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#fukuzaki nayuta
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Furukawa Yuta as Sebastian Michaelis in Musical Kuroshitsuji: Chi ni Moeru Lycoris (2015)
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totheendofthisroad · 8 months
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SUPER HANDSOME LIVE 2022 “ROCK YOU! ROCK ME!!”
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Ruito Aoyagi (30th) / Ryota Aoyama / Kazuki Ishiga / Kenta Izuka / Tomohiro Iwasaki / Takuya Uehara / Masaki Ota / Shouma Kai (30th) / Yuta Koseki / Dori Sakurada (29th) / Kentaro Tomita / Taisuke Niihara / Misato Higashijima / Katsumi Hyodo / Soichi Hirama (30th) / Nayuta Fukuzaki / Kanata Hosoda / Shota Matsushima / Kouki Mizuta (30th) / Takuya Mizoguchi / Hikaru Yamazaki
* Live: download Backstage/BTS: download
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noviceaoiryusei · 2 years
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Team Handsome! 「NYLON SUPER Vol. 04」 Q&A portion
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note: there are parts that I am not sure of so I have encoded it in bold font.
QUESTIONS:
1. Handsome member that you get along the most with
2. Handsome senpai (senior) that you respect
3. A member that you would like to be for a day
4. What kind of existence fans are
5. Most favorite handsome song
6. Who among the members do you like when it comes to fashion
7. Among the members, you are the TOP OF ________
8. What points during the live do you want us to pay attention of
9. Enthusiasm for the live in a word
10. A member that is a "mote otoko" (popular among women)
11. A member that is a beauty boy
12. For you, what kind of existence is handsome
Ishiga Kazuki
1. Kaneko Daichi
2. Takeru-san
3. Kesukecchi
4. Mirror
5. THIS IS THE TIME
6. I think it's Jin
7. TOP OF THE I like sweets
8. A place where you do your best and have fun
9. Absolutely fun
10. Kesukecchi
11. Koudai
12. I can see my new self
• BRAIN GRAPH
about life 50%
it's a very important season/time now so, I'm thinking about it (life) whenever I have time.
sweets 20%
it is impossible without it.
meals 20%
three times a day is my fixed happiness.
meat 5%
a food that will give you the ultimate happiness.
diet 5%
I'm afraid to be asked "did you gain weight?".
Ota Masaki
1. That's hard...
2. Kamiki Ryunosuke-san
3. Shoma. I want to see the view/scenery with that height.
4. The meaning of existence
5. BanG! BANG! Bang!
6. Keisuke-kun or myself
7. I like clothes
8. GAP with the usual Ota
9. Beat
10. Kesukecchi
11. Taiyu boy
12. Will make a place wherein you can give back the gratitude towards the people who supports you
• BRAIN GRAPH
play (stage) 70%
because I like it.
clothes 15%
I unconsciously rushed to the internet.
hot spring 15%
healing. refreshing.
Kai Shouma
1. Taiyu
2. I want to be respected
3. Myself in 10 years
4. (see drawing below)
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5. Hou Sere (WHITE SERENADE)
6. Sakurada Dori-san
7. TOP OF THE good luck
8. BAND
9. Song!
10. Sato Takeru-san
11. Aoyagi Ruito-san
12. A training festival
• BRAIN GRAPH
work 35%
the fun of life.
alone time 20%
it is necesarry to switch on and off.
song 10%
thing that I honestly like.
curry 5%
cola 5%
ghibli 5%
black 5%
korea 5%
winter 5%
youtube 5%
Koseki Yuta
1. Watanabe Keisuke. We go out for meals most recently.
2. Uehara Takuya-san. The lyrics that he writes are amazing.
3. Mizoguchi Takuya. He is smart!
4. An existence of being the first one to walk.
5. Mata ne
6. I like Ota Masaki's (fashion)
7. TOP OF THE curiosity. I'm always chasing the excitement but I wanted to take on the challenge and run.
8. During handsome, my hair is usually long and I get sweaty in the latter half of the live so I have trimmed my hair. Please look at it.
