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#don't ask how long this has been in my drafts
blueberrysan · 2 years
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he’s just some guy...
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chussyracing · 2 years
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i can't believe this is a face of a man responsible for a hit song Africa (1982)
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ask-spiderpool · 1 year
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I hope you love this QUaLiTy COnteNT
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shivasdarknight · 8 months
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Hi, sorry for this but you are a writer, so umm.. I was hoping you could give me some tips/advice on how to write?
tbh the way I got into writing is a bit insane, but I do have some advice that can help. gonna put it under a cut just because it got kinda long
honest to god, one of the best pieces of advice is something you're already doing because reading can genuinely help you with becoming a better writer. stepping outside of your usual genres or authors can help expand your viewpoint and introduce you to more narrative styles so you can play around and see what works for you. eg. if you mostly read first person, give second person a shot. or if you're an omniscient third person, try limited third person. or even retrospective first person, because i often see people complain about first person pov when it's married with a present tense story. if you have a first person narrator talking about events in the past as if talking to you, or a journal it often takes an entirely different angle and it's something I've played with in Homestuck fics because that fandom tends to be more open to narrative experimentation. Writing is honestly a lot of looking at stuff you like (much like art) and smooshing it all together. Personally, I've gotten a lot of my writing style from stuff like The Locked Tomb, admittedly Lovecraft was foundational (but this is a great example of why to always remain critical considering his bullshit), so was Homestuck and Rick Riordan's stuff. I'm never trying to copy them wholesale, but I am looking at aspects I like - such as Riordan's humor intertwining with the narrative and narration, or the deeply unreliable narrators that Muir writes, or even how Homestuck balances purple prose with gut wrenching conciseness when it counts. A lot of modern day fast food fiction takes out a lot of the stuff that actually builds a story - pacing, playing with narration and technical writing - so you need to be conscious of what you're looking for in things. Often more established authors get to do weirder stuff than new authors, but don't discredit new ones because that would be leaving out folks like Xiran Jay Zhao and their phenomenal prose.
Another thing that helps greatly is reading writing critique. Video essays on books or even more critical thought pieces on writing, tropes, etc. can help you learn more about why something works. Lots of different channels on YouTube dedicated to dissecting media, absolutely recommend stuff like Hello Future Me, Overly Sarcastic Productions (real world ties + mythology, great basis to build things on), Zoe Bee (writer + commentary), Nerdwriter1 (media analysis + commentary), Just Write, and Tale Foundry. For adjacent suggestions that can help build up alternate perspectives that aren't directly about writing but are about critical thinking with stories (which is frankly an important skill to have), I definitely recommend Princess Weekes, Accented Cinema, Now You See It, Dominic Noble, The Storyteller, and Pop Culture Detective. A lot of this is discussing film (save Dominic Noble, who also talks about books a Lot), but the core essence of storytelling is helpful regardless of what angle it comes in - be it video game, movie, tv, or book reviews and analyses.
Actual writing. Varies on the person on if they do outlines or not and how, but I still recommend trying to do an outline when you're first starting out. One habit to immediately knock yourself out of is writing things chronologically. If you're working on a big piece and have more energy to write something in the middle? Put that in a new doc and leave a placeholder for where you're at. Legitimately, getting words on the paper is more important than those words being good. Because you can always come back and edit things to make sense.
Always edit what you write. I hate the "no beta we die like real men" attitude because people will dunk on editing but then praise stories for having "firm and satisfying" connections which can only really be built through editing. Your first draft is your rough idea. Your second one is when you read through and have it make sense. Three is making that make sense, and maybe 4 is more just grammar and spelling errors. Edit as many times necessary to make sure you like it.
Always work in broad strokes, then move in finer like with anything. Do a general idea for a story, then your main story beats, then how you connect them together, and then the nitty gritty of each. Keep lots of notes - do not rely on your head solely for everything - and just also be willing to let things go if they change.
What I tend to do when I write is I want a good flow. I often get that from reading my writing out loud to hear how it sounds, but I'm looking for a good beat to read along. Because even if the sentence is grammatically correct and structurally sound, it may not be very interesting to read. Like you could say someone feigned a polite expression to not let the other person know that they didn't feel comfortable with a topic, or you could go the angle I went with recently of "she painted herself an interested expression to wear as dread began to gnaw at her gut." Sometimes the more colorful or out there the language is, the better it sounds when you read it. Like instead of saying "that's just how things go for them" you could say, "but Fate had a funny way of making her disdain known for (X character)". And this is where reading other peoples' work comes in real handy because you can get a lot of examples of how people write things.
I also try and reflect themes of the story into the writing itself, like this section of a draft:
Still nothing.  Seemed he wasn’t going to bother with a glass, instead just ripping the top off of some bottle of gin and tipping it back with little regard for himself. Still that chronometer ticked on; still that taught tension like another arrow had been drawn.  A million and more things flooded Ysayle’s mind, itching to loose them at Estinien, yet found herself stuck in indecision as she stared daggers into him - ever her opposite as he just seemed despondent.  The gin bottle hit the extended shelf loudly; one hand a fist around the bottle, the other balled up on the surface - knuckles as white as bone. Still, Estinien said naught. Still, the chronometer ticked on. Still, Ysayle’s heart roared in her ears - poisonous words damming up her throat.
The theme of this story is avoiding the mistakes of the past. How things often can wind up cyclical, and the goal is to break from those cycles and repeats. So naturally, several points of the narration itself repeat itself. This isn't standard writing style, but it gets that point across by repeating "Still" as the scene crawls on. I also use a lot of alliteration in my writing because I personally find it fun? So "a maddening matter made most malign", for example.
It also helps to change up how you write or what descriptors you use based on the character whose head you're in, even if it's third person. Third person can have a voice and I often use it to speak aloud a character's thoughts instead of relying on italicized dialogue-thoughts. It makes the dialogue-thoughts appearing hit more when they do instead of just having to be subjected to internal ramblings constantly. Like in this fic I just published:
“...Can we talk about it on the morn?” “What for?” You don’t know what it is you ask of me. “Tired,” Estinien said with a shrug. “We’ve morning patrol, remember?”
Compared to this fic:
“Yes, confusingly.”  Her tone was flat as she leaned once again on Surkukteni’s shoulder, thankfully on the uninjured side.  “I fear I may have been wrong, though I truly doubt it.  To deny me twice, then throw a fit?  I wonder — why didn’t you go through with it?” Not even Surkukteni had that answer.  For the umpteenth time during that conversation, she refused to look at Her Darkness.  That desire — twisted and poisoned as it was — was one that still surfaced from time to time, yet like clockwork made her ill and was banished from her thoughts.  Why was that?  She felt scorned back then, wishing the universe would correct this error in sparing him but taking Ysayle — but was she not the one who helped save him?  Who helped tear those eyes from his armor?  She easily could — and had previously — bluffed that it was to destroy the eyes and be rid of the threat, but given her hesitancy now? Why?
All of Surkukteni's thoughts are condensed into the narration so that I can separate out her thought dialogue from idle musings since she - specifically - has a connection with something that can talk telepathically. This thing comments on the literal narration of the story, so when she's directly addressing this thing it's thought-dialogue. But her actual thoughts become narration to avoid spending too much time with that, as I find it's better used sparingly.
Motivation for writing is probably the hardest thing, and best I can advise is to get really into critiquing the stuff you like because you wind up finding a lot of material in fix-it stuff, or just wanting to see more of stuff like you. It's part of what drives my xiv stuff due to how they treat female characters, and I really just wanna see more sapphic bi4bi. So considering it's something I've been stuck in for a very long time now and really like the ambient lore and wish it would do better, it's fueling my desire to write. And from there, there are so many other angles to take - like building ocs, building lore. Finding a sandbox is genuinely one of the best ways to do it. Again, like. You'd be surprised at how much is there because of spite. LOTR has Eowyn because Tolkien didn't like that the "can be killed by no man" thing in Macbeth was resolved with a character born by c-section, so he instead wrote Eowyn, the woman who killed the Witch-King of Angmar. C.S. Lewis didn't like the fact that Tolkien believed that modern technology - or slightly less modern technology - didn't believe in fantasy and he explicitly cited lampposts. And this is why there's just a random light post in the middle of nowhere in the Narnia books.
