-nonsense, the sort of person with an indeterminate American accent who could have come from anywhere: Illinois, or Florida, or five minutes down the road. She recommends the olive burger with fries, and a side of fried pickles, because they’re the best in the county, and then her excitement simply bubbles over.
“I’m just so darn tickled to have two Brits here in the same night!” she enthuses. “Oh gosh, is that okay? Can I call you Brits or is that rude?”
“No, no, it’s fine!” Hob laughs. “Two of us, eh? That is a coincidence.”
“I know, right? Okay hon, lemme just get your order in and I’ll be back to warm up your coffee in a sec.”
She bustles away again, and Hob looks curiously at the man at the counter. He must have heard her comment, but he hasn’t turned around, or indeed acknowledged Hob in any way since he came in. He shrugs mentally and turns away to look out the window at the thickly swirling snow. It’s dark enough now that streetlights have come on, casting cones of light in which the flakes dance like a very slow sodium-tinted tornado.
He wishes he had a book. Or a crossword puzzle, or one of those packets of crayons they give to kids at restaurants. Something to keep his hands occupied and his mind off of everything that was threatening to consume it, off of the last few days, off of her –
Then the man from the counter slides into the booth across from him.
“Hello,” Hob says.
“Hello,” the stranger says. His voice is surprisingly deep and resonant, coming from his slim frame, and he looks to be in his late twenties, perhaps a few years younger than Hob. He is very pale. His dark hair is sticking up rather wildly and his eyes are a cold, clear blue that reminds Hob of the way the sky had looked this morning, before the clouds had descended.
“Who are you, then? Aside from a fellow Brit?” asks Hob.
“No one of consequence.” He’s lugging around a small backpack, which now rests on the bench beside him.
“I must know,” Hob says in a very bad Inigo Montoya accent.
“Get used to disappointment,” the stranger says with a smirk, and Hob laughs.
“Oh, we’re going to get along just fine,” he says, holding his hand out across the table. “My name’s Hob, yes that’s my real name, and yes, it is a long story.”
The stranger shakes his hand briefly. His palm is warm from cupping his coffee cup, but the tips of his fingers are cold. “Pleased to meet you, Hob.”
“And do you have a name, stranger?”
“I do. Several, in fact.”
“Any of them for public consumption?”
The stranger shrugs. “Will you forgive me if I maintain a certain level of mystery?”
Hob shrugs too. “That’s your lookout, mate. No skin off my nose.”
They chat. About the weather, and how odd it is, and how different to England. About books – the stranger appears to be a voracious reader, and Hob had loaded up an old iPod with audiobooks in preparation for a lot of driving, which sparks a lively debate on the merits of printed books vs reading aloud. In the midst of this, Hob’s food arrives, and he is derailed momentarily from the conversation by an overwhelming need to unhinge his jaw and stuff as many chips into his gob as humanly possible. The stranger watches in amusement.
“Hungry?” he asks.
“Yeah,” Hob says, muffled by his burger. “Been driving pretty much all day and I didn’t really want to stop, so…”
He’s suddenly self-conscious, very aware that the man sitting across from him is slender and willowy and dressed all in black, and that he himself is very much… not that. Dressed for comfort and warmth in slightly baggy jeans and a flannel shirt and his puffy jacket balled up on the bench beside him. But the stranger seems unbothered, simply smiling slightly and snagging a fried pickle off the plate between them, which Hob had invited him to share moments after it had arrived.
They are good; crispy and salty and uniquely American. Hob is certainly prepared to believe they’re the best in the county.
“So are you staying here in town, or is that shrouded in mystery as well?” he asks, once he’s slowed down a bit.
“I’ve been staying in a cabin up the mountain, a little way out of town. With my family.” He said the word family as though it is faintly dirty. “One of my siblings thought it would be good for us to get away together. But I have found it… trying.”
“Up the mountain, eh? Are you going to be able to get back in this?”
Hob tips his head toward the window. It is very dark now, and the snow is falling more thickly and wildly than ever. A crease appears between the stranger’s eyebrows.
“To be honest, I had not thought that far ahead.”
“Do you have much experience driving in the snow?”
To Hob’s surprise, the stranger actually blushes, just a gentle stain of pink across his cheekbones. “I… walked.”
“You walked?”
The waitress, stopping by the table to warm up their coffees, echos Hob’s surprise.
“Oh, honey,” she says. “In this? How are you fixing to get home?”
“I was planning to walk back,” the stranger says with some asperity. “But I admit I was not anticipating this kind of weather.”
“Let me check on the roads for you,” the waitress says kindly. “Which cabin did you say you’re at? My brother-in-law lives up that way, I’ll give him a call. I’m sure we can find you a ride.”
She goes back behind the counter and picks up the phone.
“I’m happy to give you a ride,” Hob says quietly. “If she thinks it’s safe.”
“You do not have to do that.”
“‘S okay. I want to.”
“Bill? It’s Jan. I have a question for you,” says the waitress.
Hob realizes, suddenly and with some surprise, that it is quite true, that he is not just being polite: he does want to help this mysterious stranger, who talks like a 19th-century Byronic hero and dresses like a college goth. His stomach is doing the tiniest little swoop every time they make eye contact, and he doesn’t want it to stop.
The waitress calls over to him.
“You got four wheel drive, hon?”
Hob thinks about the little Honda Civic in the motel parking lot. Thinks about mountain roads and snow. Shakes his head no.
Scraps of the waitress’s conversation float across the diner and Hob takes another bite of his burger.
“– well they’re foreign, Bill, they don’t –”
He snickers just a little; can’t help himself, really, because the waitress is just so kind and helpful and also clearly more than a little bit befuddled by their presence in her diner. These two Brits, total strangers, so unalike one another – and yet here they are, sharing a booth and a plate of fried pickles, five thousand miles and change away from home. He exchanges a look of camaraderie with the stranger and eats some more chips. They’re good too.
“– and tomorrow? What’s the overnight –”
After another minute or two the waitress thanks her brother-in-law and hangs up the phone. Her face is serious when she comes back to their table.
“Well, boys,” she says, “I don’t think anyone is going anywhere tonight. Bill says it’s pretty bad up there, and only getting worse. The plows aren’t even going out yet on account of the snow’s still coming down so hard, it doesn’t make sense to try and clear anything. You going to be able to find a place to stay?” she asks the stranger.
He looks at Hob. “Did you mention a motel?”
“Yeah, the Townhouse?” Hob says, and the waitress nods along. “I don’t know for sure if there are rooms available, but it didn’t look like the parking was full.”
“Probably not, this time of year,” interjects the waitress. “It’s a fine place, and Paulie can certainly use the business. I’ll bring your checks by in a minute, guys.”
She leaves them again. Her sensible sneakers squeak against the floor tiles as she walks.
“Thank you again for your offer of a ride,” the stranger says quietly. “That was very kind of you.”
“Course. I’m just sorry you won’t be able to get home tonight,” Hob says.
“It is my own fault. I should not have behaved so impulsively. But my siblings…” The man frowns. “As I said, they can be difficult. I would have done something regrettable, had I remained in the house.”
