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#doraibu mai ka
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Drive My Car (Ryûsuke Hamaguchi, 2021)
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sirgenry · 1 year
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«СЯДЬ за РУЛЬ МОЕЙ МАШИНЫ»   
«СЯДЬ за РУЛЬ МОЕЙ МАШИНЫ»    «DORAIBU MAI KA»   
режиссер Рюсукэ ХАМАГУТИ    драма  Япония   2021     
Оскар 2022        Лучший иностранный фильм  
Чехов ужасен. Когда произносишь его реплики, они вытаскивают тебя настоящего.
Мураками прекрасен. Его тексты завораживают. Он умеет создать интригу, даже там где ее в принципе быть не может. В фильме совершенно нет экшена и он преднамеренно растянут так, что Андрей Тарковский перевернулся в гробу от зависти. И, тем не менее, на протяжении всего фильма вы будете чувствовать нарастающее напряжение и ощущать, что нечто неотвратимо надвигается. Если конечно не заснете к середине фильма.
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Если вы непременно хотите получить главный приз за свой фильм, то Чехов это всегда беспроигрышный вариант, особенно «Дядя Ваня». Как и Харуки Мураками. А уж если вы решили снять картину по книжке Мураками про книжку Чехова про дядю Ваню, то считайте, что заветная статуэтка точно у вас в кармане. В смысле, в руке. Вы стоите на сцене, размахиваете ей и благодарите родителей и академию и Чехова и Мураками и дядю Ваню и цитируете вечно пьяного доктора Астрова. В человеке, Соня, все должно быть прекрасно. Если не душа и мысли, то хотя бы лицо и одежда. Это первоначальная версия реплики, но потом Чехов подумал, что это слишком цинично даже для Астрова и изменил ее.
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Ладно, ладно. Конечно же, я просто решил немного потроллить японцев. Ведь на самом деле это пожалуй единственный фильм из всех номинированных на Оскар в этом году, который я посмотрел от начала до конца без перерыва несмотря его на трехчасовой хронометраж. Так что посмотрите его непременно. Если не получите удовольствие от Чехова и Мураками, то хотя бы выспитесь.
С наилучшими пожеланиями, Sir Genry Sir Genry (c) 2022  All rights reserved. Violators will be shot  Сэр Генри (c) 2022  Все права защищены. Нарушители будут застрелены
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cinemu · 2 years
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Drive My Car (2021) dir. Ryusuke Hamaguchi
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enterfilm · 2 years
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DORAIBU MAI KÂ (Ryûsuke Hamaguchi, 2021)
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letterboxd-loggd · 2 years
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Drive My Car (ドライブ・マイ・カー) (Doraibu mai kâ) (2021) Ryusuke Hamaguchi
January 9th 2022
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mozizgatunk · 2 years
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Vezess helyettem (Doraibu mai ka, 2021)
Stílus: dráma  Nemzet: japán
Rendező: Ryusuke Hamaguchi
Magyar mozibemutató: 2022. március 17.
Szerintünk: Igen...
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fieldcinema · 2 years
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Doraibu mai ka, 2021 Dir. Ryusuke Hamaguchi
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panosatthemovies · 2 years
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Drive my car is an exquisite Japanese film about loss, grief, and the power of the performing arts to let people express their humanity. It is a film full of surprises, with a cinematic language you might not feel at ease, and it's certainly taking its time to tell its story, having the start credits at the 40' mark! However, once you let go, you'll be mesmerized by its rhythm, the sunny locations of Hiroshima, the fantastic performances by all cast members, and the character study of both leads, as they are coming to grips with their loss at the end of the third act. It's a real gem and will probably -- and deservedly -- win the international film Oscar this year.
