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ineffable-gallimaufry · 1 month

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characters in les mis (musical) ranked on how good their introductions were:

jean valjean: 9/10 he actually says his name and like . conveniently gives us his backstory while talking to javert which was nice

javert: 10/10 literally says his name and then says "do not forget my name" so forcefully i managed to not forget his name immediately so that was good

the bishop: 5/10 solid but not enough context. could've used a whole five minute song about only him beforehand tbh (kidding i swear)

fantine: 9/10 she does have people say her name which is good, she doesn't say it directly but like she does fill in her situation well. also i would feel bad for giving her a low score since her intro is literally her having a horrible time

bamatabois: 3/10 he never says his name and he's a huge asshole . only gets a three because it conveyed his character well + javert was there. but he also gets a three because i hate him

fauchelevent: 10/10 because. it's the runaway cart man . best song in les mis. also they do say his name so it works

cosette: 10/10 her name is said over and over again before she's even onstage + her introduction really shows the bleakness of the situation she lives in with the thénardiers

mme thénardier: 8/10 she doesn't say her name but it is a good introduction nonetheless . 8/10 instead of 9/10 because it isn't like. my favorite favorite but it is good

eponine: 6/10 controversial but sorry. i feel like they introduce us to eponine as kind of a brat (with her name which is nice) and even maybe as helping her mother directly to hurt cosette whereas we don't get a good enough reintroduction to her character in act two that gives us a better idea of her character as someone who's arguably just as hurt by the thénardiers as cosette. it's still okay though

m thénardier: 10/10 they say his name and then immediately he gets master of the house? it's a good introduction to the fact he's a big old thief and it's also kind of a bop. no notes

gavroche: 10/10 his name is in his first line. and it gives you a very good impression of him. i don't have any notes alright . i mean they kinda give the impression he's not related to thénardier but i can't fault them for not including that since it's not a HUGE plot point

enjolras: 2/10 i genuinely do not think anyone ever adresses this guy by name. i only remembered he was supposed to be there after i watched the play and then had to hunt down the actor's name in my playbill so i could see if i remembered him. like he just felt like another member of les amis tbh. two points because at least he's still characterized well

marius: 5/10 we hear his name from enjolras and because we get no context for his life before this point he feels so damn uninteresting... like all we get is the "ooh marius is in looove" without ANY context of his life outside of that. literally just there to fall in love with cosette and it shows

les amis de l'abc: 4/10 i am grouping them together because they literally get NO distinguishing qualities from each other in their introductions. grantaire making fun of someone is alright for things grantaire would do but like. can we not give that to courfeyrac?? why are all of them such non characters in this introduction?? like at least we get a few name drops from enjolras but i am just not really a fan. courfeyrac should be in here more since marius lives with him but i guess that doesn't matter because marius had his whole backstory surgically removed to make room for the brick to not be a million year long play. whatever. probably why lesgle gets nothing either despite the fact he introduced marius to les amis. didn't know this got on my nerves so much

patron-minette: 5/10 i mean. it's AN introduction but also to be fair i can't get mad too much since they're not major characters+ they are kinda interchangeable in the end. only montparnasse got a name drop but they did also keep my favorite eponine moment largely intact so. eh. whatever they get a five for being mediocre

#les mis #les miserables #these are just my opinions and they're very biased (see the fact that fauchelevent gets a 10/10)#but i'll put em out there lol

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joyce-stick · 1 year

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The Beef Stroganoff Song! (arbitrary subtitle discourse edition)

So, you may have noticed here that the subtitles in this clip (from Symphogear GX episode 3) are fairly different from what you're used to seeing when people post this video, and the phrasing in the subtitles is fairly different from what the associated memes often say

For those who don't know, Symphogear got itself released on blu-ray by Discotek, and with that came with a new translation authored by Noelle (@ulsairi on twitter ) who is notable for being the only trans lesbian anime translator I know of off the top of my head.

Her translation appears, in my opinion, really rather polished and very good, and I strongly appreciate the way it's written and how much character it adds to the dialogue by giving everyone distinct voices and adapting things into more natural English. It's also a fair bit gayer. I haven't encountered many people who've seen these subs, but I think most fans of the series would consider these a net positive change. There are some people who are mad about these subtitles, and they can die mad.

Anyway, let's talk about the different phrasing of the beef stroganoff song. I'm mostly going to compare to Crunchyroll's subtitles for reference since that seems to be what most others go off of. Here's a link to that version.

So right off the bat we can see here that while CR's translation appears to be a lot more, for lack of a better word, functional, Noelle's translation tries to apply more dialectal force "it's beef stroganoff/Yes! It's THAT beef stroganoff!" And generally communicate through the tone how excited the girls are to get started. Additionally you'll see throughout that the latter is a fair bit more lyrical, there's a lot more punctuation and verbal tics and filler phrases written into the dialogue to express that they are singing, which makes sense since Japanese tends to omit a lot of the sorts of prepositions that Noelle threw in here,

Like, Yumi (yes I went and looked up her name on the wiki) just says "beef stroganoffu" because it's obvious from context that it is beef stroganoff, she doesn't need to spell it out, at least, not in Japanese

(We know like maybe ten hiragana and 1 kanji do not trust us on Japanese this is all just basic shit we learned from online guides)

So this probably leads to a rushed translator from Crunchyroll (they are notoriously crunched for time) who's just trying to Get It Done probably not really bothering to throw in extra additional connecting letters to express the tone of the character, only doing so when it's required to make basic grammatical sense in the target language. So they likely didn't think to make the subtitles have flourishes like this that aren't explicitly in the original Japanese. Noelle meanwhile had the time to consider things like this and take such liberties in order to attempt to convey the same tone that was arguably implied by the Japanese, even if not explicitly put forth

And that's about all the things I should not repeat I guess, TL;DR, these subtitles are more fun to read because the translator had more time to think about the best way to make them more fun while still being accurate to the spirit of the original dialogue, who'd have thought!

(In case you're wondering, the Commie subtitles say kind of the same thing here, and y'know, it doesn't seem like a wrong translation, but also I really dislike this subtitle styling, orange on pink with that font and that drop shadow is just kinda bad. I appreciate the effort but like. Come on. Please fansubbers, please think about if the font and colors you chose actually work with the image you're putting them on)

Moving on!

horizontal and middle rhyme with each other so you can almost actually sing this, actually let me take a moment to try it right now- never mind, I can't sing. Hahaha. I don't actually think it lines up that well with the melody But I thought it did! Didn't I? That's significant, that this actually reads like plausible lyrics to a silly song someone made up instead of a literal translation of a Japanese song

Anyway, here comes the first major difference!

So in the Crunchyroll subtitles, Yumi says "it doesn't have to be beef" which in English (in my estimation) sounds a tad scatterbrained, like, "oh yeah sure beef but whatever really it doesn't actually matter," while Noelle's subtitles rather say "Got no beef? Don't you worry!" Which implies something different.

"It is recommended to use beef, but you may substitute something else if you are sorely lacking in beef" as opposed to "Oh the beef doesn't actually matter, zoinks lol!" CR's translation is kind of a bit funnier in how it sorta comes from nowhere without this qualification, which probably lead to this phrase's memeticness, but Noelle's translation seems more reasonable to me so yeah again, tada, yay for sensicalness.

