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#done with y'all bashing my man fr
im-no-jedi · 1 year
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nah, but I’m sick of it. I’m sick of people holding Hunter to unrealistic standards. yes, he’s the leader and (most likely) the oldest of the group. but do any of you even realize what that means??
it means he already holds himself to unrealistic standards. and y’all continuing to bash and berate him for it is no different than an abusive parent would do to their child, seriously 🙄
he’s not perfect. he’s going to make mistakes. he’s a freaking human being, not some flawless god who can solve everyone’s problems. 
and for goodness sakes, stop saying he’s emotionless. just because someone doesn’t cry doesn’t mean they’re emotionless. not only does Hunter clearly show emotion many times throughout the series (especially in Plan 99), but he also tries to remain the stable one in emotional situations for the sake of others. he has to. it’s his job.
and the worst part? literally nobody is telling him to be that way. sure, he probably was taught some things while in military training. but I can tell you right now as the oldest sibling, that idea of being the “stable one” is something you create entirely of your own conscious. I’ve had to go through years of therapy in order to “unlock” my emotions and be more open with people. and I still struggle with it!!
ALSO. I’m sick of the double standard held between the characters. y’all are so willing to forgive Tech and Crosshair for acting the way that they do, but as soon as Hunter does something “wrong”, he’s labeled the worst of them all. why?? why is that?? is it really just because he’s the leader?? give me a break 🙄
we learned that Tech is the way that he is because of a mental disorder. amazing. wonderful. everybody liked that.
well then. is it really so hard to believe that maybe, just maybe, Tech isn’t the only one like that??
I’m not the first person to view the entire squad as ND, and I’m certainly not the last. many ND people have found solidarity in different members of the squad, sometimes all of them (myself included). someone on Twitter even wrote a fantastic thread about how the Batch is autistic (before Tech was confirmed so in the show btw!).
so yeah. need I say more? 
dislike the way a character acts all you want idc. but try and take a minute to actually think about why you don’t like it instead of just throwing out insults and slander unnecessarily. especially when most of it is blatant hypocrisy at best. I almost feel like it shouldn’t be allowed to hate on Hunter unless you’re willing to do the same for Tech and Crosshair. but what do I know? I’m just a ND oldest sibling of four with Gifted Kid Burnout who had to go to therapy for emotional issues 🤪
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nariko-senpai · 2 months
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MY HOT TAKES ON ANIME/MANGA FANDOMS P2
Disclaimer: These are my opinions based on prior experiences with said fandom and what I've seen online. Please don't come after me :/
Spy x Family
Tamest and purest fandom I've seen in a long time. Y'all just ship loid and yor, Anya and Damien, etc and it's just NICE. ITS NICE ANC CUTE OKAY? Although you're down bad for yor and loid, at least majority of you know what pedophilia is 😀👍
Chainsaw Man
Y'ALL ARE SO GOOFY. Honestly, I try not to interact with this fandom cause I've seen so much goofy shit with Power and Makima and stuff I JUST STAY AWAY. Y'ALL JUST AS GOOFY AS THE STORY LMAO.
Naruto
You're an OG fan. Everyone in this fandom has watched all the episodes (including the hundreds of fillers) and just ARGUE. YOU ARGUE ABOUT EVERY SINGLE CHARACTER AND GO ON FULL ON RANTS. Also, you all collectively bash Boruto and treat Sakura like shit (I'm not arguing about that tho) But Naruto fans are DEDICATED TRUST ME.
Bungo Stray Dogs
Don't interact much with this fandom, but y'all seem depressed and suicidal af. YOU TAKE DARK HUMOUR TO A WHOLE NEW LEVEL. I also see some pretty aggressive shipping coming from this fandom, but it's always Dazai x whatever character. SPEEKING OF DAZAI, IT LOOKS LIKE YOU ALL WORKSHIP THE MAN OR SMTH IDK 💀
One Piece
Wholesome. You just want more people to watch/read One piece so you can talk about it. ITS KINDA DEPRESSING TO WATCH ACTUALLY. And somehow you all remember like 100+ characters in this story LIKE HOW? I KEEP FORGETTING WHAT THAT LONG NOSE GUY'S NAME IS 😭 But you are some of the most diehard anime/manga fan if you've done the impossible and finish both anime and manga. Also has the best live action in my opinion ¯\(ツ)/¯
Kakeguri
Horny, gay and suicidal. Y'all watch lesbians play uno and checkers like it's world war 3 and eat that shit UP. But fr, you're either a someone that watches for boobs or a someone who started watching with good intentions and now thinks they can win a million dollars by challenging someone to an uno game 💀 PLEASE GET PROFESSIONAL HELP IF YOU KIN ANY OF THESE CHARACTERS, YOURE MOST LIKELY DEPRESSED AND/OR SUICIDIAL.