A-
Trailer: https://youtu.be/6BPKPb_RTwI
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elizabethtbl · 2 years
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clemsfilmdiary · 2 years
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Drive My Car / Doraibu mai kā (2021, Ryūsuke Hamaguchi)
ドライブ・マイ・カー (濱口竜介)
1/22/22
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ivansitojaja · 2 years
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Doraibu mai kâ, 2021
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lentecreativo · 2 years
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"Doraibu mai ka" (2021)
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miguelmarias · 2 years
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TOP 2021
A) Grandes películas realizadas después de 2016, pero vistas por primera vez en 2021:
Mo er dao ga(Anima;Cao Jinling, 2020)
Cry Macho(Clint Eastwood, 2021)
Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)
À l’abordage (Guillaume Brac, 2020)
Still Life of Memories(Yazaki Hitoshi, 2018)
Doraibu mai k?/Drive My Car(Hamaguchi Ryûsuke, 2021)
Let Him Go(Thomas Bezucha, 2020)
Dorogie tovarishchi(Dear Comrades!;Andreí Konchalovsky, 2020)
Il n’y aura plus de nuit(Éléonore Weber, 2020)
Marx può aspettare(Marco Bellocchio, 2021)
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The Marriage Project(Hesam Eslami & Atieh Attarzadeh, 2019)
Gûzen to sôzô/Wheel of Fortune and Fantasy(Hamaguchi Ryûsuke, 2021)
Suzanna Andler(Benoît Jacquot;a.Marguerite Duras, 2020/1)
Maixabel(Iciar Bollain, 2021)
News of the World(Paul Greengrass, 2020)
Country Music(Ken Burns, 2019)
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B) Grandes películas hechas antes de 2016, pero vistas solo en 2021:
Serdtse materi(The Heart of a Mother;Mark Donskoí, 1966)
Yumechiyo Nikki(Yumechiyo’s Diary;Urayama Kirio/Kiriro, 1985)
Petit à petit(version 4 hrs)(Jean Rouch, 1971)
The Whistle at Eaton Falls(A Drama of Real Life)(Robert Siodmak, 1951)
Taking Sides/Der Fall Furtwängler(Szabó István, 2001)
Losing Ground(Kathleen Collins, 1982)
Dream Girl(Mitchell Leisen, 1947/8)
Valley of the Sun(George Marshall, 1942)
The Silent Partner(S1,Ep.12 de Screen Directors Playhouse)(George Marshall, 1955)
Life Begins at 40(George Marshall, 1935)
Peesua lae dokmai(Butterflies and Flowers;Euthana Mukdasanit, 1985)
Hellfire(R.G. Springsteen, 1949)
Shin Heike Monogatari:Yoshinaka o megoru sannin no onna(Kinugasa Teinosuke, 1955/6)
Texas(George Marshall, 1941)
Vremia zhelanií(Time of Desire;Iulii Raízman, 1984)
Nigorie(Imai Tadashi, 1953)
Die Rebellion(Wolfgang Staudte, 1962)
Kirmes(Wolfgang Staudte, 1960)
Joi no Kiroku(Shimizu Hiroshi, 1941)
Stories We Tell(Sarah Polley, 2012)
Días de otoño(Roberto Gavaldón, 1963)
Man’s Calling(Almost a Friar;Allan Dwan, 1912)
Das Lamm(The Lamb;Wolfgang Staudte, 1964)