Now here's another interesting change:

Again, the flat manner in which the CR subtitles say "finish with salt" with rendezvous only being included because that's literally what they said, is sort of absent any stronger emotional implication,

Noelle's translation meanwhile going with "don't forget them, they need it" imparts personhood upon the salt and pepper. The implication being that the girls are saying, "the salt and pepper are in love, please reunite them, they must be in gay love together." Or maybe you think the salt and pepper cannot be forgotten and must be reunited because they are Only Friends.

Whether you choose to believe that this is the salt and pepper getting married, or merely subtext, or an interpretation, or salt and pepper shipping bait, this is a deeply important tonal indicator because it reminds you that these girls are ultimately playing with their food!

"And there, now you're in for a treat!" I don't think I need to explain this one.

Now, here's an interesting one!

In the Crunchyroll subtitles, it just says the memetic "boys don't know this." With no context, no elaboration, no clarity, no qualifiers. Boys don't know. Did the boys magically get their brains wiped? Are the boys biologically incapable? Who knows. Nothing is said but that.

Noelle's subtitles, on the other hand, qualify this statement by saying "Boys aren't taught to cook, so they may not know" (And note again how, it says "kno-ow" to emphasize, once more, that they're singing, and also this lines up with the long "ooooo" sound they make at the end of this lyric, so cool)

There is now context! Boys aren't taught to cook! Anime and Japan's culture in general still pigeonholes people into gender roles! And an anime translator just wrote you a hidden translation note about it! You might be a boy, you might know how to cook, but certain boys in another part of the world aren't traditionally taught cooking, so they may not know

They may not, but they could!

Trust a trans person to express gender facts with subtle nuances like this in anime translations.

And with that lovely bit of good translation and good writing and good localization of a thing to make it make sense to people

Mew!

#symphogear #symphogear gx #beef stroganoff #translation discourse #boys dont know this #(or rather THEY MAY not)#(but could if they were told how!)#you know it from anime and manga #audrey (of the joystick system) posts

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princesssarisa · 4 months

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I've decided not to write any more long posts about why some people don't like Disney's Belle. I've probably been dwelling too much in other people's negative thoughts that I disagree with. But here are the rest of the critiques of Belle's character that I've read, and my short, succinct thoughts on each one.

I still think it's very interesting that some critics think Belle is too sweet and gentle, too feminine, and not "strong" or "modern" enough, while others think she's too defiant, too "modern," and not sweet or gentle enough.

Her desires at the beginning are ill-defined: she wants "adventure" and "more," but has no specific goal. This is true, but personally, I don't mind it. Plenty of us don't know exactly what we want from life, but do know that we want more excitement and wonderment.

She does nothing but read and complain in the village; she makes no effort to achieve her dreams of adventure, and she never does any realistic peasant chores, which makes her come across even more as a spoiled rich girl. I think it's implicit that Belle and Maurice are too poor to leave the village – that's why Maurice sets out to gain fame and fortune with his invention. And I think Belle's never doing housework onscreen was part of Linda Woolverton's feminist agenda. Maybe it's not realistic, and maybe it's overly "second wave feminist," but I do think it was fair of Woolverton to want to break away from the Walt-era Princess model and not show Belle cooking or cleaning.

Her dreams of adventure are side-swept in favor of a mere love story. I think there are two ways of addressing this issue. One is to argue that her dreams of adventure do come true, just in a way she never expected. The other, supported more by the song "A Change in Me" from the musical, is that she does lose her dreams, but for the better, as she realizes her life doesn't need to be like a romantic storybook to be happy.

Her romance with the Beast isn't nearly as fleshed-out or as realistic as fans claim it is. This is subjective. Some people think it's one of the best-written romance arcs in cinema.

She affects meek politeness and plays games with Gaston instead of plainly refusing his advances. First of all, if Belle didn't care about politeness, she would be a hypocrite to criticize Gaston and the Beast for their rudeness. Secondly, Gaston is intimidating. Third, this is only the beginning of her journey – with the Beast, she arguably learns to stand up to someone who mistreats her, which lets her decisively reject Gaston and call him a monster later on.

She seems to blindly love all books without questioning their content, which could be dangerous, especially when the French Revolution arrives. Belle has no trouble thinking for herself. If she can open her heart and mind to the Beast, and loathe Gaston while the rest of the town adores him, then I'm sure she can tell good books apart from bad and dangerous books. And the fashions in the movie are such a mish-mosh that I'm not sure if it takes place before the French Revolution or after... or if the French Revolution will even happen in this fairy tale world.

She sacrifices her own needs for men. Yes she does, but it's not framed in a gendered way, and both the Beast and Maurice do the same for her.

She emasculates the Beast. Well, I'll admit that the Beast's arc isn't very empowering for him – that's the whole point, that he learns to give up some of his personal power and love unselfishly. But is that necessarily a bad thing? I'll also admit that sometimes, I feel troubled that the Beast lets the mob attack the castle and does nothing to protect his servants. Still, we probably shouldn't judge a character whose mental health is clearly suffering at this point: immobilizing, suicidal despair doesn't only exist in fiction, so we should think twice before we call it "weakness" or "emasculation."

She needs male characters to rescue her – the Beast from the wolves, Chip from the cellar. I respect the complaint that the Disney Renaissance movies still rely too much on the "boy rescues girl" trope, but there's no shame in needing to be rescued. Especially because in the forest scene, Belle is just one human facing a whole pack of wolves, and in the cellar scene, her father is rescued too.

She never uses her skills, knowledge, or passions to solve problems – the only purpose they serve is to unite her with the Beast. I think this is just a genre problem. The whole story is geared toward uniting Belle and the Beast in love, and every story beat serves that end.

She almost leaves the Beast to die in the snow and stays angry about the West Wing incident even after he saves her life. The former is only a split second, while the latter is only in self-defense when the Beast unfairly blames her for his injury. Besides, consider the context of how the Beast has behaved until this point!

She's a hypocrite for giving the Beast a second chance yet dismissing Gaston as a monster. She doesn't give the Beast a chance until he risks his life to save hers. If Gaston had done anything like that, she would have given him a second chance too, but he doesn't. Gaston is also far more cold-blooded and narcissistic than the Beast ever is.

She's to blame for the Beat's near-death at the climax because she reveals his existence to Gaston and the other villagers. Of course she is. It's explicitly framed as a terrible mistake and she openly blames herself. But it's an impulsive act of desperation to save her father, and she tries to explain that the Beast is kind and gentle. Until it's too late, it clearly doesn't cross her mind that the villagers could form a mob to kill him!

She plays a nurturing, motherly role to both the Beast and her father. I agree that heroines shouldn't need to be nurturing. But it's not inherently anti-feminist to be that way!

She's sidelined in the final battle. Yes, this is true, but her presence is still essential to the scene, and not every heroine needs to be an action girl.

Her portrayal falls short of the original Beauty's greatest virtues: her kindness, selflessness, and compassion. Belle still has those qualities, they're just combined with more "modern" ones (adventurousness, defiance toward unjust authority figures, etc.). Besides, Disney had already made several excellent movies about heroines defined by kindness and gentleness. What's wrong with giving Belle a slightly different set of virtues?

She's too traditionally feminine and ladylike. I think most of us can agree that "femininity" ≠ "anti-feminist," and anyone who thinks that way is a little misguided.