9. Unknown future
10. Kai Shouma. As expected, I like his singing.
11. Fujiwara Taiyu
12. Matsuoka Koudai. His compassion and his root of strength always pushes my back.
• BRAIN GRAPH
music 25%
NO MUSIC NO LIFE!
harry potter 25%
I loved it since kindergarten.
photos 10%
I like it as one of (my) searches for myself.
travelling 15%
I like it as a means of taking a break. I like to know about the roots, values and cultures.
nhk special 5%
I like the special programs regardless of the genre.
note: he forgot to list down the remaining 20% so let's count it into the "others" category.
Suzuki Jin
1. Keisuke-kun
2. Everyone
3. Hmm~ I wonder if it's okay to say something.
4. Being a companion. Support.
5. Butterfly
6. Keisuke-kun
7. I like manga. Possesion rate of oversized clothes.
8. A rare figure wherein you sing and dance
9. Have fun!!
10. Koudai-kun
11. Taiyu
12. A place of brilliance
• BRAIN GRAPH
fashion 25%
what kind of items, combinations.
manga 25%
it's my hobby.
photos 10%
I like taking pictures and being photographed!
meals 10%
what should I eat?
sleepiness 5%
health 5%
others 20%
isn't it human to just think of various things? that's it.
Tomita Kentaro
1. Katsumi and Kazuki. I also eat meals with Keisuke, he is a member that you can invite without hesitation.
2. Nomura Shuhei-san. Since we have co-starred in a drama before, I have been well taken cared of him. His fashion and lifestyle is consistent, I think it's cool.
3. Koudai. I want to play as much as I can using Koudai's physical ability. I want to dance sharply and move acrobatically.
4. (The one) Who always supports us from a short distance, a reassuring existence. I'm always looking forward to see your valuable impressions.
5. Kyosou. I like the unpreceded tunes and powerful lyrics. I love it because we also gave our opinions and completed it.
6. Katsumi. He's very familiar with secondhand clothes. Because his style is good, I'm happy when the clothes looks good on him.
7. TOP OF encounters. I think that friendliness is one of my characteristics
8. Amplitude. I want to see various expressions from comical appearance to the unrefined rap appearance.
9. Enough enthusiasm
10. Keisuke. If he's silent, you'll be won over by his visuals. If he talks, it's like you're a hometown friend. I like him.
11. Kai Shoma! He has a solid physique and a cool manly face!
12. Home. Everyone knows their own personality so, you can always stay relaxed.
• BRAIN GRAPH
input 65%
movies, novels, experiential art, hobbies.
output 20%
making things, talking.
aspirations 10%
an objective view of yourself, to achieve your future goals.
body building 5%
gym, kickboxing, sauna.
Niihara Taisuke
1. Koudai-kun. I have been taken cared of him so instead of saying that I get along with him, I feel like I want us to be good friends.
2. I can't choose. The goodness of everyone is shining, it's always dazzling.
3. Shouma-kun. I want to see the world from a high place.
4. Source of energy. There are lots of things that I can do because of the people who supports me. Everyone, thank you as always!
5. A (C). I want to do "zenshin, zenshin~". (laughs)
6. Jin-kun. He wears cool clothes everytime we meet.
7. TOP OF THE lonely person/s
8. It has to be the dance. I want to fascinate you all with a dancers earnestness.
9. Naturally. Will strike hard.
10. Yuta-kun is so kind, really! If I were a girl, I'd loose easily. (laughs)
11. Keisuke-kun. Somehow, I feel like he's sexy. (laughs)
12. New frontier
• BRAIN GRAPH
work 45%
reason to live.
dance 40%
my life.
games 10%
I really like it.
cats 3%
but I'm allergic.
