#emile pingat
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Ball Gown
Emile Pingat (Paris, France)
c.1864
The MET (Accession Number:C.I.69.33.12a–c)
#ball gown#evening dress#1860s#fashion history#historical fashion#emile pingat#pingat#1864#white#black#silk#19th century#second french empire#france#crinoline era#up close#the met
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The blending of shades between yellow & black in ombré stripes gives the impression that this early 1890s tea gown is glowing, fired by some unseen force to blaze across the skirt. It is a tea gown that cries out for an audience. Emile Pingat. National Gallery of Australia.
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Ballgown by Emile Pingat, 1860.
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Dress 1892, Emile Pingat
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Pink silk ball gown, ca. 1867, French.
By Emile Pingat.
Albany Institute of History & Art.
#womenswear#extant garments#dress#silk#19th century#french#albany institute#1867#1860s#1860s dress#1860s extant garment#1860s France#Emile pingat#pink#ball gown#evening#1860s evening#1860s ball gown
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When you think about wearing a dress to dinner, it probably isn't this extravagant. But for Victorians, dinner gowns were totally a thing. In fact, it wasn't uncommon for ladies of status to change three or four times a day!
This gown is by Emile Pingat, a French designer and contemporary (and competitor) of Charles Frederick Worth. He began his fashion house in the mid-1860s, and went on to dress some of the wealthiest, most sophisticated people in Europe and the Americas.
To me, Pingat is immediately recognizable with his divine details, architectural tailoring, and relatively earthy color palette--lots of black, gold, tan, and neutrals.
This 1885 dinner gown is no exception. It's silk velvet and machine made lace, but all about the details. The lace overlay mimics brocades and damasks, but the extra sheerness makes it extra glimmery. Plus we've also got a train--always a plus. We know it was worn by socialite Mrs. Charles G. Roebling. The gown also has another bodice, as many dresses did during this period.
From the Philadelphia Museum of Art.
#emile pingat#pingat#french fashion history#haute couture#fashion history#threadtalk#costume#textiles#historical costuming#victorian fashion#costume history#late victorian fashion#1880s fashion#circa 1885#19th century fashion
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• Woman's Dress (Bodice and Skirt).
Designer/Maker: Emile Pingat (France, Paris, ca. 1820 - 1901)
Place of origin: France, Paris
Date: 1897
Bodice: silk velvet and silk compound weave with supplementary warp floats, linen lace, cotton, silk, and metallic-thread applique and glass beads; Skirt: silk velvet and silk compound weave with supplementary warp floats.
#fashion history#history of fashion#dress#fashion#19th century fashion#19th century#19th century dress#boduce#skirt#emile pingat#1897
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Maison Pingat / Emile Pingat
Evening jacket
French
circa 1893
#Maison Pingat#Emile Pingat#evening jacket#fashion#history#fashion design#clothing#engineered garments#antique#French#1893
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Mantle
Emile Pingat, 1891
The Metropolitan Museum of Art
Turquoise means magic and art.
Central Florida Emergency Trans Care Fund
Equality Florida
ACLU Florida
Tampa Bay Abortion Fund
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1878 Dinner dress, Silk brocade lace silk satin by Emile Pingat.
Dinner dress, 1878 (back oblique partial view). Silk brocade, lace, silk satin by Emile Pingat.
Photo by Chicago History Museum.
#1878#dinner dress#emile pingat#pingat#silk brocade#lace silk satin#la belle epoque#belle epoque splendor
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Later 1880s dress (from top to bottom) -
Amy Augusta, Lady Coleridge (née Lawford) by Frederic, Lord Leighton (location ?) From fripperiesandfobs.tumblr.com 1075X1149
ca. 1885 Robe à transformation en satin de soie lilas by Mme Courillon (Tessier-Sarou - 9Nov21 auction Lot 180). From their Web site1766X2652.
ca. 1885 Evening bodice of robe à transformation en satin de soie lilas by Mme Courillon (Tessier-Sarou - 9Nov21 auction Lot 180). From their Web site 1908X2808.
ca. 1885 Emile Pingat Dress with Dinner and Evening Bodices worn by Mrs. Charles Robeling (Philadelphia Museum of Art - Philadelphia, Pennsylvanis, USA). From their Web site 3066X4096.
1886 Mrs. Cecil Wade by John Singer Sargent (location ?). From tumblr.com/shewhoworshipscarlin 792X960.
1888 Louise Wagner by Hans Temple (Wien Museum Karlsplatz - Wien, Austria). From tumblr.com/history-of-fashion 1675X3072.
#1880s fashion#late Victorian fashion#bustle era fashion#Amy Augusta Lawford#Frederic Leighton#Mme Courillon#V neckline#V waistline#Emile Pingat#square neckline#close skirt#petticoat#train#Mrs. Cecil Wade#John Singer Sargent#fan#Louise Wagner#Hans Temple#bun#clerical neckline#jewelry
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Ball Gown
Emile Pingat (Paris, France)
c.1864
The MET (Accession Number: C.I.69.33.1a, b)
#ball gown#evening dress#1860s#fashion history#historical fashion#up close#pingat#emile pingat#france#silk#second french empire#19th century#crinoline era#1864#the met#playing a bit with my layouts
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Afternoon dress by Emile Pingat, 1896. Fine Arts Museums of San Francisco.
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Woman's Dress (Bodice and Skirt)
Emile Pingat (France, Paris, circa 1820 - 1901)
France, Paris, 1897
Bodice: silk velvet and silk compound weave with supplementary warp floats, linen lace, cotton, silk, and metallic-thread applique and glass beads; Skirt: silk velvet and silk compound weave with supplementary warp floats
#historical fashion#fashion history#19th century fashion#late victorian era#late victorian fashion#victorian fashion#emile pingat
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Dress, c.1889. Emile Pingat.
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Black Silk Evening Coat, 1888-1890, French.
Designed by Emile Pingat.
Met Museum.
#met museum#19th century#silk#coat#evening coat#emile pingat#France#French#womenswear#1880s#1888#1889#1890#extant garments#1880s France#1880s coat
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