Should I make a part three, and if so, what fandoms?
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theworstbob · 7 years
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yellin’ at songs: week 31
brief reviews of the songs that debuted on the 8.9.1997, 8.11.2007, and 8.12.2017 editions of the billboard hot 100
8.9.1997
10) "Never Make a Promise," by Dru Hill
See, the thing about this R&B song in which a person makes an eternal promise that separates it from all the other dozens I've heard in the past couple of weeks is, goddamnit I was really hoping I would come up with a joke by the time I got to the conjunction, I figured, y'know, I'd get the ball rolling, get some momentum, y'know? If I started saying words in the cadence of a joke, I would get with the program and sort of involuntarily make a joke. I see now the folly in my ways. I should've been better prepared for 1997. I knew milquetoast R&B was in store. I dropped the ball on this one, and dropped it in such a way that it did not start rolling, to tie it back to a metaphor from earlier. I promise to do better. And uh, fun fact about me, I never make a promise I won't keep.
87) "Down for Yours," by Nastyboy Klick ft./Roger Troutman
Pitch the Auto-tune a little lower, put in a few of those drums what sound like a dude roiling his rs to imitate a machine gun, and this is a perfectly acceptable 2017 pop/rap song. I just wanna real quick address something: I know I said last week that every 1997 rapper, short Magoo, was better than the best 2017 rapper, but I was speaking in terms of pop/rap. Like, if you only go by what charted, which is a mistake for so... so many reasons, 1997 rap is better? But once -- I mean, the Kendrick and Jay albums were fire, but more importantly, you've got folks like Vince Staples and Brother Ali and Joey Bada$$ and Lupe Fiasco and SZA making awesome, challenging works that aren't gonna chart. These charts are at once a sample of music history and the poorest imaginable representation of music history. Anyhoo, I don't know what previously held the title of 'most innocuous song to throw Bob into an existential tailspin over the general utility of the YAS project,' but it belongs to this dumb sack of song now!
90) "Never, Never Gonna Give You Up," by Lisa Stansfield
Hey: if nothing else, clicking on this edition of YAS 7s should give you a fun and cool new way to Rickroll your friends. Add a meta layer to your Rickroll game. I know this isn't actually a comment on the song, because how could anyone be aware of memes in 1997? All these songs predate Hamsterdance. Someone should have told Lisa Stansfield there was already a song called this, though. Anyhoo, I'm not actually talking about these songs at all. They're boring! This is probably the most okay song so far, but I'm putting it out of my mind to think about a boring meme about a boring song.
92) "Drink, Swear, Steal, & Lie" by Michael Peterson
aw this guy's just a big ol' dork. i love him! ii love his dork ass song about how in love with his girl he is. this song has one joke and it's still a vastly more complex and well-written song than any pi[50,000 word treatise on bro country redacted]anyway, this dude's great. like, i'm a pop/punk main, y'know? i love dorky and earnest jams. this hits that button squarely, y'all. i'm so into this.