Hob waves a hand. “Ah, it happens to the best of us. Especially around family. You should hear some of the fights I’ve had with my sister, we can scream the paint off the walls when we get going.”
“Indeed,” the man says darkly.
“I’m glad you did come to town, though. It’s been kind of nice,” Hob says tentatively. “Having someone to talk to tonight.”
“Indeed,” his stranger repeats. But this time one corner of his mouth lifts in a tiny smile. “It seems to have worked out in my favor.”
Hob smiles back. “So, are you really not going to tell me your name?”
“Where’s the fun in that?”
“Fun, eh?” Hob glances down at his own hands, folded on the table, back at the stranger. “Is that what this is?”
The stranger smirks. He leans forward and plucks another fried pickle from the plate. He opens his mouth, sticking out his tongue just a little bit farther than necessary to pop the slice into his mouth. He chews, and smirks some more, and gives Hob an unmistakable up-and-down appraising glance, and underneath the table he presses one ankle against Hob’s instep.
Oh. Hob feels a surprising but not unfamiliar spike of arousal in his gut. So that’s where this is heading – has been heading, since he pushed open the door and the stranger had glanced up at him. Had he blushed, when his eyes met Hob’s? Or is he applying more detail to that brief interaction after the fact, now that he thinks he knows what his stranger is thinking?
And when had the man become his stranger?
“I see,” he says, and presses back against the bony ankle under the table.
Ten minutes later, they’ve settled their bills – his stranger had apparently eaten a club sandwich before Hob had arrived, and he’s weirdly relieved that the man has consumed something more substantial than coffee this evening – and are gearing up to head back into the cold. Hob is zipping up his coat when he realizes the other man appears to have only a thick black hoodie and a knit beanie (also black, of course). He glances out the window, where it’s still snowing pretty hard, and raises an eyebrow.
“You going to be okay in just that?”
“You said it is only a couple of blocks? I will be fine. I tend not to feel the cold. And,” he adds defensively, “when I originally walked down the weather was not quite so… inclement.”
“If you say so,” Hob says as he opens the door. The waitress calls out a good night and he waves to her over his stranger’s shoulder. Wonders, just for a moment, what she thinks of the fact that they’re leaving together, or if she will ever think of them again at all. They step out into the snowy evening. “The girl at the motel said there’s a liquor store down the street. Mind detouring there? I was thinking of picking up some whiskey, or something. Something to keep a man warm.”
The man chuckles and they head down the street. It’s not until they’re away from the diner windows that he takes Hob by the elbow and gently draws him just outside the circle of a street lamp.
“Surely,” he says, voice low, stepping into Hob’s space, “there are many ways for a man to… keep warm.”
And he kisses him.
His lips are warm and dry, a little chapped. It’s a simple kiss, a chaste one, just their lips touching and the barest pressure of the stranger’s belly and chest pressed against Hob’s, swathed in layers of winter gear. It lasts for a heartbeat, two, and then the man steps back with a hum of satisfaction.
“Oh?” says Hob, giddily. “It’s like that, is it?”
“Obviously,” responds his stranger.
“Well, I don’t know, mate,” says Hob as they make their way down the street. He resists the urge to link their arms together. “Maybe you play footsie with every guy you meet in random diners in Northern California.”
“Perhaps.”
The liquor store is a brief respite from the wind and the snow. Hob selects a mid-range bottle of whiskey and they trudge back to his motel room. The snowflakes and the streetlights and the swirling wind make everything feel more than a little bit surreal, like something out of a dream or a fairy tale. The two of them could be adventurers, explorers, wading through an arctic wasteland in search of shelter. The mountain looms behind them, dark and mysterious, like a great castle or some monstrous beast.
“Do you mind if I take a shower?” asks his stranger, kicking off his boots dropping his backpack by the desk. “I’m afraid I did get rather sweaty, hiking down earlier. I wouldn’t mind cleaning up.” His gaze, beneath his long eyelashes, feels heavy and significant.
“Go right ahead.” Hob gestures toward the bathroom. “I’m just going to nip down to the lobby and get a bit of ice.” He retrieves the ice bucket from the desk, brushing close to his stranger as he does. The brief contact jolts him back to the real world. They’re not in the arctic waste; this handsome, ethereal man is here, in his motel room. He is pulling off his somewhat sodden hoodie and draping it over the back of the chair, and sniffing dubiously at the sweater he wears underneath it. He is real.
Hob waits until he hears the shower turn on to slip out the door.
Although he has his moments of cluelessness, Hob is not a stupid man. He knows where this is going. He recognizes the signs, the coy little dance they’ve been doing around each other for the past two hours, and no, he’s not a stupid man, but if he were a better one he might be able to resist the temptation of falling into bed with a beautiful stranger who won’t even share his name.
But there’s something about this man. Hob wants him. Already can’t resist him. Wants to wrap him up and keep him warm and kiss his collarbones and, yes, wants to fuck him, wants to feel him shudder and moan and wants to watch his cheeks flush and his head fall back in ecstasy. He hasn’t felt like this for a long, long time, and now it’s come out of nowhere to slam into him and hook into his gut, this wanting.
He throws a few scoops of ice from the machine in the motel lobby into the bucket and goes back to the room.
He’s kicked off his boots, unwrapped one of the shitty plastic cups, and poured himself a couple fingers of whiskey by the time he hears the shower shut off. There’s the usual shuffling noise of towels, a brief blast of the cheap hair dryer mounted to the wall. Then the door opens and the stranger emerges, and Hob is slammed from the real world right back into a surreal dream.
The man is even more beautiful without his clothes on: Hob would compare him to an elf or a fairy prince, but he’s too busy choking slightly on the spit that’s suddenly flooding his mouth at the sight of long, slim limbs, a narrow waist, and a temptingly well-defined Adonis belt that disappears under the cheap motel towel wound around his hips.
There’s a long moment of silent eye contact. Hob’s leaning up against the desk, cup cradled in one hand. His face heats as he watches his stranger’s eyes travel slowly down the length of his body and back up, pursing his lips slightly. His mouth is very pink, with the kind of full bottom lip that’s made for nibbling on, and the rest of his skin is as pale and smooth as… well, as snow, with just a touch of redness from the heat of the shower spreading across his chest.
Hob downs half of his whiskey without even thinking about it. He can’t look away. He can’t think, can’t even blink. He’s afraid that if he does, this vision will disappear and it’ll just be him, alone, a saddish man alone in a motel room with a bottle of booze and a bag of expensive camera equipment, and then who knows what will happen?
His stranger gives him one of those tiny half-smiles, suggestive, not quite a leer, and stalks across the room toward him.
He widens his legs and his stranger steps in to stand between his feet. He takes Hob’s drink out of his hand and tosses back the last swallow of whiskey before setting the plastic cup aside. Then he hooks one finger into the collar of Hob’s flannel shirt and pulls him into a kiss. His mouth is a study in contrasts: warm from the whiskey and cool from the ice, soft tongue and sharp teeth. They sink briefly, gently, into Hob’s bottom lip, and Hob pulls the man close against his chest and returns the favor.
