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kozachenko · 26 days

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Finished reading Forbidden Scrollery! As I mentioned in my little post about it before, I would make a full review on it once I finished it, so here we are now!

(Also, sorry I haven't been posting as much art recently, life's gotten busy for me and I haven't really had the time to work on anything big, but I hope to get back into drawing soon)

And honestly? Best Touhou manga I have read so far. Full review under the keep reading tag. Also, spoilers if you want to read it.

The writing first of all, was really good, the pacing is perfect (only helped by the actual paneling and layouts being top notch), the character writing was my favourite part of the manga, and the actual story was actually pretty smart.

So, something I love about this manga is that it all revolves around a core idea, that being, the relationship between Humans and Youkai. While each chapter is episodic in nature, it still feels like those little episodes actually have a purpose, it isn't just filler. There's not one major problem they have to resolve like in CDS, but at the same time the events aren't disjointed from one another like in Lotus Eaters. The way that we see Kosuzu slowly get more and more involved with the Youkai of the human village. I also really like how we learn more about the human village and how it operates, as well as learning more about how the Youkai play a part in it. In each chapter we see a different way that this core theme is expressed, like in chapters 20 and 21 where we see how outsiders like the residents of Eientei contribute to the human village, and in chapters 30 and 31 where we see how humans help Youkai out via their fear of the unknown. And of course, you have the infamous chapter 25, where the most memorable moment from there also happens to be the most flanderized (I'll get to that in my paragraph about Reimu, because her character writing in this manga is the best that I've seen in the Touhou mangas so far). The best chapters that demonstrate this theme are probably all in volumes 6 and 7, where things start to get more intense.

Now onto the writing, and boy while this may be whiplash from reading CDS, the writing in this manga was amazing. Each character has their own unique voice, which ends up making the events in chapter 38 even funnier. Since Mamizou has a very distinct way of speaking, it makes it even funnier watching her be disguised as Reimu and accidentally slipping into her own way of talking.

Of course, this scene is visually aided by Moe Harukawa giving "Reimu" the little cat mouth she gives Mamizou, and also the very obvious signifier of the leaf, but establishing Mamizou's way of speaking early on in the manga helps emphasize the comedy of this scene (that being, a sassy old woman trying to impersonate someone in their early 20s with a very different personality to them).

What's even funnier about this scene is that as soon as Mamizou gets what she wants, she just gives up on trying to speak like Reimu and dips (which is the punchline to the setup of Mamizou almost calling Kosuszu "Little Missy" and then correcting herself)

Also, credit to the English translators for finding words and phrases like, "The real Mccoy" and "Reckon," with how different the Japanese and English languages are (and how tricky it can be to translate between the two) they ended up hitting the nail on the head with the localization and translation.

The actual narrative itself is really well paced, with all the events actually feeling like they happen consecutively to one another, only helped by the little bits in the dialogue where the characters mention previous events in the story. For a manga in a series where upholding status quo is the norm, a lot of changes happen in this manga, like Akyuu starting to write novels under a penname, Kosuzu starting to attract the attention of more and more important people in Gensokyo, and Kosuzu eventually being added into Reimu's friend group. The manga also does an excellent job of tying the events of the games at the time into the story, like we're seeing the behind the scenes or aftermath of a particular incident, especially so with the Urban Legend Incident, where we see Reimu and Marisa get more and more concerned about rumors like "The Story of the Bull Head" and the end of the world speading too far before they can do actual damage. I also like the tone that this manga has, it's inviting at first with how cute and lighthearted it is, but it slowly gets more and more serious we begin to see the truth of the human village, and by proxy, Gensokyo as a whole. Also, the set up and payoff with the parade scroll was really well excecuted, with it acting as like a ticking time bomb in the background as the series goes on. I also really like how each chapter feels different from each other in terms of plot beats, it's not really formulaic like Lotus Eaters was, which helps make the manga a lot more exciting to read, despite it not having a grandiose overarching plot.

Now onto the character writing. As you can probably see, I am turning into a bit of a Mamizou fan. She's one of the most well written characters in the manga and perfectly strikes the balance of being hilarious, yet intimidating at the same time. She's a pretty smart character despite her goofiness, and she's always such a joy to watch (or.. well... read, but that doesn't roll off the tongue as nicely (well actually fingers since I'm typing this, but again, doesn't roll off the fingers as nicely (yipeeee I used a phrase correctly). Also, I really like seeing her relationship with Nue as that of a grandma and her grandaughter who's a chaotic scene kid, but despite these differences they get along perfectly. Aya is also one of my favourite characters to read about in the manga, and I was so excited to see her again. She's always such a delight to see, and also captures that sense of goofiness + coolness. In a way, it's kinda the embodiment of Youkai in Touhou itself. Fun and charming yet supernatural and menacing at the same time. In your usual manga/anime series, it's more likely that characters will lean one way or the other (and anytime they step out of their ascribed personality, it's for a gag and is considered an oddity, wheras with Touhou it's commonplace), so it's a really unique writing thing in Touhou that I don't really see other things, which is really cool. Marisa is also written really well in this, she's really funny and plays off of Reimu really well. Kosuzu herself is also fun to read about, as her childlike view of Gensokyo slowly begins to crack as more and more influential youkai begin to interact with her. I also like how the manga doesn't tell you in the beginning that she's a young, naive kid, instead, it shows you little details like her having a curfew, her parents calling her for dinner, her general outlook on life in general. All of that is contrasted with Akyuu, who, while bit pretentious, was also very fun to read. She plays off of Akyuu's naivete well with her wisdom from her past lives and her knowledge on Gensokyo. She acts like how you would expect a teenager with memories of their past lives to act, with maybe a slight dash of maturity in there.