coffee 2%
taking a break. (I can't live without it)
Hyodo Katsumi
1. Tomita-san. We're on the same unit, he's easy to talk to and is nice.
2. Sakurada Dori. He is a senior who have taken cared of me for a long time.
3. Koudai-kun. His word sense is amazing. I want to know what he's thinking.
4. Support of the heart/mind.
5. GET IT BACK. It's the first song that I had participated.
6. Keisuke-san. I like his sense of clothing.
7. Friendliness
8. It is my first live so please pay attention to how I worked hard (for it).
9. Blow of a new breeze
10. Koseki-kun. He is really kind. I think he is popular!
11. Koseki-kun. He has a beautiful heart.
12. Place of challenge/s
• BRAIN GRAPH
work 95%
because I like plays (stage).
chinese 3%
I'm learning.
sake (liquor) 2%
I like drinking sake!
Fukuzaki Nayuta
1. Kanata. He is the best, I'm always with him.
2. Matsuoka Koudai. How he manages his body, his mind, everything will be learned!
3. Kai-san. I want to look down on people with his height.
4. My foundation.
5. PARTY RIDE. You can always feel happy.
6. Jin-kun. He looked good on whatever he wears, he looks invincible because he's cool.
7. Indoor. A withdrawal that is unmatched by others.
8. This time, I am not blonde so I'm glad that you could see it
9. I'll do my best with renewed feelings
10. Tomita Kentaro-san. Funny, cool, a big brother!
11. Taiyu. Even if he has no make-up, he is sparkling...
12. A place where you can do challenges
• BRAIN GRAPH
conversation with people 50%
I like to exchange conversations with people,family, friends, seniors.
cats 50%
I can't imagine without it.
Fujiwara Taiyu
1. Yuuta-kun. His existence is like an older brother (to me).
2. Kamiki Ryunosuke-san
3. Shouma-san. I want to experience his 185cm world.
4. Existence that you never want to let go.
5. Nee, Kamisama Onegai
6. It's me!
7. Positive
8. Growth from the last year!
9. Will have fun!!
10. Koudai-san is popular!
11. Kesuke-san. The sex appeal of adults is amazing.
12. Hometown
• BRAIN GRAPH
future 75%
because I'm 17 years old.
philosophy 5%
I just thought of phenomenon/s that has no answer/s.
movies 5%
because I love movies.
comedy 5%
when I'm tired, I laugh and recover by watching comedy shows.
fashion 5%
because I love clothes, my fashion serialization project had also started in a magazine.
meals 5%
I always looked forward to this happy moment that comes up three times a day.
Hosoda Kanata
1. Fukuzaki Nayuta. I have been with him for almost 10 years now, I have always been taken cared of him.
2. Kamiki senpai. I respect Kamiki-san's otaku degree.
3. Suzuki Jin-kun. I want to hold ny camera from a high point of view.
4. Support. It may be a trivial answer but... it is the starting point and the top.
5. GET IT BACK. I like the lyrics among all of the handsome songs.
6. Koseki Yuta. He even said that he wants to enjoy fashion at Kobe Collection.
7. Sweat. On the contrary, I would be disappointed if it's not the TOP.
8. Second year. Since it is my second year in handsome... I want you to pay attention (to it) or rather, I'll do my best to get your attention.
9. Win!! No matter in what form of live it is, you should not loose your performance with the environment.
10. Tagawa Shunji-kun. It seems that he's popular regardless of gender. Does anyone even hate Shunji-kun?
11. Fujiwara Taiyu. You can tell even by just looking at his skin... It is smooth.
12. Club activities. Where everyone strives for the same goal (live).
• BRAIN GRAPH
basketball 23%
when I'm not thinking.
pokemon 18%
I'm glad that I've encountered it when I was 4 years old.
food 15%
I will eat delicious food no matter what place it is.
solo karaoke 13%
I go whenever I have a free time.
anime 8%
I got hooked in this world (although) I'm a year behind.
report 8%
I'm impatient with "when is the deadline?".