The kiss is turning wet and messy when the man pulls back far enough to start fumbling with Hob’s shirt buttons. He’s pulled the tails of the shirt out of Hob’s jeans and has it about halfway unbuttoned when a phone starts ringing.
It’s not the room phone – it’s coming from a pocket of the man’s backpack.
“Ignore it,” he mumbles into Hob’s neck. “We are busy.”
The phone rings three times; four times. The stranger has finished with Hob’s shirt and is pulling the tee beneath it out of the waistband of his jeans by the time it finally stops.
His fingers are toying with Hob’s belt buckle and ghosting over the seam of his fly when it rings again.
The stranger groans audibly.
“Do you think,” Hob says with the carefully deliberate cadence of the very turned on, “that your family might be worried about you?”
“I do not care,” his stranger grumbles, and sinks gracefully to his knees.
Eventually the phone stops ringing again.
He’s worked Hob’s belt and fly open and is nuzzling into the opening of his jeans, nosing at the base of Hob’s cock through his underwear and Hob is panting, his stranger’s hot breath so close to where Hob wants him most – when the phone rings a third time.
“Oh, for fuck’s sake,” snarls the stranger, and stands.
He fishes a slightly battered-looking BlackBerry out of an outside pocket of his backpack and stabs at the call answer button.
“What.”
He turns away, so all Hob can see is the furious, stiff line of his stranger’s back. He can’t hear the other half of the conversation, and he doesn’t think he wants to; every fibre of the man’s body radiates anger and discomfort and perhaps a little bit of shame. Hob adjusts himself discreetly, rezips his jeans, and tiptoes over to sit down on the edge of the bed.
“Obviously I am alive. I am fine.” A pause. “I took a walk.” Another pause. “Yes. Yes, I know what time it is. No, I am assured that the roads were too bad to make it back to the cabin. I am in a motel room in…” He looks over to Hob. “What is the name of this place?”
Hob supplies the name of the motel, and that of the town as well, just for good measure. The man relays the information into the phone. There is another long pause.
“That is none of your business. Shut up. You have no idea what you’re talking about. And if you speak to me like that again I will hang up the phone.”
There is another, longer pause, during which the stranger’s face grows progressively redder. He is very deliberately not looking at Hob.
“No. I said no. I will arrange for my own transportation in the morning. I –”
The person on the other end of the phone must say something truly outrageous, because his strangers eyes bug out in a way that looks almost uncomfortable.
“Do the entirety of the known universe a favor and crawl back into whatever slime hole you emerged from and leave me alone,” he hisses. “Goodbye.”
Hob can’t quite muffle a snort at this crowning line. Siblings.
His stranger hangs up the phone with a vicious jab of a button and slams it down on the desk; then seems to reconsider, retrieves it, and shuts it off entirely before throwing it into his backpack. He sighs, a surprisingly tired sound.
“I will have another drink, if you don’t mind,” he says. “And then I would like it very much if you would fuck me. Please.”
Hob’s cock, which had been feeling distinctly neglected, gives a twitch.
“I think that can be arranged,” he says. “Are you –”
The stranger waves a dismissive hand. “I am quite sober enough to have sex with you. And I could easily afford my own room, if that’s a concern. I am here because I want to be.”
“Glad to hear it, but that actually isn’t what I was going to ask,” Hob says mildly.
“Oh,” the man says. A faint blush rises on his cheekbones. He scoops up the whiskey bottle and uncorks it, taking an unceremonious swig. The towel hangs dangerously low around his hips. “What were you going to ask?”
His stranger pauses with the whiskey bottle against his lips. Hob watches the long line of his neck work once, twice, as he swallows, and figures he may as well put his cards on the table.
“I was going to ask if latex condoms are okay. For when I fuck you into the mattress in a minute here.”
The man clears his throat. “Oh,” he says again. “Yes. Latex is fine.”
“Good. Anything you don’t like? Hard boundaries?”
He pauses. “I do not enjoy being choked. Or having my hands restrained in any way. But I like… I like it a little bit rough. It feels good. To be used.”
Hob leans back on one elbow. “Is that what you want me to do? Use you?”
“Yes.”
The word drops into the quiet room like a handful of snow might drop off a tree branch – soft and muffled and sending the same delicious shiver down Hob’s spine.
“I can do that.” Oh, yes. Hob can use this beautiful man, if he is offering himself up to be used. “C’mere, then.”
His stranger walks slowly across the room to where Hob is half-reclining on the bed, feet still planted on the floor. He kneels between Hob’s legs and runs his hands slowly up and down his thighs from knee to hip. “And you?” he asks. “Your boundaries?”
Hob considers. “I’m with you on choking, not a fan,” he says. “I’m not big on pain, generally, but I can give it to other people, if they need it.”
“Alright.” His hands are still rubbing up and down Hob’s thighs, a slow, hypnotizing rhythm. When he speaks again his voice is thick. “Would you consider the preliminary negotiations to be concluded now?”
“Don’t you have anything better to do with your mouth than spout off like a horny nineteenth century robber baron?” Hob counters.
His stranger smiles, a proper smile that crinkles the corners of his blue eyes, and unzips the fly of Hob’s jeans.
In short order he’s pulled them open and pushed Hob’s boxers down just enough that he can get his cock out. He’s not quite hard, not yet, but he gets there quickly between his stranger’s gentle, surprisingly soft hands and the way he immediately buries his nose in Hob’s pubic hair and breathes deeply as he looks up through his eyelashes.
Then he opens his mouth, and wraps his tongue around the head of Hob’s cock, and Hob’s brain makes a noise like radio static.
Oh, he is good at this. Unfairly good. Supernaturally good. He teases Hob for long, long minutes, working up and down his shaft with light touches of just his lips and tongue, ducking down now and then to mouth gently at his balls, until Hob is twitching and swearing and straining, perched on the edge of the bed. When he finally has mercy and takes Hob’s cock fully into his mouth, it is barely a relief. He is so wet, so hot, and he sinks down on Hob with no resistance, no trace of a gag reflex. Before he can stop himself, Hob’s hips jerk forward that final fraction, and suddenly his stranger’s nose is brushing his pubic bone and his throat is contracting around the head of Hob’s cock.
He’s expecting the man to pull back, to splutter in indignation, but instead he makes an encouraging noise and squeezes Hob’s thigh before folding his hands almost primly in his lap.
“Fuck,” Hob mutters. He makes an experimental shallow thrust into the tight, wet heat of his stranger’s mouth. “Really?”
His stranger can’t nod, not with Hob’s prick in his mouth, but he moans. Hob feels it vibrate all along the length of his shaft and has to stifle a whimper of his own. He sinks one hand into the soft riot of the man’s hair, still a little damp from the shower, and cradles the back of his skull. The bone feels sweet and finely formed in his hand.
“You want me to fuck your pretty face?” he asks, soft and just a tiny bit mean. “Yeah? That’s what your mouth is good for, isn’t it?”
