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#feel free to disagree with my takes
adamsrcnan · 9 months
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adam is watching oppenheimer. gansey is watching both and giving his social commentary on both that makes everyone roll their eyes but he's so gansey about it that they'll listen anyway. ronan doesn't care about either, but he wants to sit in the theatre with adam for 2+ hours and hold his hand so he will be there. blue and henry are watching barbie and blue is gonna walk in with gansey and henry on each arm dressed as ken
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twinstxrs · 3 months
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the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.
being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.
it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.
so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.
#gorgug thistlespring#fantasy high#dimension 20#fhjy#fhjy spoilers#btw these r just my personal opinions u r 100% free to disagree#gorgug & his rage interest me so deeply because of how deeply that rage existing seems to be against gorgug’s own will#like mechanically classes are choices & you can switch stuff around any time. but gorgug as a barbarian always felt like an unwilling choice#like that 14 y/o kid did not want to have rage. & that really interests me.#i’ve seen people before be like ‘what if gorgug dropped barbarian & went full srtificer’ but i feel like that simply can’t happen??#mechanically yea sure but it always felt like a core part of gorgug that the rage will always be there & it’s a matter of how you channel it#idk. dnd classes narratively being treated as ‘you can not lose this part of you’ even though you technically can#gorgug could be lvl 19 artificer & he’d still have 1 level of barbarian. because that is part of who he is.#btw i don’t think porter truly cares about gorgug valuing his rage only as a way to be a human shield#i think porter just sees that as ‘wrong’ but like. not as in ‘you need to take care of yourself’ & more ‘you aren’t conforming’#he thinks it’s wrong for the wrong reasons. the nastier ‘this is how you should be’ reasons#ppl being like ‘we r being too hard on porter. it’s an 150% courseload gorgug will be overwhelmed’ i think r missing the point bc like.#that is 100% a valid reason to not approve gorgug for multiclassing! but that’s also 100% not the reason porter rejected him.#that whole interaction was basically porter shoving his percieved version of conformity down gorgug’s throat. was v neurodivergent kid coded#no hate to anyone saying that last point btw these r all just opinions#thinking about last ep wilma & digby being like ‘you’re a great barbarian. you’re so great at it. but look at what you made!!!’ like.#they would never mean it like that. but when you only understand half of your son he is going to prioritize the half you do.
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turtleblogatlast · 7 days
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Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.
Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.
Long-winded interpretation under the cut!
Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.
You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)
The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.
Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.
And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.
For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.
“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)
So, where does this leave us?
It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!
Workarounds like the entire Don Suave situation.
To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.
And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.
Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.
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also rip to morella you would’ve loved chappell roan’s ’good luck babe’ 🕊️🙏😔
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kyouka-supremacy · 24 days
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Atsushi for the ask game.
ATSUSHI HERE WE GO THANK YOU FOR HEARING MY PRAYERS
Favorite thing about them: HIS SELFISHNESS. It's so so delicious to explore. Can you imagine a protagonist that saves others not out of simple good will, but because of egoistic self-preservation motives? It just feels counterintuitive for me lmao, and I found it quite messed up when I first watched the anime, but now it's so compelling to explore. His whole “everything I do is in order to gain the right to live” is crazy fashinating. Because lol, that's entirely nonsensical to me! There's no such thing as “gaining the right to live”; all humans, every person in the world is inherently deserving of life. All. No exception. So there's no level of “weak” or “worthless” that would make you lose that right. The fact that's it's a vision so distant and absurd from mine, idk, it just makes it very compelling to explore? “What if there was a little fucked up guy who believed the right to live had to be earned” just sounds like a very interesting premise.
Least favorite thing about them: When I first watched the anime, I think I found him low-key annoying? I just... Don't do very well with self-deprecating people and people who complain a lot in general, I usually suffer in silence and tend to (wrongly) assume others should do the same (this probably makes me sound pretty mean, I swear I try to be understanding irl). However, it doesn't bother me as much anymore, I simply think it's more of a distinctive trait of the character that makes him multilayered and unique. As of now, I can't think of anything I don't like about him if not the fact that I wish he'd rely on Dazai and others in general a little less. I know that has to do with his lack of self-worth, so maybe it makes sense,, but as of now he feels kind of stuck. I just wish we'd see him grow more on that front.
Favorite line:
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There may be better ones, but I really like the delivery of this one.
brOTP: KYOUKA AND ATSUSHI they make me go insane. Already talked about this in the Kyouka post but just to reiterate: in my headcanon Kyouka really is the only person Atsushi feels genuine, selfless affection towards. It's very sweet. They're siblings. Kyouka's happiness is really important for Atsushi. They really do have that feeling of people who got out of an abusive environment learning what normality is supposed to be like together. I also really like how they compensate for what the other lacks, be it decisiveness and coolhead for Atsushi and empathy and positivity for Kyouka. Although plenty shipping them romantically, I really like platonic sskk and atsulucy as well.
OTP: I really like sskk eheh. I think they're neat. There's a thousand and one reasons why I find them pretty great. They're objectively the only reason why I got invested in bsd as well as the only thing that has me keep up with the franchise to this day. Right now, I feel like the one thing I really appreciate about them is how you can be the worst person in the universe and still somehow be loveable to someone. I think it's sweet. I also find it very fun and enterataining to explore their various soulmatism antics. They're both very complex and multilayered characters with something deeply wrong with how their minds work that makes them very fun to analyze both by their own and in the complexity of their relationship. Their collective story arc and canon relationship progression is extremely engaging and nice to follow, too. I love dazatsu and atsulucy as well!! Both were ships I wasn't particularly invested when I read the manga for the first time, but really grew in me in the last six months or so. I really dig akuatsulucy as well!!
nOTP: Nothing?