Critique is good and healthy. I'm critical with the stuff I like and my own things so I can work on them and myself. It's fine to like something that you don't wholly agree with, especially if you're using it to inform how you build on it or build your own things. Like I dunno, I looked at Dante from Devil May Cry and went "what if he was trans" and now I've got Rhombi, a character who has stepped really far away from the OG Dante mould, but you can still see hints of it as I used what I wanted to see out of DMC to build this bisexual disaster of a guy. I was disappointed by Elsword not really committing to some of their character concepts, so I kinda just took Eve (and admittedly Add) and made them into Celes and Neilos and took them to their logical conclusions. All three of them were originally fantrolls at some point, so most of the heavy lifting was done when I was back in Homestuck and all I had to do was scrub the barcodes off of them to build them up in an original verse.
Chemistry is also crucial. If characters aren't vibing, move on. Do not force it. Good chemistry can save a bad story (eg. FFXV) and bad chemistry can ruin a good story. Often it's the characters that drive a story so you need to do a lot of plotting and planning. Most writing is honestly just planning before putting the words down.
And I'm very much so rambling by now but my main points are these (+ others I'm realizing while typing):
Plot a Lot and keep lots of notes, and also organize those notes. The contents don't have to be pretty, but you'll thank yourself in advance if you at least sort them by core idea
Getting words down is more important than getting them down correctly. You can always come back and edit it when you have an idea of how to make it work
You can always place a [insert scene here] tag so you can keep your flow and don't get caught on something.
You also don't have to write chronologically - you wanna write the big confession scene before the intro? do it! just jump right into it!
also don't be afraid to delete stuff or remove it from your draft. save things for later to see if they work elsewhere, because maybe it could be a better spinoff.
dont listen to the advice of "if it really matters, you'll remember it in the morning" that advice was given by neurotypicals who don't have memory issues. make notes of EVERYTHING and then delete the ones that don't work
sometimes writing by hand vs computer can really make a difference in how you think. handwriting is slower and makes you think about stuff, so you may want to keep journals for random snippets or ideas like how doodling is good for building up your habit of drawing
Outlines can help but how you outline is up to you. Try a few styles out and go with what works best.
I cannot stress enough that having something like a marker board to write out your broad stroke story ideas is really really nice
Broad strokes first, then narrow it further and further down. Don't get wrapped up in the nitty gritty details
Chemistry is crucial and can often save a piece you're not fully feeling.
Read your stuff out loud while editing because it can help point out stuff that's not jiving! I find it helps a lot with dialogue
Read a lot. Listen to critique. Be more critical. Also don't limit your idea of stories to just books - expand the media you consume and you'll find really interesting stories that can help with yours
Don't be afraid to use tropes, but also don't super rely on them to where you're just checking off boxes instead of coming up with natural scenarios built on chemistry (eg. having the nerdy goth girl is fine, but the way the trope ends in most media ("fixing" her or just having her be a quirky cynical critic) may not fit with your story and it may be better to see how the story plays out rather than forcing it into something it's not)
Iron Widow is a good example here: the relationship between Zetian and Yizhi is pre-established and comes off as sort of "boy next door" vibes, or at least the very dedicated childhood friend. It quickly becomes apparent that he's as much a co-conspirator in her plans as Shimin is. The guy can be ruthless when given the chance, and that's how Yizhi goes beyond the initial trope and defines himself outside of it. Same with the contextualization of Shimin's seeming "aggression" as the "bad boy" and figuring out where that problem/persona actually stems from, and then the shift of viewing it as less aggression and more retaliation and self preservation.
Find something you do really want to write about, like filling a void in a piece of media you like or doing a take on media that made you mad or disappointed. Jane Eyre is technically fanfiction because the author wanted to see more of Jane and didn't get that. The Divine Comedy is self insert fanfiction of Dante Alighieri as he does worldbuilding with Christian mythos regarding heaven and hell. The Riordan verse is his interest in mythology crossed with a desire to give his son a protag that was like him (specifically ADHD and dyslexic), which then became wanting to let kids see themselves in the different halfbloods in the series.
There's a lot of ways you can get started writing, but the best way is to just write goofy stuff for yourself. Get out stuff that may look bad at first, but you go back and read it and critique it. Just getting yourself into the habit of writing helps a lot, because again: it matters less about the quality, and more getting it on the page and actually having something. You can always fine-tune writing, after all.
My first FFXIV fic isn't actually even published. It was just me writing something rambly about my Warrior of Light when I was starting to figure her character out. It looks nothing like what I'm doing now in part because that fanfiction became a launching point for me to work on others. I've got a lot of drafts that will never see the light of day because these were proto-concepts that became the stuff I wound up publishing. It's fine to have drafts that remain drafts because you can take that as practice, and practice is good. Anything that you write has value because you can use it to let your technical writing skills mature.
Also, don't be afraid to look for help. There are beta services on tumblr (or at least used to be when I was a teenager), plenty of writing guides or places set up to ask questions, plenty of youtubers that give prompts for you to work with. The hardest part is always getting started. But once you get past the awkwardness of the start, everything just falls into place and gets easier the longer you go at it.
You definitely have the desire for it because I've seen your very deep love of literature through the Bi-Library, so you can definitely become a strong writer if you put your mind to it 🫶 Find something to fix or address, and that usually is what gets the ball rolling. Worldbuilding is fun and can lead to something, but you can't have a well built world without a story to explore it.
Characters drive story, story is how you explore themes and the world itself, and the world itself is built on your experiences and interests. Embrace the fact that this is coming from your lens and experiences, because no media is truly void of the author and its other creators. Embrace that fact and use it as an extension of yourself. But really, just write. Literally anything. Just get into the habit of writing, and it'll progress from there!
#original#asks#answered#bisexual-coala#writing tips#long post#this is very rambly but getting into writing isnt the most straightforward thing#a lot of the time it really is just finding something that clicks and not caring about what goes on the page for the first draft#ive been writing fanfiction for...over a decade now? + a lot of rp (also over a decade) and now some p serious original stuff#my fanfiction has also gotten way more involved than it used to be#genuinely i got started writing by keeping a lot of journals and writing every idea i had even if im now embarrassed by it#what matters is just getting into the habit first and then looking at your stuff more critically once the habit is formed#it's hard to build a habit if you're immediately critical#but it's hard to maintain a habit or hobby if you're not - especially if you feel you can build on something#if you do feel it you oughta pursue it and see where it takes you#perfectly fine to not be critical with hobbies but being Constructively critical is how you improve and mature#constructive is key here. because being down on your own writing or being self deprecating is how you lose a hobby#like let's say you don't like your dialogue#go read scripts or books of stuff you like the dialogue from. analyze why they work in contrast to why you feel like yours doesnt work#maybe someone else has a solution for why it feels off#sometimes it's just as simple as taking a step back and looking at it as a whole or even just sleeping on it and coming back w fresh eyes#always approach something you don't like about your work with the attitude of ''how can i improve so i do like it''#like ''i need to be better at fight scenes. ill be sure to include more in my next piece to focus on it and maybe read some action books''#lotta ways to do it!! theres no one right way just a way that fits best for you!!!#just absolutely ignore the ''if it's a good idea you'll remember it in the morning'' stuff.#it doesn't account for people w memory issues and will screw you over#you do not have to wait until you're good at writing to start working on something. you need something to work on to improve#you can always come back to an idea as many times as you need as you grow as a writer#so just write until you build a habit and base style then analyze and move from there#fanfic is honestly really good for practicing style and technique - the characters and world are already ther so why not use em?
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galacticlamps · 1 year
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Six eulogizing Jamie in Wreck of the Titan when he thinks he’s lost him again by saying “now he’s gone, gone on a journey to the undiscovered country. Without me.”
like. i do think he comes to terms with it a little fast (but I can’t really complain about that, because they get reunited again so soon afterward that he has to accept that he’s ‘dead’ quickly if we’re going to get to hear him mourning him at all - and there’s plenty of opportunities elsewhere in the trilogy to hear the Doctor stubbornly in denial/holding out hope about Jamie’s fate/s) but also - also. huh. im like, still struggling to find the right way to word this because like. That’s gotta be it, right? that’s gotta be the best & most succinct way of putting the Doctor’s feelings on not only losing his companions but death itself too, when you think about it.