He thrusts again, in and out, and the stranger’s eyes roll back a little in his head, so he does it again, and again. Soon he really is fucking his face, not too hard but deep, fingers tightening in his stranger’s hair as his eyes fall nearly shut, narrowing to crystalline blue crescents.
Hob pulls back briefly to let his stranger breathe. Runs his thumb along his bottom lip, dripping with spit, before he pushes back in. He doesn’t stop until he can feel the first tendrils of orgasm beckoning to him; but as tempting as it is to keep going, to empty himself into this perfect mouth, he’s made a promise. And Hob is a man of his word, so he pulls the man off his cock by the scruff of his neck. He makes an obscene noise as he goes, and another thing string of saliva dribbles from his puffy mouth. His eyes are slightly glassy as he looks up at Hob.
“Get up on the bed, baby,” Hob orders gently.
When the man stands up the towel is just barely clinging to his narrow hips, and his erection is stiff and straining against the terrycloth. He’s so hard, Hob thinks wonderingly, just from having Hob’s cock in his mouth for a few minutes, and his own prick throbs in sympathy.
“Hands and knees,” Hob says, and the man crawls up on the bed. The towel falls away as he goes, languid but obedient, so that he’s entirely naked when Hob positions himself behind him. The contrast between Hob’s clothes and the other man’s nudity is delicious – Hob’s rough denim against the man’s soft thighs, Hob’s hairy wrists poking out from worn flannel as he runs his fingernails along sharply elegant shoulder blades.
He allows himself one long, gentle caress, from the nape of his stranger’s neck down to the shallow dimples in the small of his back, before he grabs at the man’s buttocks and unceremoniously spreads him open.
His hole looks surprisingly loose and relaxed already. Hob runs the pad of one thumb over it.
“Were you prepping yourself in the shower?” he asks, delighted. He presses gently and the furl of muscle gives, just a little, pink and fluttering.
“Hng,” says his stranger, shuddering. “Yes. I thought – I thought about your hands. Oh. I liked the thought that you were just outside the door. While I had my fingers inside myself.”
“Impatient little minx,” Hob says fondly. He kisses one of the lovely knobs of his stranger’s spine and pinches his backside for good measure before pulling away. “Stay here.”
He has to dig down to the bottom of his duffel bag in order to find the box of condoms and the little travel sized bottle of lube. He’d felt a little self-conscious when he’d packed them back in his flat in London – like he was presuming something – but then again he had been preparing for a supposedly romantic road trip with his girlfriend.
He’s glad, now, that he has them.
His stranger has remained on his knees, pitched forward to rest on his elbows, face pressed into a pillow and cock hanging heavy between his legs.
“Good boy,” Hob praises, and runs his hand along the man’s flank. “Beautiful. Oh, darling, I’m going to make you feel so good. And then you’re going to make me feel so good, aren’t you? You already have,” Hob coos, drizzling lube directly onto his arsehole. “And I know you’re going to keep being a good boy for me, aren’t you?”
Before the man can answer, Hob slips a finger inside him, right up to the first knuckle. He’s rewarded with a whimper and the feeling of his stranger pushing back against him, silently begging for more.
And then not so silently. “More,” moans the stranger. “Fuck. More, please.”
Hob strokes his finger in and out, petting the velvet inside his stranger.
“Don’t worry,” he says. “You’ll get more.”
He tries to spend as much time torturing his stranger with his fingers as his stranger had spent torturing him with his mouth, but by the second finger he finds his resolve dissolving like so many snowflakes on warm skin. The man is making such wanton sounds, and his knees skid wider and wider on the slippery motel bedspread, opening him inexorably to Hob’s hungry eyes and questing hands.
“Oh. Oh,” he says. “Oh, yes, fuck,” he moans. No more well-crafted phrases or erudite words; the only thing dropping from that perfect mouth are noises, guttural and breathy by turns, only half-muffled by the pillow his face is smashed into.
“Please,” he begs, “please, in me, I – please, I need –”
Hob obliges.
He’s pretty sure he’s never been harder in his life as he shoves his jeans down around his thighs and rolls the condom on. He has to do it one-handed, clumsily, because some frantic corner of his brain is convinced that if he lets go of the stranger’s hip then the man will disappear, between one blink and the next, and this whole night will turn out to have been some snowblind fever dream.
But his stranger stays where Hob has put him, desperate and writhing, begging for Hob’s cock, and when he finally pins the man down to the mattress and pushes into him, that first hard thrust is enough to silence both of them.
The room is utterly still for a heartbeat, and then another, and then one more, until Hob pulls out in order to thrust in again and his stranger wails and then Hob is fucking into him in earnest, fucking him hard, until the sound of their skin slapping together almost drowns out the sounds his stranger is making beneath him.
Almost.
His stranger moans and pants, and Hob answers him, thrust for thrust and moan for moan, Yes and Ah and Christ and Fuck, fuck me, use me, yes. He grips his stranger by the hips, so hard that his fingers leave little white divots behind when he shifts his grip, so hard that he worries he might leave bruises, and still the man pushes back against him and begs for more.
He comes, when he finally comes, untouched, rutting gracelessly against the mattress. Hob stills, grits his teeth, not wanting to overwhelm the other man as he seizes in pleasure, but his stranger continues to move against him, if anything even more desperate, even in the throes of orgasm.
“Don’t stop,” he gasps, “don’t, oh God, fuck me through it, don’t stop –”
So Hob hauls him up and pushes him down, one hand on his waist and one shoving his chest down into the mattress as the man’s hands scrabble at the sheets and he sobs and Hob pistons into him until he empties himself, until his prick is oversensitive and his stranger is twitching around and beneath him, and the room is finally quiet.
Then Hob takes the condom off, knots it and tosses it towards the wastebasket. He rolls them both away from the wet spot with only middling success, but he’s too tired to care. He shucks the rest of his clothes off. He is boneless and spent, and his stranger is inserting himself relentlessly into Hob’s personal space. They lie there for a long, long moment, sweaty and panting, until their breathing starts to even out and the desperate closeness has receded into normal cuddling. Hob presses a kiss to his stranger’s sweaty temple and marvels at his luck.
“I realize I neglected to ask you why you find yourself in Northern California,” his stranger says, tucked against Hob’s side, voice drowsy and hoarse. “Do you care to share?”
“It’s a long story,” Hob says. “I was – well, I am – on a road trip. With my, ah. With my girlfriend. Well. Ex-girlfriend, now. Actually.”
His stranger tenses slightly, and Hob doesn’t blame him; he knows how it must sound. “It sounds like there is a story there?” the man says, almost tentative.
“Yeah, we… we came over together, about two weeks ago. We flew into Seattle, were planning this whole big trip, right down the coast and all the way to Los Angeles. See the redwoods, do some wine tastings, the whole bit. I’m a photographer, I was thinking I could turn the whole trip into a photo essay, maybe even a book.” He sighs. “Then she heard about this yoga retreat, ashram sort of place. Bit culty, I don’t really go in for all that, but she absolutely had to check it out, so we did. Two days later, out of the blue, she tells me our chakras are misaligned and gives me the boot. Turns out Guru Todd Thingummy, who ran the retreat center, was very aligned with her chakras. As well as other, less… metaphysical things.”