Random headcanon: He really likes reading. There's some real meta-analysis to be made here I actually had written this is probably not the right place to talk about, but in a work that's all about literature, he's the character who reads.
Unpopular opinion: He's the hardest character to write / characterize. That's why people should probably go easier on other fans when they mischaracterize him. He's just very multifaceted and genuinely hard to get. I keep seeing people being like “Stop babyfying Atsushi he's an independent adult!!” then turn around to say “he can't be shipped with Dazai because there's too much unbalance of power :// [somewhat implying Atsushi can't make free decisions for himself]”, or “Stop making of Atsushi a soft baby who never did wrong in his life!!!” then turn around to say “Atsushi is the happy puppy of the agency who gets treats and pats from everyone ^^ ” like. At least to me, a lot of people's arguments sound self-contradictory all the time; but that doesn't mean people should stop having fun and characterize the characters as they like! Just, let's stop being mean to each other and try to be a little more accepting towards others' takes, shall we? And yes that also includes letting people find Atsushi annoying if they find him annoying (although like, I've NEVER found anyone call Atsushi annoying ever, so really, what remote fandom spaces is everyone visiting? Why are you looking for clothes (good takes) at the soup store (Tik/tok I assume?) ).
Song i associate with them: Common World Domination by Pinocchio-P, HIBANA by DECO*27, Ghost Rule by DECO*27, so on and so forth.
Favorite picture of them:
Favourite panel from the manga:
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Favourite illustration: Look, there's too many beautiful illustrations, I can't chose. Here's a very good one though.
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Favourite illustration in the anime art style:
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But also:
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Favourite Mayoi card:
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Send me a character?
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shiikiyun · 9 months
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Futa Kajiyama and Remorse
by someone that would hit him in the head if they had the chance
The discussion over whether Futa's shown remorse over his actions is genuine or not is something that has existed for years at this point, and it'll probably always be a debate. Just thought I'd give my personal take on it.
Starting off by saying that it is very ironic that a huge part of the discussion on his character and crime is how genuine he is when he admits fault, considering his case is entirely related to social media, almost like how when public figures online mess up and everyone else picks apart their apologies and rate the sincerity of them (not saying it's a bad thing, influencers will explode before handing a good apology, i just thought it was funny to point out). That aside, let me actually talk about him.
First, what did he do? In short, he began a witch-hunt campaign and doxxed a middle-schooler over a claim with no basis that said kid tried to reason with him over and he ignored, (pressumably) pushing her to suicide. Fucked up. Very understandable unforgiven veredict in the first trial, since his denial of his actions was so strong, he had it coming for sure.
Now, his feelings around his crime. It's said a lot that he doesn't feel sorry for his victim, that he only feels anxious and "guilty" because he's facing consequences and he's scared of dying, so he'll do anything to avoid that (so; admit fault, even if he doesn't believe he was wrong). And he is stubborn, so it's not crazy to see it that way, but—
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Does he really not care?
From the way I see it, Futa is telling the truth when he says he never intended her to die. Personally, I would "should've thought about it twice then?" 'd him if I could, but I can't in good faith call him disingenuous for saying he didn't want it to end that way.
People don't take their actions on social media seriously. This happens all the time. People will say they most cruel things to strangers over minimal disagreements, and they don't consider it to be that damaging because "it's just social media". Futa is no different than that.
He got a power trip from the praise he received after he called out a teacher for sexual harrassment (which is obviously an actually fair reason to dunk on someone), took it too far over something mundane, and it actually had real life consequences on an innocent person. And he knows this. He's always known. The very moment he realizes what he did is when he's horrified of himself and is visibly shocked— He didn't want this. But he did it, and now there's blood on his hands.
To call that reaction disingenuous, or relate those feelings solely to the fact that he's facing consequences now, is completely ignoring that it happens before he's aware about receiving backlash from his friends.
That's where his anxiety comes from. He's always known he fucked up awfully. When ES insists on him being a murderer, what makes him stutter and show fear is that same word. He's a murderer, and he can't cope with that, but he knows what he did no matter how much he denies it. From the very beginning all Futa has been is a coward; unable to accept that his actions killed someone until he gets some sense literally beat up on him.
Now, this is where I drift onto something even more people might disagree with, but personally I think it's intentional. The representation of his victim, in both MVs.
Because Futa saw no difference between her and other people him and his friendgroup judged, firstly, she's shown as a videogame monster. Her silhouette changes to a more human-like one when he realizes she died, but that's about it. It shows more of his attempt at dettaching from what he did, refusing to see things for what they are.
But then Backdraft came and totally changed that.
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I have to bring up the other 2 monsters to make my point clearer. Like I said, in Jihen Joutou, Futa pictures all of his targets as monsters. In Backdraft, the first 2 remain the same style, but Killcheroy changes.
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isn't she adorable, by the way?
Unlike the other two, she's a completely different art style. Cartoony, cute, childish. Because Futa finally got to a point where he can't separate his actions from himself anymore, and had to recognize to have played part in her death, we see his victim for what she is—
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A middle schooler.
