The King of Carcosa.

Line only version! I think his halo got a little drowned out, you can see it much better in this version

You work with people from other dimensions for a living. While you can travel to other dimensions, it's much easier to just connect your computer to computers from other dimensions. You end up finding out about a lot of strange places, alternate earths where things are diffrent in ways you could never imagine. Most people don't even know other dimensions exist, but to you it all feels so normal, so very distant but so very normal.

Because the company that you work on interdimensional technology for needs to outsource some of its dimensional work you end up very quickly having to contact people from other dimensions with a similar skillset to you for one project. And since it's easy to contact them you end up talking to them afterwards.

There's this one girl you end up messaging a lot. She seems so nice and sweet. You talk a lot about programing, and mathematics and magic (which are all very closely connected fields), she's one of the only people who seems to really understand the beauty in it the way you do. She's obviously from a very diffrent culture, and you never sent eachother images, but you like eachother a lot.

You end up messaging this girl more and more. She's the first to comfort you when one of your freinds turned on you, she was the first to support you when you came out to your parents, even though she didn't fully know what coming out was. She messages you "I love you" in the mornings sometimes. And even though she's far away, further way than anything in the universe, you understand her so well. You've seen her art, drawings she's done of buildings and structures around where she lives, they're like nothing you've ever seen before.

You start to talk about being in a romantic relationship. It's hard but you decide it's what you should do, almost what you have to do. You want to be her girlfriend, you want to know how it feels to hug her, for her to rest her head on your breasts on a warm summer night, to be inside eachother, to touch in a way you don't get to touch. But you can still message eachother, it's just one small contact but it means so much. You want to move in with her, it might never happen but there's something inside of you that wants to wake up next to her every morning.

Eventually you decide to build a portal to eachother, so you can see eachother, and if all goes well, you'll actually move in. You both need to talk to a lot of people, and get help from a lot of programmers and spellcasters from several dimensions, but it's done. The money that was supposed to let you move into a bigger apartment ends up going to a doorway sized portal, stored one of the few buildings in the city that can store such things. You need to get a ticket to go, even though the portal is yourse it needs people to operate it. But you can go. And if all goes well, you'll live together.

When you get to her dimension the first thing you feel is fear. It's dark, you think your underground, only a few bioluminescent organisms light the way. The city you're in is wet, and cold yet humid, everything is made of either moist steel, or dark wood that's covered in some strange layer of material that feels like wet cardboard. The creatures here aren't human at all, they're all strange bug like and fish like beings.

You eventually go to your girlfriend's apartment. Afraid of what you'll see. It's completely dark inside, and decorated like no human would ever decorate anything. When you see your girlfriend for the first time the horror breaks the love you want to feel. Her body looks humanoid, though she's so thin you can see her ribs, and pale in a way only corpses are useally pale. Her face was almost pretty, but her eyes were one solid pinkish color, and her moulth was just a tiny hole, like a jawless fish, it couldn't move at all. And massive fleshy tentacles came from her back, four of them, with razor teeth at their ends, for chewing her food outside her body so that her tiny slit of a mouth can lap it up. You both just stand there, you realize that this is the girl you love, you realize you look as horrifying to her as she does to you. You begin to weep, and she doesn't understand what your eyes are doing.

You spend the night in her apartment. There's no way you're moving in together. You're not sure what this means. You don't want to look at her at first, but eventually you do. You realize if you have to go back to your world you do want to spend time with her. Your languages work so differently that you still need to use computers to talk to eachother, but you can talk to eachother. And you tell her that you're sorry, that you still want to be together.

You let her hug you, and comfort you, her body is so strange, but it becomes less scary when you fully realize that it's her your looking at, that that's who you've messaged all those nights. Despite her eyes and mouth her face is pretty, and though her body is much thinner then you expected she still moves gracefully. You let her touch you, every way she wanted to touch you, let her tentacles wrap around your body. She shows you her computer setup, and her favorite video games, and she even gets to introduce you to some of her freinds, and her little isopod like pet who really likes being pet by you. You can't help but feel uncomfortable in her dimension, but you feel safe with her, and despite everything you enjoy being held and touched by her. At the end of your stay you make love for the first time, you don't have the same genitals as her species, but you make it work. You fall asleep in her arms, and she would do the same to you, but her kind does not sleep.