There’s a sound from the vicinity of Hob’s armpit that he realizes with delight is a snort. The snort blossoms into a chuckle, and then his stranger is laughing, a frankly horrible honking sort of laugh, shaking in Hob’s arms with it, and Hob laughs along.
“I’m sorry,” his stranger gasps. “I shouldn’t – I shouldn’t laugh at you. It’s just… Guru Todd.”
“I know!” Hob snickers. “You can picture him, right? White boy dreadlocks and a fucking… shell necklace. Utter tosser.”
“I feel like I’ve probably met someone almost exactly like him, truly.” Eventually his stranger’s horrible laugh subsides. He shifts against Hob, playing idly with his chest hair, curling it around one finger. “In a way, I am also escaping a recent ex. She was the first person I dated after some… difficult experiences I had about a year ago. But in the end I was far more invested in the relationship than she, and she became. Uncomfortable. With my ardor.”
“She’s a bloody idiot then,” Hob says automatically, and his stranger looks up, startled.
“Do you think so?”
Hob briefly considers backpedaling. Don’t come off like a madman, he thinks to himself. Not when he’s finally talking to you. But there’s no hope for him. “Well, yeah. I mean, I’d say your ardor is my favorite thing about you so far.” He lets one hand drift down and gives his stranger’s arse a cheeky squeeze, and is rewarded with a squeak and another snort.
“You are kind to say so,” the man says, and interrupts himself with a yawn.
“It’s true. I… I’m really glad I met you,” Hob says honestly. Too honestly. He can’t help himself; the man is just so beautiful, mouth kissed red and limbs loose, fucked out and soft everywhere he’d been hard and prickly before.
Hob still doesn’t know his name.
“I’m glad I met you, too,” the man says softly.
Hob snuggles them both down into the lumpy motel pillows and pulls the blanket up firmly around their shoulders. The wind blows outside, he reaches up to switch off the lamp, and they fall asleep.
He wakes in the night and stumbles to the bathroom to take a piss. When he comes back, his stranger has starfished out and is taking up a full two-thirds of the bed, sleeping like a stone. Hob manages to reinsert himself into the remaining third and then simply lies there for a long few minutes, looking at the other man.
The skies must have cleared, at least a little, because there’s a few strips of moonlight filtering through the blinds. The pale light turns his stranger into marble, a work of art; he practically glows against the blue sheets. Hob’s fingers itch for his camera.
“You’re going to fuck me up,” he whispers. “I’m going to wake up next to you and never want to leave, and it’s going to fuck me up so bad.”
The sleeping man does not respond, of course; doesn’t even stir. Hob lies there, and gazes at him, until he slips back into sleep himself.
When he wakes again it’s fully morning. The sun is that peculiar thin shade of blue that you get on very cold mornings, but when Hob peeks out the window, the sky is clear and the snowplows have clearly been out making the rounds. He tries to tamp down a sudden feeling of disappointment.
He gets a drink of water, and when he returns to bed his stranger is stirring. First one blue eye opens, then the other.
“Morning,” Hob says.
The man hums and stretches luxuriously, rolling from his belly to his back. The sheets fall down around his hips, revealing one elegant hipbone and a tempting glimpse of dark curls. His pale skin practically glows against the blue sheets in the morning light.
“Enjoying the view?” his stranger asks, and his voice is rough with sleep and slightly hoarse.
“You could say that,” Hob says. He puts one knee on the bed, reaches out to run a hand lightly down the long, lean line of the man’s thigh. “God, you’re… you are so beautiful.”
“Come here to me,” the man says, beckoning to Hob.
Hob ducks his head and kisses up the ladder of the man’s ribs, takes one pert nipple gently between his teeth.
“Can I take your picture?” he says suddenly. “Not in a creepy way. I can even keep your face out of it if you like, I just… there’s something about you, in this light.”
“I don’t mind,” the man says.
Hob’s heart leaps.
A few minutes later, he’s gotten his camera out and adjusted. The room is so quiet, so still, that each click of the shutter sounds almost sacrilegious. He shoots in black and white. He thinks the sheets will show dark, almost black, and the man’s skin will show light and luminous against them. His stranger poses like a dream, languid and biddable, moving here and there on the bed, wherever Hob arranges him.
“You’ve done this before,” Hob accuses. He’s kneeling above the other man, shooting straight down, and his stranger has one arm thrown over his face so only one eye is visible. “Posed, I mean. You know how to move for a camera.”
“I have,” the stranger admits. “Mostly for life drawing classes, though I imagine the principle is more or less the same.”
“Incredible. Are you an artist, then?”
“I suppose.”
Hob tugs the sheet a little lower, so that it’s just barely covering the stranger’s prick, which has plumped up a little – whether from the attention of Hob himself or of the camera, he’s not sure, but it’s one of the sexiest things Hob’s ever seen. The neat patch of dark hair blending into the dark sheet. The gentle swell beneath it. His mouth waters.
“You suppose?”
“I find it difficult to call myself an artist. To claim that title. But I make art. If that is the same thing.”
“Hmm. I reckon so.”
Hob pulls the sheet another fraction of an inch lower. He can feel himself getting distracted. The itch he’d felt to photograph the beautiful stranger, now mostly satisfied, has transformed into an altogether different kind of impulse. He takes one more shot, barely paying attention to the framing. Catches himself licking his lips.
“Hob.”
“Yeah?”
“Put the camera down.”
He hastens to obey.
He’d pulled his boxers back on at some point last night, but they do little to hide his arousal as he slides under the sheets and slots himself in behind his stranger, rubbing his nose in the riotous bedhead and kissing his neck as the man tilts his head to one side to give him better access.
“I like how you say my name,” Hob murmurs. He grinds against his stranger’s narrow arse and reaches around to make a loose fist around his hardening cock. “You’re really not going to tell me yours, are you?”
“Mine?”
“Your name.”
“I –” The man’s breath hitches as Hob tightens his grip, stroking slowly up and down. “I haven’t – decided yet.”
“Well,” Hob says against the smooth skin between his ear and his shoulder. “Let me know what you decide.”
They writhe together under the sheets for a few minutes, until they’re both fully hard, until Hob’s chest is slightly tacky with sweat where it’s rubbing against the stranger’s sharp shoulder blades. He’s grunting, underwear pulled down, making quick little thrusts in the crease of the other man’s thigh, sticky and warm and so good.
“Fuck me again,” his stranger says. “Please.”
“Don’t be a madman,” Hob chides. “You’ll be so sore.”
But he doesn’t say no. And he slides a finger between the man’s arse cheeks and pets over his hole, still a little loose from the night before.
The stranger twists his neck around to look Hob in the eye. “I don’t care. I want you,” he says. “I want to feel it.”