Of course, her straight up appearing would've been enough to convey that, but the addition of making her character different (innocent, friendly, harmless) further shows how Futa does recognize that he hurt a child that ultimately wasn't doing anything wrong.
And, lastly, and this is entirely personal and where even More people might not agree: I just don't he's lying. I don't think he's trying to manipulate anyone into thinking he feels remorse just to get relief. I believe him when he says he knows what he did was wrong and he regrets doing it, that he wouldn't do it again. And I also understand (and agree) when he says ES, and us by extent, are doing the same.
People in the fandom like to act like he's crazy in the head (hyperbole) for saying that, that he is entirely saying it to guilt ES into forgiving him, and it honestly exhausts me. So like, hey, I'm not Futa, I'm part of the audience and I've voted. So let me say it: We are in fact the same.
He is not wrong in believing it. The MILGRAM system only abuses people under the excuse of giving justice and punishment to those that deserve it regardless of the degree of their crime— And I'm not talking about Kotoko. The psychological torture all 10 of these people are going through is not fair, not on the most forgivable one, nor the least. It is just an abusive system. This system killed people, some of which were teenagers, for having a troubled life. How is that any different from him?
Now I just said we are the same for the dramatism— Of course we are not the same on the basis that we are not actually hurting real people, but like, this fictional character doesn't have a conscience. By MILGRAM canon we really are just a bunch of people getting entertainment from 10 troubled people getting tortured. And as for ES, them continuing to partake on their role when they saw the extreme consequences it has just because they were told to do it is... Yeah, can you really blame any of the prisoners for thinking the guard is also in the wrong?
Ultimately, to conclude: I don't think Futa feels no remorse, nor do I think he only feels bad because he got consequences for it, and I don't understand this point of view. He's shown distress over his actions before backlash came his way, and right now he's at a point where he can't ignore that he fucked up and he will admit to it just fine. He is just simultaneously (and rightfully) upset that a fucked up system that does the same if not worse is the one that gets to decide whether he should be forgiven or not, because in all honesty, none of the prisoners deserve to be judged by MILGRAM.
Aaanyhow, that is it for me. I wrote this in a delirious state from sickness so I hope it's readable and coherent. Peace
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Note: i know its implied es attempted to stop the trials and it didnt work, i dont think theyre evil and entirely on a power trip... please dont misunderstand the bit i talk abt es as me saying theyre evil and entirely on a power trip thank you
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tyranitardude · 4 months
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N is NOT a Zoroark. Sue me, but the idea of Zoroark!N erases his childhood backstory. His childhood backstory essentially revolves around a young orphaned boy who is raised by Pokémon, and then he's taken in by Ghetsis, who only lets mistreated Pokémon raise N. I don't even understand where the whole Zoroark!N thing came from. Sure, he uses a Zoroark and his hairstyle is similar to Zoroark's, but how does it exactly prove the validity of the Zoroark!N theory? Additionally, there are some official artworks displaying N and his (then) Zorua both separately, hence why Zoroark!N is bullshit.
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mokeonn · 2 months
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I finally actually watched Hazbin Hotel because I was like "I really shouldn't be so judgey, how can I say I hate a show I haven't even watched?" And I can safely say after 5 episodes in:
I hate it.
So I will preface this rant about my feelings towards this controversial show with the following positive statements:
I understand why people enjoy the show, it's fun, the animation is really enjoyable to watch, the music numbers are pretty good, the voice acting is also good, and the whole thing feels like it was constructed around a fandom. Though that last part is a flaw in the overall series, I completely see why people enjoy it. If a series was practically built around making fanfiction, ocs, or fun redesigns, people are gonna have fun making those things. I literally can't blame anyone for enjoying this show. It should also go without saying that I don't think people are morally evil for enjoying the show. I do believe, however, that your taste in shows is bad if you love this show.
I came into this show expecting the WORST. Everything I was told about it was how it was such an awful show and all the horrible things it does. So I was expecting the worst thing I've ever watched to appear before me tonight.
So imagine my surprise when the first 3 episodes aren't that bad. They aren't good, but they're not awful. It's just mid! The animation is fun to watch, the songs are catchy, and the pacing is only a little off. There were a lot of little moments where we got payoff with no set-up. Things like a dramatic reveal of a character that appears to want to evoke a "oh woah, it's that guy!!" moment, but we don't even know who that guy is. A character belting out a dramatic emotional ballad that is also a duet with another major character, but we were introduced to that character earlier that episode and we don't know her well enough to really care about her heartfelt emotional song. Moments that felt more awkward than anything else. Other than that, the show wasn't too bad! I was enjoying myself! I was worried that I was going to enjoy this extremely hated series and how it was going to reflect on my public tumblr image!
And then episode 4 hit.
Episode 4 starts off very similar to the others, and all around, I think it's a pretty good episode if it wasn't for the ending, but we'll get to that.