Her creators glorify her at the expense of the other Disney Princesses. I agree that it was unfair and mean-spirited of Linda Woolverton to imply that the three Walt-era Princesses are "insipid," but I do respect her insistence on making Belle a different, more "modern" heroine. And I agree that Paige O'Hara was mistaken when she described Belle as "the first Princess not looking for a man" (neither Cinderella nor Ariel dream of romance until they actually meet their princes), but I don't hold that against Belle.

She's too blatantly written as a role model – she doesn't feel like a real person, but like a living instruction manual for how a "smart," "empowered" woman should behave. This is valid. But I personally do think she seems like a real person as well as a role model, and I think she's engaging enough that I don't mind the obvious "role model" qualities.

#disney #beauty and the beast #belle #fairy tale #animated film #criticism #analysis

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gerardpilled · 5 months

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i’ve always found it so funny that ray is like this extremely skilled guitarist, arguably one of the best guitarists of the last 20 years, and then mikey… still can’t play some songs live on stage bc they’re too hard 😭 like how did that happen… brother privileges fr

To be fair Gerard got away with being kinda bad at singing live for large crowds for 10+ years

#it’s okay I think he’s good now ❤️❤️

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toomuchracket · 5 months

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i cannot stop thinking about ross and girlys height difference. it’s plagued my mind i fear. like his hands being so much bigger than hers (them comparing hand sizes in a sort of flirty way pre-dating and both losing their mind!!). his clothes being really oversized on her etc etc. (and of course size kink definitely comes into it, i go feral every time)

arguably this would work for any ross universe but i have girlband gf on the noggin rn so we're doing that. genuinely the first time you guys ever met, there was hand size comparison - i see it as being at some music industry dinner thing, kinda along the lines of the lunches actors go to if they get nominated for oscars or baftas, and you and ross end up sat next to/opposite each other and get chatting. he asks you who played bass on your band's newest single, and you blush profusely and say "i did, but it was a struggle lol look at how tiny my hands are"; ross's eyes go wide when you lift your hand up, and he tentatively presses his own against it like "christ, you're not kidding. could fit both of your hands in one of mine!", and your brain short-circuits because oh my fucking god look at the size of his hands!! so does ross's, and it only gets worse when you both get roped into taking a pic and you have to stand up; you're wearing heels and he STILL towers over you, and quite frankly you're fucking obsessed with it (and him. and so enamoured by how handsome and funny and sweet he is! god. you're so fucked). he actually uses the disparity between your hands as a means of ensuring you don't lose contact - before he leaves, he writes his number on your arm ("your hand's too small for me to put it there, love") and says "phone me if you need someone to play bass on a song. just so you don't strain your tiny hands trying to do it yourself, yeah?". you're like jesus christ YES and say "will do, darling. but also... i can't fit my hand around a pint glass, either. can i call you if i want a drink, and you'll help me out with that too?", and ross blushes before smirking like "anytime you want, of course". in terms of height difference... you both run the risk of developing back problems trying to kiss the other while standing, but that's easily solved by ross just picking you up to make out with you, or laying you down and doing it; that's your fave, because it almost always ends up in sex (which, like you said, is made all the more fun by how much bigger and stronger ross is than you. he's lifting you and manoeuvring you like you're a little doll, and it's the best. princess treatment in the dirtiest way!!). and then afterwards, you get to steal his clothes, and just allow yourself to be enveloped in both the fabric and the comforting smell of your boyfriend from his shirts and t shirts and hoodies - in fairness, though, you don't reserve that for post-sex, you have literally gone out wearing one of ross's tops as a dress, and needless to say he loved every second. yeah, i love this <3

#mads answers asks #ross asks #fluff asks #smutty asks #girlband gf

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nayeonline · 7 months

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my 5 favourite k-pop music videos <3

I love music videos, and in k-pop there are a lot of mildy shitty ones, but there are also some amazing ones that are just as iconic as they are aesthetically pleasing. Obviously budget will come into play here, so big 4 groups will be more prevalent on this list, but I tried to be as fair as possible, within reason. Also, I'm a girl group stan, so don't expect many boy groups. Obviously I will forget some, but maybe I'll make a part two, and you are very welcome to leave your fave mvs in the rbs or comments. This list is in no particular order, lets gaur

1. 'Feel Special' - TWICE (JYP Ent.)

This music video inspired this list, and for good reason. 'Feel Special' is in my opinion, the epitome of Twice, as they stand today. It encapsulates their more mature concept post 'Yes Or Yes', but it doesn't alienate their debut cuter concept, it rather welcomes it with open arms and celebrates it as a part of Twice's history, something their newer releases occasionally struggle with. Visually its a feast, its decadent and lavish, and positively gorgeous. Each member has her own movie-esque set, employing various genres and aesthetics, and then the members unite in the most glittery set ever concieved, the gold contrasting their raspberry and champagne outfits magnificently, while also referencing the group's official colours, as seen on their lightstick. The whole video is cinematic and opulent, and every detail, down to Sana's dip died pink hair, and Nayeon's stunning ginger curls which I wish she would bring back, is flawless. The only gripe I have is Chaeyoung's unblended foundation in her solo scene, but hey, we aren't all be perfect. My favourite scenes in this video are the afor-mentioned glittery golden arches group scene, as well as Jihyo's rainbow vintage television scene, that was surprisingly ahead of its time in terms of its retro aesthetics. It's a must-watch music video for the history books, and it's Twice's best song too - it deserves no less.

2. 'Why Not?' - LOONA (BlockBerry Creative - ew)

Note: If you would like to watch this m/v, please stream it from a non official yt channel, in accordance with the boycott. They will usually be marked with 'Boycott Ver.' in the title or something similar.

Loona has a lot of amazing music videos in their arsenal, but 'Why Not?' goes above and beyond. It's one of the most visually striking music videos I have ever seen, and its grasp on colour, composition, and rhythm is completely unparalleled. It's vibrancy is just gorgeous, full of neon lights and shining metallics. The video exists in a constant state of dichotomy: both cool and warm, metropolitan and pastoral, manmade and fantastical. You would assume this would ruin the video's visual message, but the contrast actually enhances it, as well as furthering the group's lore. it's unafraid to experiment with aspect ratio and camera movement, and along with the subversive editing, the final product is unique as well as timeless. Who cares that the last five scenes were neon and retro-futuristic? It's time for Heejin and Hyunjin's black and white minimalist mildly 1920s suited up dance break with a 4:3 aspect ratio of course! As the song itself says, why not? It's as playful as the song, as well as being visually stunning. My favourite scenes include Choerry's upside down mirror moment with the neon lights, as well as Kim Lip in the field with the funky glowing orbs, and of course the cult circle on the moon scene. Fucking iconic.

3. 'Ditto' (Sides A & B) - NewJeans (Ador)

Note: I have a full review of this song, if you are interested.