Obviously the character doesn’t believe in any kind of religion we would recognize, but while they spend all their lives adventuring through the universe and constantly - no matter how old & experienced they become - stumbling across new and unknown people and places, there’s one place they haven’t gotten to see, but where all of the friends they’ve brought along on their adventures eventually wind up. And of course I think his horribly pained “without me” is a wish to be with Jamie specifically - it very clearly is one in context, since Six is explaining how this particular outing was meant to be a treat for Jamie, who doesn’t remember him at all, because he wanted to recapture “the good old days” when they traveled together on all their adventures - but it also reflects & emphasizes the fact that because Jamie’s gone, they’re both left to their travels, each one as alone as the other.
And the poem he quotes next (Walter Scott’s “Hie Away”) seals it for certain: “Hie to haunts right seldom seen, lovely, lonesome, cool, and green, over bank and over brae, hie away, hie away” - The Doctor evidently envisions Jamie, virtually immediately, as being in a better place (and there’s even something vaguely encouraging, hopeful, aspirational about it, given the imperative nature of the verb hie) - clearly living on in some way, somewhere, some when - but also, crucially, lonely, and on an adventure where the Doctor can’t reach him and join him on.
The way he talks about it, death doesn’t seem to be about an ending to Jamie’s life at all, but rather the separation between the two of them - and in the Doctor’s eyes, that’s just as worthy of mourning all on its own, despite how very accustomed he must be to parting ways with companions in all different kinds of situations by the time he’s in this 6th regeneration.
(idk, even outside the obvious doctor/jamie of it all, I feel like that says a lot about the character’s perspective on both death and goodbyes in general)
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sillyfudgemonkeys · 10 months
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Someone: Don’t expect P3RE to be the “ultimate edition” of P3. It’s not realistic. FeMC will probs not be in it bc it’s like super taxing and out of the way. Me: I will literally gnaw Atlus’ nuts off if they exclude her from this. The girl’s route is literally 85-95% of the same as the guy’s and both are already written. Tf you on about??????
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junk-thrillz · 11 months
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are you still doing paranatural headcanons? have any for isabel and/or dimitri? they are my fav kids :3
Okay, WOW, this... has been in my inbox for a million years. Sorry for not responding sooner! If you're still around, then here they are, coming right up!
Isabel LOVES weighted blankets! Pillow forts with Ed often include at least three of them. The first was a gift from Spender, and then she just kept buying more and more of them. 
Speaking of gifts - Dimitri’s headphones were a gift from Collin! Half the time he’s listening to music on them, but oftentimes he just has them on to block some noise out. 
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chuluoyi · 3 months
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LOVER'S QUARREL
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- fushiguro megumi x reader
“i can't do this anymore.” you and megumi are just too different; he's stoic, you're bubbly, he prefers solitude, you love being social. it starts with fights, words you don't mean, and ends with an event that would haunt him for a long time to come.
genre: angst, breaking up, post-breakup feelings, mentions and description of injury and blood, hurt/comfort, fluff in the end (you make up!)
note: dear god i’m finally getting this out of my drafts. loosely inspired by real life events i’ve seen around my friend’s relationship sooo it might hurt a bit 🤏🏻 but who can say no to angst to eventual fluff? tagging @lees-chaotic-brain and @kasumitenbaz (as per request in the ask!), you two are always here for my megumi works, thank you!! :3 and thank you for dropping by for the event!
a part of 1K MILESTONE EVENT
series masterlist | oneshot masterlist
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Everyone pointed it out as a joke, that you liked him way more than he did you.
And you used to never let it ruffle you. To you, Megumi’s sternness and silence meant that he was comfortable with you. You never wanted him to change his ways just because now you were seeing each other.
But when you thought it over now, as you stood before him with an aghast expression and knives stabbing your kind, soft heart, you couldn’t help but do a double-take.
You were the one who confessed first. Most of the time, you were the one who initiated dates. You always texted him first, asking about his day, and even when he brushed you off, you would keep being this ball of sunshine and wished him a good day.
You never realized it before… that through everything, it has always been you. Unfailingly.
So how dare he spout this now?
“I can't do this anymore.”
"You... can't?" you spat out, feeling the first tendrils of anger course through you. "What exactly it is that you can't do? What do you even mean?"
"Look," Megumi stared at you squarely, and you thought now, that it was the coldest of eyes, straight and true. "It's always been like this between us lately. It's only right that we end this."
This, he said. He didn't even want to define your relationship anymore.
You scoffed. "And why do you think we always end up this way? Have you ever considered, even once, that it's because you make no effort at all?"
"I'm trying," Megumi quickly replied, almost in a hiss, and you almost recoiled. "But I just see that we'll end up nowhere, that's why I'm bringing this up now."
Oh, that freaking hurts. You boyfriend had just told you that this relationship would go nowhere. Right in your face.
Your eyes stung with tears, yet you fought to hold them back, fixing your gaze on the lamp overhead and inhaling deeply.
"You're... selfish," you stated, filled with ire. "You're always walking around eggshells around me, never telling me what is it that you really want—"
Megumi's unclouded eyes fixed on your trembling form. "We just disagree on a lot of things. You know it and it bothers you. It bothers me too. Rather than forcing our relationship, I think it's better—"
"It's always me!" you yelled then, lips quivering and eyes watering, unable to hold your emotions back any longer. "All dates, lunches—everything!" you locked your eyes with him, in mocking disbelief. "How can you say you're trying when, in truth, I'm the one putting in so much for us?!"
In that very second, Megumi thought that he hated seeing you like this. You were supposed to be the cheerful one in this relationship, and when he agreed to go out with you, he made an unspoken commitment to himself that he would at least not make you miserable.
And yet...
"...I'm sorry."
Came his reply, and you were sure that this was it.
And to rub the salt in your wound, he added, "I can't lie to you and say I haven't thought this for a while too."
As tears welled within you, you wondered and questioned what you lacked that led to this. However, the overwhelming sense of betrayal consuming your thoughts ultimately prevailed over any other emotions.
Now he could've appeared before you as a stranger and you wouldn't bat an eye, as the cold steel in his tone said, "And if blaming me is what it takes to make you feel better, then so be it."
You couldn't pinpoint the source of your sudden boldness, but in the next hot minute, you marched past him, your shoulder harshly colliding with his in a deliberate, almost spiteful manner—which, indeed, was your intention—and then you ran.
Which led to the next scene: you found yourself bawling your eyes out in the girls' lavatory.
Yuji and Nobara saw everything unfolding right before their eyes. They hadn't meant to eavesdrop, but you and Megumi were literally breaking up right the middle of their shared classroom, and it was hard not to follow the discourse until the end.
"Are you okay?" Nobara had come to your side, ensuring privacy by locking the restroom door out of your consideration. You were a sobbing mess, attempting to wipe the overflowing tears away while letting out all your emotions.
"He's..." Your voice faltered amid sobs as you gazed at your steadfast friend, your throat clogging up. "He said... he's been wanting t-to... break up with m-me..."
"That's okay, that's okay..." Nobara brought you to her arms, patting your back in reassurance. "Fushiguro is insensitive like that... don't cry over him now. He's just a wimp, okay?"
"Why is it me?" you asked her, voice brittle, still shaking with tears. "I t-tried everything! Being the supportive girlfriend..."
"If he can't appreciate what you did, then the problem lies with him," your friend stated, traces of irritation brewing in her resolute gaze. And as she firmly grasped your wrist, her next words resonated. "Not you."
. . .
"Do you really have to break her heart like that?" Yuji fidgeted with his hoodie, staring at his best friend with a blend of confusion and sympathy.
Megumi sighed, finally ruffling his hair into a mess, as if expressing his own state of mind. “This is for the best.”
Yuji’s eyebrows visibly creased. “How is this ‘for the best’? She’s miserable, and you…” he assessed him, scanning him from head to toe, “it doesn’t seem you’re faring any better too.”
“The longer she is with me, the unhappier she will be.” Megumi glanced at the bathroom’s direction. “She can deserve better.”