Episode 4 is a heavier episode dealing with Angel Dust's abuse at the hands of his boss. It gets fairly graphic at points, but with the way people were describing it, I was actually expecting far worse. It has a catchy song from Angel Dust about this abuse, and towards the end, he falls into a self-destructive spiral and vents about how much he wants to basically crash and burn in the hopes that maybe the abuse would stop or he would become too fucked up to notice/care anymore. You know what? This is a pretty heavy hitting topic and really spoke to me as a person who is dealing with addiction and struggles with depression spirals. I felt a lot of what Angel Dust was feeling, even if our situations were completely different. What is the response our little pink spider friend gets? An admittedly catchy song about how he's right that he sucks and he's a loser, "but hey, I'm a loser too! So we can be losers together."
Now, I get what the song is TRYING to say. It's trying to say that you're not alone, that "if you're a loser, then I'm a loser too. But we can be losers together." Which is a nice sentiment and all... but the execution leaves a lot to be desired. It doesn't portray this idea that you're not alone in this world, and there's plenty of people going through similar experiences, so it's important to connect with each other. It instead focuses on feeling more self-depreciating, which is fine and all, but it feels like an inappropriate time to be self-depreciating.
If a person with very low self-esteem vents about their abuse and talks down about themselves, and admits to wanting to self-harm by committing self-destructive behaviors on purpose... I think "seld-depreciation" is the last thing I would want to do with that person.
I get it. The song is trying to be funny and silly with self-depreciating humor to lighten the dark mood and show how Angel Dusk and the weird deep voiced cat-boy (yes, I know his name is Husk) are now getting along and relating to eachother by making jokes about how stupid they were to get into their awful situations... but the song really leaves a sour taste in my mouth because it just feels... wrong. It feels like the wrong response.
The story makes it seem like the song breaks this cycle of self-destructive behaviors and allows the characters to make the first step towards redemption/breaking the cycle of abuse; The song does not fit this theme, it instead just continues that cycle while the story continues on as if it did something else.
I might not be conveying my reasons for WHY the song left a bad taste in my mouth very well, but all you really need to know is that the vibes were off and it seemed like there was something left on the cutting room floor or a mistake between the writers and song writers.
Episode 5 is where I stopped. Like, I can't even finish it. Those previously mentioned pacing issues were nothing compared to the constant wave of hits episode 5 gave me.
First off, we are getting payoff for something that was actually set up! Popping some bottles here! It happens a couple times in the other episodes, but here: a major character is revealed after being talked about and foreshadowed in previous episodes! This really was a first in the series as most of the time, characters were just introduced when the story needed them, causing those awkward moments where a villain or major character got introduced. Valentino was introduced in an episode with some build-up earlier in said episode, but having a character actually be hinted at in earlier episodes before a reveal felt completely new.
And then it was... disappointing. The payoff did not match the set-up. I will state it right now. Lucifer, as a character, caused me to entirely stop watching the show mid episode 5. When you have this big dramatic backstory about how he was an angel of creation who wanted to create, a rebel who went against all he'd ever known to meet another rebel and fall in love with her, a deeply sad man who hid away refusing to take part in ruling hell, leaving it all to his wife? The fact that this is based on Christian theology and Lucifer already has ages of connotation and lore attached to him? Idk I think, "self depreciating, awkward, sad man who doesn't know how to greet his daughter on the phone, and spends all his time making little toy ducks" is... a huge fucking let-down. I understand they're trying to go a more humorous route of "He isn't scary at all, he's just a huge dork!" But it doesn't work, and it just makes me cringe. This alone would be a lot to process in one episode... but Episode 5 still has a LOT of punches in it!
The episode first states that they only have a couple months before the deadline, implying that around 4 months have passed since the first and second episode. Nothing really implies that much time passing between episode 1 and 4, and in the episode, Charlie states all the things they have been working on. Which is things we have already seen in the show. Which tells me that they really haven't been working on anything offscreen during this sudden time skip, so what the fuck happened between episodes 1-4??
Anyways, I could have misread this entire thing and thought far too much into Charlie's stress and the "only a couple months away!". With the word "couple" and the stress the character is clearly going through, I assumed that they were 2 months from the deadline, but maybe I was wrong. I don't know. I didn't finish the episode, and I'm not watching any more.
The first major "hit by a truck" moment was when Lucifer makes his way to the hotel and suddenly, he gets into a feud with Allister. They both sing a song about who is the better Dad to Charlie, and I am sitting there confused because, huh?? Wha?? Where the fuck did this "Allister Dad" thing come from?? NOWHERE in the last 4 episodes (nor the pilot) imply this relationship. Allister is the tumblr sexyman Mary-sue who gets at least 1 new power every episode. Nothing about him out of his entire screen time was paternal. Just as my confusion reaches a boiling point... they introduce a new character suddenly with an unearned "it's ME!" Intro (although unlike past intros, it is ironic).
She's a sassy little flapper who is friends with Allister and whose only purpose this episode is to cause problems to come to the Hotel's way later in the episode, and to give Allister's backstory. A backstory that we really didn't need. Like REALLY didn't need. Seriously this entire show we have been told and shown that Allister is a powerful demon who is feared and not to be messed with. This backstory reveals that he is... a powerful demon who is feared and not to be messed with. The only purpose of this backstory is to reveal a spooky thing he does so he can use it as a threat later in the episode.
Husk confronts Allister about his friend because she always brings trouble, and he snaps at Allister, making a sassy comment. Allister threatens Husk with the previously mentioned spooky thing he is totally known for that was revealed in the backstory.
