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#eliza doolittle
alexisrosemullens · 3 months
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Audrey Hepburn as Eliza Doolittle
My Fair Lady (1964)
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pureanonofficial · 2 months
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ELIZA DOOLITTLE & HATS
MY FAIR LADY (1964), costumes by Cecil Beaton
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Audrey Hepburn and Assam at the Burbank Studios for the production of My Fair Lady in 1963
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vinca-majors · 9 months
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it's a call and response
it's a call and response
IT'S A CALL AND RESPONSE!!!!!
alan jay lerner i want to shake you by your collar and scream at the top of my lungs because somehow despite my deep and abiding love for this musical i did not understand until harry hadden-paton's delivery of this line and the actual script in front of my eyes that it's. a CALL AND RESPONSE!!!!
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chevaliermalfets · 5 months
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My Fair Lady (1964) // 30 Rock (2006)
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thebarroomortheboy · 7 months
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What’s the matter? Anything wrong? 
WENDY HILLER and LESLIE HOWARD in BERNARD SHAW’S PYGMALION (1938) | dir. ANTHONY ASQUITH
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momentinparadise · 1 year
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Ted Lasso / Julie Andrews
I have so much to say about the episode #3 of Ted Lasso, but I really want to focus on the scene where they discuss their favorite Julie Andrews characters because Julie Andrews is my FIRST LOVE and it all seemed so significant.
So please, come along on this crazy ride with me:
Roy / Maria (Sound of Music): Something that is very symbolic to me is that both Roy and Maria had to take on responsibility and independence at a very young age. Roy playing football away from home and Maria at the convent - both had to grow up quickly, which gave them a strong sense of duty and responsibility. Additionally, both characters have a strong desire for family and connection.
Despite Roy's attempts to appear stoic, he has an extremely loving side to him, and I think he identifies a lot with Captain von Trapp too. Like Roy, Captain von Trapp is also initially depicted as a stern and unyielding character. However, as the story unfolds, we see his softer side emerge as he connects with Maria and his children in new and meaningful ways. This mirrors Roy's journey throughout the show, where we see him gradually open up and become more vulnerable with those around him.
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Coach Beard / Eliza Doolittle (My Fair Lady): A character that is clearly rooted in the lower-class, marginalised portion of British society speaks volumes about Coach Beard's own underground personality. Eliza is a character who defies the expectations placed upon her by society, using her wit and resourcefulness to transcend her lower-class origins and gain acceptance in high society. This resilience and determination are qualities that Coach Beard likely admires, as he himself is known for his unconventional and creative approach to coaching. Additionally, Eliza's story highlights the importance of education and personal growth, as she transforms from a rough and unpolished street vendor to a refined and sophisticated lady. This is something we see every episode with Beard: he is always engrossed in a book, always improving his knowledge.
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Trent Crimm / Queen Clarisse Renaldi (Princess Diaries): Fits him so well! The character's level of sophistication and elegance aligns well with Trent's own refined ways. And both Queen Clarisse and Trent show a willingness to make sacrifices for their beliefs: Queen Clarisse is willing to renounce her position as queen if it means allowing her granddaughter to marry for love, while Trent is willing to sacrifice his job and reputation to stand up for what he believes in. When he is fired from The Independent for revealing his source (Trent admits that he was the one who ratted himself out) it reflects the same values of breaking with tradition and challenging the status quo that are embodied by the Queen.
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Ted / Higgins / Mary Poppins: For Higgins the character of Mary Poppins may represent a loving, nurturing figure who helps guide and care for the children in her charge. This may reflect Higgins' own values as a family man, and the ability to provide a sense of warmth and security to those around him.
But for Ted, the choice of Mary Poppins may have a more personal and emotional significance.
As a coach, Ted is often in a position of leadership and guidance, and he may see himself as a paternal figure to his team. The character of Mary Poppins may represent a sort of idealized father figure to Ted, one who is wise, compassionate, and always there to provide guidance and support.
BUT
I tell you, my friends, there is not the case.
Because Mary Poppins is not about the nanny.
IS ABOUT THE FATHER.
When Mary Poppins arrives at the Banks family's home, she finds a gap between the children and their father. He is always at work and worries too much, while the children crave attention, love, and a sense of family. Although the mother is present and is loving towards the children, she is often silenced by the father, despite being a suffragist 😂 .
So, the real transformation really occurs with George Banks. His character serves as a commentary on the pressures of societal expectations. However, through the magical intervention of Mary Poppins, he is able to find a new balance between his work and his family, ultimately leading to a happier and more fulfilling life.
I wonder if this is not something Ted wishes had happened with him, in some level.
And let's not forget that P. L. Travers wrote Mary Poppins based on her own father. In the 2013 biographical film "Saving Mr. Banks", several scenes depict Travers' difficult childhood. Travers idolized her loving and imaginative father, Travers Robert Goff, but his chronic alcoholism resulted in his repeated dismissals, strained her parents' marriage, and caused her distressed mother to attempt suicide. Travers' father died of tuberculosis when she was seven years old.
I mean.
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avonlea71 · 9 months
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Julie Andrews as Eliza Doolittle in the Broadway production of My Fair Lady.
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perioddramapolls · 4 months
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Period dramas dresses tournament: White dresses Round 2- Group A: Eliza Doolittle, My fair lady (1) (gifset) vs Edith Cushing, Crimson peak (pics set)
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haveamagicalday · 3 months
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Battle of the Barbies! Round 5: Barbie as
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This is round 5 of the bracket. All other polls for Battle of the Barbies can be found here.
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lottievanclaire · 5 months
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Lauren Ambrose for the New York Times, 2018
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princesssarisa · 10 months
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Every time a review of a new production of My Fair Lady says, in effect, "In this staging, Eliza comes across as a strong woman, not just the traditional helpless puppet for Higgins to control. What a radical feminist reinterpretation!" stand very still.
You'll hear a sound overhead that you might mistake for thunder. But it isn't. It's George Bernard Shaw banging his head against the walls of heaven.
He didn't write a heroine whose whole arc (beyond transforming from a Cockney flower girl into a refined lady) revolves around gaining strength, maturity, and independence (which, IMHO, the musical's changed ending doesn't negate) only for people to miss the point and think playing her as he wrote her is a radical new choice.
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pureanonofficial · 9 months
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Higgins + learning to accept Eliza flowers in his life.
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Audrey Hepburn and Warner Brothers hairdresser Dean Cole preparing for the "I Could Have Danced All Night" sequence in My Fair Lady at the Burbank Studios in 1963 Photography by Bob Willoughby
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lilyflowerhere · 1 year
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In honor of Ted lesso's latest episode
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audreyhepburnt · 1 year
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Audrey with Rex Harrison at the My Fair Lady premiere in L.A (1964)
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