Mrs. GREEN APPLE 8%
it is the first artist that I became a fan of.
others 7%
Matsuoka Koudai
1. Koseki Yuta
2. Yuujiro-san
3. Tomi. I want to prepare lots of gags/jokes.
4. An established existence outside of your family.
5. GET IT BACK
6. Jintan (Suzuki Jin)
7. Worry
8. A minute without performance
9. Immesurable gratitude
10. Keisuke. Choice
11. Taiyu. His skin is squeaky.
12. Be able to convey a life-size gratitude
• BRAIN GRAPH
future 60%
I think about the good and bad things. there are also great delusions. (laughs)
music 10%
music is a tranquilizer.
reading 10%
there are times that I want to run away to the world of prints (books).
idol 10%
male idols, female idols gives me dreams, it will heal you.....
anime 5%
I have a voice fetish, I have been saved by two dimention, I love the voice actors.
movies, theater 5%
I love it, I'm always at the corner seeking for different values.
Mizoguchi Takuya
1. Mr. Koseki Yuta
2. Mr. Hirama Soichi
3. Kai-kun (beautiful voice)
4. Sun
5. Feel The Same.
6. Fujiwara or Ota
7. Talkativeness
8. Growth
9. Pitch with all your strength
10. Mr. Sato Takeru
11. Mr. Watanabe Keisuke
12. Home.
• BRAIN GRAPH
talkativeness 100%
Watanabe Keisuke
1. Suzuki Jin-kun. Tomi
2. Sato Takeru-san
3. Koseki
4. Friend
5. Butterfly
6. Ota-kun
7. Oldest
8. Removal of the long hair
9. Force
10. I don't know.
11. Matsuoka-kun
12. Club activities
• BRAIN GRAPH
man 100%
please don't ask me
note: I actually don't understand the kanji he used for the brain graph but when I looked at the depths of the internet for clues, it's written that it's a rare kanji for "man"
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leenaevilin · 3 years
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[Announcement] ミュージカル「October Skyー遠い空の向こうにー」(musical october sky -tooi sora no mukou ni-)
the show will be running from October 6th, 2021 to October 24th, 2021 (Tokyo) @ Bunkamura シアターコクーン (Bunkamura Theater Cocoon) & November 11th, 2021 and November 14th, 2021 (Osaka) @ 森ノ宮ピロティホール (Morinomiya Piloti Hall)
Cast:
Kai Shouma Abe Aran Yumesaki Nene Kurihara Hideo Paku Romi Nakamura Reno Isawa Takuma Fukuzaki Nayuta Hatanaka Hiroshi Aoyagi Ruito Tsutsui Shunsaku Isobe Karin Nakamoto Masatoshi Kakukawa Hiroaki Oomine Takumi Akiyama Elisa Kunisue Yoshihiro Sunazuka Kento Sarry
homepage natalie
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chibimyumi · 4 years
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Dear @lunitamoon​​,
First of all, I am sorry it took so long to get to you, but thank you very much for your sweet compliments! The day you sent the ask was great, and so is today. I hope your life is good to you too.
But now without further ado, your question.
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Uchikawa Reo
I think Reo is a very good actor. My first opinion of him when I saw him in Noah’s Ark Circus 2016 was that he has a lot of talent. Some of these talents were not polished yet, (his singing being one example, but given his young age I couldn’t possibly blame him), while other talents were already polished to a sparkling gem. When people talk about Reo, it is usually “cuteee, so tiny!!!” or compliments of the like. His looks make people shove his remarkableness as an actor under these irrelevant external qualities. That is a shame, so please allow me to highlight a few things that are remarkable about this boy.
Character interpretation and understanding
I think Reo understood the character of O!Ciel very well and he was able to deliver many of the nuances even his first time in the role. When hastily interpreted, O!Ciel’s character runs the risk of being taken for nothing but cranky, sulky and haughty. Reo however, even at the age of 12 managed to see that these three obvious traits have a much deeper root: ‘doneness’. O!Ciel is done with his butler’s sauciness, done with people around him imposing their opinions on him, done with the world. Uchikawa Reo managed to capture this fatigue quite well.
