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#feel free to add on to this pls
paarthursass · 8 months
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genuinely love how the whole gang is like "fuck this guy"
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grendelsmilf · 2 months
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madame web was SO fucking funny i love that every single decision they make is certifiably insane but in a somehow very safe and pandering corporately-mandated way. here are some of my favorite choices:
an extended action sequence set to toxic by britney spears which stops in the middle to remind you that the year is 2003 so this song was actually just released
the villain goes to the opera, seduces an elegant woman with a single look, wakes up from a recurring nightmare wherein three teenage girls beat him up and kill him, proceeds to rant at this woman whom he’s just met about how hard it is to know how you will die someday, reveals that he is aware that she an nsa agent, and poisons her while he forces her to tell him the roughly 8 digit code that grants you access to every single security camera and government database in the entire world
one of the girls from girls is his assistant who tracks down three teenage girls for him by making composite sketches of their faces just via his own memories of his dreams. also, they are all wearing masks in his dreams, so how he was able to define all their features is extremely unclear
the fact that spidey powers originated from an indigenous tribe in peru does retroactively imply that every spider person within the spiderverse canon is performing an egregious act of cultural appropriation
adam scott plays UNCLE BEN, but because sony doesn’t have the rights to say the name “peter parker,” they are constantly finding ways to imply that he is, in fact, ben parker without outright saying it. we do see peter parker being born (i guess this spiderman was born in 2003?), but i’m not sure why we’re supposed to care since all of the girls (apparently) seem to have way cooler powers than he does
that said, we only see the girls use their powers in dreamlike sequences of the future. at no point in the present timeline do any of them use their powers whatsoever. except anya does have the power to be a #WomanInSTEM, so good for her.
dakota johnson’s cassandra webb, or “cassie,” (very normal thing to name your daughter who has spider-fueled powers of prophecy btw) cares for a stray cat who represents her own role as a “stray” as an orphan who grew up in the foster system (this is not subtle by the way, she literally says to the cat “gotta look out for fellow strays”). to illustrate that she is secretly a warm, nurturing woman despite her aloof and awkward veneer, this cat’s name is literally “cat.”
the villain of this movie never actually explains his motivation for seeking power beyond the fact that he had a difficult childhood. no details of his childhood are ever revealed. he is not given a single redeeming quality or even a reason to care about him. he is played by césar-winning and bafta-nominated actor tahar rahim in what i can only describe as the worst performance i have ever seen outside of a middle school play. he dies after being crushed by a giant letter S from a pepsi sign. you know. like a bug.
it’s never really explained why being bitten by a spider gives one prophetic visions, beyond the tenuous notion that to see the future is to “weave a web” of sorts. however, despite the fact that we establish that the villain can also see the future, despite having been bitten by the same magical species of spider, he never once is able to predict the future when it counts, such as foreseeing that he should dodge a falling giant letter S.
there’s an extended sequence dedicated to establishing that cassie’s colleague (who later dies in an ambulance crash) cannot grill for shit. as she sips from a refreshing can of pepsi-cola®️, she lambasts him for fucking up their burgers. this is the only piece of characterization they establish for him before he dies.
at the beginning of the movie, cassie receives a very earnest drawing done by a small child in thanks for saving his mother (she’s a paramedic). cassie very awkwardly refuses to accept the drawing, kind of just makes one continuous whine with the corners of her mouth until the entire family is weirded out enough to leave, and then complains that she has no idea what to do with the drawing, and will probably throw it out. we are meant to like this woman, probably.
cassie is a professional paramedic, but a hobbyist car crasher. she drives not one, but two stolen vehicles through the walls of buildings throughout the film, and it seems to be her go-to strategy in any fight.
cassie is allowed to fly internationally despite concurrently being very publicly wanted for the alleged abduction of three teenage girls. we never see her move through the airport despite the film heavily focalizing the issue of mass surveillance and preemptive criminalization in 2003 new york city, so i guess it just isn’t an issue for her. yet another win for white privilege
after cassie experiences a near-death incident on the job that triggers her latent powers of prophecy, her doctor recommends that she take the week off to get some rest and “watch old movies.” cassie clearly considers this to be sound medical advice, as in the consecutive scene, she is shown to be watching an early version of a christmas carol (in the middle of summer) and clearly feels a strong enough bond with scrooge that she feels comfortable speaking to him through the screen as if he were an old friend.
cassie has a vision of her mother researching spiders in the amazon before she died, and almost immediately yells “WHY DID YOU HATE ME!!!!”
cassie’s quest to save three teenage girls she doesn’t know ultimately results in the deaths of many more people, including multiple cops, train passengers, diner patrons, chopper pilots and people she may or may not have hit with her stolen taxi and/or stolen ambulance. but at least julia, mattie, and anya are safe!