only publishing the 1997 top 20 because changes happen with the other two and i value consistency
20) "Step by Step," by Whitney Houston (3.15) 19) "Can We," by SWV ft./Missy Elliott (8.2) 18) "On and On," by Erykah Badu (1.25) 17) "I Want You," by Savage Garden (3.1) 16) "It Must Be Love," by Robin S. (5.24) 15) "Smokin' Me Out," by Warren G ft./Ronald Isley (6.21) 14) "Fix," by BLACKstreet ft./Ol' Dirty Bastard (8.2) 13) "Silent All These Years," by Tori Amos (3.22) 12) "What They Do," by The Roots (1.11) 11) "Step Into a World (Rapture's Delight)," by KRS-One (4.5) 10) "I'm Not Feeling You," by Yvette Michele (2.22) 9) "Bill," by Peggy Scott-Adams (3.29) 8) "Just Another Case," by CRU ft./Slick Rick (7.5) 7) "I'll Be," by Foxy Brown ft./Jay-Z (2.15) 6) "Felton St.," Leschea (6.14) 5) "Bitch," by Meredith Brooks (4.26) 4) "Mo Money, Mo Problems," by The Notorious B.I.G. ft./Puff Daddy & Mase (8.2) 3) "Return of the Mack," by Mark Morrison (3.1) 2) "Hypnotize," by The Notorious B.I.G. (4.26) 1) "Not Tonight (Ladies' Night Remix)," by Lil Kim ft./Angie Martinez, Left Eye, Da Brat & Missy Elliott (7.12)
8.11.2007
47) "Stronger," Kanye West
Graduation is such a goofy album because it has three of the best Kanye singles of all time, including what, let's be real, probably ends up as the best song from 2007, but it's also Kanye's worst and least interesting album. It's Kanye at a crossroads, stuck between being the pop/rap god and the morose Auto-tune sadlord who makes 808s and MBDTF. This song actually finds Kanye at the perfect point in the crossroads. He's still making a towering achievement for the mainstream, but he's breaking out of being chop up the soul Kanye, moving into electronic territory, developing his sound into that direction in a way that doesn't quite sound like MBDTF but sounds like the first step on that road. It'd be a bold experiment if it didn't absolutely work, and this is an amazing song by any objective measure.
65) "Cyclone," Baby Bash ft./T-Pain
Man maybe I just haven't noticed it yet or maybe I'm just coming down from the "Stronger" high, but I forgot how horrible the generic crunk beat was to listen to. It hasn't been quite so prevalent, but heck whoever gave this dude the Lil Jon MP3s. I will say that T-Pain making noises to describe what it feels like when a woman dips it low is the tiniest little miracle of a thing, but boy, is my life not better with this song in it. OK I just got to the part where T-Pain makes that noise three times in a row, this song is an achievement in Western art and culture and the world is saved.
83) "Love Me if You Can," Toby Keith
who the fuck listens to toby keith for the ballads like who is this for who thinks of this song when they think of toby keith no legit dude just make dumbass party jams i don't get why this would ever need to exist
84) "Take Me There," Rascal Flatts
Like legit why would you give "Love Me if You Can" to Toby Keith when Rascal Flatts is literally right there. Songs like "Love Me if You Can" and this treacly pile of love song are why you made Rascal Flatts in the first place. I also enjoy the twist this puts on The Country Song. I don't think anyone ever came to Rascal Flatts for Authentic Country Music, so them saying they want the girl to take them to Main Street and the backroads is actually kinda sweet. Like, they're not posturing, they're saying, "Yeah, we're clearly city softboys, but we wanna see the small town blue jean nights that made my girl." Rascal Flatts: generally inoffensive yet again! They just keep comin'!
89) "Proud of the House We Built," Brooks & Dunn
I like this song because it reminded me of The Wonder Years' "Teenage Parents," and I appreciate the opportunity to think about The Wonder Years. I dunno, country hasn't really been problematic this week! This song is almost good! It's just a nice look back on life. "Yeah, it kinda sucked, butcha know what, we made it." Maybe it could've acknowledged that the tough times sucked instead of looking back smiling and saying, "I wouldn't have it any other way?" Hard times suck, dude. I know you haven't heard that Paramore jam yet, but hard times suck and you shouldn't idealize them. Especially when, you know, you're a millionaire, and people who are actually going through hard times are listening to you and saying, "Welp, guess this is my station in life!" Hey Bob you're going on a treatise on the sociological implications of bro country, and you are actually unable to write that. Please write about JoBros.
92) "Hold On," Jonas Brothers
What a week for songs named after far more notable '80s jams! (Actually Wilson Phillips w)I LOOKED IT UP AND DECIDED I DIDN'T CARE anyway did anyone else forget that Jonas Brothers are like legit songwriters? Like, this is definitely as good as any Simple Plan song, and Simple Plan was like a decade older than these kids. Does Simple Plan make good music? That's beside the point, which is that Jonas Brothers was never garbage. They were always making highly enjoyable pop/rock songs for the whole family, and they were capable of making these songs from an extraordinarily young age. We could've done worse, is what I'm trying to get at. Like, we had it pretty got dang good with the JoBros, friends! There's a world where JoBros fades into semi-obscurity and makes highly enjoyable Christian rock with Hanson, and also no one ever makes "Jealous," and that's a pretty OK alternate reality, that one.