Where the other videos on this list are overwhelmingly vibrant or cinematic, 'Ditto' is understated and personal. Arguably one of the most influential k-pop music videos of all time, it breaks every rule of what a music video of this genre looks and feels like, rejecting glamour and high fashion for an unromanticized schoolgirl aesthetic surrounded with melancholy. It's heartfelt and unassumingly tragic, and truly makes the viewer yearn for a time they only half remember. It is one of the most beautiful pieces of cinema I have ever seen, and I am so happy that K-pop stans loved it to death as I did, despite how starkly different it is to most everything in k-pop before it. It does however remind me of f(x)'s '4 Walls' m/v, which isn't a shock as Min Heejin (ew) was their creative director also. It also has vibes of the cult classic (?) Japanese movie 'All About Lily Chou Chou'. It has sparked many trends in the industry, including but not limited to: b-roll interspersions, the typical schoolgirl aesthetic, and the general rejection of the polished, glitzy vibe we expect of k-pop idols. Their impact on trends is notable, but in my opinion, no one has executed this aesthetic to the standard that NewJeans has. The unassuming tragic beauty of 'Ditto' is difficult to put into words, you must go and watch the two music videos for it - they are life changing.

4. 'Kill This Love' - BLACKPINK (YG Ent.)

Say what you will about Blackpink, but they KNOW how to do a music video, and 'Kill This Love' is one of their best; it is beyond extravagant. The sets are huge and striking and insane - Jennie floats on the heads of two enormous swans and all four girls dance in the middle of a huge fucking BEAR TRAP and its ridiculously cool. The fashion and styling is amazing too - my fave looks include Jennie's Lara Croft moment with the braid, Lisa's big ass fur coat from her cereal scene, and Jennie's gorgeous eye makeup from her shopping scene with Lisa. In a word, 'Kill This Love' is extra(vagant). Even the scenes that are conceptually ordinary - Lisa's cereal aisle, Rosé crying in her car - are elevated into the extraordinary. There is no real storyline or through line between the scenes other than their saturated colour palettes and the members themselves, but who cares? The members look like fucking goddesses, the dance looks amazing, and there are MULTIPLE jaw-drop moments throughout the runtime - what more do you want? Where 'Ditto' rejects the typical k-pop visual aesthetics, 'Kill This Love' epitomizes them. If I wanted to explain to western pop stan what k-pop is about, this is the video I would show them first. My favourite scenes include: the group scene with the exploding statues and the bad bitch combat outfits, Rosé caught in the storm with beautiful lighting, and THE BEST SCENE IN A BLACKPINK MUSIC VIDEO EVERRRR... Jisoo's goddess moment with the sun and the reflections. Nobody does music videos quite like Blackpink.

5. 'What Is Love?' - TWICE (JYP Ent.)

This music video is so unbelievably special to me. It doesn't break any boundaries with camera movement, editing, or aspect ratio like 'Why Not?', and it doesn't entirely reinvent the typical k-pop music video like 'Ditto' either, but I think it is one of the best music videos ever because it is so FUN. 'What Is Love' is a music video that is a series of references to iconic movies, most of which being about love, as the title suggests. It harkens back to 'La La Land', 'La Boum', 'Pulp Fiction', 'The Princess Diaries', and many more, with the girls playing the characters, on their fictional discovery of what love truly is. It's so special to me because it reminds me of doing exactly what the girls are doing with my best friends and my big sister - trying to learn what love is from the movies is something almost everyone has experienced, and thus the whole video feels nostalgic both for its references, and for its overall concept. It's fun and lighthearted and a memory of simpler times. Oh, to be a 12 year old obsessed with 'The Princess Diaries' again, to be a tween watching 'Pulp Fiction' with your big sister when it's probably not age appropriate, to be young teen watching 'La La Land' right when it came out. What a time to be alive. That's what 'What Is Love?' is, it's a celebration of life, of growing up, of being just a little naive and knowing it. Iconic, truly.

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utbcficrecs · 1 year

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E D D I E M U N S O N x R E A D E R - smut one shots

one shots will be in alphabetical order by writer blog name, all of their works will be linked under their user.

these one shots all contain sexual scenes - viewer discretion is advised, please read all warnings on the links before proceeding. minors do not interact, 18+ only.

@chainsawmunson

dead lovers lane

summary: weirdos in love! you and eddie go exploring and, even though the setting is less than ideal, you can't keep your hands off each other.

the moon knows we're in love

summary: you and eddie were best friends until you weren't. years pass, but the ache of his absence never does. and then he's back in your life, like nothing ever changed.

@corrodedcorpses

i know you want to be a good boy

summary: eddie has been pissing you off all day and watching him flirt with another girl is what sends you over the edge. oh well, guess you’ll just have to remind him how to be a good boy.

@corrodedhawkins

bound

summary: eddie gets a taste of what it's like to be dominated.

@eratolasting

slasher

summary: the songbird slasher has been making his way throughout indiana and surrounding states, kidnapping victims and leaving songs next to their dead bodies.

@hellfirebabes

safe word

summary: after a long day at work you just want to relax but the night has something else in store for you.

scream for me

summary: an unknown caller leaves you scared and horny.

@indouloureux

crybaby

summary: your best-friend’s pretty. really fucking pretty. especially when he’s got his eyeliner smudged all over his eyes from crying too much, or when he’s got scratch marks over his inked skin, or when his begging moans make him hotter than hellfire

kiss of the knife

summary: in frenzied expeditions, eddie lets his anger snap and indulges in something... new.

@loveshotzz

perv!eddie and perv!reader part one // part two

summary: eddie loses his favourite shirt, reader loses her panties. where they end up leads to smutty encounters.

love bites

summary: eddie hooks you up with an eighth after showing up at his place strapped for cash.

@munsonquinns

camera shy part one // part two

summary: eddie’s a popular camboy, along with your best friend steve. one lucky introduction manages to turn your life upside down, arguably, for the better.

dirty little secret

summary: eddie’s used to being everyone’s dirty little secret; quick hookups spur rumors spread around school that have you more than curious and eddie has to admit, he’s just as curious about you.

double trouble

summary: growing up together was hard enough, it didn’t help that you were hopelessly trapped by both of them, wondering which one would win you over in the end—because honestly, why couldn’t you have both?

get your fix

summary: adventures in your shared obsessions of each other and your bodies—and eddie was insatiable when it came to you.

scream my name

summary: summer of 96’, fresh off the anniversary of the tragedy that took place on year ago—you and your friend are ready to enjoy your last few days of freedom and fun, but someone has other plans in mind and everyone is fair game.

@msgexymunson

red handed

summary: the polaroids had started out as just a joke, until you realised how much it turned you on taking them

rumour part one // part two

summary: you share with Eddie, your older neighbour, the rumours you've heard about him. They might not be all fictitious...

@mypoisonedvine

the pirate and the princess

summary: halloween is that special night where you can be anything you want to be... maybe more than the labels everyone else gives you. maybe even more than 'just friends'. (aka, reader has a reputation, eddie's still a virgin, filth ensues)

@nyxoz

life's no fun without a good scare

summary: ghostface / scream!eddie

@rosemaremembrance

goth girl!reader part one // part two

summary: goth reader blows eddie's mind.

@stranger-nightmare

good boy

summary: your first time pegging eddie, and you provide him with plenty of praise.

@xcatnapsx

kinktober day 16 - intercrural sex

summary: eddie wants to fuck readers thighs

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thelordofgifs · 11 months

Text

Obscure Tolkien Blorbo: Round 2

A fox passing through the woods on business of his own vs Tinfang Warble

A fox passing through the woods on business of his own:

A fox who found Frodo, Sam and Pippin asleep under a tree and was puzzled by this.