When you go back home, because you do have to go back home, you don't tell many people, even people who know about dimensions, what happened where you went. But you still message her a lot, and when you can you visit her, and very rarely she'll visit you. Your mother would never approve, and no priest would marry you, but you can't help but fall into the feeling of her body next to yourse.

so today my friend and i randomly talked about biblically accurate angels and then i thought hey why not do a biblically accurate eldritch horror so i present to you BIBLICALLY ACCURATE ABSOLUTE SOLVER btw no idea if that was done already but anygay here we are :) also i replaced the eye ring things with dead worker drone heads in case anybody couldnt tell or was wondering

anyways heres everything else i recently did

There’s two ends of the horror spectrum

Got an interesting take on eldritch horror for all you writers out there. It's a bit of a roundabout schlep to reach the actual idea, but writers tend to be readers so I hold you'll stick with me til we get there.

So, consider a 2D creature. Little flat dude, living on the ground. No concept of "up" or "down." He's 2D, he just doesn't parse the concepts and can't perceive them anyways.

He sees you. What he actually sees is just the 2D cross section of you where you intersect with his 2D world, which is probably your footprints. So, as far as he can tell, you are a pair of footprints that are.... apparently one being? He doesn't get how it works exactly, but it's not too far out there, so he just kind of accepts that, yes, humans are The Two That Are One. Spooky. They always seem to use the singular to refer to the pair of themselves, and only differentiate between themselves as Left or Right. But other paired instances of The Two That Are One are, in fact, separate entities. So they're only in sets of two, unless accompanied by a companion called "Cane," which they are sometimes, or even a pair of companions called "Crutches." When Crutches are present, sometimes one of The Two That Are One will be missing entirely. It's a little confusing.

But wait, what now? They disappear and reappear in sequence, teleporting in turns. He never sees them just move like a 2D being, always the stop-start teleporting. Apparently this strange power is called "walking," and its accomplished by The Two That Are One moving through an unseen dimension called "Up," through a process called "lifting" themselves and re-entering the real world farther away in the direction they wanted to go. He can accept the idea of unseen dimensions, and he vaguely gets the idea that one of The Two That Are One must remain anchored in the real world to prevent something called "falling," which is some kind of uncontrolled movement through the unperceivable dimension of "Down." Which is the same dimension as "Up," but...... backwards? Reversed? He's not really clear, but "Falling Down" is presumably bad, so The Two That Are One keep one of themselves here in the real world to prevent it.

Except if they do something called "jumping." Which consists of gathering up their power to hurl themselves through the Up dimension together to reappear together somewhere else in the real world. He isn't sure why they Walk instead of Jump, since it seems better to take both of The Two That Are One together at the same time, but okay.

Okay, what the hell, they can Walk through impenetrable barriers like the great wall of Sidewalk Chalk? How do they go through that? What? They went "Over?" The hell is "Over?" Like 'around' but through the unseen dimension of Up? But they couldn't Walk through the barrier of Wall. Why could they go "Over" Sidewalk Chalk but not Wall?

And they can't go between the four small obstacles of Refrigerator Feet. The area between them is safe from The Two That Are One, for the four Refrigerator Feet are connected to each other in the strange and eldritch dimension of Up. The barriers are too powerful to be moved by The Two That Are One, and it (they?) cannot enter the real world where it is blocked by such powerful forces.

Got all that?

Okay, now consider a 4 dimensional elder god and how we 3D entities would perceive them.

I know you probably forgot about Cthulu, but Cthulu didn't forget about you. Grab him from my shop!