100) "Hood Nigga," Gorilla Zoe
The most optimistic sentence on Wikipedia is, "This is Gorilla Zoe's only top 40 hit on that chart, to date." This song ain't bad! It would've been a fine #1 in some of those weeks where the best song was like "Do it Just Like a Rock Star." He has this really fun and gruff voice, maybe a little laconic but certainly pleasant to put in the ears, the beat is, as the kids might have said in 2007, knockin', and we have certainly heard worse things! Also the radio edit replaces N with F and of all the letters to replace the N, F is easily the funniest, because now this song is about a dude who can't get enough figs in his life. Fuck Cristal, this dude's got a Fig Newton cabinet.
New #1 hype! 20) "Lip Gloss," by Lil Mama (6.9.2007) 19) "Stolen," by Dashboard Confessional (4.21.2007) 18) "Beautiful Liar," by Beyonce & Shakira (3.31.2007) 17) "Cupid's Chokehold," by Gym Class Heroes ft./Patrick Stump (1.13.2007) 16) "The River," by Good Charlotte ft./M. Shadows & Synyster Gates (2.10.2007) 15) "Say OK," by Vanessa Hudgens (2.17.2007) 14) "Alyssa Lies," by Jason Michael Carroll (1.13.2007) 13) "Never Again," by Kelly Clarkson (5.12.2007) 12) "Can't Tell Me Nothing," by Kanye West (6.16.2007) 11) "Get Buck," by Young Buck (4.14.2007) 10) "And I Am Telling You I'm Not Going," by Jennifer Hudson (1.13.2007) 9) "Thnks fr th Mmrs," by Fall Out Boy (4.28.2007) 8) "Candyman," by Christina Aguilera (1.13.2007) 7) "Misery Business," by Paramore (7.21.2007) 6) "Because of You," by Ne-Yo (3.17.2007) 5) "Umbrella," by Rihanna ft./Jay-Z (4.28.2007) 4) "Beautiful Flower," by India.Arie (6.16.2007) 3) "Dashboard," by Modest Mouse (2.17.2007) 2) "The Story," by Brandi Carlile (4.28.2007) 1) "Stronger," by Kanye West (8.11.2007) Hey guess what the alt-country song doesn’t end up being Record of the Year 2017. Also I made a minor adjustment to #20 because Lil Mama is going to stay around as long as I feel I cannot bop her in good conscience.
8.12.2017
40) "Back to You," by Louis Tomlinson ft./Bebe Rexha & Digital Farm Animals
Huh, well, I think I mind this the least of all the One Direction side projects! I'm down for a duet, even if this is just a little too low-key to ever attain Iconic Duet status -- drunk folks and karaoke wanna shout about love, and while I'm sure they'll appreciate the "you fuck me... up" phrasing, you're not giving them a lot to work wth. I've never minded Bebe Rexha as little as I do here, and just like in his boyhood, Louis Tomlinson doesn't do anything to ruin everything. This was passable. I wouldn't mind hearing this again, I wouldn't mind if a thousand lives were lived before I heard it again.
61) "What's My Name," by China Anne McClain 81) "It's Goin' Down," Descendants 2 Cast
Listen. Am I upset that this young woman's villain song does not in any way hearken back to "Poor Unfortunate Souls" in any way? Of course. Am I 15 years aged out of the target market for this song? I mean fucking obviously, I knew we'd be treading in these waters eventually. These are fine generic pop songs, the only true flaw in any being the fact someone looked at purple-haired girl and said, "She should be in a rap battle. I think she could convincingly hold her own in a rap battle," like I'm sorry sweetie you have an abundance of other talents and zero bars. It's charming. It's charming! Listen. Am I ready for China Anne McClain to rule the world for five yet-to-be-determined years in the future? Yes. Do I love Captain Hook's gay son? I LOVE CAPTAIN HOOK'S GAY SON
77) "Issues," by Meek Mill 79) "Wins & Losses," by Meek Mill 83) "1942 Flows," by Meek Mill 96) "We Ball," by Meek Mill ft./Young Thug 97) "Fuck That Check Up," by Meek Mill ft./Lil Uzi Vert 99) "Heavy Heart," by Meek Mill
So if I'm rating the theme weeks of 2017: 1) Kendrick Week 2) Jay-Z Week 3) Future Week 4) Meek Mill Week 5) Migos Week 6) Ed Sheeran Week 7) Big Sean Week 8) Drake Week 9) Bryson Tiller Week I was honestly surprised by how much I enjoyed these songs. Like, I'm actually adding the Meek Mill album to the library for future listening. "1942 Flows" and "Wins & Losses" are legit, they're engaging songs and Meek Mill brings passion to them, and maybe I'm just unfamiliar with the rest of Meek Mill's catalogue, but I honestly didn't expect to be involved in these songs. This seems like a fine album with which to kill a summer bus ride or two. Like, I can't remember the last time I heard a song with a Young Thug feature where I wasn't paying more attention to what Young Thug was doing. Meek Mill did fine work. (Worth noting: Wins & Losses is 15 minutes longer than DAMN., and I am curious what makes Meek Mill think he has 15 minutes' more of worthwhile thought than Kendrick.)