after cassie is blinded and paralyzed(?), her entire personality does a 180 and she becomes a very creepy, ominous woman who serenely predicts the near future of her three adopted teenage girls, illuminated by a giant, weblike window. this is all done in service of setting up the sequel that sony clearly assumes is a given.
cassie attends her colleague/best friend’s sister’s baby shower (who happens to be played by emma roberts, and who also happens to be peter parker’s mother) and is for some reason corralled into playing some baby shower games, including “describe your fondest memory of your mother on a small strip of blue paper” (which cassie deliberately leaves blank, leading to a very awkward explanation of her mother having died in childbirth, but don’t worry, you’ll be fine) and “guess the name of my baby” (which is never actually revealed, because sony apparently has the rights to the name ben, but not peter).
anyone else really craving a nice refreshing can and/or glass bottle of pepsi-cola®️ rn, or is that just me?
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beesorcery · 6 months
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silver and sulphur
[ID: a drawing of Zirk Vervain from NADDPOD in profile, visible from the chest up. He looks in front of him with a neutral expression and holds a glass flask of colourful liquid in each hand. Zirk is a young humanoid man with dark brown skin, droopy elf ears, and blonde hair with rainbow dipdyed ends. He has messy, curly bangs and a pair of round glasses, and wears a white shirt with puffed sleeves, thick black protective gloves, and a black apron. Behind him, the wall is covered in pipes, glass vials, and other alchemical equipment. Decorative writing on the wall reads "Vervain's Potions & Salves / Thornkirk". end ID] (id via transguyhawkeye)
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🖤 top tier commands for dumb puppies 🖤
Come.
Speak.
Down.
Fetch.
Roll over.
Bend over.
Wag.
Crawl to me.
Sit pretty.
Stay.
Hold still.
Play dead.
Beg.
On your knees.
Quiet.
Open.
Tongue out.
Pant.
Drool.
Look at me.
Swallow.
Behave.
Cage. Now.
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tamarrud · 3 months
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Don’t you think it’s time to forgive and move on so no one would die anymore?
If both sides just agreed to live together instead of going head to head for the whole land, wouldn’t everything get solved?
There’s so much to unpack here but to start, I’m going to be honest with you, this reads like a sick joke.
Not sure what to tackle first but one: this attempts to equate "both sides" and treat them with the same standards, which you absolutely cannot do when one side is under siege and the other is the one imposing the siege. We’ve been over this already, come on.
Two: this acts as if this is an ancient struggle and as if an active genocide isn’t taking place as you type this. It’s incredibly callous to just think that things magically get resolved as if Israel’s terror isn’t continuing and affecting literal generations, even the ones who aren’t born yet.
Three: on top of how reductive this is, what Israel has done and is doing right now is deliberately meant to cause destruction and pain on the long-term. With policies like shoot to maim, you cannot seriously say "oh but let’s hug it out".
To expect a woman whose house was literally taken over by settlers to "forgive" the people who are preventing her from entering to even retrieve her belongings, or to tell the parents who lost all 8 of their children in a single Israeli strike to "move on" or to even think the people in Gaza who are currently witnessing one of the most atrocious acts of violence to "turn the other cheek" is genuinely beyond disgusting and disturbing.
You must be out of your damn mind to think a colonising entity would just cease its violence over tea and biscuits. I don't think you realise how incredibly harmful it is to live in such nauseating fantasies.
I honestly have so much more to say about this but this is what I have the time for rn: what this really boils down to is that we are fighting for justice and what you’re asking for is branded as "peace" but what you really mean by that is for Palestinians to suffer quietly. But no justice, no peace.
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ellstronaut · 1 month
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Going back to this debate
I know Ellle is a multifaceted individual that much is obvious she’s not one dimensional she has many elements to her personality. Additionally, it’s important to remember that even on the spectrum of masculine and feminine, Ellie isn’t completely one or the other. She exists in some sort of grey area between them, embodying both masculine and feminine traits. She’s not defined by one end of the spectrum, but rather by the interplay of these two extremes.
Yet at times the characterisation of Ellie is laced with internalised misogyny. And highlights the way “masc presenting” lesbians are treated in real life tied down to the “man” in the relationship why is Ellie mostly written as the dominant one especially when coupled with fem reader why do we head canon her as a top when it’s literally canon that she’s a switch? Why is there an infinite amount of “ellie taking care of the reader on her period” scenarios outnumber “Reader taking care of Ellie on her period” Ellie written as tall towering over fem reader and not like she’s literally 5’5
The fact is that there’s a heteronormative slant to the way people write her. Like I said almost never written as a switch, but a top. To some extent been portrayed as tall and dominating, never small or vulnerable. And Santa Barbara Ellie is often sexualized even though she is deeply traumatized and emotionally tormented. The problem is that people are viewing her through male-centric lenses, reducing her to an object of desire rather than a fully fleshed out woman with a complex, nuanced personality which includes many dimensions, some of which may be considered feminine.