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In the scene where Soma is altogether a bit too clingy, I think many would think O!Ciel would push the prince away or slap him away. Reo however, did not. He was trying to pull away Soma’s hands, but he never showed antagonism. Just doneness. Regardless of whether O!Ciel does or doesn’t see Soma as his ‘big brother figure’ and ‘friend’, he does care about him. Even when Reo-bocchan said: “I’m exhausted because of you,” there was no callousness in his voice; just irritation.
Reo managed to find a beautiful middle ground between ‘warm’ and ‘cold’ for O!Ciel, and that is exactly what I believe our Trash Baby Lord is. That is a lot more nuance in character study than I could possibly expect from most actors, let alone a 12 year old one.
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Another example of Reo’s great understanding of his role is in the scene where he questions his butler whether he would be able to bring them to Baron Kelvin’s manor within an hour. Here he raised an eyebrow as he spoke. This raised eyebrow is very significant.
In the post ‘That Butler, Punchable‘, I discussed in detail how Sebastyun is constantly being very snarky at his master, presumably so because he did not consider the boy worthy of his full respect. In the scene of this example however, O!Ciel has earned the demon’s full respect, and he knows it.
Raising an eyebrow, O!Ciel shows that he has reestablished dominance as master, and that intellectually he is on the same playing field as the demon. He knows what he is doing, and unsurprisingly, the question asked was thusly phrased as a rhetorical one. Hence I did not translate this line as: “can you?” but instead as “you can, right?” Through this nuance, Reo-bocchan shows a great level of confidence and his grasp over the case.
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Something else remarkable about 12-year-old Reo is his body-language. In the showdown between him and Baron Kelvin, Reo knew very well how to deliver his actions and the tension of the scene to even the people in the furthest back of the theatre. He takes his time to carry out every movement with meaningful decisiveness. One powerful kick. Re-assume stance. Walk behind his victim. Trap him under his foot. Point the gun at him. Had Reo just kicked Kelvin and stood on him in one consecutive movement, then the impact would have been broken.
I am not sure whether this was intentional, but before Reo pointed the gun at Kelvin, the hand that held the weapon was relaxed, which meant it would not attract attention away from his footwork. Only when the footwork was finished did Reo reveal his gun again from underneath his cape, effectively re-shifting attention back to the weapon when that should be the central focus again.  In theatre where audiences don’t view the production through edited and selected footage, it is vital that actors know where they should draw attention to, and reversely, where not to. Reo did well.
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Reo’s natural flair for comedy is also noteworthy. O!Ciel’s character’s funniness is mostly his insane cuteness and inability to can at times; not because he has funny remarks to make. Trying too hard to be funny is a big theatre/movie sin, but Reo is luckily no sinner
As demonstrated above, Reo has an excellent understanding of his role and is careful in maintaining it even when the musical calls for comedy. Reo employed a very advanced technique of achieving comedy; namely discrepant solemness. He does not loosen up or start monkeying around; instead he maintains his usual up-tightness while tricking Aberline into saying his own name wrong. The brilliancy in this scene was not just Reo’s ability to employ this advanced comedy technique, but also that the nature of this skit was perfectly in character for this insidious, manipulative brat.
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In Tango on the Campania Reo filled most of the ‘space for growth’ he still had in the previous musical. Even though Reo’s body language on stage was already great in Noah’s Ark Circus, he did have the tendency to stand idle when the scene’s focus was not on him. In the latest musical however, Reo would not forget to also act when he was in the background.
His singing also largely improved, and was able to prolong his notes as well as transitioning between the notes. He still had trouble hitting the highest of notes, but his voice would no longer die off mid-way in its ascending.
