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tina-aumont · 2 months

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“A Day in the Life of a Mannequin”

Model Teresita Montez pictured by Federico Garolla, Paris, November 1952.

Very special thanks to @74paris for sending me some of these photos.

The two photos where she is sitting on a white sofa come from here and here.

#Teresita Montez #1952 Teresita #model #Federico Garolla #High Fashion #Haute Couture #1950s fashion #1950s style #mannequin #collaboration #A day in the life of a Mannequin #1952 A Day in the Life of a Mannequin

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lascitasdelashoras · 3 months

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Federico Garolla, Elezione a Napoli, 1948

#federico garolla #napoles

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pelomundodascidades · 4 months

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Federico Garolla, Pier Paolo Pasolini, Centocelle, Roma, Italia, 1960 http://www.garolla.net/inglese/bio.htm https://en.wikipedia.org/wiki/Pier_Paolo_Pasolini

#Federico Garolla #fotografia #b+w #artists and cities #Roma #Italia #people and cities #Pier Paolo Pasolini

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deathnskulls · 2 years

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Federico Garolla, Rome, 1956 // Sophia Loren

#Sophia Loren #federico garolla #photography #portrait

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audreyhepburninblackandwhite · 2 years

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Audrey Hepburn on the set of The Nun's Story in Rome, Italy Photography by Federico Garolla 1958

#audrey hepburn #1958 #1950s #the nun's story #rome #italy #federico garolla #on the set #behind the scenes #vintage #classic #style #photography #fashion #old hollywood #old hollywood glamour #movies #old movies

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erosioni · 2 years

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Actress Ilaria Occhini with her husband, Neapolitan writer Raffaele La Capria, Positano, 1964. Photo: Federico Garolla

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claudiotrezzani · 2 months

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La parte sotto, quella sottopancia, di un basto.

Sol che ad indossarla non è un asino.

Canale del Brenta, anni cinquanta.

Diego Valeri ci va, con lui Federico Garolla.

Diego scrive, Federico fotografa.

E per fortuna che lo fa, Federico.

Lede la dignità, quella striscia di cuoio?

A scanso di dubbi, il volto è tricologicamente celato.

Epperò non la lede, la dignità, la striscia.

Perché se i ricchi chiedono ausilio ad Andrea Palladio per i loro buen retiro, lì, i poveri nobilitano il luogo con fiera fatica.

"La più oscura verità quotidiana [omissis] suscita un moto di simpatia umana che ci consola dalla malinconia delle rovine", scrive Diego.

Sapete quei palazzi - quelli presso le stesse rive ove l'uomo spinge battello - erano costruiti con materiali di risparmio rispetto a quelli impiegati nelle loro veneziane dimore.

I ricchi volevano risparmiare, lì.

Non si risparmia, invece, il batteliere.

E sì, rovine, ora, lì.

Solo il gesto, sopravvive.

Grazie alla vigorosa fotografia di Federico Garolla, sopravvive.

Quel gesto - nel plastico dinamismo della trazione e nell'icastica grafia delle funi - odora di divino.

Di sacrificio, caparbietà, volontà d'offrirsi all'immarcescibile tensione dell'umana progressione.

Claudio Trezzani

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deepinsightphotography · 1 year

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Federico Garolla, Roma, 1953

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bodidarma · 1 year

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Federico Garolla, Roma, 1953.

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malefica67 · 3 years

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Ph. Federico Garolla, Claudia Cardinale

#federico garolla #claudia cardinale

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una-lady-italiana · 3 years

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Sophia Loren

photo by Federico Garolla

#sophia loren #federico garolla

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tina-aumont · 3 months

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Teresita Montez pictured by Federico Garolla, Paris, November 1952.

Beautiful photo from Fedescaletta instagram.

This other instagram (1972projects) writes this interesting story about her:

In the mid-Forties, Maria Montez brought three of her teenage sisters to the US, to live in the Beverly Hills house she shared with husband Jean-Pierre Aumont. Adita, Lucita and Consuelo proved a handful to chaperone (and provided gossip columnists with plenty of fresh material). But it would be a further two years before Teresita, the youngest, arrived. And by then, tired of Hollywood typecasting, Maria had decided to move to Paris. Teresita went with her, and began modelling lessons. And after Maria died in 1951 (drowned in her own bathtub, a tragedy that played out across the world’s front pages), she struck out on her own. She signed an exclusive contract with Jacques Heim, was voted the top model in Paris in 1953, dabbled in movies, and married a millionaire (after a few postponements brought him round to the idea that she had no intention of retiring). But, despite refusing to cash in on Maria’s fame, Teresita found herself stuck with the surname she’d always rejected: Montez.

#Teresita Montez #Teresita Gracia Vidal #model #1952 Teresita #Aute Couture #Federico Garolla #1950s fashion #1952 Federico Garolla #Montez Family #Gracia Family #glamour fashion #glamour model

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voluptama · 3 years

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