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#edelgard fe3h
greiilock · 8 months
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Farewell
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lyrae-art · 1 year
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scribbled the lords
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I'm so excited to finally share my piece that I made for @divinepulsezine This was so much fun to work on! :)
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themisteriousentity · 5 months
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"Golden Deer is boring though it's lackluster, the characters aren't as strong as the other paths there's less conflict-"
You fool. You absolute buffon. Golden Deer is perfectly designed. Not only does it feed into the whole "alliance" theme well by having the characters still work together despite their differences and feelings well before hitting those A supports, but it's ALSO the only route that actually puts the focus on YOU the player. Or, rather, Byleth themself
Black Eagle is about whether or not you can agree to Edelgard's ideals of acceptable sacrifice and perspective that there's only 1 way to do things. The branching happens when you decide whether or not you agree, but ultimately it just explores opposing or agreeing with Edelgard. Anything more than that is really just incidental to that main concept, whether it's Crimson Flower or Silver Snow, the entire time you're focused either on helping Edelgard achieve her goals or you're focused on showing her how wrong she is alongside the Black Eagles who think it's their duty to correct Edelgard's wrongs (and I have a whole separate thing in regards to how the cast acts in Crimson Flower verses Silver Snow). It works really well for characters designed around an empire, a domineering form of government where (usually) a singular ruler determines the course and focus
Blue Lions is focused entirely on working on past issues and learning to bring yourself into the present, but it's done almost entirely through the cast more than the player. The Blue Lions themselves all have their own traumas and deep-seated past issues that hinder or help progress. While both Blue Lions and Black Eagles have a lot in common when it comes to traumatized characters and ideology, the ideology is front and center, while in Boue Lions, their interpersonal conflicts are front and center. This shows especially in the final (non romance) scene, where Dimitri decides that his personal attachment to Edelgard and past memories still matter, and he reaches out a hand, despite her immediately trying to kill him. It's fitting for a route designed around a kingdom, which is usually built entirely on interpersonal dealings between the ruling class
Golden Deer, however, is designed very differently. Unlike the other 3 routes, the player, or more specifically Byleth, is put as the driving force instead of the Lord. And this is actually what makes Golden Deer such a good route and one with the best ending of all of them. Claude has ideals, but he isn't a person who wants to force others to follow his path like Edelgard. Claude has lived a life of strife where his past motivates him, but it doesn't chain him the same way it does Dimitri. Instead, he works on understanding everyone around him and working together towards agreed upon goals, while taking on stuff that isn't agreed upon onto himself. But more than that, while all the Lord's value your opinion, Claude is the only one who actually takes what Byleth wants (rather than just what they think about specific matters) into consideration for his plans. Repeatedly you tell Seteth in Silver Snow that you don't want to kill Edelgard, but he pushes that you have no choice. Pretty much the entire first half of Azure Moon is Dimitri ignoring you. And in Crimson Flower, you've all but completely submitted to Edelgard's will with a couple of exceptions (which actually proves my point because it's specifically in regards to the Golden Deer because you can fight the entirety of Crimson Flower while sparing all of them except for Judith). But in Verdant Wind, Claude doesn't hide that he has a problem with the church and wants Rhea gone. In Golden Wildfire, without Byleth, he's more than happy to just get rid of her without a second thought. But when Byleth is the protagonist, he goes out of his way to accommodate your wants into his plans and goals. When you express as the player that you want to reason with Edelgard and ponder if you can't walk the same path, Claude agrees with you and says he'll make it happen if he can, with the other Golden Deer mostly agreeing. When that,can't happen you both lament the fact that Edelgard gave you no choice together. He makes finding Rhea a priority, mostly because as curious as he is in general, he wants to help you find out answers only Rhea can give you. And all of the Golden Deer do this to some extent, with each other but also with you as the player. I think Hilda and Marianne's A supports with Byleth show this best personally, but that's a personal opinion. And it just works so well for a route designed around the idea of an alliance, people coming together and agreeing to work towards a goal bigger than themselves
And that's not to say the other routes aren't as good as Golden Deer, they're all equally well written, but it just makes me sad when I see people giving the Golden Deer route grief just because the characters aren't the same when it does its theme so beautifully
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hauntedtowerss · 11 months
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I love noticing Lost in Thoughts All Alone / Edge of Dawn in both soundtracks but I had to draw this
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boyyboss · 2 years
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the fire emblem fandom is so funny. someone posts “i love this character! they’re so pure and can do no wrong!” so you look them up and the game they’re from is “war crimes: the game.” and their special skill is “violating the geneva conventions”
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hiremenintendo · 2 years
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Happy three years, Three Houses 💙💛❤️
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catariasteele · 4 months
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edie doodle
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blehbet-arts · 9 months
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finally got around to finishing off the other lords..!!!!!!