He was always too quiet, too boring, not able to match your energy too. He couldn’t fault you for expecting more, whereas he was just not exactly built for your expectations.
Megumi really thought he wanted it to end. At one point, it even felt like a chore, but…
How strange. Why did it feel like something was clawing at his chest?
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Time heals. Megumi knew that by theory, but he really did see it firsthand when he saw you all giggling and happy again three weeks after he initiated the breakup.
With Hakari.
“Yo, what are you glaring at?” Panda asked, but Megumi didn’t pay him any mind.
An upperclassman, Hakari Kinji, was naturally cool and talented. He was laid back, knew how to have fun—all in all, a total opposite of Fushiguro Megumi altogether.
Three weeks. It’s only been three weeks since then.
“Megumi?”
Wait… Aren’t three weeks too fast to get over your ex?
“Megumi!”
“Huh?” he turned to the sentient panda with a jerk. “Oh, what is it?”
He looked at him with a concerned gaze. "Why do you look so scary? It's almost as if you're about to punch someone..."
But who was he to argue? He had no right to be upset now.
"Is it Kinji?" Panda gasped, finally putting two and two together when he followed his line of sight. "Oh Megumi... but you—"
"Just shut up, please," he blurted then, a hint of annoyance in his tone. With that, Panda didn't pursue it further, leaving him with his thoughts.
From where he was at the field, he could clearly see your radiant smile for Hakari. It was clear that the two of you shared a degree of friendship, but Megumi never knew that you two were that close.
...huh?
Why did the sight irritate him so suddenly? Why did his chest twinge again?
What a fool. You're the one driving her away, you idiot.
Suddenly these memories popped up one by one—
Of you suddenly hugging him from behind in an attempt to surprise him.
How he pressed his lips on the crown of your head when you fall asleep on his shoulder.
How you would give him that dopey smile when he pulled you close.
But on harder days after missions gone wrong, he’d ignore you altogether— the slight disappointment in your smile then. How your expression fell when he told you to go. How you slumped and looked back in hopes of him changing his mind.
“Haaaah.” Megumi turned away, unwilling to keep watching you any longer. Why? Why hadn’t it occurred to him before now?
Why did he long for you now? Why not before, when you were still his?
They were right. It seems people tend to desire what isn't meant for them.
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What could have been more painfully awkward than being sent into a mission with your ex-boyfriend?
You would kill Gojo for this. Or at least give him the lowest possible score in his teaching evaluation for the year. How could he? Your breakup was an infamous public spectacle, so this setup was undoubtedly intentional!
You were losing your head over this, and yet your ex-boyfriend...
"Keep your guard up," Megumi reminded curtly, in a warning tone. He looked as vigilant and straight as always, as if he wasn't even bothered.
You threw him a dirty look, offended. "You don't have to tell me twice."
This just cranked up the discomfort to an excruciating level. The mix of unresolved tension and memories—okay, you might be an emo, but how were you supposed to be cool with all of these hanging in the air?
Your site of exorcism was an abandoned warehouse, and the cursed spirit in question was supposed to be a grade 3. You two were grade 2 sorcerers now, so you were a perfect fit to exorcise it. But there was indeed this unease in the air that you couldn't put your finger to.
"Isn't it awfully too quiet?" you unwittingly muttered, staring at the darkness of the wall. You couldn't feel any cursed energy belonging to any possible malevolent entity, and that was what unsettled you the most.
Megumi frowned at your line of sight. "It is. Stay close."
You blinked at what he said, and before you knew it, the familiar scent of him being near to you made your entire body burst with this equally familiar warmth. When you looked up to him, seeing the solid sharpness in that dark eyes of his and his jaw set, dead butterflies in your chest rose back to life again, against your heartbreak and better judgement.
Stay close, he said... So he is worried...
And in an attempt to hide how flustered you were, you looked down.
You walked a few good steps, when suddenly he asked, "So, are you with Hakari-senpai now?"
"Huh?" You spun around, your expression a mix of surprise and confusion.
"You two seem close."
Seem close? Seem close... wait, so Megumi had noticed...?
Suddenly, you felt incited and it made you angry. "That's none of your business," your voice carried a sharp edge, hissing. And you knew you were being a bit mean by adding, "You broke up with me, so why do you even care?"
In that moment, Megumi could've sworn his chest throbbed. Your cutting tone pierced directly into his heart, lodging itself there.
You had all rights to be annoyed, and he knew that. Why did that question even slip out of him?
"Nah, nevermind," he mumbled in response, looking away.
Awkwardness lingered afterwards. You hated this, but no, you weren't above being petty. He had broken your heart and it still stung even now. If your intentionally biting words did to him even a fraction of what he made you feel, then you would find a small sense of satisfaction in it.
But you weren't able to ponder about your mess of feelings further when Megumi abruptly yanked your arm, his voice soaking with urgency, "It's here!"
Sure enough, the grotesque cursed spirit with the shape of a giant bee broke through the walls with a bang. The two of you immediately readied your fighting stance. Megumi was ready with his divine dogs, while you with your cursed weapon.
For a while, you engaged the cursed spirit with all you had. You were trying to focus on the enemy, but you couldn't help but notice the way Megumi always looked at you every few seconds, checking for any signs of injury or harm.
Frankly speaking, he trusted your strength and knew that you were a capable sorcerer. You had been paired in a mission before and he knew both your potential and shortcomings. It was just there was something about this place that had his senses on high alert.
And his fears were proven true when you yelped and were flung onto the grimy floor. "Y/N!"
"I'm fine!" you shouted in a rush, scrambling to your feet. However, as you spun towards him, your scream tore through the hall as you caught sight of the bee lurking behind him. "Megumi!"
He got distracted. The bee quickly latched onto him and almost stung him, until he wrestled it off and summoned Nue and exorcised it.
You went to his side that instant. "Are you okay?!"
"I am." But then he winced and almost fell on his knees if you didn't have a secure grip on him. He savored your touch and breathed a sigh of relief, thinking that now you two were safe.
"Megumi! Oh god!" Panic surged through you as you pulled him close. His side was bleeding, and you widened your eyes at the sight.
"I'm okay, I promise," he rasped, looking you in the eyes. "What abo—"
Then you saw it, the flicker from deep from that corner of platform, and suddenly, you grasped the source of the unease that had been lingering within you all this time. It wasn't the bee Megumi had just exorcised—
At that moment, there was no room for thought, one thing was certain: you didn't want him to get hurt more.
He didn't manage to finish his sentence when suddenly you pushed him away with so much force he never thought you had. Everything crashed so suddenly, he didn't have the time to brace himself or grab you with him, as another cursed bee appeared out of nowhere and—
Reality flashed before his eyes as he stared at you in sheer horror. At how the cursed spirit tore your body, sinking its hollow stinger in you.
You didn't really know what happened next. Everything was muffled—the frantic movements around you turned into a blur, along with Megumi's yells. Otherworldly pain coursed through your entire being and your ears rang, then everything in your line of sight became distorted and faded, along with your consciousness. Next and the last thing you knew was Megumi's battered face, a final imprint before you succumbed to the void.
Megumi had exorcised the remaining cursed spirit and staggered to his feet—falling a few times, but he made his way towards you through gritted teeth. You are hurt. He forced himself to get to you and pull you into his arms.
And suddenly, suddenly, nothing mattered anymore as overwhelming terror consumed him upon seeing you. Blood streamed from your abdomen so much that it made a continuous pool.
"You stupid—!" He choked out, voice hitching. You were no longer conscious and it devastated him even more. "Hey, hey? Wake up—hells—"
You, who did everything you could to save your relationship. You, who cried tears for him when he blatantly broke your heart. And you, who put himself first—and now facing the consequences.
It crashed upon him in that very second, the clarity. What was he thinking back then? He still loves you.
"If you die on me, I won't forgive you."
Megumi scooped you in his arms, pressing you close to his chest, the blood seeping from his wound be damned as he looked at your serene face. His heart shattered in the worst way possible and he almost wheezed at the sticky sensation of your blood—and how lifeless you felt in his grasp—but he willed it away.
"Don't," his broken rasp echoed the walls as he took each step to get both of you out of this hellhole. He winced and hissed at his own injury, chewing his lip in frustration, at how helpless he was.