There is no specific way to be a “masc lesbian” a woman nor feminine and express your femininity. Nor should that separate her from her womanhood/femininity. in a way it’s her way of showing how feminine she is. maybe not stereotypically through outward appearances, but her general identity. she’s a woman who experiences the same struggles that women do, Obviously she doesn’t waver just on the lines of black and white, she’s all rounded. In between. Grey area. The point I’m trying to make is that she’s all and above, you can be both masc and fem. I would add that Ellie's femininity is often overlooked or even belittled by people who only focus on traits that appeal to them. Not her emotional intelligence, her caring nature, her resilience, her dedication to her loved ones. Fuck she’s also a soft heart and a tender soul. These aspects of her are just as important to her character, she is a whole person ffs, exceptionally fleshed out
So fuck
“the hot wife and her hot boyfriend”
Why not
“The hot wife and her hot wife”
“She’s so boyfriend
Uh
“She’s so girlfriend”
Santa Barbara/Seattle is literally at her most vulnerable, disheveled state that girl is literally plagued with trauma, stuck in a limbo of “do I seek vengeance in the name of losing my family and absolutely everything or stay and suffer in silence (at who’s expense?? Hers) Yet we sexualise tf out of her, the most vulnerable pinnacle of existence—glorified and romanticised bc it’s “hot”
this is not a dig at anyone you’re free to write whatever tf you want bro it’s your platform but pls let’s not bs and pretend as of this doesn’t occur
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lionheartedmusings · 5 months
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oh yeah i feel the need to say this bc tumblr ecosystems are different but like... you can say the most chaotic, random ass bullshit and you'll probably have someone say "bet". you'll see things that'll make you do a double take and the thing is, 99.99% of the time no one's serious, we're all just fucking around.
common place jokes are "foolhalo gay sex" (every time they talk it is gay sex, it's not sexualization it's... a vibe) and "when there's no streams there may or may not be fake unreality omegaverse discourse on your dash and it's a joke but also it might summon content creator aypierre".
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i don’t know if this makes sense but in my head there are four distinct categories to describe the way each Pedro Boy has sex and there is no room for debate!!
fucks: joel miller, dave york, oberyn martell
makes love: frankie morales, javier peña, marcus pike
this man has not gotten laid in years and it shows: max lord, dieter bravo
might actually be a virgin: javi gutiérrez, din djarin
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ikol-art · 11 months
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I'm not a writer so don't ask me for a fic, but
I keep imagining a scenario where Merlin is holding Arthur as he's dying, but with a magical grief outburst like Morgana's over Morgause. Except for Merlin it sends his time manipulation powers into overdrive and he ends up reversing it, all the way back to the beginning. I've read several fics where he time travels back, but in this scenario I imagine Arthur ALSO knows about it, because Merlin was holding him as it happened. Imagine Camelot at the very start of season 1 and only Arthur and Merlin have knowledge of the past/future 10 years. I'd imagine it would change quite a bit (they def support Morgana from the beginning, smuggle out any sorcerers because they don't quite want to actually murder the king, maybe Arthur and Morgana end up simply traumatizing him with their stances on magic idk, they adopt mordred and also hatch and smuggle Aithusa in, gaslighting everyone into thinking she's a bird)
Now Arthur has to do the whole 'keep Merlin's magic a secret' thing.. he's terrible at it, Morgana ends up knowing within 5 minutes
I would also imagine it would change the relationship dynamics, sharing 10 years with only one person is bound to bring you even closer together (yes I need merthur to happen here, but it could also be mergwenthur 👀 or if Merthur is endgame Gwen should at least get to end up with both Lancelot and Morgana, she deserves everything)
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angstydiaz · 1 year
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Its always a tiny bit funny watching ppl scramble over buddie rn when like?? have you guys been watching the same season i have??? and are thinking we are doomed?? after 6b?? after eddie screaming for buck after the lightning strike after he ran up with no regard for his own safety? the way bobby turned to eddie when it happened and the way he had to physically pull hiim back and force him to drive? the fact eddie literally restarted bucks heart? “do more”? the fact buck went to eddies when he felt overwhelmed by everyone and fell asleep on his couch? which then led to them discussing the shooting? “honestly eddie..i dont know”? . THE POKER DATE??? the buckley diaz scene that was just pure domesticity?? the buck and chris scene in that same ep?? eddie saying dating “feels like he has to perform”? and the whole tia pepa speech?? “WE ALL DIE ALONE/YOU DONT HAVE TO BE ANYTHING FOR ANYBODY? buck saying natalia sees him and eddie looks at him with that expression because EDDIE SEES HIM.” you havent been the same since it happened but how could you be” like right after that line eddie sees him. like the same way he did in 6x12??.
