As I said, I was gonna post this. Keeping mind this isn't the final product, ignore the terrible drawing and horrendously low quality, it was out together in capcut 😭😭
EITHER WAY. The awesome @thefourchimes helped me with the ides for how it would look and also gave me the song. She's so rad helped me a lot with this <33
It's based on that one song, you can find it under the giftless grandkids tag below <33 A CERTIFIED BOP 💪💪
Anyway, leh geh ieh
Here's the video <33 ignore the beginning, I just out that as a placeholder, it won't be there in the final 🌚
And here are the storyboards! They took me pretty much a day-ish each, most because I worked on them in intervals, thought theoretically I could probably finish it in a day. BUT THE WAIT IS NO MORE❗❗These are far high quality than the video, so when you zoom in, it's much better (≧∇≦)/ I highly recommend listening to the song while looking.
This panel is likely gonna be the thumbnail, I'll eventually render it lol
OKKKK THAT'S ALL FOR NOW, MORE GIFTLESS GRANDKIDS LATER (☆^O^☆)
Song had the instrumental from Wait On A Miracle, tumblr please don't copyright me 🌚
An idea (and eventual part of headcanon) all the way from year ago. Whole scenario was based on that one brief interaction of Agustín with Bruno during “All of You”. Sadly, I’ve got disappointed with myself in process and left it unfinished for indefinite time, and as result, decided to rework it from scratch now, but the scenario stayed the same.
At the time, it wasn’t clear if in canon Agustín was always part of Encanto or arrived here as adult (info from artbook says he came “from big city”), but later it was confirmed by director Bush that all inhabitants of the village were either born here or are refugees from 50 years ago, and it’s just Agustín’s family that has city roots. I decided to leave that aspect ambiguous, as it had no specific bearing on the conversation, but originally it was supposed he wasn’t (and isn’t at the moment) deeply familiar with the Madrigal family and its hierarchy. My headcanon has been updated since that, so expect eventual follow-up on that backstory.
Anyway, whatever connection did stem from that, it wasn’t developed further much in next 20+ years due to Bruno growing progressively more reclusive and reluctant to forge relationships beyond his blood relatives. But as feeling of disconnection becomes stronger, he’s still determined to protect happiness of his loved ones, and not above using benefit of indisputable trust people have in his words, especially when his guts saying it will be right. He (and the rest of Madrigals) may not realize full extent of powers given to him, but as they’re based in natural traits, his are rooted in sharp intuition which, in some cases, doesn’t even require activation of visions. For why he’s so confident on the matter in this case… the story for another time.
Lyrics from Natasha, Pierre, and the Great Comet of 1812. Heavily inspired by @sokkas-first-fangirl and her wonderful series With the Dawn You Rise, With the Day You Blaze
YRAHHHH. I know I've been inactive. But I'm doing all the shark Madrigals, and then I was writing for Mama Isa. BUT ART‼️‼️‼️ MOSTLY NEW STUFF‼️‼️‼️
This AU. Take a WILD guess what. Jkjk but uhhh basically these guys got gifts, and they hide it from the family. Because why not.
Candy girl 🗣️🗣️🗣️ no butttt uhhhh. Basically like a reverse Hansel and Gretel, and whenever anyone mentions “the witch” they’re like “oh that’s Abuela”.
Also yeah, their clothes are made of candy and their hair is cotton Candy🤠
BUGS 🤓🤓
The disappearance of the Madrigal Family⁉️⁉️ basically an AU where the Madrigals, one by one, from Antonio to Alma, just. Disappears, seemingly without a trace. And Mariano is the only one who seems to remember or care. So, he’s gonna find em. Cause he’s gangsta.
Re-making from scratch some unfinished thing from year ago. In meanwhile, have young Agustín (design is lifted from concept art by Meg Park) from initial version of that Thing. (June 2022.)