Lucifer does not approve of the hotel, which makes an awkward scene where Charlie is trying to explain her thinking and her personal experience to her absent father and Lucifer shoots her down by poorly hinting that it just "wouldn't work" because he knows from personal experience. I am not having a good time watching two characters communicate poorly primarily because I hate one of them so much.
The previously mentioned trouble comes their way, and Allister reveals new awesome Allister powers for the 3rd time this episode and goes off to fight off the trouble. Charlie uses this as a way to try to reason with her father. Allister finishes his fight and scolds his friend for using him to fight off the trouble she gets into like Husk said earlier. He then informs here that she either needs to leave or come and stay at the hotel to rehabilitate. She stomps off, and I feel so tired of a third huge payoff with not a lot of set-up.
Allister (who I probably have been misspelling his name this whole time and no I will NOT check) feels like he did a ton of development and growth... entirely off screen. This feels like a 180 to me. This entire show he has been this evil, off-putting guy, that vaguely helps at the hotel, does creepy things, threaten people, and use plot armor powers to save the day or do cool things. So suddenly having an episode where it's stated he has a paternal relationship with Charlie, which has NOT been shown or even HINTED at whatsoever, and where he suddenly turns away a troublemaking friend to protect the hotel he wanted to see fall apart? It's a total 180 from what I'm used to. One could claim that the sudden protection of the hotel was because he wanted to protect his investment, and he knew his friend was using him so he just sent her on her way or offered for her to be tortured in the friendship hotel. I can see an argument for why he didn't threaten or harm his friend when he has killed people or threatened to kill people for less (pretty strong friendship that goes way back when blah blah blah) I can argue about the inconsistencies in how he acts towards the end of this episode compared to the previous episodes of the show all I want.
But come on, you can't argue the sudden paternal thing. That came out of nowhere.
At this point I just, turned off the episode and called it quits. I have heard that the most glaring writing issues come later in the season, and if episode 5 was this bad, I don't wanna keep watching.
Part of me wants to continue watching, as the animation is really enjoyable to watch, and the music is actually pretty fun. But I just know that I'm not going to enjoy myself at all from here on out. It's all going to be downhill from here, and it'll frustrate me. I'm not gonna spend my time watching something I'll hate.
If I wanna watch something frustrating, I'd just watch Jerma play my favorite game for the first time.
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Okay so uh controversial take maybe- full thing is below the keep reading thingy
TLDR: It's not ableist to dislike someone for autistic traits if you aren't actively being rude to them/bullying them because of that dislike
(this is written by a autistic individual btw) -S
It's okay to dislike people for different traits, even if those traits are caused by something like neurodivergency/disability.
We are human beings, we all have things we dislike. It's not wrong to dislike those things, and it's annoying when you feel like you have to because you're "ableist" if you don't. I don't find it ableist if someone doesn't like me due to things my disability causes. Of course, if you're bullying people about their disability or being a rude person to them because of it, that's ableist.
I fail to see how disliking traits in a person, and because of that not mentally draining yourself and hanging out around them is ableist, and I'm an autistic person who's definitely had a lack of friends due to my disability. I know people definitely hate me because I can be blunt, or because I don't understand sarcasm sometimes, or because I get emotionally overwhelmed. And I know those things are caused by my disability. But I don't force them to be my friend under the guise of "if you don't you're ableist."
I'm not saying people actively do that by the way, it's just the vibes and pressure I get from seeing posts about how people are ableist if they don't like traits some autistic people have. Some non autistic people have those too, ya know?
Disliking someone isn't ableist- I don't even think disliking someone based on specific traits is ableist either.
Of course, its not mutually exclusive- if you find out one of your friends is autistic and you don't like them anymore because of it, that is ableist. And if you refuse to give people a chance to be your friend because of their disability then yeah you're ableist. But if you're trying your hardest to be friends with someone, but you don't click because traits of theirs are incompatible with yours, it's not ableist imo. Not everyone is your friend, nor will you get along w/ everyone.
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isfjmel-phleg · 5 months
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This is a personal post.