And Hob tries his best to be a good person, he really does, but when confronted with this bald-faced desire he is only, after all, a man. So he mumbles Fuck, okay, yeah, okay against his stranger’s shoulder, and tears himself away to retrieve the lube and a condom. He fingers him open, as slowly and as carefully as he can bring himself to do it, and rolls the condom on, and he fucks him again. Face to face, this time; one knee hooked over his elbow, and long arms clinging to him like a drowning man, and panting, open-mouthed kisses that are as much simply breathing the other’s breath as they are real kisses.
The stranger comes first, his beautiful face screwed up in ecstasy, and Hob follows him over the edge mere seconds later.
The other man falls back into a doze almost immediately, drifting off as soon as Hob has disposed of the condom and wiped them down with a handful of tissues, but Hob is buzzing with too much energy to lie back down. He cleans himself up, splashing water on his face and brushing his teeth quickly, before dressing quietly and creeping down to the motel lobby to look for breakfast.
There’s a coffee machine, a few muffins – prepackaged, not fresh – and a rather sad fruit bowl with some mealy-looking apples. He assembles what he can and shoves some creamers and sugar packets in his jacket pocket. He asks the bored teenager at the front desk (a different one than the night before, although bearing a distinct family resemblance) about the weather report, and learns that although it’s supposed to stay cold, no more precipitation is in the forecast. Then he goes back to the room.
His stranger stirs again at the rush of cold air when Hob lets himself back into the room.
“I come bearing provisions,” he says, setting the coffees on the bedside table and dropping the rest of his meager bounty in the man’s lap.
“Foraging for our survival?” he asks dryly.
“Something like that. It’s slim pickings out there, I’m afraid. But hey –” he picks up a muffin and wiggles it “– chocolate chip!”
His stranger snorts and mutters something about being spoiled.
Hob is very careful not to say anything about how he’d like to spoil this man very much, actually, for the foreseeable future and possibly beyond that, because Hob has so longed for someone to care for, and because this man so obviously needs it. Hob eats his muffin, and very carefully does not say anything reckless or emotional.
They finish their motel snacks, and drink their coffees (Hob’s with a little creamer and one sugar; the stranger’s with no cream and an absurd amount of sugar). And eventually Hob broaches the subject that’s obviously hovering between them.
“So,” he says. “What do you want to do now? I’m still up to give you a ride to your cabin, if that’s what you want. The roads are supposed to be cleared by now.”
“I suppose I should,” the stranger says, fiddling with his styrofoam cup, not meeting Hob’s eyes. “I did tell my sibling that I would return in the morning.”
“Okay.” Hob clears his throat. “Alright then. Whenever you’re ready.”
It takes them another hour to leave the room. Hob showers, and then his stranger decides he needs to rinse off as well, and then there’s a frustrating search for car keys that turn out to have been kicked or dropped halfway under a bedside table at some point the night before.
Then the stranger stops Hob in the doorway with a hand on his elbow and kisses him, long and slow and wordless, before they step out into the brilliant snowy sparkle of the late morning.
The drive is very quiet. The stranger directs Hob out of town and along a rather steep road that winds up the thickly forested mountainside. It’s certainly not a road that Hob would have wanted to drive in last night’s weather, and even with clear skies and plowed roads he takes it slow, acutely aware of the grip of the rental car’s tires on the snowy highway.
Only one time does the stranger wince and shift uncomfortably when Hob cannot avoid a bump in the road. Hob smiles, and swallows his smile, and deliberately wrenches his mind away from the vivid memories of just why his stranger might be wincing and shifting uncomfortably in his seat.
His stranger is silent, except for when he briefly tells Hob when and where to turn. The farther they drive up the mountain, the stiffer he becomes, until he’s gripping the seat with white knuckles and his mouth is one firm line.
Hob doesn’t think it’s the wintry roads that are making him so tense.
They pull over, eventually, at the base of a long driveway. Through the trees Hob can see a large house – not really a cabin by any stretch of the imagination, but built of logs, and with a wisp of woodsmoke floating up from a picturesque brick chimney. They both gaze up at it through the trees. Hob puts the car in park but doesn’t turn it off.
“Well, here we are,” he says.
“Indeed,” his stranger says, and his voice sounds tense and slightly strangled. “Thank you.”
“Of course.”
Hob waits for him to open the door and walk away.
The man does not move.
A minute stretches by, and another, and another, and still his stranger has not opened the car door.
Hob dares to hope.
“Come with me,” he says suddenly.
His stranger looks up, startled.
“I mean it. Come with me. Go get your stuff and we’ll just. Drive away. Go down the coast, find somewhere it’s actually warm. Or don’t even get your stuff,” he adds hurriedly, aware that his voice is sounding increasingly unhinged. “Say the word and I’ll just turn the car around. We’ll go. Anywhere you want, just… come with me.”
The man looks at Hob with an unreadable expression for a long moment. “You know nothing about me,” he says finally.
“I know I like you. A lot,” Hob says. “I know last night was one of the best nights I’ve had in a long time, maybe one of the best nights of my whole life. I know I’d regret it if I didn’t at least ask. So, I’m asking. Come with me.”
“I haven’t even told you my name,” says his stranger. “I could be a serial killer.”
“You could be, yeah. But I don’t think you are. I think… I think you just want someone to want you.” Hob reaches across the gear shift and briefly touches his stranger on the cheek. The man’s eyes flutter closed and Hob doesn’t think he’s imagining the way he leans ever-so-slightly into the gentle touch before he looks down. “I want you.”
There’s another long silence, punctuated only by an occasional call from the chickadees flitting through the trees.
“My name is Morpheus,” he says to his hands, clenched in his lap. “But some people call me Dream. People – people close to me. Call me Dream.”
Hob smiles. “Can I call you Dream, then?”
Dream nods. “Let’s go,” he says. Hob’s smile widens.
“Want to get anything from inside?” he asks.
“No. I think not,” Dream says. All of a sudden it’s like the tight strings of his body are loosened: he leans back in his seat, crosses his ankles, looking relaxed for the first time since they’d gotten out of bed. He lolls his head to one side and peeks at Hob and his face looks fey and happy in the afternoon light. “I believe I have everything I need for now.”
Happiness wells up in Hob’s chest, a rushing feeling like a mountain spring swollen by melting snow. He puts the car in gear and reaches over to take Dream’s hand.
“Right then,” he says. “Let’s go.”
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sarcasticscribbles · 7 months
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I made a curious cat and people been asking about my designs so I thought I would share it here too If you have any question too you can send it here or over on curious cat!
Under cut is a very long monologue about some design choices regarding my s1 gang, Gerry and some avatars!
S1: Jon, Martin, Sasha and Tim
Right off the bat I'll admit I had seen TMA fanart before, but I assumed it was a game from how consistent designs are (Jon and Martin); however when I started I avoided fanart (but I am not immune to TMA fanon designs). I'll explain S1 gang, they are my favourites. I find fcs helpful to keep them consistence.