Yeah sure why NOT switch PoV to a (arguably) non-sentient creature for like a paragraph with no bearing on the actual plot besides the comment that it never realized that the plot was happening??

It shows up for one page for no reason. It's great.

Listen, that fox is absolutely a borbo. Confused? Funny? Has enough to be memorable but little enough to write a shitload of fanfiction about? Someone I have actually written about? Twice? (they aren't on ao3 though) clear boorbo

Look, people have observed before, correctly, that one of the things that sets The Lord of the Rings apart is that Tolkien will tell us things about the well-being of minor characters, like that the hobbits’ ponies that they lost in Bree were okay and went to live with Tom Bombadil. Tolkien is the kind of writer who will switch the POV to a fox who happens to pass by the hobbits on the first night of their journey to Rivendell, because the story isn’t just about the main characters, nor is it just about the endurance of realms like Rohan and Gondor. It’s about every living thing in Middle-earth, and for Frodo it’s especially about the Shire, the home of simplicity and good food and community and gardens and foxes. That’s what he takes up the Ring to save, and the fact that he takes it up with that motivation, not personal greatness or heroism, is what enables him to get as far as Mount Doom. Gandalf lays this idea out to Denethor when Denethor claims the fate of Gondor as a goal above all else: “For my part, I shall not wholly fail of my task, though Gondor should perish, if anything passes through this night that can still grow fair or bear fruit and flower again in days to come.” The Quest of the Ring is not simply about Men and Elves and Hobbits; it is about ponies, and the trees of Fangorn, and tiny sun-star flowers in the grass, and yes, a fox on business of his own who never finds out anything more about the three hobbits he once saw sleeping under a tree, but lives and thrives because of what they did.

Tinfang Warble:

A half-fay from early drafts of the legendarium noted to be one of the greatest musicians of the Elves.

how are you going to vote against a guy whose honest to god name is tinfang warble

He’s named in the Lay of Leithian (HoME 3) as “Tinfang Gelion who still the moon / enchants on summer nights of June”. He’s mentioned alongside Daeron and Maglor as the three greatest Elvish bards, but unlike Daeron and Maglor (Maglor is best known for laments, the Leithian describes Daeron’s music as ‘music for breaking up the heart’, and both disappear tragically), Tinfang seems like the kind of musician you’d invite to parties. Also, ‘enchants the moon’ recalls Frodo’s extended cat-and-the-fiddle song at Bree, so maybe when Bilbo wrote that he was inspired by some existing elvish tale about a party where Tinfang really did call down Tilion and get him sloshed?

Round 2 masterpost

#obscure tolkien blorbo #tinfang warble #queuevienen

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freezingmcxn · 2 months

Note

h I moon it's 2 am I've been up for almost 24 hours

please tell me this. is Evan and habit. like ?#?!!#! literally innner monologue type shit I'm gonna go nuts

me in ur asks btw

Hello Ethan we meet again.

YES ITS SO PERFECT I LOVE THAT SONG

It actually makes me so sad but yes it’s so HABIT and Evan

HABITs been in his body the longest and he doesn’t know him.Vinnie arguably knows HABIT best, it’s not fair Evan cant even know what’s actually going on inside himself CRYING

GET SOME SLEEP IF YOU HAVENT ALREADY!!

#slenderverse #habit everymanhybrid #evan myers #vinnie emh #emh #emh habit #Michael in my asks again #mlandersen0 #korn band #moon answers

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animehouse-moe · 7 months

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Well, Tumblr decided to bug out on me and I've now lost the original question that was asked, but someone had asked for my favorite series (be it manga/anime/movies/Tv/etc), and this was my response.

(first of all, so sorry for losing the question! I should have taken a screenshot or something when Tumblr wouldn't let me post)

It's all good, I enjoy getting these types of questions because they make me think about this stuff haha. I'm not one to really do well with the idea of favorites, so having to pin down stuff like this can be interesting for me!

That said, for this one I might just stick with anime for the list to make it a little easier. I can definitely do a top ten of manga or other stuff later on though. Also, this list will be in no particular order because I'd be stuck forever trying to figure out a satisfying order for them.

Sonny Boy

I think it's a very fair point to argue, that at this stage in his career, Sonny Boy is Shingo Natsume's magnum opus. There's just not much else to it. It's a series that he created, from his own mind and talent, and he executed on that. There are very, very few people that work in anime that can manage a feat such as that. In terms of story, I don't have any issue with claiming Sonny Boy is the pinnacle of high school storytelling. It stretches the fabric of reality so far that you might struggle to claim that it's about high school, but the longer that you spend with it, the more undeniable a fact it becomes. Or maybe you could generalize it to the human condition, or how the cracks in society will fester and form no matter the condition, or how authority will always appear in a self-serving manner, or this or that or any concept under the sun.

Terror In Resonance

Call me crazy, but there's quite a few reasons why this is the Shinichiro Watanabe anime for me. Bebop and Champloo have rose colored glasses that adorn every fan in the community, so I feel like it's hard to really take a proper look at it compared to Terror In Resonance (even though it has a similar amount of users on MAL). As a Mappa project, it is simply the best they've ever been from start to finish. As a concept, Watanabe's approach is impeccable as it examines the frustration and sorrow of displaced children in a society that never wanted them. It's powerful, concise, and from start to finish an incredibly focused series filled with some of the crowning achievements of animators in the industry. Seriously. Takashi Hashimoto, the animator for this cut, actually did all the math to calculate the speed of the smoke as it fell and moved. Some of the best work you'll see on an anime.

Vivy: Fluorite Eye's Song

I am a big, big fan of Tappei Nagatsuki's work, so being able to experience an anime that is entirely his vision of the work is really impressive. It's one of the biggest struggles with artists, I find. Understanding their work through different mediums. What you see as an anime is not what they created as a manga, or light novel. But this is different, it is Nagatsuki's (and Umehara's) sole vision, the entire intent behind their creativity. And WIT knocked it out of the park to an insane degree. As a post-AoT studio, they showed just how far they can push their creativity and execution on a series beyond human. Incredible story, incredible animation, arguably some of the best hand to hand combat we've seen in an anime in a very long time. It's just that good.

Cyberpunk: Edgerunners

Maybe you see a trend going on with my picks, and while yes it's partly recency bias, it's also a gravitation towards anime originals. I'll add a piece to that at the end, but this is about Edgerunners right now. I was in high school when the video game was first announced. That's a decade ago, now. I played the shit out of 2077 when it dropped, and I'm absolutely eating up Phantom Liberty currently. It is then, absolutely no surprise, that I've placed Edgerunners on a pedestal. But of course, there's also a reason that Edgerunners is in the top 100 anime on MAL, and why it's Trigger's highest rated anime. It's just that damn good. An incredible story revolving around Night City and the themes that Mike Pondsmith laid the groundwork for decades ago. A true tribute to the tabletop game and the genre at large.

The Tatami Galaxy

I don't think there's a way I couldn't put The Tatami Galaxy on this list, truthfully. Of course, that also encompasses the sequel ONA The Time Machine Blues, and spinoffs like The Night Is Short, Walk on Girl. Tomohiko Morimi is a genius, Yusuke Nakamura is an icon, and Masaaki Yuasa is a savant. Incredible work for such an incredible story and message about the pursuit of perfection and the beauty that lies in the present. Arguably, much like titles such as Sonny Boy, these are 100% must watch titles for an anime fan. I'd highly recommend the others still, but these two represent such core and important aspects to how people choose to lead their lives and the frameworks that they do so within, that I strongly believe it's a requirement. I also wrote a review on the novel when I read it in January of this year.