"Don't leave me."
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It was like a distant, hazy memory.
Was it a memory though? No. It seemed far too real for that.
The throbbing headache pounding through your skull and shivers that wracked your body pulled you back to reality. There was a heavy pressure on your abdomen and any movement sent sharp pain shooting through you.
You gradually opened your eyes, squinting against the brightness. You were in a hospital gown, an IV was injected on your arm, and the sterile scent made your stomach twist, as nausea creeping through your guts. Your vision was still blurry as you tried to look around to find someone who waited for you. As you slowly turned your head to the side, you saw him, sitting in the chair right next your bed.
Megumi was sleeping in such uncomfortable position, his head resting on the edge of your bed. He appeared peaceful, almost childlike, devoid of his usual stoic demeanor.
Your heartstrings were tugged at this rare sight. He also sustained injuries and yet... he was waiting for you to wake up, here.
Your chest swelled with warmth, which was quickly followed by a sting of heartbreak. Still, you two broke up...
You jolted, and the inadvertent movement sent a wave of pain that seemed to paralyze your nerves, causing you to whimper. The noise woke Megumi from his slumber, as he shot his eyes open in alarm, catching your hand in his.
"Hey... Are you okay?" Megumi worriedly looked down at you with a visible frown, and the grimace of pain on your face, accompanied by trembling lips, was enough of an answer. He hastily scrambled out in slight panic, "I'll get Ieiri-san."
When Shoko came and got you the painkillers, your pain receded somewhat. Through it all, Megumi stood there, casting concerned glances in your way.
"Bedrest for the week," Shoko stated firmly, assessing your wound with a no-nonsense expression. "Your injury isn't minor—it's serious enough that you're strongly advised against excessive movement."
You could only nod in response. Megumi bowed. "Thank you, Ieiri-san." Once the doctor departed, silence settled over the room once more.
“Why did you do that?” he quietly asked then, referring to what you did for him. And when you turned to him, you saw it clearly.
He looked pale, and there was this haunted look in his eyes. It broke your heart a little.
"You were hurt." Your voice came out dry, and you realized firsthand just how parched you were. Seeing Megumi looking down never quite sat right with you. He was meant to be an unwavering presence, someone strong enough to sway your convictions.
However, a pang struck when he countered with stern eyes, "You didn't have to do that."
...he was right. You didn't have to. What he didn't know was that you were still holding on these stupid feelings, which drove you to shield him. It made you ponder: if your roles were reversed, would he not step in to protect you at all?
"Why are you here?" You weren't sure if the bitterness in your tone was evident, but you continued anyway. "You don't have to be here either."
"Don't have to?" His gaze bore disbelief, as if not believing your words. "I'm—"
"If it's because I saved you, Megumi—"
“Do not even think, even for a moment, that I won’t be concerned over you.” His voice, deep and hoarse, struck you to the core, silencing your words. “Never. I always, always want you to be safe.”
Your mind became a blank slate. Suddenly, all that mattered was his voice.
"Don't you realize how terrifying it was? Seeing you like that?" Megumi spat, his green eyes shining with intensity, teeth gritted and fists clenched. "How could you even think that I wouldn't be here—" his breath hitched, and then his lips trembled slightly, "—for you?"
You blinked quickly, a feeling stirred within you—stemming from that cursed, fragile heart of yours to be exact, evident from the rapid thumping in your chest.
You dumbly uttered, "But we are—"
"Oh, Goddamnit." Megumi cursed, and honestly you were taken aback. It wasn't really in him to swear, so this really bugged him. He ran a hand through his hair in frustration, and despite the situation, your heart skipped a beat at the sight. Even a mess in a hospital gown, your ex-boyfriend was still undeniably attractive.
He stared at you squarely in the eye, unflinching, steadfast and true, the very image of Fushiguro Megumi you admired from afar and fell in love with in the first place half a year ago. "You don't have to... say anything, if you don't want to. Right now... just hear me out."
And the things he said next... all of them, you could say, caught you entirely off guard.
"I'm sorry. I'm sorry for not trying hard enough, and—damn it, for making you sad. I never, ever wanted to see you that upset."
Megumi drew in a sharp breath, averting his gaze. "And for days, I've wondered if you and Hakari-senpai are now a thing... and you know what? I hate it so much. I know I have no grounds to feel this way, after what I did, but..."
And like a train wreck, his final words hit you hard. Tears welled up in your eyes in immediate response.
“I'm a loser, and a coward too, maybe,” he shrugged, a tinge of self-deprecation in his tone. “And I suck at telling people my feelings, but I love you. I still do.”
A sob slipped out of your throat and you hastily pulled the blanket over your face, much to his surprise. He thought he had worsened things, with the way you were turning away from him.
But then, from beneath the blanket, in a croaky voice, you proclaimed, "Fushiguro Megumi, you're a complete and utter idiot."
And Megumi didn't know that he had been holding back his breath as he chuckled heartily, relieved that you would still take his ass back after this prolonged mess. He knew he still had a lot to make up for and was determined to show it through his actions.
"Maybe I am, yeah."
"That's possibly the longest shit you have ever spouted in one breath."
"Yeah..."
But he got his chance back, and he knew that you would be alright. Both of you are.
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On one sunny day...
"Hey, are you alone?"
Megumi glanced up from his phone, only to be met with a random girl standing in front of him, batting her eyelashes with an ambiguous intent. He blinked at her curiously.
"No. Can I help you?"
The girl twirled her hair suggestively. "Ah, you see... I see you all in your lonesome and I think you're quite cute—"
The hell? Megumi frowned, and he was really about to give this bimbo a piece of his mind when—
Oh, oh. Forget that. Megumi's attention snapped to you on the opposite side of the crossroad. All pretty and dolled up with that crop tee and miniskirt he once mentioned would look great on you by a slip of tongue—that accidental comment earned him your teasing quips for weeks already.
"Sorry, I'm here for my girlfriend. Bye."
Abruptly dismissing the girl, he didn't catch how comically offended she was for being turned down in a span of 20 seconds. He took big strides towards you, as you crossed the street, and you immediately beamed when you caught the sight of his face.
"Megumi!"
Ah, this is going to be a good day, he thought. As he gazed at your pretty face, and caught your hand in his, clasping it tightly, reveling in your scent and the warmth of your presence beside him—
He was content, and once again it dawned on him, that he likes you so, so damn much.
"Let's get started on our date, shall we?"
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nicoline1998enilocin · 3 months
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His innocent assistant
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Pairing | Tony Stark x Lab Assistant!Fem!Reader
Word count | ~ 600 words
Summary | Tony's feeling a little needy, and he can't resist asking his sweet, innocent lab assistant for help. You don't like seeing your boss in any discomfort, so you're more than happy to help out.
Rating | Explicit (E)
Warning(s) | Use of nickname: Sweet Girl, innocent Reader
Smut | Reference to a blowjob, cockwarming, Daddy kink, slight size kink
A/n | I found this deep down in my drafts, and I want to thank @ccbsrmsf1 for sparking this idea at the time. This is my little present from me to you this Christmas! 🩵
A/n 2.0 | This isn’t proofread, any and all mistakes are my own.
Events Masterlist | Free Space | @marvel-smash-bingo
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Banners: @vase-of-lilies | Divider: @firefly-graphics | GIF: @ccbsrmsf1
Main Masterlist | Tony Stark Masterlist | Read on AO3
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"C'mere, Sweet Girl, Daddy's having a problem, and he needs your help to fix it," Tony says in a sweet voice, knowing exactly what to say to get you to listen to him and do exactly as he says.
"Is everything okay, Daddy?" You ask, still a little unsure of calling him Daddy, but he assures you that it's normal for lab assistants to call their bosses Daddy.
"M perfect, Sweet Girl," he tells you as he's eyeing you in your dress that hugs every curve to perfection. It's one of your favorites, and you put it on because Tony told you he liked it the last time you were at one of Tony's parties.
"It's okay; you can get closer. I won't bite." Stretching out his hand, you put yours in his, and he guides you over to him, and that's when you see he's incredibly hard. Seeing you doing as he asks has him hard beyond belief, and he can't believe he has such an obedient, innocent, sweet thing as his lab assistant.