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Jon: I have a basic Jon design: short, brown man with long hair and glasses. Jon has a put together façade but, he wasn't qualified for the archivist position, and he doesn't know what he's doing. Therefore, I like him with longer hair he can't care for, therefore messy. It gets longer with the seasons and adding on all the marks he gains from the entities. I gave him half-moon, golden glasses with chains holding two eyes. I like to think it's a Beholding artefact, so Gertrude wore them before him. I used to have Dev Patel as a reference for him, but I've switched over to Riz Ahmed!
Martin: Very basic: fat man with fluffy hair and glasses. When I heard his voice, I thought of Harvey Guillén, who stayed a reference for Martin's body. I pictured him in a dorky attire; round glasses, ginger, comfy yet business appropriate clothing. I added eyes in the pattern of his jumper and added freckles. I've recently play around adding a beard, because I think he wants to look older than he is (re: CV; "I'm only 29!") but haven't found a style I like. I keep him fat throughout the series, instead of him losing weight s4.
Sasha: She has some canon traits: tall, long hair and glasses. I draw her hair up to stay out of her face. Contra Jon, I think she was more qualified for the archivist position, so Gertrude started preparing her for the role. She wears an eye necklace I draw Gertrude wearing that's in the same style as Jon's glasses. She has a matching bracelet with Tim and overall is one of my favourites. (notSasha): I took what was established and flipped it; short, short hair, no glasses. I imagine notthem could pass as cousins (since they still need traits to the victim's family?); no immediate resemblance but with a few traits of the original.
Tim: Canonically described as hot so I have my own bias. I started with general attractive traits: tall and fit. I think he puts a lot into his appearance. I use Keanu Reeves as a reference, and he works great for him. He’s a hair guy, gets it professionally cut and owns expensive products, skincare routine and dresses in fitted clothing. His standard is a shirt with an eye pattern. He takes pride in his appearance, so S2’s worm scars troubled him. He stops shaving to let it heal properly but they never go away. He never liked looking at them and they are a cruel reminder of the past (however, one scar splits his eyebrow to x2 bisexuality). S3 he stopped caring about putting in effort, the stubble grew into a beard and his clothes aren't fitted. He loses muscles, gains weight, and isn’t who he was in S1.
Gerard Keay
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I had just assumed Eric was hispanic (for some reason) and then I connected that he's Gerry's dad, and apparently I headcanon him half hispanic lol
But it was why I wanted to draw the Mama family portrait to play with genetics. Letting his dad be rather tall, tan with dark curly hair and Mary be ginger with paler skin; Gerry's pale, ginger with curly hair as a child. He grew up looking like Mary and started altering his appearance to be more like his dad; dyed dark hair and taking some of Eric's clothing (I also gave both a beauty mark under their eye he'll highlight despite wearing make up). Alternative scenes and goths tend to straighten their hair but I let Gerry have naturally wavy to still resemble his dad more. I tried to give him trad goth make up, mainly looking at Siouxsie Sioux in the late 70s. And a fun bonus to have his hair often cover one eye because, The Eye
Gerry cared for his dad, even if he died when he was a toddler (if I remember correctly). Gerry's chosen name is the nickname Eric referred to him as, which is also where my trans headcanon comes in (afab). I haven't thought it out fully, or how that reflects on other characters since everyone else calls him Gerard but I think there's some symbolising there having a chosen name relating back to Eric
(some) Avatars
Oliver Banks: "the Egyptians believed the most significant thing you could do in your life was die,"; I take inspiration from Ancient Egypt for my Oliver design! He wears an Ankh around his neck, but I want to look into more about Egyptian death symbolism (he has a cross too, but I'll probably remove it for future designs). I've also taken some inspiration from Nordic mythology, with Hel (Hela In English? Loki's daughter (not Marvel) ) as half his face is beautiful, and the other is a corpse (skull). I don't wanna mix too many cultures just for the sake of it, but it was a really fun design decision. And he's goth. Bonus death aligned I next time I draw Georgie I'll draw inspiration from the Death's-head hawkmoth
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The Distortions: Michael's 60s and Helen's 80s inspired, no reason, just vibes. I like to think of Michael as a spiral while Helen's a twist, if that makes sense, I've been meaning to draw them together to demonstrate, but I'll include a doodle of it
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Jane Prentiss: I looked into a lot of paganism, and fell into a rabbit hole. She's described as a modern witch, so I wanted a subtle alternative look with a shaved side and gauges. One of her breasts are exposed because (boobs) in old pagan traditions a lot of rituals were performed nude, to be closer to nature. A lot of pagan art has a very strong feminine force, I want for Prentiss. She has one eye, but I'll probably remove the other too, I've seen a lot of people do for more holes
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Nikola Orsinov: Drag king. Because we need more of those. I love drag so Nikola's has a mix of both male and female attributes since he's just trying to imitate a human. Their design is also inspired The Toy Soldier in the mechanisms (haven't listened? To it but a lot of people pointed me to that designing Nikola!) that's also her actor Jessica Law! I put all my gender into Nikola lol, and when I can sneak an IT reference in I will
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Breekon and Hope: Wario and Waluigi
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Annabelle Cane: She's described having web keeping her skull together, but for some reason I imagined it to be down her neck. So I pictured her head occasionally falling off and being restored by a web. So I gave her both lol. Her vintage style is old, goth Hollywood glam to me and I love looking at reference for her
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Bonus Agnes: I haven't drawn her fully, but I wanna take inspiration from Scandinavian culture, think Midsommar (both the movie and the tradition) and maybe Norse paganism. I love Agnes story and how it's only told by other people, and her relationship with Gertrude is so interesting!
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actiwitch · 4 months
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pop-culture tags to block as a pagan
(not that anything is inherently wrong with these fandoms!!!! this is just to avoid seeing these fandom's content under searches and tags about your gods if you so choose)
HELLENIC:
#lore olympus / #rachel smyth / #lo / #lo hades / #lo persephone / #lo apollo / #lo artemis / #lo demeter / #hadestown / #hadestown fanart / #hadestown the musical / #the sandman / #the sandman netflix / #dc / #morpheus x reader / #stray gods / #percy jackson / #pjo
NORSE:
#mcu / #marvel / #marvel cinematic universe / #marvel studios / #mcu loki / #loki mcu / #mcu thor / #thor mcu / #loki x reader / #thor x reader / #loki x thor / #thorki / #lokius / #loki series / #tom hiddleston / #god of war / #gow
EGYPTIAN:
#ennead manhwa / #seth ennead / #ennead seth / #ennead fanart / #seven seas entertainment
GENERAL/MISC/OTHER:
#record of ragnarok / #ror / #snv / #shuumatsu no valkyrie / #yaoi / #bl / #boy love
let me know any additions below! this is certainly not comprehensive.
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elbiotipo · 9 months
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Si Tumblr o el internet en general supiera castellano y las canciones de Soda y Cerati estarían todos absolutamente locos. Todos los fanfics con referencias a Entre Caníbales, gifs con "Ella usó mi cabeza (...) Como un revólver", fanart del video de Crimen, sería inescapable.
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artkaninchenbau · 3 months
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Acabo de descubrir tu arte de Croc adoptando a Robin...