Heike Monogatari

I think history is a very important thing to understand. I also think that history can be presented as obtuse, disinteresting, or too literal - especially in relation to history stories or myths. Heike Monogatari by Science Saru is arguably one of the greatest examples of how to display a modernized version of such a foundational tale to the history of Japan. It's also an incredibly powerful moment for the director, Naoko Yamada, as it was their first real work since the arson attacks on her home studio of Kyoto Animation. Because of the weight of her past, her work beyond words on this anime feels that much more powerful considering its messages about the past and fear of the future. It's wonderfully emotional, and contains one of my favorite closing scenes to a series.

The Saga of Tanya The Evil

Light novel aside, anime quality aside (though both are great), there's a separate reason this title is featured on this list: the adaptation. It is, for lack of a better term, borderline insane as an adaptation. It bears almost no similarity to its source. The tone is different, the scope and scale differ, there's significant changes in terms of narrative, and even the order of large scale events differs. But still, somehow, it remains a fantastic series. Bearing nearly zero resemblance to what it claims to adapt, it is something that I love. It's an incredible feat, and the gold standard of its one-of-a-kind approach to adapting a light novel.

Mononoke

Horror is a very hard thing to do right, at least in my opinion. Many get suckered into thriller territory very quickly, and avoid the psychological nature of horror. The immovable nature of something fearful standing in front of you, the slow descent into madness and despair. Mononoke grasps that incredibly well, and earns a spot on this list because of it's appeal in that manner. Also, the art is just incredible, personifying the more classical style that would be associated with the creatures and myths that pepper the story. I'm incredibly excited to see what comes from the upcoming movie.

Welcome To The N.H.K

While it may differ between its three formats, the core of the story stands strong. Impossible to put into words, it's more of a descent than anything. A descent that turns inwards on each of the characters as they slowly lose their grip on reality, as they continue to fall apart, piece by piece. I have my qualms about how they choose to end it, but I am a very bitter man at my core so it's more a personal difference than a quality one. Regardless, if you want an acid trip down the rabbit hole of depression, mania, bipolar disorder, borderline personality disorder, and all manner of other illness, there's no better story than Welcome To The N.H.K.

Toradora!

There's something special about Toradora to me. Is it the era that the anime comes from? Is it the appeal to a classic style of romance without falling prey to the issues of the layout? I'm unsure. But something about it feels so… comfortable, to me. I could watch it again and again and enjoy each minute. It's probably not the best romance anime out there, but it's one that I'll always be drawn to.

And with that, the list is over. Just to provide some extra context and honorable mentions, I'd love to have put series like Alien 9 or Monogatari on the list, but the challenge with them is the fact that the first is a shorter OVA, and the latter is a much larger series encompasses nearly too much to explain in this sort of context. There's really quite a few series like that that I struggled with when forming this list, but they're still really great titles nonetheless.

Anyways, the anime original point. While it's sort of an unconscious thing, I do realize what I do with it. Anime originals present something that you can't experience elsewhere. They are the end all be all of their creative vision, and that excites me more than a manga adaptation. Following someone else's blueprint vs creating your own, obviously one is more interesting than the other. And that sentiment extends to some of the other titles on the list like Heike Monogatari which approaches a classic story with a radical new viewpoint, or Tanya The Evil which basically forgoes the vast majority of its source material. It's really something I struggle with at large with adaptations. So many people want to leave their marks on the work, but quit just short of doing so in a meaningful manner. Very few go the mile to say that they did something in regards to the work, and instead meddle with it in minor ways which can negatively impact its reception as the original material. A great example of valuable changes is Heavenly Delusion. The team under Hirotaka completely re-arrange the order of events in the anime, and in doing so elevate the series in a way that only they can. Anyways, I digress, a discussion that I should leave for another time. This is my list, it may not be the best list out there, but it is mine.

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miss-fortune-thinks · 8 months

Text

TAYLOR SWIFT PROPAGANDA POSTING

okayokay look i know music is subjective and blahblahblah you dont HAVE to love her. but its unfair to totally discredit her (amazing and great and fantastic) song-writing and lyricism skills by just writing her off as the mindless pop music girl. LIKE???? NO??????? listen to evermore and get back to me if that is how you view her. but in all seriousness i genuinely do not know how someone with lyrical, and just overall, masterpieces such as RWYLM (right where you left me)!!!!! and MY TEARS RICHOCHET!!!!!!!!!! and STILL get their whole career discredited just because 'she only writes songs about her exes' or 'shes just not that good' coming from people who have only ever listened to top hits????? arguably artists most popular songs are hardly ever their best, or even a fair representation of their full discography. now coming from a (born and raised might i add) swiftie, obviously i'll always be biased BUT im also not a big mainstream pop fan besides for taylor swift. so going based on that perspective i dont necessarily love her more made for the radio-sounding tracks, but i can still acknowledge that they are well written and produced?? i genuinely believe most people can find at least one taylor swift song that they like, IF YOU PUT YOUR BIAS ASIDE. non-swiftie mutuals DM ME!!!! i will (try very hard to) find you a taylor swift song that you like !!

#i love taylor swift #music taste #taylor swift #ts #ts folklore #ts evermore #taylor swift 1989 #1989 taylor's version #speak now taylors version #evermore #folklore #swifties #swiftie things #swifties on tumblr #the eras tour #ts eras tour #taylor swift eras tour #propaganda posting #taylor swift propaganda

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arttheclown · 2 years

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alright alright i finally had time to sit down & compose my thoughts on how beelzemon / beelzebumon’s villain arc was handled in the original japanese sub versus the english dub because holy shit they are. different. i think both versions have their merits but there are things the dub got so wrong, especially as far as beelzemon’s relationship with renamon is concerned.

first off, i’m gonna talk about the differences - not so much which version did what better, but what sets them apart.

putting this under a cut because this is gonna be a long one. (also keep in mind i still have a couple eps left to watch from his villain arc in japanese, so i may reblog with an update or write a part 2 soon.)

1 -- the tone of impmon’s talk with caturamon (the “deal with the devil” scene) is very different in japanese. while it’s still a somber scene in dub & you feel sorry for impmon, his sarcasm is much more subdued in the original, drawing more attention to how scared & helpless he feels rather than his defence mechanisms.

i think what really drives this point home is that the little montage where he reflects on his time with his friends & realizes he’ll have to betray them in exchange for power; in the dub, old conversations are re-played for the audience, while in the og, these flashbacks are silent aside from a sad song that plays. this not only puts us in impmon’s shoes better, but helps set the tone for the tragedy of what’s about to happen & the gravity of his choice. i plan to upload a comparison soon. also, maybe it’s just me, but given that the last image we land on during the flashback montage is impmon striking renamon in the face... i’m inclined to believe that was supposed to signify that he was sorry for doing it, especially since the context of the flashbacks was that he’d harassed all of the main digimon in some way. maybe impmon was trying to tell himself that he’d already been so awful to them anyway that he might as well just cut his ties? who knows - but that’s something i feel sad music sold a lot better than voice-overs. 2 -- beelzemon / beelzebumon’s entire characterization. jesus christ, as someone who’s been praising how the dub handled such a dark storyline for years (and to be fair, derek stephen prince absolutely KILLS his role as beez in the best way), i was completely thrown off to see how radically different he is in the original. in the dub, beelzemon is still recognizable as impmon even during his reign of terror. he’s gone off the rails, but his speech patterns & personality remain the same - we’re just seeing a much darker side of him. it feels a lot like we’re watching a smaller person stumble around in a body that’s too big for them.

in japanese, beelzebumon’s demeanour is entirely different from impmon’s. his speech patterns aren’t the same & his cheeky from humour before is pretty much gone. he’s much colder. you don’t know who the hell you’re looking at anymore, which lends some disturbing credence to beelzebumon’s insistence that “impmon is dead.” for a second, you actually worry he might be telling the truth.

and then there’s his relationship with renamon & the role that plays in this particular storyline, which leads me to my next (and arguably most important) point.