Bokuseki(Gosho Heinosuke, 1940)
Hashi no nai kawa(The River with No Bridge; Higashi Yôichi, 1992)
Taiyô no suwaru basho? no suwaru basho(The Place Where the Sun Sits;Yakazi Hitoshi, 2012)
Suîto ritoru raizu(Sweet Little Lies;Yazaki Hitoshi, 2009/10)
Fuon(The Crying Wind;Higashi Yôichi, 2004)
Ainsi soit-il(Gérard Blain, 1999/2000)
The Rose of Kentucky(D.W. Griffith, 1911)
The Romantic Story of Margaret Catchpole(Raymond Longford, 1911)
Odoriko(Shimizu Hiroshi, 1957)
Escape(Mervyn LeRoy, 1940)
Raí/Paradies(Paradise;Andreí Konchalovsky, 2016)
Never a Dull Moment(George Marshall, 1950)
A Millionaire for Christy(George Marshall, 1951)
Friendly Enemies(Allan Dwan, 1942)
Maging Akin Ka Lamang(Lino Brocka, 1987)
Bulaklak Sa City Jail(Mario O’Hara, 1984)
Kawanakajima kassen(The Battle of Kawanakajima;Kinugasa Teinosuke, 1941)
The Girl Said No(Sam Wood, 1930)
Eno nakane bokuno mura(Village of Dreams;Higashi Yôichi, 1996)
Atlantis The Lost Continent(Siren of Atlantis/Atlantide;Gregory G. Tallas,coll.John Brahm,Arthur Ripley, 1947//9)
Koiya koi nasuna koi(Love, Thy Name Be Sorrow/The Mad Fox;Uchida Tomu, 1962)
Destry Rides Again(George Marshall, 1939)
A Message to Garcia(George Marshall, 1936)
Chicago-Weltstadt in Flegelsjahren(Heinrich Hauser, 1931)
Die Stadt der Millionen. Ein Lebensbild Berlins(Adolf Trotz, 1925)
Wandering Papas(Stan Laurel, 1926)
C) Películas recientes muy buenas:
Dereka no mokkin(Somebody’s Xylophone;Higashi Yôichi, 2016)
Hostiles(Scott Cooper, 2017)
Ray Meets Helen(Alan Rudolph, 2017)
Tre piani(Nanni Moretti, 2021)
Des Hommes(Lucas Belvaux, 2020)
Petite Maman(Céline Sciamma, 2021)
Running Wild(Alex Ranarivelo, 2016/7)
Degas et moi(de 3e Scène;Arnaud Des Pallières, 2019)
Eskape(Neary Adeline Hay, 2021)
Dangsin-eolgul-apeseo(In Front of Your Face;Hong Sang-soo, 2021)
The Marksman(Robert Lorenz, 2021)
Un soupçon d’amour(Paul Vecchiali, 2019/20)
The Miniaturist of Junagadh(Kaushal Oza, 2021)
L’equilibrio(Vincenzo Marra, 2017)
Felkészülés meghatározatlan ideig tartó együttlétre(Preparations to be together for an unknown period of time;Horvát Lili, 2020)
Longe(Far;José Oliveira, 2016)
Seize printemps(Suzanne Lindon, 2020)
Onoda, 10.000 nuits dans la jungle(Arthur Harari, 2021)
Huda’s Salon(Hany Abu-Assad, 2021)
The Sea Ahead(Albahr’amamakum)(Ely Dagher, 2021)
Les Apparences(Marc Fitoussi, 2020)
Pray for Rain(Alex Ranarivelo, 2017)
Quién lo impide(Jonás Trueba, 2016-21)
A Quiet Place Part II(John Krasinski, 2020/1)
A Quiet Place(John Krasinski, 2018)
Antlers(Scott Cooper, 2019//21)
Zeros And Ones(Abel Ferrara, 2021)
Supai no tsuma(Kurosawa Kiyoshi, 2020)
A todo tren. Destino Asturias(Santiago Segura, 2021)
The Great Indian Kitchen(Jeo Baby, 2021)
What Is Life Worth/Worth(Sara Colangelo, 2020)
Errementari(El herrero y el diablo;Paul Urkijo Alijo, 2017/8)
Sylvie’s Love(Eugene Ashe, 2020)