91) "Imitadora," by Romeo Santos
It was "Heroe Favorito," right, where I said I might enjoy Romeo Santos' whole thing on another day, when I was ready to accept him into my life? WELL HOT DIGGITY, Y'ALL, 'CUZ TODAY'S THAT DAY. I love his breathy falsetto thing over this song way more, it just fits. I'm also in love with this track, this gentle Latin guitar with occasional blasts of indie platformer main menu music. I don't know a better term to express what I mean because I'm bad at music, but these synth blasts play in the intro and outro and occasionally come back and they just take this track to another level. This is just phenomenal work from someone I now understand to be a veteran in the scene from the past seven months of limited engagement with the world of Latin pop.
I changed the top of the 2017 Top 20 again. 20) "Bodak Yellow," by Cardi B (7.22) 19) "Woman," by Kesha ft./The Dap-Kings Horns (8.5) 18) "Smile," by Jay-Z ft./Gloria Carter (7.29) 17) "Love Galore," by SZA ft./Travis Scott (7.1) 16) "Bad Liar," by Selena Gomez (6.3) 15) "DNA." by Kendrick Lamar (5.6) 14) "It Ain't Me," by Kygo x Selena Gomez (3.4) 13) "Craving You," by Thomas Rhett ft./Maren Morris (4.22) 12) "That's What I Like," by Bruno Mars (3.4) 11) "Chanel," by Frank Ocean ft./A$AP Rocky (4.1) 10) "Strangers," by Halsey ft./Lauren Jauregui (6.17) 9) "Either Way," by Chris Stapleton (5.27) 8) "Run Up," by Major Lazer ft./PARTYNEXTDOOR & Nicki Minaj (2.18) 7) "Imitadora," by Romeo Santos (8.12) 6) "Green Light," by Lorde (3.18) 5) "Hard Times," by Paramore (5.13) 4) "ELEMENT." by Kendrick Lamar (5.6) 3) "Despacito," by Luis Fonsi ft./Daddy Yankee (2.4) 2) "iSpy," by KYLE ft./Lil Yachty (1.14) 1) "Issues," by Julia Michaels (2.11) Like #1 should be a mix of Most Impactful Song and Song I Enjoyed Most, and maybe #1 justifiably belongs to “Despacito” given how great that is, I’m still getting a lot of mileage out of “Issues,” and honestly as long as I’m not keeping up this silly idea that a song that was #90 for one week is the most iconic song of the year this useless list has at least some utility. Shoutout to the true heroes Paramore, though. And also Major Lazer, PARTYNEXTDOOR, and Nicki Minaj. I will never fucking forget you guys.
Who won the week?
2017 actually put up a rather strong fight, but there was no way Meek Mill and the Descendants 2 soundtrack were going to take down “Stronger,” even when it was being weighed down with Toby Keith. 2007 had a couple strong punches, and it was more than able to notch another point. 2017: 11 1997: 11 2007: 9 In next week’s post, we get to listen to Spice Girls AND Billy Joel, 2007 gives us Luke Bryan AND Robin Thicke, and I don’t know what fresh hell 2017 has in store but evidently Tay Tay collaborated with B.O.B. at some point in the recent past and it’s gonna be real fun to deal with B.O.B. the popular musician should it come to that. What an unproblematic and unremarkable artist who has precisely zero bad opinions which he expresses loudly!
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