And now for Reimu, who I think is at her best in this manga. There were times when I legit went, "HOLY SHIT REIMU'S SO FUCKING COOL OH MY GOD-" instead of just going, "Ha ha, Reimu's such a dork." Like, she actually knows her shit in this manga, and it explores the "shrine maiden" side of her character in far more detail than we have ever really seen it before (except in arguably Silent Sinner in Blue, which I still need to re-read, yes I will also be making a full review for that as well once I do get around to it). I use this panel from chapter 27 as my example because she genuinely looks so cool here.

Reimu very frequently uses her skills as a shrine maiden to get to find the answers she needs, and she's not afraid to get her job done. As seen in the now iconic panel of Chapter 25...

This is probably what the manga is most well known for, and when I mentioned how this moment is flanderized, I'm more so talking about how people tend to look at this moment in isolation, and to be honest, Reimu isn't helping herself by saying this a moment before she does this guy in.

Which is then sort of contradicted when Reimu says this after she does the guy in.

So if she has a legit reason for why she did this, why the heck did she call it needless then? I feel like the best way of answering this would be that yes, she didn't need to do it, but from her perspective she had to. It's her job to do so, as she says so herself. Another thing to mention that contradicts the initial reading of that earlier line is just how seriously she takes this whole ordeal. During the pages leading up to this moment, we see Reimu as being uncharacteristically serious about this,

And when she finally arrives at Suzunaan, we get this really good reaction shot of her eyes, and it really says a lot about her mental state at the moment,

and she also gets very serious during her initial confrontation with this fortune teller guy.

Another thing that contradicts the "needless killing" part is how she handeled that one rich guy becoming a Youkai in chapter 37

Reimu is just ruthless when she needs to get her job done in general. Sure, she didn't need to kill the rich guy, she could have just let him go and not do anything about it, but she it's not about what she needs, it's what Gensokyo needs.

In the same chapter where she kills the fortune teller, we get this bit of narration.

Honestly, I feel like this is a kind of "Reimu knows more about Gensokyo than she lets on" kind of situation, because we never really learn exactly how having a human become a Youkai would screw up Gensokyo, but I have heard theories where if a human-who-became-a-youkai were to still try to be human, then it would be cause for concern because then it's like putting a radioactive rock in the middle of a small elevator with a lot of people (ok I know that doesn't make any sense whatsoever but I can't think of another way to put it). .

Putting that can of worms aside, I really like this manga's version of Reimu. Sure she has her dorky moments, but that's not the entirety of who she is, and I really like that. I really like it when characters have vastly contradicting sides to their personality, it makes them more interesting and also more fun to think about. There is so much more that I can say about Reimu in this manga, but I'll just end off this segment by saying that Reimu is now one of my favourite Touhou characters now and she is in my top 5 list of favourite Touhou characters.

Ok now it's time to finally talk about the artstyle and OH MY GOD THE ART FOR THIS MANGA IS GORGEOUS I WANNA EAT IT SHKGAGSLHSKGSAKJDGHKSLDJGHLAHDGLJH;SLGHKDJAH;GKGHDJK;HFGKADHG;J-

Seriously though, I really want to do a style study for this manga because I love it so much. It's expressive, the cross-hatching gives it this really nice and tactile feeling, and the designs the artist came up with for each character are really good. My only critique would be to maybe give Mamizou more wrinkles, or something more to communicate her age, (and I still like the way Mamizou is drawn in this manga). In my previous post on FS I brought up how good the layouts are, and that still holds up to when I finished this manga. Good manga paneling takes advantage of the fact that it's a manga, and uses that medium to it's fullest. I won't go into any more detail here as I have already talked about how good it's paneling is in a previous post, so go read that if you're interested. I feel like we all know what makes Moe Harukawa's art so good, so I'll just leave this segment at that.

Now, I would normally end this segment here, but really, there's one surprise I haven't talked about

One character who steals the show in this manga

A character so good, I had to write an entirely new segment on him

That's right, it's a dude, and it isn't Rinnosuke.

I'M TALKING ABOUT THE MAN,

THE MYTH,

AND MOST OF ALL, THE LEGEND.

ANXIOUS

MUSTACHED

VILLAGER!

THIS MAN, RIGHT HERE, THE GOAT OF ALL MANGA AND ANIME! BEST CHARACTER IN ALL OF EXISTENCE! ABSOLUTELY INSPIRING STORY THAT DROVE ME TO TEARS! BEST CHARACTER ARC IN THE ENTIRE MANGA! GET THIS MAN TO NUMBER ONE IN THE 2024 TOUHOU POPULARITY POLL LIKE HE DESERVES!

Ok in all seriousness, this manga is amazing, (I mean, it has anxious mustached villager in it) I see why people regard it so highly in relation to the other Touhou mangas. It was a blast to read, and it's my favourite Touhou manga now, and is also one of my new favourite mangas in general.

Ok I'm gonna end the post here now, bye byeeeeeee.

#touhou project #anxious mustached villager #reimu hakurei #I tag her mainly because I talk about her so much in this review #forbidden scrollery #forbidden scrollery spoilers #touhou spoilers

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