La Telenovela Errante(Raúl Ruiz,Valeria Sarmiento, 1990/2017)
Irradiés(Rithy Panh, 2020/1)
Traidores(Jon Viar, 2021)
Impuros(Alberto Utrera, 2021)
Wild Mountain Thyme(John Patrick Shanley, 2020)
Explota Explota(Nacho Álvarez, 2020)
Asa ga kuru(True Mothers;Kawase Naomi, 2020)
The Song of Names(François Girard, 2019)
Coda(Claude Lalonde, 2019)
(The)Borderlands(Samarth Mahajan;col.Nupur Agrawal, 2020/1)
Sardunya(Geranium;Çagil Bocut, 2021)
Ride or Die(Hiroki Ryuichi, 2021)
The Beatles Get Back(Michael Lindsay-Hogg/Peter Jackson, 1969///2021)
Summer of Soul or When the Revolution Could Not Be Televised(Questlove, 2021)
Concierto para la batalla de El Tala(Libro primero de La Saga de los Mártires Unitarios)(Mariano Llinás, 2021)
My Octopus Teacher(Pippa Ehrlich & James Reed;coll.Craig Foster, 2020)
D) Películas más antiguas muy buenas:
You Never Know Women(William A. Wellman, 1926)
Out of the Furnace(Scott Cooper, 2013)
Watashi no Guranpa(My Grandpa;Higashi Yôichi, 2003)
Mubansô(A Cappella;Yazaki Hitoshi, 2015/6)
Panic in Year Zero!(Ray Milland, 1962)
The Man I Married(Irving Pichel, 1940)
Show Them No Mercy(George Marshall, 1935)
Badlands of Dakota(Alfred E. Green, 1941)
The Treasure of Lost Canyon(Ted Tetzlaff, 1951/2)
Nie wieder Liebe!(Anatole Litvak, 1931)
Mukashi no uta(Old Sweet Song/Old Song;Ishida Tamizo, 1939)
Keshin(Metamorphosis;Higashi Yôichi, 1986)
Sekando rabu(Second Love;Higashi Yôichi, 1983)
Slave Ship(Tay Garnett, 1937)
Evelyn Prentice(William K. Howard, 1934)
Zwischengleis(Wolfgang Staudte, 1978)
Heimlichkeit(Wolfgang Staudte, 1968)
The Moon’s Our Home(William A. Seiter, 1936)
All Our Yesterdays(of 77 Sunset Strip)(Richard L. Bare, 1958)
I Live My Life(W.S. Van Dyke II;scr.Joseph L. Mankiewicz, 1935)
Una Romantica Avventura(Mario Camerini, 1940)
Le Grand Jeu(Nicolas Pariser, 2015)
Erótica(Emilio ‘Indio’ Fernández, 1978)
Oatsurae Jirôkichi goshi(Jirokichi the Rat;Itô Daisuke, 1931)
Desert People(Ian Dunlop, 1965-7)
Tap Roots(George Marshalll, 1948)
When the Daltons Rode(George Marshall, 1940)
Scared Stiff(George Marshall, 1952/3)
The Blue Dahlia(George Marshall, 1945/6)
Flowing Gold(Alfred E. Green, 1940)
This Side of the Law(Richard L. Bare, 1949/50)
Gränsfolken(Mauritz Stiller, 1913)
Rendezvous(William K. Howard;uc.Sam Wood, 1935)
High, Wide and Handsome(Rouben Mamoulian, 1937)
Heat Lightning(Mervyn LeRoy, 1934)
Black Jack(Julien Duvivier, 1950)
Nancy Steele is Missing!(George Marshall;uc.Otto Preminger, 1937)
The Woman Between(Victor Schertzinger, 1931)
The Woman I Love(The Woman Between;Anatole Litvak, 1937)
Want Ad Wedding(William A. Seiter, 1955)
El agua en el suelo(Eusebio Fernández Ardavín, 1925)
De sueur et de sang(Wonderboy;Paul Vecchiali;coll.Pierre Sénélas, 1994)
The Ghost Breakers(George Marshall, 1940)
State Secret(The Great Manhunt;Sidney Gilliat, 1950)