#random personal stuff#personal whining ahead feel free to ignore#I made the mistake of dipping into the folder of emails from That Man (which I've kept just in case)#just to see if I could take it I guess? which was a mistake#they're full of pretentious rambling and posturing and jargon to establish himself as The Authority#then they drip with flattery: he says I'm brilliant and have so much potential to live up to etc. etc.#but then the little jabs - and the big jabs - the condescending 'I know you can do this'#he would rip me apart in class until I quit speaking up because I was afraid#and then send me emails informing me that my participation grade was lowish and I needed to work on 'playing the game'#and tell me that I was free to disagree! but it had to be based on more than silence#as if he didn't know that he was the reason I shut down#you're not really free to disagree if disagreeing means you get mocked and belittled?#so I couldn't even protect myself from the verbal attacks because I had to provide him fodder for mockery or else get marked down#he made me apologize to a classmate for my 'reticence and impatience' during her presentation on a loaded topic#that I didn’t want to discuss my views on in front of him#and he was so so careful in those emails not to say the worst things but in class...!#and my replies were so subservient#I wouldn't bend on my views but I wanted approval so badly as if what scum like him thought actually mattered#it's over now he's not my problem I know it was not my fault#do I still want to scream at him? yes#do I still want to tell the VP of academic affairs (my old adviser/mentor) the whole story? yes (can't - pointless now)#anyway I am going to go do chores and move on with my day thank you for listening
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yaboirezzy · 5 months
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Oh damn...I forgot I had an inbox
Okay so let me remember how many:
Amphibia
-Sashannarcy/Calamity Trio (Anne x Sasha x Marcy)
-Spraddivy/Chaos Trio (Sprig x Ivy x Maddie)
-MechanicFighter (Polly x Pearl)
-Yulivia/Gown n' Dagger (Olivia x Yunnan)
-IT Romance (Ally x Jess)
-Grimesylvipop/Old Timer Trio (Hop Pop x Grime x Sylvia)
-Barrelleifdrias/Divorce Trio (Leif x Andrias x Barrel)
The Owl House
-Lumity/Sweet Potatoes (Luz x Amity)
-Huntlow/GoldenFlora (Willow x Hunter)
-Raeda/HarpyMelody (Eda x Raine) + Camilraeda/Mom Trio (Eda x Raine x Camila)
-Veesha/RavenSlug (Vee x Masha)
-Gustholomule/GusMatt (Gus x Mattholomule)
-Skarney/Melody and The Beast (Skara x Viney
The Ghost and Molly McGee
-Mollycule/MollyPoly (Molly x Oliver x Libby x Andrea)
-Scrinx/Ghostly Exes (Scratch x Jinx)
Hilda
-Frilda/AdventureWitch (Hilda x Frida) + Frildavid/Trollberg Trio (Hilda x Frida x David)
-Kaisanna/Sketchbook Ship (Johanna x Kaisa) + Kaigerdanna/Trollberg's Mom Trio (Johanna x Kaisa x Gerda)
The Loud House + Casagrandes
-Ronniecoln/OrangePurple (Lincoln x Ronnie Anne)
-Slyde/Bestie-to-Main Duo (Clyde x Sid)
-Clidonniecoln/Chaos Squad (Lincoln x Ronnie Anne x Clyde x Sid)
-Lobby/Eldest Duo (Lori x Bobby)
-Chazni/Mall Duo (Leni x Chaz)
-Saluna/Rockstars Duo(Luna x Sam)
-Lubenny/Comedy Duo(Luan x Benny)
-Lynncisco/Athlete Duo (Lynn x Francisco)
-Lucky/GingerRaven (Lucy x Rocky)
-Skiana/Toolbox Duo (Lana x Skippy)
-Lolinston/Majesty Duo (Lola x Winston)
-Livid/Science Duo (Lisa x David)
-Carldelaide/Double Trouble (Carl x Adelaide)
Little Witch Academia
-Diakko/Starlight Magic (Akko x Diana)
-Sulotte/SpiritMushroom (Sucy x Lotte)
-Hamanda/Her Rebel (Amanda x Hannah)
-Barblotte/Nightfall (Lotte x Barbara)
-Consucy/Shroombot (Sucy x Constanze)
-HannahBarbara/Diana's Emotional Support Witches (Hannah x Barbara)
-Poly New Nine/RGB Team
Naruto
-Poly Konoha 12/The Leaf Pile
My Hero Academia
-Poly Class 1-A/Fam 1-A
Spooky Month
-Goldenlavender (Lila x Jaune)
-Candybats (Kevin x Streber)
-Sketchhatz (Susie x Robert)
Erma
-Connerma/GingerYokai (Erma x Connor) + Connsiderma/GingerRatYokai (Erma x Connor x Sidney)
-Terramy/Amerry (Amy x Terry)
-Samiko/YokaiBooks (Emiko x Sam)
-FumiHaru/The Princess and The Kappa (Fumiko x Haru)
-EnaKenji/FloatingCyclops (Ena x Kenji)
-Amitsu/Amomo/GoldenYokai (Amy x Mitsu/Momo)
Sonic
-Sonadow/'See Sonic Prime' (Sonic x Shadow)
-Knuxouge/All Because of An Emerald (Knuckles x Rouge)
-Tailsmo/Wholesomeness in 'X' (Tails x Cosmo)
Yes I am perfectly fine why do you ask?
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tintinology · 7 months
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Ok but please give us the essay about Tintin's belief (and defensive mechanism I dare to say) that he and his friends are invincible!!!
Ok so, throughout the albums, Tintin operates on this naive belief that nothing bad will ever happen to him and his friends. And technically, he’s not wrong, because comic book logic, but it nonetheless influences how he behaves in his adventures. 
The belief primarily comes from the fact that he’s always escaping dangerous situations relatively unscathed: murder and execution attempts, kidnappings, getting drugged, etc. No matter what happens to him, he’s always fine in the end, and that’s what convinces him that nothing truly bad can happen to him. 
But he doesn’t just believe this applies to him; we see him apply this same logic to his friends. After all, they all get out of the same situations as unscathed as him. And as a result, Tintin is constantly throwing himself and others into danger with little thought about consequences, and often, he does so despite complaints from Haddock, who is a bit more realistic about the threats they face.
Tintin in Tibet is an example of this: no matter how dangerous the situation is, Tintin doesn’t stop to consider the consequences until it’s almost too late. It’s worth noting that he doesn’t exactly pressure Haddock into going, but simply assumes (correctly) that Haddock will come along and as a result, is never truly surprised when Haddock shows up. The one exception to this is the time he manipulates Haddock into continuing the search after Tharkey leaves (which I'll come back to).