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Fukuzaki Nayuta
I think Nayuta is a great actor too, and personally a seemingly very underrated gem. In the first run of the Lycoris that Blazes the Earth (2014) Nayuta was admittedly not the best actor ever seen in theatre history. However, he did up the game for Ciel actors even at the time. Acting style is more preference-bound, but undeniably Nayuta’s singing was more solid than any past Ciel performer before him. Despite him having outclassed past Ciels’ singing, Nayuta received a lot of hate from fans, most amounting to: “I can’t watch this, he is too ugly.” (Yes, very constructive, very legit. Ughum. The Kurofandom never fails to remind me how so many are here just for the pretttiiiiiiessss >_>)
In 2015, Nayuta’s voice was actively dropping, sending him in a constant swing between up-and-down. I don’t have experience with a dropping voice, but I heard from everyone who did that it is incredibly hard to control your voice in speaking, let alone singing. And yet, though his voice was rough at all times, Nayuta did manage to hit all the tones. I find that very impressive. I think technique-wise, Nayuta is the strongest singer among all Ciel stage-actors so far. I haven’t heard his singing after his voice-change was complete, but I can imagine him having become a very good singer now. His capacity for control over his voice is superb, after all.
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Nayuta’s acting is very subtle but convincing. When Nayuta-bocchan was in his cage, he even added some little movements of the hand that would not be in people’s usual expectations given the situation. To me, this little quirk seemed to convey how despite already having hit rock bottom, the last straw had only fallen just now. This boy is not just scared and desperate, he is murderously angry and resolute.
Nayuta’s subtle and yet convincing body-language can be seen throughout the musical. To demonstrate what I mean by ‘convincing’, I wish to point at Tango on the Campania. Compare Nayuta’s shaking to the headbanging of the stand-in for O!Ciel... Nope. (This actress is not a child, so I can be harsher.)
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Again, Nayuta’s acting is subtle, but it does mean it is easily missed, especially in a live theatre. (’Overacting’ is obviously a thing (see demonstration 1 above ⇈), but to the people who initially criticised Furukawa for “moving around too much”, that’s the theatre medium for you. Theatre was not made to be recorded and viewed in close proximity. Moving any less will basically be invisible in a theatre (see my analysis of Tamaki’s performance as Snake).)
Enough side-tracked, back to Nayuta. In the scene where Nayuta-bocchan just woke up, he performed the panic dying down slowly expertly. We can tell that the shaking and heavy breathing really got the better of him, but that the boy was actively trying not to show his butler.  This was probably not visible live, but we have footage of it, so let us savour the panic-dying-down for what it is.
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Though I might go as far as to say Nayuta might be better suited as a film-actor than theatre-actor, what was not missed on live audiences was this iconic scene below ⇊ when it finally dawned in O!Ciel that he had been chasing the wrong tail all along.
The atmosphere he created was incredibly tense, and we could practically hear the gears grinding and suddenly coming to a shocking halt. Bravo. It is ultimately for this scene that I think Nayuta would make a phenomenal stage-actor with just a BIT more stage-oriented instructions from the director.
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Another scene that also conveyed the tension excellently was when O!Ciel was putting up with the Viscount. Nayuta knew better than put on an insulting high-pitched voice in parody of “a girl’s voice”, instead he minded the intonation of speaking and subtler mannerisms girls are socialised to perform.
When the Viscount really got way too close, Sasaki’s acting was incredibly flamboyant and loud, and yet it never threatened to overshadow Nayuta’s performance. Nayuta knows very well how to keep people’s attention on him even when he doesn’t have lines to say. When the Viscount turned Nayuta-bocchan around, the boy’s facial expression spoke voluuuumes.
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Sakamoto, Nishii and Tanaka
I don’t have footage of them, and I am not going to get them legally or illegally, so I will include no visual examples of them in this post.
I don’t want to be harsh on children, they all did their best I believe, but do allow me to say that I am not very enthusiastic about their performances.
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Sakamoto’s performance of Ciel was not very memorable, but I think it mostly has something to do with his part in the script just not being memorable at all. To sum up; Ciel in ‘Friendship’ received some guests from Japan, played chess, and stared wide shifty-eyed until the case solved itself. Sakamoto’s singing was decent, though. I wish they capitalised more on that.