"D-Daddy, are you in pain again? I can help it go away again! Last time, it worked, too!" You tell him excitedly, referring to when you helped "cure" his pain by sucking him off.
"I am Sweet Girl, but I don't think that medicine will work today. I think the one that might help me feel better is in your Princess parts," he says, meaning your - now soaked - pussy.
"But Daddy, it's so big I don't think it will fit!" You tell him with a frown and slight pout, making Tony only hornier. He's never been more glad with someone as innocent as you.
"Don't worry, Sweet Girl; Daddy will make sure it's going to fit, and when it does, you can sit on my lap and keep me warm; how does that sound?"
After thinking about it for a few seconds, you happily nod, wanting to do anything you can to help your boss get rid of his pain. He takes a seat on one of the rolling chairs in his lab before unbuckling his belt and opening his pants, finally able to free his thick, long, veiny cock.
Your eyes are immediately drawn to it, and you start to salivate at the sight, biting your lip while subconsciously squeezing your thighs together for a little relief.
"I'm ready for you, Sweet Girl," he tells you before pulling you closer, and one of his hands glides under your dress to your soaked pussy.
"Did you not wear panties today, Sweet Girl? Hmm, and I can already feel the medicine, but it needs to be in before it can work," Tony says as he guides you to straddle his lap.
You've never been with someone as big as Tony before, and it is quite a stretch since he's long and thick, but your pussy it's tight and small, making it a bit of a stretch. With a deep groan, he slides you onto his cock, and loud moans escape your lips, unable to hold them in. It's not that Tony would want you to do that, anyway.
"Oh, Daddy! Feels so good," you tell him as you experimentally roll your hips a few times, but his large hands quickly stop you on your hips.
"You just need to keep me warm, Sweet Girl; that's the best way for the medicine to work,'' he tells you. Once you're finally comfortable, you lean into Tony and place your head on his shoulder, earning yourself the praise you've been dying to hear from him daily.
"Good fuckin' girl,'' he tells you with a deep groan before getting comfortable and letting you melt into his hold as he returns to what he was doing.
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indydonuts · 21 days
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Mean-Mugging
Summary: You always joke that Zoro is your "big and scary boyfriend," but after you and some of the crew are turned into children, your words become a bit literal.
Zoro x gn!reader, established relationship, silly fluff
A/N: I'm about to be head-down in requests for a bit, so enjoy this silly scene from my drafts. It was meant to be part of a longer story but didn't quite get there.
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Zoro is at his wit's end. 
For three days now, Robin, Usopp, Brook, and you have been stuck as children thanks to an incident with a cursed spring. As near as anyone could tell, you all were somewhere between 5 and 7 years old, with none of your adult memories. 
It goes without saying that convincing four kids to get on a boat with (in your minds) total strangers had been difficult, but Zoro and the others managed. 
The Marines charging in and firing at everyone had helped. 
After some sleep and food, you all seem to be adjusting. Luffy and Chopper quickly become the favorite playmates, with Nami and Franky landing the roles of adoptive parents. Sanji makes the food and keeps handing out sweets, so he also quickly found himself in your tiny good graces. 
Zoro, however, seems to terrify you. 
Any time he enters the room, takes a seat on the deck, or sits at the table, his presence sends the four of you scurrying as from him as possible. 
He doesn't know what he's done to deserve it. Sure, he’d snapped at Usopp and Brook when they tried to mess with his swords. And he could have been a bit more gentle when grabbing you and Robin to get you safely back on the Sunny. 
He knows he isn't the warmest person on the crew either, but still, he isn’t a monster. 
He could live with Brook, Usopp and Robin’s fear, but seeing the terror on your tiny face—he has to admit—stings a little. 
"Have you seen yourself?" Nami asks when he finally brings it up. "You've literally cleared street corners."
"Doesn't help you always look like you want to punch someone," Franky adds.
"And that your face is stuck in a permanent scowl," says Sanji.
"Don't forget your cool scar and missing eye!" Luffy cheers.
"Thank you for all your unwanted opinions about my appearance," Zoro says tightly.
"Um, Zoro? I have a suggestion," Chopper says shakily.
The swordsman raises an eyebrow. 
"What is it?"
"Well,” Chopper begins, “I remember being terrified of humans after I first changed. They were so big and strong and strange looking."
"I got it, I'm scary-looking," Zoro growls.
"W-what I mean is—try making yourself smaller. Sit on the ground. Find something they might like, maybe snacks or a toy. And don't approach them; let them come to you on their own terms."
The doctor clicks his hooves nervously. 
"It's what worked for me when Dr. Hiruluk first took me in." 
Zoro gives a half smile and pats the young doctor on the head, "Thanks, Chopper." 
"At least one of you is actually helpful," he calls back to the others, leaving the galley.
Later, Zoro makes his way to Sunny's lawn. You and the others are playing some kind of game on one end, so he quietly heads to the other side and takes up a spot. 
He's brought a book with him. It’s old, with a cracked spine and deep blue cover. The title has mostly worn off, and the pages are yellowed and dog-eared. 
Well-loved is how Robin once described it. 
"This had better work," he mumbles to himself, opening the book and flipping to a specific page.
He can hear the sounds of the game behind him—Usopp insisting he was allowed to do whatever he did while you, Robin and Brook argue with him. 
Finding the page he was looking for, Zoro quietly began to read aloud.
"Long ago, on an island far from any known sea, there was the small village of Aurelia..."
It was your favorite story. 
Years ago, when you were still fresh to the crew, you'd found the book at a small shop when resupplying. You'd said it was just like the one your grandmother read to you when you were little. 
"...the boy said to the Sea King, 'If I could have just one scale, my village would be saved.'"
Zoro hears a small noise to his right. From the corner of his eye, he can just see the beginnings of tiny feet.
He keeps going.
"The sea king roared a great laugh. 'Who are you to ask a king for a scale? What makes you so worthy of such a grand prize?'"
You’re right behind his shoulder now, craning your neck to get a peek at the book in his lap.
"Is that...your book?" you ask softly.
"Sort of, I'm borrowing it," Zoro replies, keeping his eye on the page. 
"That’s my favorite story," you tell him. 
He risks a look. You’re staring at the ground, fidgeting nervously.
"Can you read it to me?" you practically whisper.
Zoro fights to contain his enthusiasm and remain neutral. After clearing his throat a time or two, he manages a soft smile and says, "Sure."
He expects you to sit next to him. Instead, you wriggle under his arm and into his lap. 
"You can keep going now," you inform him once you’re settled.
Zoro resumes the tale and slowly, the other three drift over to listen. Anytime one of them tries to interrupt, you shush them harshly, like royalty overseeing their subjects. It’s a struggle for Zoro not to laugh.
After that, things are better. Chopper says the effects should wear off in a few more days. Until then, at least you’re running toward him instead of away from him.
Though he’s never going to live down the teasing from the rest of the crew. 
Of course, you made him do the voices.