Another example of this attitude is in Red Sea Sharks. Despite knowing how dangerous the situation in Khemed is, and the fact that the emir doesn’t outright ask for help, Tintin suggests they head there without really stopping to think about the dangers they might face, and once again Haddock follows reluctantly.
This belief in his and his friends’ invincibility also influences how Tintin behaves in dangerous situations. In The Crab with the Golden Claws, Tintin remains optimistic when he and Haddock are stuck in the desert, despite there being no indication that they might be saved. Unlike Haddock, he doesn’t truly believe they’ll die, and that’s what allows him to push forward. In Red Sea Sharks, Tintin remains calm (calmer than Haddock in any case) when they spot the periscope from the submarine that wants to sink them, and retains a positive attitude, convinced that “all isn't lost yet”. 
It also explains his rock-solid belief that Chang is alright in Tintin in Tibet: Chang, as Tintin’s friend, should also be invincible (and again, comic book logic proves him right), hence Tintin’s stubbornness throughout the album. We see Tintin repeatedly dismiss any signs that Chang couldn’t have made it because it doesn’t align with his belief. In fact, Tintin’s dream about Chang is a manifestation of his belief in Chang’s invincibility, and it acts as a justification of sorts to go look for him. 
This very belief in his and his friends’ invincibility also explains Tintin’s reaction to injuries: he’s very dismissive of his own injuries, refusing to stay in the hospital longer than strictly necessary in both The Black Island and Destination Moon. We also don’t see him very concerned about the Thompsons when they’re in the hospital in The Calculus Affair. 
Tintin’s reaction to death is also pretty casual; aside from the first few albums where he does genuinely think he’ll die (particularly in Cigars of the Pharaoh), he tends to stay calm in the face of death. This is in line with my earlier point that Tintin stays calm in the face of danger.
But more importantly, he tends to brush off near-death experiences when they involve his friend. When Haddock nearly gets shot in the head by some monkeys in Red Rackham’s Treasure, his reaction is to tell him to calm down and that “all’s well that end’s well”, while a rather shaken Haddock snaps at the Thompsons for nearly getting him killed. Tintin also dismisses Haddock’s fear of dying in Prisoners of the Sun. Of course, we know it’s because he has information that Haddock doesn’t but it remains a rather cruel attitude towards Haddock, and shows that Tintin sometimes forgets that not everyone is as sure of their invincibility as he is.
It’s during their trip to the moon, Tintin comes close to losing Haddock for the first time. He yells at him for it, but then immediately tells him to forget it once they’re safely back inside. Tintin, when confronted with a near-death experience like that, would rather ignore it rather than consider he might be wrong about his and his friends’ invincibility. He’s once again forced to face the possibility that Haddock might die when they’re back on earth, and we do see him worry for real that time. But since the album ends shortly after Haddock revives, we don’t see how Tintin reacts beyond the initial relief that he’s alright. 
However, we see him dragging Haddock on increasingly dangerous adventures in the following albums. In fact, prior to the moon adventure, the only adventure where Tintin and Haddock are faced with adversaries that are trying to kill them is in The Seven Crystal Balls and Prisoners of the Sun (Land of Black Gold doesn’t really count on account of Haddock having joined Tintin of his own volition and therefore wasn't dragged into it). This suggests that, if anything, Haddock’s near death and miraculous recovery has further convinced Tintin that he’s invincible. 
Tintin’s attitude to death only begins to change following Tintin in Tibet; outwardly, Tintin doesn’t dwell on the cliff scene more than strictly necessary, but nonetheless, this is the first time that Haddock’s life is endangered as a direct result of Tintin’s actions, specifically by his decision to ply Haddock with alcohol in an attempt to get him to change his mind about following Tharkey down the mountain. In the past, his life is primarily endangered by Haddock’s own actions or by the villains of the album, never by Tintin himself, and this obvious leaves Tintin a bit shaken. 
As a result, we see Tintin become less impulsive in the following albums. In The Castafiore Emerald, they stay home and Tintin is shown being more concerned about Haddock’s well-being while he’s injured. In Flight 714, Tintin actively tries to avoid trouble by initially refusing Carreidas offer to get on his plane, despite having no proof that anything bad would happen, and in Tintin and the Picaros, he refuses to go to San Theodoros, even though his friends are in danger, and only goes after Haddock goes without him. 
And while Tibet is not the last dangerous adventure Tintin and Haddock embark on, it is the last one that they go on of their own volition. This suggests that Tintin’s attitude towards his and his friends’ well-being has changed following the trip to the Himalayas. It’s especially noticeable when you contrast his attitude towards going to Khemed in Sharks and to San Theodoros in Picaros; one can argue that the situation was significantly more volatile in Khemed, but Tintin didn’t hesitate to go, while he outright refuses to get on a plane to San Theodoros despite the Thompsons and Bianca Castafiore being held prisoner there and, arguably, in more need of his help than the emir was. By that last album, Tintin is (rightfully, in my opinion) finally placing his and Haddock’s well-being and safety above others’, making him more cautious than he was in the earlier albums. 
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Am I the only one who despises "pervasive drive for autonomy" as an alternative to "pathological demand avoidance"?
PDA takes away so much of my ability to decide for myself what to do; it robs me of my autonomy. I struggle with doing things I enjoy because I make them into demands in my head, I can't watch weekly-airing shows because I tell myself that I have to, that I love this show, that I need to watch the next episode, and then no longer being able to. Because my brain has decided that it just Must go into fight or flight because... I am trying to decide what to do.