JAJAJA AYUDA, ES TAN ADORABLE!!!!!
DIOS MÍO, LOS HICISTE PRECIOSOS!!!
LOS AMO, TE BESO LAS MANOS
Robin, dulce niña, ella se ve adorable<3
Me pregunto si las cosas siguen como en el canon y Cross Guild llega a ser una cosa, Crocky tendría fotos de Robin en su billetera que mostraría en momentos random, o sería del tipo que se sienta a charlar con Mihawk sobre sus hijos y les envía paquetes con cosas de forma ocasional?
Robin aún conservaría ese viejo peluche de robin en el canon??
Google Translate save me (I'm sorry I don't know Spanish 😭)
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Thank you so much for the kind words 😭❤️ I'm so glad my silly fanart has brought so many people so much joy, thank you
Generally speaking because I am trying to keep this as an art-only blog nowadays I would prefer to keep the in-depth convos on my ridiculous sideblog @moongothic, but in short... I feel like this AU could diverge so much from canon the further you go in the timeline that it'd be hard to say where things would go and how. Like IDK if Cross Guild would happen or if Robin would even end up with the Strawhats to begin with. There's so many moving pieces here.
Generally speaking though Crocodile dislikes showing weakness to people and letting people know he has a weak-spot (like someone he cares about) would be dangerous, so I don't think he'd let anyone ever find out he was fond of Robin. "Little Miss Sunday" was just his sweet little secretary/assistant, nothing more (to everyone else). If Robin was able to keep that plushie and didn't lose it, then yes. I could imagine her still having it as an adult. 'Cause it might be the first toy anybody ever gifted her (in her memory).
But please, if anybody has any more questions about the AU, please redirect them to my sideblog! 👍✨
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genericpuff · 1 year
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Did you hear about the "do not trace or use my work" update RS has on... I think her Twitter? @hestia-is-ace-pass-it-on knows more about this. I'm just wondering if this is going to affect Lore Rekindled at all since your series is an AU thing?? (I hope not cause I really like Lore Rekindled).
lmao yeah I heard about that, frankly I'm not worried, it's not going to affect Rekindled in the slightest as far as I'm concerned because even the panels that are sourced from S1 LO (like the Persephone looking up at Hades one, the Cerberus one, etc.) are still redrawn by my own hand from the bottom up, I don't directly trace them and I'm not copy + pasting them from LO and just calling it a day. Not to mention (and IDK if Rachel realizes this or not) those kinds of "please don't trace/use my art" warnings are more for people who trace/rip art and pass it off as their own, i.e. deliberate theft. Lore Rekindled is advertised as a fanfic/foe fic/AU project with proper credit given to Smythe and disclaimers that Lore Rekindled is not affiliated with Smythe beyond the original idea and art style that it's aiming to mimic - she can't copyright an art style, the Greek myth inspirations, or the brushes that are used, and there's nothing she can do about people making AU comics.
If she theoretically wanted to put her foot down on Rekindled, she'd have to go after the entirety of the fanfic/fanart community 😂 She has next to no ground to go after any derivative or fan projects inspired by her work, not unless they directly try to impersonate her and/or make a profit with the Lore Olympus name/branding/etc. (hence why there isn't a Patreon for Rekindled). Even the direct edit accounts themselves don't try to pass themselves off as LO or Smythe, they always show the original panel and make it clear in their bio descriptions that the accounts themselves are for LO which is easily sourced as not belonging to them.
One could argue that it's generally bad taste on the grounds of it being rude to edit other people's work, and yeah, that's valid. It casts the presumption that there's something "wrong" with how an artist wants to express themselves and that the edit makes it "better". But, for starters, we all know why these edits exist because LO has gone down in quality and people are having their own fun time trying to restore that original vibe in tribute to Rachel's original version of LO; second, it would be a lot more heinous IMO if LO were still some small series being made by a nobody, but ... it isn't, it's a massive commercial product within its industry and fanwork/foework is par for the course with commercial products; and third, there still isn't any sort of legal ground for Rachel to stand on because those accounts still aren't pretending to be her or her work, if anything they may as well be advertising it.
Plus, a lot of those edit accounts are more like redraw accounts, so many of them may as well be DTIYS prompts rather than direct edits (that's not a bad thing, just a statement of fact) save for a few accounts that deliberately try to mimic the old LO style as much as possible when editing new panels. Those kinds of stylized redraws are legit just fanart.
For many of these accounts, a lot of it's still work they're doing themselves and they're not trying to pass off their edits as legitimate LO products. No one's ripping these panels and re-posting them and going "look what I drew today!" (ex. Love's Divinity did this and a lot of people rightfully called the creator out on it, thankfully it seems like they've learned and moved on from copying directly from LO and other webtoons) they're going "hey, so this is what the webcomic looks like now, and here's what it looks like in my style" or "hey, this is what the webcomic looks like now, but here's what it would possibly look like if it still looked like S1 LO". None of it's meant to be maliciously stealing or impersonation, the pettiest it can get is just people saying "Rachel, your art sucks" which may as well be the only reason she edited that into her bio in the first place.
Like, if this IS aimed at the edit and redraw accounts, she's basically only upset about the panel edits that call out her obviously declining art IMO. Especially considering she's retweeted edit stuff before, many of them being from the anti/ULO community which I don't think she ever even realized ? 😂 But regardless, she shares edit panels a lot so it makes that bio notice come across less as "don't trace or use my work" and more as "don't do edits that make me look bad!!" when she's already doing plenty of work on her own end to make herself look bad 😂
In my personal opinion beyond the legalese... yeah, her work really does suck nowadays. I get how awful working for Webtoons is, I get that Rachel might not even be into drawing LO anymore, I can empathize with her maybe not being able to put in the same amount of emotional investment or time that she was able to put into it back in S1, but every single edit account is pretty sincere in doing it simply because they want to express how they wish it could look if it hadn't dropped in quality.
Phew, that was a lot of words for a very simple question, but rest assured, I'm not really worried it's going to affect Rekindled. 90% of the panels are completely original compositions save for the few panels that are referencing older moments in S1 LO that I brought back for Rekindled's plot, and even those panels are still redrawn from the ground up and given different outcomes (ex. Persephone punching Hades in the face lmao). Probably won't be doing much of that from here on out but more so just because the plot's going to be shifting even further from original S1 LO; but it's def better safe than sorry on my part to just make that 90% into a 100%, I suppose.
As a last point, I don't blame the edit accounts who ARE stepping away from editing panels out of respect. While it might not be a technically legal issue, I can still respect those who still want to respect Rachel's requests and do better as creatives and individuals. Just because something isn't against the law doesn't mean it isn't a cruddy thing to do, and I say that fully as someone who cut their teeth on edit content. We have tons of other ways of expressing ourselves creatively in this fandom than directly editing old panels.
The DTIYS stuff though, I don't think that should be off limits. It's fanart and that's completely fair game IMO especially for someone like Rachel who's creating a commercial piece of work. It comes with the territory. Welcome to being a pro.
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