Nishii... I think many people were initially especially enthusiastic about him because he did not “look like Vincent Phantomhive”. He did his best, I could tell he had fun in the performance, but whatever acting-talent he might have, the musical never gave him any chance to shine. That musical gave his character ZERO nuance. Nishii’s singing was very unpolished, and in the mere 3 weeks of audition time, there was also no time to get it polished. But then again, the same goes for the singing of most of that cast.
Tanaka... I could tell he did his best, but perhaps he was doing his best not to f*ck up a bit too hard. The songs in this musical were rather challenging, and Tanaka always seemed very tense as he was trying to chase the notes. It was like he was desperately clinging to his spot within a safety-zone, which ultimately meant he didn’t explore any potentials outside the range of monotony. When it comes to acting, it also seemed like cranky outbursts were the only emotion he dared touch upon.
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So that was that! Thanks for reading!
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ru-take · 4 years
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Amulabo Contents Fes
Amuse and Stolabo will do a special 12 hours stream on youtube + doing instagram lives on april 25th. They’ll stream older content (but no archive planned)
Youtube Schedule Watch Link 10:00 - 10:30 | Watanabe Keisuke, Hyodo Katsumi 2Hero 11:20 - 11:45 | Kai Shouma 21st Birthday Event Digest 11:45 - 12:55 | Taketere #65 - Satoh Takeru, Kamiki Ryunosuke 12:55 - 14:00 | Yoshizawa Ryo, Imai Takafumi 14:00 - 14:50 | Tagawa Shunji, Fukuzaki Nayuta, Hosoda Kanata 14:50 - 15:30 | Suzuki Jin 19th Birthday Event Digest 16:20 - 16:45 | Matsuoka Koudai NY! 16:45 - 18:00 | 3LDK #1 -  Uehara Takuya, Hirama Souichi, Mizuta Kouki 18:00 - 18:40 | Sakura da Festa | Sakurada Dori, VTR w/ Kamiki Ryunosuke, Kaneko Daichi, Satoh Takeru 19:30 - 20:35 | Natsutabi -  Matsushima Shouta, Mizuta Kouki  20:35 - 21:35 | Taketere #46 - Satoh Takeru, Uehara Takuya, Koseki Yuta, Sakurada Dori, Matsushima Shouta 
Instagram Schedule
10:00 - 10:30 | Hyodo Katsumi, Mifune Kaito ->  @hyodo_katsumi  15:30 - 16:00 | Yuta Koseki, Koudai Matsuoka -> @koudai_matsuoka.official 18:40 - 19:10 | Sakurada Dori, Matsushima Shota -> @dorisakurada More info & source 
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yoshikunishiku · 5 years
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Lycoris that Blazes the Earth  (2014)
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kuroshitsujiislife · 7 years
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Musical Analysis
 Lycoris that Blazes the Earth rerun - Dance scene
Intention - Get the attention of Viscount of Druitt
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Obstacle - Viscount of Druitt is a man who appriciates himself a bit too much
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Of course if he can’t get the attention of the Visount of Druitt to his young (mistress), what kind of a butler he would be?
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And of course Sebastian is very happy about that fact.
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And the Viscount of Druitt even forgot his dancing partner who had dumped her partner earlier to dance with him.
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Viscount of Druitt becomes so intrigued by Sebastian’s young Lady that he forgot his bearings and  get slapped by a lady who is coincidentally the lady who he dumped pretty harshly.
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Side note (you two dance very elegantly, good work teaching bocchan to dance Seb)
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Getting back to the story, Viscount of Druitt is not the man to get discouraged by a simple slap. He’s back on business of appreciating the beautiful form of the cute young lady. But the lady’s ever faithful tutor is getting irritated by this man that he resort to glaring at this vulger display of affection.
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Flying kisses from the beautiful Viscount of Druitt to his cute Robin *kiss kiss*
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“No you are not ppolluting my baby bocchan’s heart you bastard” reaction from Sebastian while covering his bocchan’s precious heart from the vulgar hearts now complete with a “I will take your insides out with my hands if you dare” glare.