THATS NOT EVEN ALL-
LIKE LISTEN YOU CAN HAVE UR OWN WORRIES BUT SOMETIMES I NEED TO GIGGLE
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kanansdume · 1 year
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skibasyndrome · 6 months
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Wilhelm & Simon + touching each other's hair 💙💛💙
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sunlitlemonade · 2 months
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so. uh. surprising thing about jason, who might be one of the most inconsistently written characters ever, is the fact that one trait about him has remained constant throughout different eras, reboots and even an elseworld. no, it's not his thighs tho that would be a very good guess.
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it's his suicidal ideation. yeah.
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[here's me screaming about the fact that he feels like a phantom that has outlived its purpose of haunting in detail if you're interested]
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dwreader · 9 months
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Claudia's Hair & Growing Up
I've written previously about how Claudia's wardrobe signals a shift from her childhood self to her adult self but the most clear and obvious marker of her self-perceived adulthood is her hair. In the early 1900s, a girl was allowed to have her hair down or in a half up do until about age 17-18 or when she made her debut into society. After that, when appearing in public spaces, she would be expected to have her done up (and also wearing a hat).
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As you can see in episode 4, she has her done in the typical style of a young girl in the 1910s, ornamented with a bow or some other decorative ribbon. In fact, this is one of the clearest indicators to people like Charlie and the guy at the university that she's really young even if she claims to be older. This is a childhood/early adolescent hairstyle and an adult woman would not have worn it out and about.
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In the first photo above are the Romanov children with the girls between childhood and early adolescence. Below that, you have adult women in the 1910s with their hair done up and on the right wearing a large hat when out of the house.
However, an interesting shift happens in the 1920s that coincides with Claudia's coming of age and while it's not explicitly explored in the show, it likely compounded Claudia's frustration at her inert physical state. The 1920s was the beginning of VERY short hair becoming popular with women, so instead of marking your adulthood by putting your hair up, many would simply chop off their hair into a flapper bob.
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But Claudia CAN'T cut her hair. It would just grow back so not only is her body in arrested development but she can't even style her hair to the adult woman trends of the era. She's not only stuck in a 14 year old's body but she's stuck with a 14 year old's hair length from the year 1917. So what does she do? After episode 5, she almost always wears her hair up especially when out in public and when she is trying to project maturity (anatonizing Lestat, buying things at the pharmacy, meeting with Tom Anderson). While she may not be able to cut her hair to match the trends of the 1930s woman, she CAN at least put her hair up like a 1917 woman. It's literally her one way of controlling her appearance beyond how she dresses.
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Final note: while the show in general has pretty accurate and well developed styling choices, the one glaring exception is Antoinette. She's really not styled properly for any era she appears in and I know her looking 35 years old for 30 years is a bit of a joke in fandom but truly her hair is just NOT it. It's way too short for 1917 (needs to be updo capable!!) and kinda too long for the 20s-30s. They really just did not care about styling her accurately at all and ykw that's okay cause she doesn't really matter lmao.
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Like look at these from the years 1917 and 1937 and then look at the styles I posted above of the 1910s vs. the 1930s and like????? what is going on here lady!!! You're just not trendy in any era hon.
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awellposhmagazine · 19 days
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collection of matty photos that give me a stomach ache because he looks too real and i get scared: part 1
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karokawwo · 1 month
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my swap au because I've been Pondering:
Ais->Leander: He's the rough yet charismatic leader of the Seaspring, much more lively and boisterous than og Ais, partly because he does actually have a gang!! He still has a deal with Ocudeus and many of his gang members are part of the Seaspring, but he does have some sane ones... For now.
Leander->Ais: Former leader of the Bloodhounds, now spiteful and moping in the nearest run-down bar. The Senobium took down his gang since he was getting a little too "confident", but he's still trying to find a way to take them down (while drinking the pain away)
Kuras->Mhin: A wandering angel trying to atone for his sins by destroying the "filth" from the Underworld. He believes if he kills enough of them or suffers long enough, he'll be saved at long last.
Mhin->Vere: The Senobium's newest pet, a desperate fledgling who was caught when trying to escape their curse. Mhin isn't quite as old as Vere, but they've been around long enough to start resigning to their new job and their cursed—yet somewhat useful—power.
Vere->Kuras: Honestly idk everyone else's switch kiiiinda clicks into place except for his. I was gonna say he found himself pitying the poor or something and that's why he became Low-towns' doctor but like that's so noble it feels wrong on Vere yk. Please help. I do know his healing hurts like hell tho (think Marcille from Dunmeshi, like yeah her healing does the job but it's still torture)
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