3 -- i’m just gonna say it! i think the dub did the relationship between these characters dirty in this very pivotal storyline. i think there are aspects to enjoy about dub!beelzemon and sub!beelzebumon (depending on your preference on how his personality is portrayed), but they just. totally dropped the ball on his confrontation with kyubimon in episode 34 and i’m gonna explain why.

as mentioned before, sub!beelzebumon seems like a jarringly different character from impmon. almost unrecognizable. when caturamon reminds him that he has a job to do, he agrees to do it and seems prepared to carry out the gruesome task... until the moment comes for him to strike down kyubimon.

i’m gonna let these screencaps speak for themselves.

it’s only NOW that we see him breaking. he isn’t enjoying this, he doesn’t WANT to do it. he’s falling the fuck apart & it’s only now that we realize all of beelzebumon’s behaviour up until this point has been a facade. he blows up at kyubimon for “making him look like an idiot” because he’s still the same sad, insecure person he was before he evolved.

in the dub, we’re given pretty much the reverse of this set-up. beelzemon still acts very much like impmon - albeit an overpowered one - and doesn’t seem very happy when caturamon reminds him of their deal. (”let’s get this over with,” he says in response.) it gives the audience false hope that maybe he won’t actually follow through with it, making it feel like that much more of a betrayal when he does try to kill everyone & successfully takes leomon out of the picture. some people may praise that kind of bait-and-switch, and i get it, but...

there is far less real build-up to beelzemon going berserk in the dub. one minute his heart isn’t in it and the next he’s suddenly kicking kyubimon around and going out of his way to harm her. (which puts a really icky, abusive spin on their relationship that i don’t like at all.) the sub makes it much clearer that he’s trying to punish her for helping him & attempting to make things easier for himself by taking out the digimon he has the strongest connection with first. still a sick, unforgivable act, but one i can follow along with better on a psychological level.

which brings me to my final, and other Most Important point: the context of leomon’s death.

4 -- much like kyubimon, leomon recognizes immediately that beelzebumon doesn’t actually want to do this & that this isn’t the right path for him.

in the english dub, the dialogue is different & ultimately boils down to leomon telling beelzemon to fight him instead of going after the kids. that doesn’t happen here. beelzemon just kills him mid-conversation while leomon is trying to reason with him, and - having committed an act he knows is unforgivable - spirals out of control.

so no, i won’t say the dub butchers the entire storyline so much as choosing to handle aspects of it differently... but those choices aren’t always for the better, and i wish they just left a lot of this alone. the original context for these scenes are much more powerful & handle the characters & their dynamics more thoughtfully.

tl;dr: even if you have a soft spot for the tamers dub (which i do too, mostly for nostalgic reasons), try watching it in japanese at least once. it puts a lot of things into perspective & elaborates much more heavily on themes & ideas that the dub just skims over.

#beelzemon #impmon #beelzebumon #digimon tamers #digimon #meta #sid's meta #i have feelings about this idiot #digiposting

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veliseraptor · 1 year

Note

Hii! How are you? Hope the new year is treating you well

Love your Jiang Cheng/Meng Yao/Xue Yang everything, they are all excellent characters (especially JC my beloved)

Wanted to ask why you don't like Nie Mingjue? (Totally genuine btw, I'm mostly indifferent towards him but I like hiw tou do character analysis and am curious?)

Happy new year and take care :D

oh boy, okay. I waffled for a while about responding to this only because I tend to...avoid wading into things that might get me in trouble, and this feels like something that could get me in trouble, because I'm talking about my (negative) feelings on a relatively popular character and that can provoke some pretty intense responses.

but I don't really want to foster that impulse, at least not all the time, and I try to be fair when I talk about these things, so, hey, might as well. under a cut for anyone who doesn't want to read the following (counts) nine paragraphs of rambling about this subject

first off I feel like I should say that it probably seems like I dislike Nie Mingjue because he comes into conflict with Jin Guangyao, and while that isn't not true, characters being in conflict with each other does not preclude me liking both of them. I mean, I would hope that was obvious.

I think the biggest reason me and Nie Mingjue do not vibe is actually - and this occurred to me as I was writing this response - the same reason that I used to dislike Stannis Baratheon back when I was active in the A Song of Ice and Fire fandom. (Not so much anymore, mostly because now I just find him kind of funny. Sorry, Stannis.) Namely: he's inflexible and utterly convinced of his own rightness/righteousness.

One of my least favorite qualities in a person is self-righteousness, and while that can work for me in a character it very much doesn't here, I think because it comes with that inflexibility. Nie Mingjue's sense of morality and order is rigid with very little room for his judgment being affected by circumstance or external context. To him, those considerations are irrelevant at best and viewed as excuses at worst.

I'm someone who is, meanwhile, allergic to universal statements, particularly universal statements of good/bad, evil/righteous, etc. I don't like them, I'm incredibly wary of them, and while, again, me disliking these things irl doesn't necessarily preclude enjoying them in a character, it is going to be at least somewhat of a barrier. I feel like it would be less of one here, honestly, if I didn't feel like fandom often endorses Nie Mingjue's perspective on this, as opposed to acknowledging it for what I think it is actually in the text; I have more I could say on this but I'm already writing an essay so I'll just note that I think the fact that Nie Mingjue's corpse can't distinguish between Jin Ling and Jin Guangyao is thematically important.

I don't need a character's morality to align with mine to like them, obviously. The greater crime is finding a character frustrating or irritating, and that's what this particular quality of Nie Mingjue's does to me.

"But what about Xiao Xingchen," I can hear somebody saying. "Doesn't he have the same rigid perspective?" Yes, arguably; his also breaks horribly over the duration of the story, and that's the part of his arc that I find compelling! I find Xiao Xingchen most interesting when his initial understanding of the world has been irrevocably changed and he has to reckon with the fact that justice is not as simple as he thought it would be.

I also - and I know how this is going to sound, I feel like - do not vibe with characters who really strongly believe in state-supported violence. I don't care if characters kill people - the more the better! murder all you like, my darlings! - but I do care if they're advocating the death penalty from a position of political power/authority. Which is actually not a distinction I'd necessarily realized was important to me, but apparently it is. As far as my fictional taste goes: personal violence is fine. State violence is not. I'm sure there are exceptions here (there usually are) but it is generally true that the more violence comes from a position of authority/power in the sense of "this is structurally supported by some form of government/systematic structure", the more I'm going to feel badly about it and the less kindly I am going to feel toward the character in question.