Pattern via https://craftyintentions.com/

has being fucking Massive and Immortality changed the alicorns’ perspective on regular ponies? I imagine they’d get more condescending and distant and stuff

You are surrounded by flies. If you pause, and look closely, you realize the flies are iridescent, with deeply colorful eyes, and beautiful wings like stained glass. It cannot see the colorful windows of your world, but you can try to describe them. But know that doing so take up the creature's precious time. Years to them is mere hours to you. In a long conversation about the stars, you and the fly share ideas and perspectives. You come away delighted with a new view on constellations and what they mean to the common folk.

The fly comes away dazzled, haunted, and halfway to the grave. What was to you a wonderful conversation was years of study, communion, and dedication on the part of the small creature. He gave up any other pursuits, he constructed his life around this cause. He lost his friends, family, and home. You lost your lunch break.

You love this creature. You love the small being that you once were. You want to talk to him again. You want to tell him of the stars, of dreams... but to speak with him twice, at least meaningfully, would take from him the rest of his life. Could you demand that from him for the sake of your own curiosity? Years passed for him already. In the time it took you to draw a breath, his childhood ended. Do you summon him again? Or do you let him go to live his life, what's left of it?

It is painful for everyone. It hurts something in your chest, it breaks the heart of a god. It wounds his family to watch him leave them behind for the sake of what? A mere whim? He had ambitions! He had a story! It's all gone now. Rewritten for your musings.

You leave him. He cries for you but he needs not a goddess. He needs to live, to turn from the sky to his fellow bugs.

That's what he is. A fly. A mere insect to you. To hold him down is to pin him through his soft center, and display his corpse as a record of his extinction.

So look away. Forget the color of his eyes, the sound of his voice, and the intelligence that stirred you to pluck him out his world and keep him in yours. There, he would be a wildflower with a cut stem. He would be beautiful, but he is so small, and so quiet. He would be just a decoration on your table; made to dance and sing for your amusement and then tossed out with the rubbish when he breaks.

You miss him. You love him. But he is a crawling worm and you are the rain. There are many others like him, but you must be careful to only speak a few words to each. Or better yet, say nothing at all. Let them fade and mix into a writhing blur without name, stories, or opinions on stars.

You are surrounded by flies.

confessions of an Eldritch Being 👁💞

There's a city built around an ancient skeleton of an eldritch nightmare, some sort of giant serpent with many heads. They say the skeleton used to have metal armor, but back when metal was harder to come by it was stripped to make spearheads and armor.

The skeleton doesn't do much, and it acts as a natural fortification, so most people don't really question it. Some of the residents of the city, especially from the older and more secretive noble families, worship the skeleton as a spirit of the land. The local priests don't like that they do that, but it's not heresy as long as it's not considered more important then their gods.

Ancient myths have a lot of strange explanations for the skeleton, from it being a dragon that was struck down by the sun god and moon goddess. To it being a servent of the underworld worshiped by the people who lived in this land before its current residents. To it being a patron of the current people of the land, who died protecting them from an army of demons.

There are some residents who live within the bones because there's nowhere else in the city they can go. Foreigners, petty criminals, sex workers, people who've been disowned by their families. Their apartments and houses are in-between an uneven forest of strange an unknowable bones.

And sometimes, for the people who only the bones protect, the outcasts within the skeleton, an old ghost whispers to them, and an image of a many headed serpent in their minds. It calls for them to keep their spirits high and their blades sharp, when the city guards come stalking through the skeleton it calls for them to defend their honer, and when it comes time, it will call for revolution, and the bones many grow their skin again.

The kids from Narnia had to fight an Eldritch horror.

Shin Godzilla but it's eldritch horror style idk

Happy Halloween!

I tried to make it look creepy but it looks edgy wtf?!?!

Who's ready for an adventure?

First // Next

She’s afraid of the dark

Hello everyone! I thought it’d be kinda fun(?) to include a bit of cyn’s history in this drawing. Since she first woke up under that pile of corpses I figured she’d have some sort of ptsd relating to cold dark places (preferably full of corpses). I like to think of the cyn we see in the show as a sort of defense response to all the trauma she suffered after reanimating. Sooooo I thought it’d be interesting to show how she might’ve reacted after waking up and realizing that she was all alone.