The Spieler(Tay Garnett, 1928)
Culpables(Arturo Ruiz-Castillo, 1958)
Phenomenon(John Turteltaub, 1996)
Shack Out On 101(Edward Dein, 1955)
The Dog Lover(Alex Ranarivelo, 2015/6)
Il Fauno(Febo Mari, 1917)
Satánico Pandemonium(La Sexorcista;Gilberto Martínez Solares, 1975)
Parisian Love(Louis J. Gasnier, 1925)
Hollywood on Trial(David Halpern,Jr., 1976)
Beyond Mombasa(George Marshall, 1956)
Money from Home(George Marshall, 1953)
Hook, Line and Sinker(George Marshall;p.,w.Jerry Lewis, 1968/9)
Variety(Bette Gordon, 1983)
Séraphin ou Les Jambes Nues(Louis Feuillade, 1921)
Effraction(Daniel Duval, 1983)
Jalaler Golpo(Jalal’s Story;Abu Shahed Emon, 2014)
Cover Up(Alfred E. Green, 1948/9)
Manchas de sangre en la Luna(Come Die My Love;Luis Marquina & Edward Dein, 1952)
Le 7ème Juré(Georges Lautner, 1962)
La Route de Salina(Georges Lautner, 1969/70)
The Squall(Alexander Korda, 1929)
Rose Bernd(Wolfgang Staudte, 1957)
L’Emigrante(Febo Mari, 1915)
Cenere(Febo Mari & Arturo Ambrosio, 1916/7)
Sâdo(Third Base;Higashi Yôichi, 1978)
Universal Citizen(Peter Thompson, 1987)
Nightfall(Gwyneth Gibby, 1999/2000)
Where Lights Are Low(Colin Campbell, 1921)
Mo hozue wa tsokanai(No More Easy Life;Higashi Yôichi, 1979)
Ureshi hazukashi monogatari(A Tale of Happiness/The Pursuit of Happiness;Higashi Y?ichi, 1988)
Strawberry Shortcakes(Yazaki Hitoshi, 2006)
Shiki Natsuko(Higashi Yôichi, 1980)
Yoi ga sametara, uchi ni kaer?(Wandering Home;Higashi Yôichi, 2010)
De cierta manera(Sara Gómez, 1974//8)
Broadway Love(Ida May Park, 1918)
Forza Bastia 78 ou L’île en fête(Jacques Tati & Sophie Tatischeff, 1978///2000)
…addio del passato…(Marco Bellocchio, 2000)
Die Geschichte vom kleinen Muck(Wolfgang Staudte, 1953)
Sangatsu no raion(March Comes Like a Lion;Yazaki Hitoshi, 1991)
El Movimiento(Peter Thompson, 2002)
Lowlands(Peter Thompson, 2009)
E) Grandes películas que mejoran:
Limelight(Charles Chaplin, 1951/2)
Morocco(Josef von Sternberg, 1930)
Körkarlen(Victor Sjöström, 1920/1)
Fool’s Paradise(Cecil B. DeMille, 1921)
Shane(George Stevens;associate d.Fred Guiol, 1952/3)
Potomok Chingis-Khana(Vsevolod I. Pudovkín, 1928)
Man Hunt(Fritz Lang, 1941)
The Tall T(Budd Boetticher, 1957)
Ruan Lingyu/Center Stage(Stanley Kwan, 1991/2)
Something To Live For(George Stevens, 1942)
One Way Passage(Tay Garnett, 1932)
La Roue(Abel Gance, 1923)
Waga seishun ni kuinashi(Kurosawa Akira, 1946)
East Side, West Side(Allan Dwan, 1927)
The Unfaithful(Vincent Sherman, 1947)
Kuhle Wampe oder Em göhert der Welt?(Slatan Dudow, 1932)
Silver River(Raoul Walsh, 1948)
Il Gattopardo(The Leopard;Luchino Visconti, 1963)
You’re the one(Una historia de entonces)(José Luis Garci, 2000)
George Stevens:D-Day to Berlin(George Stevens,Jr., 1994)
The Mating Game(George Marshall, 1959)
The Edge(Robert Kramer, 1967)
Ice(Robert Kramer, 1969)
Alias Nick Beal(John V. Farrow, 1948/9)