Nie Mingjue is very, very invested in state-supported violence and very eager to dole it out on a personal basis. We see it with his almost killing Xue Yang while Xue Yang is on trial; we see it with Jin Guangyao, multiple times. "Well, they were guilty!" Yeah, I know, that's not the point. The line Nie Mingjue draws between legitimate/illegitimate violence doesn't work for me.

There's also some other stuff that's more fandom-related around the fanon characterization Nie Mingjue often gets that frustrates me because of the way I feel like it increasingly departs from the text, which has (as usual) more of an impact on my feelings about the original character than it perhaps should. Probably because I feel like it's such a misreading of the point of his character. Everyone in fandom is extrapolating from the character on the page/screen - lord knows I do it. But I do feel like I have a limit that I hit where that extrapolation feels like it's reading against the text and what the text is saying, and/or making them a "type" built on a generalized mold, and that's where my patience really runs out.

anyway this has all been very wordy and probably unnecessarily harsh but...I think some of it was useful for me in terms of thinking out just why, even beyond fandom-related frustrations, Nie Mingjue was never a character I could care about or like.

#conversating #dasy8316 #yeah not character tagging this i'm not doing that to the folks in the tag #the sad queer cultivators show #lise's aggressively bitchy opinions about irrelevant and unimportant matters

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synnthamonsugar · 2 years

Note

Good day!

What lore books would you say are the prerequisites for getting into all things Hive?

I'm not going to include links because tumblr is a jerk about putting posts with links in the tags sometimes, but I will drop them in a reblog.

Books of Sorrow: THE starting point, and arguably one of the two best works of writing in Destiny. The early life of the krill/hive, their pact with the worms, their conquest across the stars and the philosophy of the sword logic are all covered here, as well as the family dynamics of Oryx, Savathun and Xivu Arath, as well as Oryx and his kids. Several aspects of it have changed radically in light of the revelations of The Witch Queen, so even if you've already read it it's probably worth another look.

Truth To Power: Savathun attempts to win the Guardian's trust and friendship by posing as Eris Morn; things spiral from there. Like Savathun, this book is steeped in intentional misdirection, symbolism and allegory, but if you're willing to read between the lines you'll come away with a fair amount of information on her philosophies, plans, and arguably her feelings.

In the WQ Collector's Edition ARG lore book, Ikora Rey and Arach Jalaal discuss the manuscript (which exists as letters from Sav to the Guardian in-universe), its meaning and purpose, and come away with a theory that it's meant to teach the reader to think like Savathun, effectively becoming her - a sort of opposite sword-logic scenario where instead of taking someone's mantle by killing them, instructions on claiming that mantle are given away freely.

Inquisition of the Damned: The story of the chaos and desperation among Crota's broods in the wake of his death, and one set of siblings' heretical response to it. Includes some EXTREMELY juicy bits of information on hive lore, including the origin of the death song, and what's going on with Zulmek, Instrument of Torment.

The cryptoglyph web lore pieces - Hearts, Endure, Dust, Hope and Poison - continue the exploration of the Hidden Swarm's reaction to Oryx's death, and their hope that he has passed his proverbial torch on to someone else and will hence live forever. There's also a tiny bit of information on Xivu's brood in here.

Speaking of Xivu, there's not a lot written about her but some of our best descriptions of what she's up to come from Immolant Pt. 1 & 2, Call of the Cryptolith, as well as armor and item lore cards from Season of the Hunt and Season of the Lost. Perhaps fittingly for a god of war, we know little about her thoughts but a fair deal about her actions.

The Book of Unmaking: The Shadows of Yor uncovering the truth of their eponymous Dredgen. Includes verses from another of the Books of Sorrow.

The Resonant Fury titan armor set, and warlock armor set, respectively, contain information on the Worm Gods and Rhulk's relationship with Savathun, which provide some additional context.

The fascinating thing about the Hive is that they're connected to so many characters that you can run into a decent amount of lore on them depending on who you're exploring: Looking into Mara Sov, Eris Morn, Toland The Shattered, the First Crota Fireteam, Osiris, Shin Malphur, Dredgen Yor, Riven, Ghalran and probably about a dozen characters I'm forgetting right now will turn up different perspectives on the hive and stories about them.

#destiny #hive #oryx #savathun #xivu arath

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mack-anthology-mp3 · 4 months

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Hiiii Mack do you have any music recs you’d like to share??? I started listening to Hozier recently (which is relevant I promise) and I saw that he’s inspired by Joni mitchell and like some other folk artists so I was wondering if you could give me some folk reccomendations!!! (Also any other genre hehe I’m a always up for exploring new genres hehe so just as much recs as you want!)

YES OMGGGGG

ok i don't know a lot about hozier BUT from what i've gathered he was inspired by a lot of black blues musicians, which i'm sure you can google and find some he's mentioned somewhere, but that's an Accquired Taste. there are older folk bands like the Weavers, and Woody Guthrie, but cos that music is so far removed from how music today is made it is also an accquired taste, the music below is probably a little easier to get into :D (i don't mean this in a mean way i promise i really hope it doesn't come across like that)

joni mitchell is AMAZINGGGG i love her, her most famous album is Blue, which is really really good, some of my favourite songs of hers are That Song About The Midway, River (the one i just covered hehe), the Arrangment, This Flight Tonight, and also Court & Spark and Night Ride Home are some of my favourite albums of her's but they're not reallllllly folk. joni is amazing she plays guiatr in all these interesting tunings and also is a brilliant piano player :D (most of her songs aren't on spotify anymore but it's all on youtube, also cds hehe)

JOAN BAEZ oughhh joannnn she's more traditional folk music, her first self titled album she did when she was NINETEEN and it's really good, she has an amazing almost operatic voice, she didn't write as much of her own stuff but her version of old folk songs are usually some of the best versions, silver dagger, wildwood flower, love is just a four letter word and farewell angelina are some of my favourites - the last two are covers of bob dylan songs

bob dylan is arguably the most influential musician Ever and i'm not kidding, BUT he kind of only got famous cos Joan baez brought him on tour with her which is a Whole Thing (there's a lot of lore) - he has lots of famous songs but kind of only did folk music for like. a decade. sort of. it depends. but the Freewheelin' Bob Dylan 1963 is one of my favourites, also Blonde on Blonde is sort of not quite folk anymore and is really long, but Sad Eyed-Lady of the Lowlands is a brilliant song oughhh.

nick drake!!! he has this one album Pink Moon which is So Beautiful i need to listen to it again actually, he is another amazing guitar player who uses alternate tunings, his stuff is just oughhh so pretty.

simon and garfunkel! scarbourough fair and feelin groovy are nice songs hehe, for more pop-oriented folk, teh mamas and teh papas are good (california dreamin' band)

these are just some of my favourites, they're all from the early 1960s-early 1970s which was when a lot of the best folk music recordings were done, i used to be Really Into this music and i'm still very fond of a lot of it hehe <3

hope this is of some use! :D

#thank you so so so much for the ask!!!!!!#ajshnakjsna folk musiccccccccc #thanks lin <3 #hnnnrg listening to joan baez now oughh i missed her

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