It just feels... gross, I guess, to dress it up as "i just have a strong sense of autonomy, i just don't like being told what to do ^_^" when it is genuinely disabling to me, not just in when other people try to influence me, but also when I want to do something and PDA prevents me.
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captain-amadeus · 2 months
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The Protectors didn't want Sofia to face off Vor alone. They would've never put her up to such a danger mission voluntarily. Sofia was the only one who was able to do anything about Vor because she wasn't trapped with the other Protectors. The Protectors were absolutely worried about Sofia being on her own, but she was their only hope in stopping Vor. They didn't WANT her to be their only hope. They never WANTED her to fight alone. If it was up to them, they would've defeated Vor by themselves without Sofia, but they were forced to bring Sofia into this mess. And it wasn't even them who called her the second time. It was Vor mind controlling them. The first time they brought her to stop Prisma in the finale was where everyone was pitching in to stop her. Sofia does not do things alone, and when she does, it's when everything happens by surprise. like when Sofia finds Prisma with Grimhilde's crown. The Protectors didn't make Sofia find Prisma on her own. She just kept finding her trying to steal items from the Wicked Nine. She knows to get help from the Protectors because she threatened to call them on Prisma when she had the crown. And that's the thing: Sofia is not willingly left to do things alone. It's out of anyone's control to help her in the finale because they're either unable to or aren't aware of what's going on.
Say what you will about Sofia being too young to be a Protector-in-Training, but the Protectors didn't want Sofia to have to go through this. They didn't want their trainee to have the fate of the EverRealm dependent on her.
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rubywolf0201 · 3 months
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My personal opinion on Princess Peach Showtime since some people on Twitter are whining about how Peach isn’t somehow feminine for not wearing girly clothes:
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visiblenostalgia · 1 year
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Placements I’d like to call thrifty:
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Venus and Jupiter both seem to represent spending habits. In both unique to their own kind of ways. Jupiter for wealth and Venus for the physical commodity of what that wealth can bring. Saturn however represents the economy as a whole. The one that represents the entirety of what’s driven by Venus and Jupiter. Taking into consideration that Saturn can be restrictive and the respective signs of Capricorn and Aquarius can both represent a more cold wintry energy (henceforth where winter is hard to bear due to the impoverished harvest around that time), it can be safe to assume that Venus and Jupiter in those signs can prove to be thrifty. Being one to work on a budget rather than being a wealthy and born-into-success type deal.
Here’s some of my takes regarding those observations. And remember, these are in my opinion and solely mine. You’re free to disagree but let’s not cause war in the comments. It’s needless banter.
Placements deemed thrifty (MAJOR):
Venus in Aquarius (pretty self explanatory. The thrifty commodity finder. Someone to finds unique stuff at a goodwill or eBay for a good price and makes it either a fashion icon or a trend. The alternatively trendy.)
Venus in Capricorn (also self explanatory. Someone who saves a bunch of money before getting what they want. You’d see them decked out in some luxury stuff but they’d also be quite cheap and insisting on buying a great value box of sparkling water than Bubly or Topo Chico.)
Venus in Sagittarius (may be too wild in buying commodities. Watch for thoughtless/needless spending)
Saturn in Taurus (slow to build wealth but it may also be karma with wealth)
Saturn in Sagittarius (toning it down on the spending naturally or having karma with travel. Travel usually costing a lot of money can be an issue. Last minute spending due to so much karma in benevolence.)
Jupiter in Aquarius (wealth in alternative work routes. You take the interesting way to success and it’s guaranteed. May have had to manage money after you have spent on it. Paychecks may range variously.)
Jupiter in Virgo (I have this. Not everything is just handed to you on a plate. You have to have your x’s crossed and i’s dotted, your plans planned and your seats booked in order for there to be forward motion and a chance to get money. Wealth comes from years of knowledge. And knowledge is king these days.)
Jupiter in Capricorn (like above, you have to work for it. But for y’all power is gained. Alas, if you end up being frugal this is definitely a placement for it.)
Saturn in Cancer (you raise a household from a young age. You may have been sent out on grocery lists and handed a budget at ten. You had to follow it or be punished. If you managed to find cheaper deals and prices, you’d have extra money to spend on yourself. Alas, you only had so much so you had to enjoy one little consumer item all to yourself. Doesn’t matter what that was. Or if you were smart, you saved it for the piggy bank. Either way, another thrifter/frugality placement.)
Saturn in Leo (the debilitated celebrity. Publicity karma. Being a celeb meant money right? With Saturn you may have had to become quite scarce in order to find some sort of karmic release. Your ego had to take a blow so you can find publicity. Without that you’d be probably more frugal than a Canerican Saturn. Prayers to you my love.)
House placements that might signify thriftiness and frugality (MINOR AND VARY):
Saturn in 2nd, 4th, 8th, 9th,
Venus in 9th, 11th
Jupiter in 12th
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Before I continue, I may want to also kinda “add a cherry on top” by saying:
To be a thrifter is to be a future trendsetter’s inspiration. Apple took after the 90’s iMac G3’s for their color for their new mac’s. Same goes for our fashion.
Go out. Thrift for a bit. You never know what might be an inspiration to those in the future.
You can deadass be a trendsetter and not even know it.
Keep on rocking thrifting community! <3
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