feel free to check out part 2 || part 1
(dimitri and byleth have already been drawn, which is why theyre not here btw)
(ill also do designs for the retainers, sometime in the near future <3)
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allen1-4scale · 4 months
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"Lonely Empress"
Edelgard fanart from "Fire emblem three houses"
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coucou-art · 5 months
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I started printing holographic stickers and I'm in love!!
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greiilock · 2 months
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Morning
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redenne-moon · 1 year
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Maidelgard (2020) - Don’t repost.
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themisteriousentity · 8 months
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Do you ever think about how perfectly the three house leaders embody the concepts of "past, present, future"? At least in Houses, it gets a little more muddled in Hopes
Dimitri heavily embodies the past and the way it can drag you down. He forgets the importance of the present and even when going to the officer's academy, he's only going to get access to church records to investigate the tragedy of Duscur, as evidenced by that one event where Dedue and Byleth happen upon him researching late at night in the library and he's investigating Arundel. Even by the end of Azure Moon, he's still not thinking about the future, only putting a stop the the present cruelty and focusing on trying to help that girl he knew in the past until he realizes he can't. It's not until the very end of the game that he breaks from the shackles of his past, but he's also never 100% in the present due to, in Azure Moon, the past never 100% being demystified, as shown by how those who slither in the dark are only eradicated in specific epilogues if you recruited the right characters + bought the DLC.
Edelgard easily represents the present. Her entire focus is on the events of her lifetime and the conclusions she came to based only on (incorrect) past and present information. She came to a conclusion very young and never waivered from it nor investigated it further and only looks towards fixing the problems of the present. The present is built upon by the past, and she perfectly shows that by holding onto past facts to influence the present, but she does not consider the long term future. A youtube video I watched but can't remember the channel name for (I will edit it in as a link if I can remember it) once pointed out that with a merit based appointment system, it'll fall apart as soon as Edelgard is gone and no longer there to maintain it. Not to mention that, like Azure Moon, Crimson Flower has the same issue of only borderline mentioning those who slither in the dark's ultimate demise, and we don't even get a satisfactory ending to that in Crimson Flower. (Side note, Silver Snow is better abut this but is not entirely relevant as that is a Lordless route).
Claude meanwhile is always looking towards the future, informed well by the past and present. He is, of course, aware and affected by the past and present, but like the future itself uses it to build the road to tomorrow. And unlike Dimitri and Edelgard, who have a single minded focus and don't plan for backups, understands that there's no guarantees in anything and is always planning contingencies when he can. And because the future is built from the past and present, he's also the character who most seeks out to demystify them in order to build that future, because even if you don't know a past event, it will still have ripple effect into the future. It's what makes it very important that, unlike Dimitri and Edelgard, Claude steps down from leadership of Fódlan entirely once he uncovers the full truth and realizes that, for all intents and purposes, his type of leadership isn't needed in Fódlan after what it went through and that his next best step is to go back to Almyra and start the next steps there. In fact, in Verdant Wind, they actually almost entirely take care of those who slither in the dark with the only remaining one being Cornelia, but even THEN he had a contingency when he came back to save Fódlan with the Almyran army in the epilogue. Even in other routes, he manages to always perfectly plan for both his demise and his victory, culminating (outside his own path) in Crimson Flower where he plans for his own death. He never stops thinking about the different twists and turns the future can take and plans for it.
This ended up a little bit Claude heavier but to be fair, he usually gives me more to think about.
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magecult · 8 months
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el sketches 💁
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boyyboss · 2 years
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femblems as texts i’ve sent pt 3 i hope you guys actually like these posts and i’m not insane
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