Tenshi no harawata:Nami(Angel Guts:Nami;Tanaka Noboru, 1979)
The Savage(George Marshall, 1952)
Underwater!(John Sturges, 1954/5)
A Face in the Crowd(Elia Kazan, 1957)
Cheers For Miss Bishop(Tay Garnett, 1940/1)
Joy of Living(Tay Garnett, 1938)
A Ilha dos Amores(Paulo Rocha, 1982)
Sentimental Journey(Walter Lang, 1946)
The Man Who Died Twice(Joe Kane, 1958)
The Cheat (Cecil B. DeMille, 1915)
F) Muy buenas películas que cambian después de una nueva visión
The Birth of a Nation(David Wark Griffith, 1914/5)
Suez(Allan Dwan, 1938)
Saskatchewan(Raoul Walsh, 1954)
The Plough and the Stars (John Ford, 1937)
Doblones de a ocho(Andrés Linares, 1990)
My Cousin Rachel(Henry Koster, 1952)
Arsenic and Old Lace(Frank Capra, 1941//3)
Big City(Skyscraper Wilderness;Frank Borzage, 1937)
Make Haste to Live(William A. Seiter, 1954)
Cattle Drive(Kurt Neumann, 1951)
The Gun Runners(Donald Siegel, 1958)
Woman Of The Year(George Stevens, 1942)
Bram Stoker’s ‘Dracula’(Francis Ford Coppola, 1992)
Yoru no nagare(Evening Stream;Narusê Mikio & Kawashima Yûzô, 1960)
The Duel at Silver Creek(Donald Siegel, 1952)
Sólo para hombres(Fernando Fernán-Gómez, 1960)
If I Were Free(Elliott Nugent, 1933)
Stand-In(Tay Garnett, 1937)
The Great Houdini(George Marshall, 1953)
Nightmare Alley(Edmund Goulding, 1947)
The Gazebo(George Marshall, 1959)
The Sheepman(George Marshall, 1958)
The Shanghai Gesture(Josef von Sternberg, 1941)
Her Man(Tay Garnett, 1930)
Confession(Joe May, 1937)
The Sophomore(Leo McCarey, 1929)
Luz de domingo(José Luis Garci, 2007)
Drive A Crooked Road(Richard Quine, 1954)
El mar y el tiempo(Fernando Fernán-Gómez, 1989)
Yo la vi primero!(Fernando Fernán-Gómez, 1974)
Sneakers(Phil Alden Robinson, 1992)
Josette(Allan Dwan, 1938)
The Guns of Fort Petticoat(George Marshall, 1956)
Nitôryû Kaigen(Initiation to the Two Sword Style;retitled  in 1954 Miyamoto Musashi;Kongo-in ketto;(Miyamoto Musashi;Duel at Kongo-in Temple;Asaka Katsuhiko & Itô Daisuke, 1943)
Forfaiture(Marcel L’Herbier, 1937)
The Old Dark House(James Whale, 1932)
The Amazing Quest of Mr. Ernest Bliss(The Amazing Adventure;Alfred Zeisler, 1936)
The Male Animal(Elliott Nugent, 1942)
No Man’s Woman(Franklin Adreon, 1955)
Padre no hay más que uno 2(Santiago Segura, 2020)
Trader Horn(W.S Van Dyke II, 1931)
Trade Winds(Tay Garnett, 1938)
Alye parusa(Scarlet Sails;Alieksandr Ptushko, 1961)
It Started with a Kiss(George Marshall, 1959)
Benvenuta(André Delvaux, 1983)
L’Arlésienne(André Antoine, 1922)
Erotikon(Mauritz Stiller, 1920)
Four Hours to Kill!(Mitchell Leisen, 1935)
Hot Saturday(William A. Seiter, 1932)
The Moderns (Alan Rudolph, 1988)
Carmen(Cecil B. DeMille, 1915)
Loves of Carmen(Raoul Walsh, 1927)
Wrong is Right(Richard Brooks, 1982)
Miguel Marías
Fuente: http://www.paginas-del-diario-de-satan.com/pdds/?p=6985
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