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s3thwrit3sstuff · 6 months
Text
❝ I WANT THE YOU WHO WANTS ME AGAIN ❞
Gojo Satoru x male!reader | angst, unrequited love, arranged marriage, some comfort, in the end, | wc: 4.5 K | not proofread
warnings: death of a parent through sickness (unspecified), cheating (gojo with geto), r! goes through it (lmao), megumi is rooting for r!
masterlist; part 1; part 2; part 3; alternate ending; playlist; au's and what if's
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Perhaps at one point in your arranged marriage, you had loved Satoru but that’s all but vanished away when you see how he looked at Geto. Still, you provide comfort to your husband when he seeks you even if his six eyes (and soul) all bear to you that he does not see you. Satoru realizes too late that he cares for you - that he loves you. He despises your empty stare, he wants you back. He desperately wants you back.
authors note: i know i said i was taking a break but writing this made me feel a little bit better — cathartic almost. it's been in the drafts since last year anyways so might as well. (autumn leaves by bts inspired fic)
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It seemed as though even the clouds were pitying the sight before it. Grey and darkened, they gathered to block the sun as whispers of doubt combed through the trees surrounding the temple — they reach your ears despite the attempts of your mother. "Now, don't you look handsome". She tucks a stray lock of your hair behind your ear, pursing her lips at the look in your eyes. "(Y/N)". Her hands grasp at your face. The warmth of someone's hands on your cheek jitters your brain awake, and your pupils contract back into focus. "Have you been eating well, darling?" For a moment, your heart squeezes at her kind words. It's been so long since another had asked you that question so sincerely. The tears well but your hair sways as you shake your head, urging your cheeks to form a smile. "I'm alright, mom. Just getting over a cold". She brushes her thumb over your cheek then presses a kiss to your forehead. "My son". You're pulled into an embrace and suddenly you're little again — clinging to her after she had bandaged you up from your training session. Your eyelashes darkened as tears slip past them, hands trembling as you grip her tightly. "My beautiful son". Eventually, the sun sets but the rain continues to pour. The sounds of the raindrops are violent, accompanied by flashes of lightning and thunder it seemed as though the Gods were angry. Angry Gods do little to scare your father. He gazes at you coldly from where your head is laid upon your mother's lap. Defiantly, you avoid meeting his eyes as you relish in the fingers smoothing out your hair. "Your husband will not be pleased with this," your mother's glare is reproachful. "Our son has come to pay us a visit, his husband needn't worry about him," his nostrils flare and he looks as though he's about to go on another rant about image, expectations, manners, servitude. But before he could, the shoji door slides open. It's one of the servant girls, her bow immaculate you could see the swirl pattern of her hair growth. "Gojo Satoru has arrived, Master (L/N)" She's addressing your father, you know because you are now Master Gojo. The air is filled with expectations. The rain does little to muffle it. Pitying her back, you rise from your mother's lap. "Inform my husband I'll be out in a moment" She bows deeper and straightens her composure to slide the door close but freezes as you address her. "Is my husband alone?" When her mouth opens to form the syllables of Geto Suguru your eyes turn to the floor. You're unsure if she's finished her sentence but find very little fucks to give as you silence her with raise of your hand. Wordlessly, she bows and closes the door.
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"Ah, husband!" he slings his arm around your shoulder. His weight, his warmth, his presence — too casual it's an insult. You cared little for tradition, scoffing at it sometimes, but the way Satoru displays himself in front of your parents causes you to grit your teeth. Suguru shoes are in the peripheral of your vision, you will your gaze to the side.
Once upon a time, the four of you were friends. Satoru, Suguru, Shoko and you.
Those blue summers and warm winters as first-year sorcerers. Memories so bright and heartfelt others probably only see on movie screens. Then you were betrothed to Gojo Satoru, family stuff, expectations and duty, and everything the both of you roll your eyes at. A part of you had been elated. Blinded by the idea of marrying the boy your heart beats for. Sure, falling in love would have been preferred but despite the arranged marriage, you were thick as thieves. So, in your foolish daydreams, you'd sigh at the idea of you two falling in love. Shoko could only watch as your dreams crumble before you. She tried her best to be some sort of support — shocked when she spotted you smoking her cigarettes after a year into the marriage. "I never noticed the way they look at each other". Your words follow the stream of smoke and Shoko settles next to you with her elbows placed on the railings. "I mean, I knew but I just thought...I just thought he'd look at me the same one day". She is silent as you curl over the railing, shoulders jerking with silent sobs. "How foolish, huh?" She places a hand on your back, saying nothing as you wept.
Suguru greets your parents with more tact than your husband who is smiling ear-to-ear. "How was your mission, Gojo, Geto?" the way their surnames sounded made your jaw ache as you continued locking your jaw. Your husband is squeezing you to his side, like a friend. Satoru feels your shoulders stiffening and he loosens his grip to look down at you but you slip out from under him and hastily walk towards the car. "Young Master —" a servant gasps as he attempts to match your pace, the umbrella he holds barely shielding you as you feel your tears mix with the rain. "(Y/N)!" Suguru calls, catching up to you with his own umbrella and you feel searing guilt stab at your chest. Suguru had never been mean to you — he's been there for you through the years and despite your sudden avoidance of him here he was trying to ensure you remained dry. A clap of thunder muffles your sob, the only mercy the Gods are giving you, and you will yourself to pass Suguru. The car door is slammed shut in Suguru's face and before he can wonder the driver is driving off. He stands in shock, the servant that had been chasing you sharing his expression. Satoru tilts his head, hands in his pockets as he Suguru gives him a look of apprehension once he reaches him. Your parents — his in-laws — are apologizing. More so your mother. Your father's anger is palpable despite his puckering lips. "We'll get you another car, Gojo, Geto" your father calls for his personal driver
Satoru’s eyes — with that bright, heavenly, blue that put the sky to shame — linger on the fading signature of your aura. Suguru’s bangs stick to his forehead due to the rain and the sight of him alone has Satoru tear his gaze away. They land on Suguru who offers a furrow of his brows and so Satoru reaches to wipe the wetness away.
“Hey!” the action is rough, anything but romantic. Suguru feels like a cat being pet too roughly — with their skin stretching back and eyes growing wide — and so he smacks Satoru's hands away.
Friendly. Playful. Banter. Boys being boys.
Your mother squints her eyes nonetheless. She had heard that Satoru had been less than willing to marry. Her husband had thought it was his hubris but bowed until his forehead met the floor of the Gojo clan’s home. Their name was no laughing matter — a strong line of curse users much like the Zenin’s.
But Gojo Satoru was sought after by many the second he turned 16 — the marriage proposals flooded in like a tsunami.
He refused them all. Except the (L/N)'s.
She had thought it was the dowery. Perhaps, even the fact that an alliance would soothe whatever ill tides their clans had once had. Or maybe it really was just a stroke of luck her son got along so well with Satoru while attending Jujutsu High (her husband had enrolled (Y/N) only when he heard whispers of Satoru attending).
But fear gripped her heart as Suguru tugged on Satoru’s ear.
Had he accepted...just so he could remain close to his true love?
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“I’m sorry”. You pause the wiping motion, delicately lifting your head as your mother’s cloudy gaze floats aimlessly in the room. You were used to her nonsensical speeches, her random bursts of conversations and weepy apologies. It's been a year since the sickness unexpectedly came over her and you suppose that is what most people do when they’re close to death's door. Confessions of this and that just shooting out in a weak attempt to right old wrongs.
“Nothing to be sorry for, mother”. She places a hand over yours and squeezes. How frail. When has your mother looked so frail?
“Come home, be a (L/N) again”, confusion contorts your face. “Mother, whatever you’ve heard is all unfounded. Rumours. Father has dealt with them”, despite her fragility her fingers squeeze your wrists so tightly it forces your own to release the damp cloth.
“Then say that to me. Look into my eyes and tell me that bastard husband of yours is better than mine, that he’s not off loving another while you rot here”.
Colour bleeds into those lifeless eyes. She feels that same squeeze she felt when she saw Satoru wipe away the rain from Suguru’s skin rather than your tears just a year ago.
Just as quickly as they appear, that dullness returns in your eyes and she reaches to hold your face but you stand.
“Father is cheating on you?”
She’s lost you.
You walk to dip the cloth into the bowl, and your shoulders are too heavy for a 17-year-old boy. Her precious son, so forlorn and withdrawn; humiliated by the society he was in for being inadequate and unworthy.
Perhaps she deserved those titles, sick and bedridden and dying, it was no surprise that her husband is seen courting younger ladies. But not you, not her son.
“He’s no shame, you know your father. His pride comes before all”. It elicits a dry chuckle from you.
Then you suppose Satoru had more in common with your father than you knew.
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The Star Plasma vessel incident, you can't believe it's been a year.
A year after that man that killed that Amanai and Kuroi and Satoru.
You remembered dropping to your knees as he admitted it out loud with such an ugly smile, shaking your head in disbelief as anger swelled within you.
Before you could even think, even grieve and rage, Geto had beaten you to it. As you looked at him with his anger so visceral it came off of him in waves you felt your torn heart crumble into pieces. It felt good to dish out that anguish on Fushiguro Toji even if you ended up eating dirt.
“Wasn’t he your husband?” Toji placed his foot on your neck. “Damn, he treats you that badly or something? This freak put up a better fight”, that day you had surprised Toji by smiling with your teeth all bloody.