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And if I didn’t know better I would say Sebastian has magical (or demonic) powers that he used to kick this bocchan stealing idiot right in the face.
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And in the end, they have safely accomplished the mission,
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Viscount of Druitt is enamored with this young lady in pink fluffy dress, of course he is not going to drug this cute girl and sell her off, oh no
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And Sebastian is already bathing in the glory of accomplishment of (read: regretting) his brilliant plan.
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And bocchan,
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“Where are we Sebastian?”
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mourninglockets · 3 years
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Izumi Shuhei as Undertaker in Kuroshitsuji: Lycoris that Blazes the Earth (2014)
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saigo-no-kiss · 6 years
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Nayutan appears for a split second in trailer of the movie Inuyashiki
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animeonstage-blog · 7 years
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Actor of the Day: Fukuzaki Nayuta
Today’s Actor of the Day is Fukuzaki Nayuta! He was born November 5th, 2001, in Ibaraki prefecture. He belongs to the Amuse agency, and has appeared in variety shows, dramas, and on film (notably in the 2014 live action adaptation of Rurouni Kenshin). While he has only had one stage role to date, it’s an impressive one: he appeared as Ciel Phantomhive in Kuroshitsuji -Lycoris that Blazes the Earth- when he was only 14 years old! Besides acting, Fukuzaki Nayuta enjoys swimming, building with LEGOs, and reading, and lists stage combat as his special skill. We look forward to seeing much more from this talented young man!
Read more!
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ceilingcloud · 7 years
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You re-watched Book of Circus and you found yourself accidentally singing along to Ciel’s lines XD
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Today I learned that me and Nayuta Fukuzaki, the Ciel In both runs of Lycoris That Blazes The Earth, are essentially the same age. I’m only 5 months older than him, so I’m currently 18 and he’s 17 about to be 18 in November. It’s so bizarre to me seeing how close I am to him.
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blaacknoir · 7 years
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Kuroshitsuji: Sebastian Michaelis for @moodyhues (ft. Yuya Matsushita)
From the time my master called me “Sebastian” . . . that word became my covenant and christened me anew. I have been “Sebastian” since that day.
Request one!
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chibimyumi · 5 years
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what’s your favorite photoshoot of yun?! 😍
Hello Anon!
There are many photoshoots I love, but if I really have to pick one, it is the photoshoot for Noah’s Ark Circus Visuals published in ‘BEST STAGE’ Volume 94.
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It is the first Yunbastian photoshoot wherein Furukawa got a full grasp on the character. Furukawa was shoved into a swallowtail and then into the studio in 2015 for Sebastian, before he was even given the chance to read the manga properly. And we have all been to school; we all know what it is like to jump out of bed, into your clothes and roll for school at way-to-early-o-clock in the morning… It was probabaly the same for Furukawa.
Furukawa was not bad in 2015′s photoshoot, but the first visuals were not the proper representation of the Sebastian he would show us in the musical.
In 2016′s photoshoot of Noah’s Ark Circus, the set was - to begin with - an actual set, and not some greensceen studio where the team would just photoshop some stained glass everywhere, put a filter on top, and tadaaa ✨
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Even by just comparing the final result of 2015 to the making process of 2016, we can see a stark contrast between ‘just a handsome gentleman’ vs. ‘the demon lurking behind the butler’s façade’. The circus set was bright and colourful, the balloons and props whimsical. And yet Yunbastian’s dark aura (together with lighting of course) managed to darken the entire atmosphere, turning a literal play tent into an uncanny nightmare.
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The photoshoot of Tango on the Campania was also very good, but all in all I was less impressed by the set, which was - objectively speaking - just less present.
Besides Kuromyu there are also other great photoshoots, but I find myself coming back to Circus’ photoshoot because the set was interactive with the actors; it is something you don’t see often, after all. ^^
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Let’s be honest...Yuya is a bless (not that Yuta isn’t).And one of the best moments was this one,when he changes his expression as it quickly fades to black.It interests me.
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