Gaudenzio Marconi. Ecole des Beaux Arts [School of Fine Arts]. C. 1868

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van de velde

fautrier

gerchin

cy twombly

expo gribouillage, ecole nationale des beaux arts de paris.

1975 Paris, Ecole des Beaux-Arts

Paris 2014:  École des Beaux-Arts

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Painters' workshop at the Ecole des Beaux- Arts in Paris, c. 1880.

Julien Blaine, L'impromptu de valenciennes, Ecole des Beaux-arts de Valenciennes, Valenciennes, 2004 [Fondazione Bonotto, Molvena]

Vous connaissez l'artiste peintre français Ibrahim Meïté Sikely (FR)

Ibrahim Meïté SikelyTête d’étoile, 2021huile sur toile / oil on canvas150 x 70 cm Né en 1996, Ibrahim Meïté Sikely vit et travaille à Champigny-sur-Marne et Paris. Il a obtenu son DNSEP à la Villa Arson à Nice en 2022 et est actuellement étudiant à l’Ecole nationale supérieure des Beaux-Arts de Paris. Il a récemment participé à plusieurs expositions au CAC Brétigny, au FRAC Lorraine, Metz, au…

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Qu’est ce qu’un musée ? première visite aux Beaux arts à Quimper

Lundi dernier,nous sommes allés au musée des Beaux Arts de Quimper.Pour ma part je n’ai pas apprécié l’œuvre avec Adam et Eve parce que ça me mettait mal à l’aise.

J’ai aimé l’œuvre avec la Joconde parce que c’était la première fois que je la voyais même si c’était la fausse.J’ai aussi aimé l’art abstrait parce qu’il y a plein de couleurs.

(Léo)

J’ai beaucoup apprécié cette visite car la guide nous a bien expliqué comment étaient fabriqués les tableaux .J’ai également aimé l’histoire d’Adam et Eve car sur la première œuvre on les voyait seuls , et sur la seconde on les voyait ,des années plus tard ,avec leurs enfants .

Par contre ,ce qui m’a choquée, c’est  qu’avant, les peintres n’avaient pas le droit de repasser les contours de leurs personnages avec du noir car ça n’était pas réaliste .

Et pour finir, ce qui m’a ennuyée, c’était une œuvre qui représentait des bûches sur une table.

(Manon )

 J’ ai trouvé la matinée ennuyante car il fallait écouter tout le temps.

Moi, ce qui m’a étonné c’est d’apprendre sur  quoi les artistes peignaient :  sur du bois, de la toile et de la pierre.

Ce que j’ai aimé c’est la salle du XXième siècle, un tableau m’a impressionné car il avait plein de couleurs. (Noah)

Alick P. F. Ritchie (Scottish, 1868-1938)

Alick Ritchie was born in Dundee, Scotland. He studied at the Ecole des Beaux Arts in Antwerp before settling in London as a commercial artist. He produced many cartoons for Vanity Fair, the Sketch, the Bystander and many other magazines and journals. Ritchie's cartoons and caricatures included portraits of celebrities in a style satirising the Cubist and Futurist schools of art that were predominant at the time. In 1912, he published a book called Y? or Zoo-all-awry, consisting of drawings and rhymes of composite animals, such as the Octopussy Cat and the Porcupython. Ritchie became well known for his theatrical posters, and between the wars he also produced posters for the London Underground. (source)

Le Vampire (ou La Chauve-Souris), ca.1903. Agathon Léonard

Agathon Léonard or Léonard Agathon van Weydevelt (1841-1923) was a French Art Nouveau sculptor. Léonard moved to Paris when quite young and studied sculpture at the Ecole des Beaux-Arts de Paris under Eugène Delaplanche.

Odon Marffy - Study in Ecole des Beaux-Arts, circa 1904

Marvin D. Cone (1891-1965) was born and raised in Cedar Rapids, where in 1906 he began a lifelong friendship with Grant Wood. He graduated from Coe College in 1914 and then studied at the School of the Art Institute of Chicago. World War I interrupted his studies, and Cone left for France in 1917, where he served as an interpreter. In 1919, he studied for about five months at the Ecole des Beaux Arts in Montpellier, France. When he returned to Cedar Rapids that year, he continued to pursue his interest in art. He considered commercial art, but chose instead to accept a position teaching French at Coe College for the 1919-1920 academic year. Upon his return to Cedar Rapids, Cone quickly renewed his friendship with Grant Wood and resumed his active involvement with the local art association (now the Cedar Rapids Museum of Art). Cone and Wood went abroad in the summer of 1920, hoping to improve their technical skills. The visit proved influential, resulting in a stunning series of impressionistic views of picturesque cityscapes and landscapes, Paris streets and gardens, and the French countryside. Architecture and landscape fascinated Cone for the rest of his life. He returned to Paris with his wife Winnifred in 1929 and traveled to Mexico in 1939. Cone lived all his 74 years in Cedar Rapids, Iowa, where he married, raised a family, and for more than four decades taught art at Coe College. Although he never achieved great fame, he was highly respected by his contemporaries.

https://www.crma.org/.../permanent-collections/marvin-d-cone

delacroix

cahier de classe (lycee) / school notebooks (college)

expo gribouillage, ecole nationale supérieure des beaux arts de paris.

1975 Paris, Ecole des Beaux-Arts

Richard Burlet was born in France in 1957. He studied at the prestigious Ecole Nationale Supérieure des Beaux Arts for a few years, then began his career as a painter. His art is inspired by Art Nouveau, in particular Klimt. He works in the collage business, using gold and silver leaf.

Men of sensitivity and passion, Gustave Courtois, left, and Pascal Dagnan-Bouveret were French painters and studio photographers during the Belle Epoque or 'beautiful era', one of the most creative periods in French history. They met as students at the Ecole des Beaux-Arts in Paris in the 1870s, then shared a studio and life together from the 1880s until Courtois' death in 1923. Both men used photography to support and inspire their work. Dagnan-Bouveret became one of the leading artists of the naturalist school, and Courtois was known for his paintings featuring sensuous young men.

Source: The Advocate

Portrait of Maurice Deriaz (1907) by Courtois

Young Florentin playing with cats (1882) by Courtois

In the Forest (1892) by Dagnan-Bouveret

Portrait of Carl Ernst Von Stetten (1878) by Courtois

Portrait of Gustave Courtois (1884) by Dagnan-Bouveret

Nude study of a man (1875) by Dagnan-Bouveret