“He did, didn’t he?” Your laughter bubbles and you choke on your own blood.
Toji knocked you out after a scoff.
That still wouldn’t have killed you as much. The torn pieces of your heart were still salvageable.
But then.
Then.
As Satoru came back. Warm and alive. Bloody but grinning. He did not race to you, he did not even look at you. To his credit, he simply stood there with his arms wide open.
But then.
Then.
Geto’s the one to race into them.
Ah.
Right.
Shoko was shocked to see you in her smoking spot. She hadn’t even seen you as Satoru was whisked away by the Gojo clan, only spotting Suguru following along. None had wondered where Satoru's husband was; Suguru was always next to him, so there was no void that one could spot.
“Are you alright?”
The darkness in your eyes makes her flinch.
You were dead.
She’s been around enough of death and you were dead.
Your once warm, cheerful, eyes now devoid of anything.
She held you as you cried, not knowing what more she could say to help you.
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“Leave me alone”, Satoru is under the covers. He has been for days now.
Grieving.
Grieving Geto.
“Husband”, you coax. It was once a funny joke. The laughter you shared as the both of you exchanged formal titles of your marriage. It hurt to know that it truly was a joke for Satoru - not for you.
Satoru grits his teeth. His eyes were rimmed red, he himself was surprised they weren’t swelled up. His throat was scratchy, his skin uncomfortable and untended from his refusal to get up. His hair was tousled, unkept and disarrayed. It's been a week since Geto's betrayal and Satoru had been laid in your bed, burying himself under the blankets and deeper into the mattress; as if determined to be buried with his sadness and anger.
“Husband," he feels your hands on his shoulder. You know him by his shape alone. If you closed your eyes you could trace the curves that made up Satoru; even if it killed you slowly, your love was a loyal curse.
“Don’t call me that!” he raises in a grand move. The covers flew and his voice was in a yell. His glare was spine-chilling but they faltered as he saw the outfit you were.
“What should I call you then, Satoru?”
He takes you in, frowns deepening at the awful way his name sounds as you call for him. Not like his Suguru; his one and only.
“What the hell are you wearing, (Y/N)?”
He feels awful as you answer: “Funeral garbs. My mother has passed”.
There’s some satisfaction that paints your features as he is rendered speechless.
“What? How?”
“She was sick”. As he sits there with nothing to say you move to kneel in front of him. Your touch shocks him to reality. He pulls his shirt down, hoping you haven’t seen the hickeys Suguru had left on him before he decided to massacre that village.
You had. You’ve seen all of it. The lingering scent of Geto on his clothes, the hair ties on his wrist, the love bites that mottle his pale skin. Satoru may have those six heavenly eyes but he seemed so blind when it came to you.
The way he grimaces each time you’ve said his name now.
“What are you doing?”
“I’ll help you wash up, Gojo”. He’d be an idiot to have not noticed that switch. Guilt is seeded into him. He stops your hands but you move them with a robotic stubbornness.
“Stop — Wait —”
“I know, Gojo.”
Silence drapes the room.
Your hands carefully thumb into his heart and cover the seed of guilt with such care Satoru’s pulse doubles its speed.
“I know you love him. So very much. I know, because when I go to clan meetings, my cousins whisper behind my back of the two of you holding hands and going on dates. When you come back late after a mission to go to Geto’s room. Or when you suddenly have Geto’s marks on you and yours on him”.
“(Y/N) — ”
“But this is my mother, Gojo”.
Your voice wavers just as he clutches your wrists in his hands. Your head hangs as your shoulders jerk up and down, twisting and squirming so you can help Satoru clean and dressed.
You know he was in pain and your heart feels for him. He needs your help. You were willing to strip down so you could wash him, and get back into this disgustingly heavy robe all over again despite how nauseating it was to do it the first time.
Funny. You can’t recall ever being one with Satoru. Your marriage was never consummated — he told you that there was no rush, you were still kids. What did he tell Geto then? Did he tell him that he had never taken you in bed? Was he fervent in his worship of him? Was their love akin to a religion? Did they worship each others temples like devout monks? How funny. The first time you’d get to see him naked and him you would be the day of your mothers funeral.
“She was my mother, Satoru!”
He has never heard you yell before. Satoru is struck by the that revelation.
It’s been a year since he was officially titled your husband and he knew you longer than that. But this was the first time he’s seen you in despair. Heard your yell.
Seen you cry.
“Please, I know he was your one and only but she was my mother. Please, please, don’t let me face this alone, Gojo”
“(Y/N)...”
“Please, Gojo...”
Your wrists slip away from his loosened grip. Crumpling onto the floor, your forehead meets the floor and his feet as your beg.
"(Y/N)". How long had your mother been sick? Why didn't you tell him — or did you? Why couldn't he remember? As his mind races to collect any memory of this past year, your tears that wet his feet water that guilt.
Satoru says nothing as the both of you appear at the funeral. The haughty eyebrows and curled lips sting more when he's there — was it shame? This burning feeling in your chest? Had you said too much to Satoru? Now he was acutely aware of how others looked at you, at your marriage. How awful.
Satoru is not used to this feeling. As a child, the eyes that lingered on him were hungry for the prize of beheading him. That had been more comfortable than this.
This was scrutinizing. They gazed on you with pity, even with his body attempting to shield you, the whispers reach your ears anyways. Have you been doing this all alone? All those clan meetings that you went to alone, the ones he'd excuse himself from saying he had a mission while he spent the day with Suguru to make him eat more and attempt to nurse him back to his side from the Star Plasma vessel incident.
Suguru had wept to him, telling him how terrified he'd been at the thought of Satoru leaving him. Why didn't you come to him? No. Why hadn't he noticed you?
The ride back home was silent. Satoru couldn't believe your father had brought his bride-to-be to the ceremony, you quelled his anger by muttering that your mother had given her blessing for their marriage.
You're staring out the window. Had those bags always been under your eyes? When did your cheeks get so sunken in? Had you...had you lost weight? He ignores the way your fingers twitch as he places his hand over yours. Your skin feels foreign — so does his. He offers a purse of his lips, sliding his hand up your arm and leaning in to embrace you.
But freezes as you pull your hand away.
"Don't force it upon yourself, Gojo". "Husband —" his smile falls as your shoulders tighten, lower lip quivering. "Please don't make me beg again, Gojo."
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"What do you think, beloved?" Gojo grins brightly, bouncing his brow up and down. You were seated across from him in some cafe — he had been telling you all about how good the crepes here was a week before. "About...?" He pouts and places his elbows on the table. "My theory?" He watches as you blink, once, twice, then a faux smile climbs on your face. You turn your attention back to the melting ice cream. "Your theory about Okkotsu cursing Rika because of his love for her?" He nods vigorously. "It makes sense, right? His curse technique activating after seeing that brutal sight, it binding Rika to him". "Afterall, love is the most powerful curse", you said. Gojo's animated hand motions pause. He places his hand back onto the table. He reaches for your hand and you squeeze your eyes shut but allow it. He hates this.
Not you — He doesn't hate you. But he hates this.
After your mothers funeral, he looked through pictures. As first year students, all sunny smiles and bright eyed. The smiles got more tame as the four of you aged. His hands slung around Suguru's more tightly — even after they bared matching rings.
Satoru's never seen you smile like that anymore.
He brushes his thumb over your knuckles. Your jaw clenches.
"I love you, my beloved".
"...Thank you, Gojo".
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"It's been awhile, Satoru".
No. No, no, no.
Nononononononnonononononononononononono —
Gojo can't take his eyes away from Suguru.
He tries and tries and tries but he can't. Pinned by his onyx gaze alone.
Satoru's ring burns viciously and he curls his fingers into fists.
Meanwhile, your dead-eyed gaze seemed to intensify. Everything is muffled, it felt like you were underwater. It felt like you were 17 years old again.
Abandoned. Unworthy. Unloveable. In love. Always have been. Always will be. In love with a man that was never yours.
"(Y/N), you look pale", Suguru condenscends. At least, that's what it sounds like.
Hah. Was he envious? Did he think that in the years he's been gone, you've filled the void he left? Or did he know that you never did but he was jealous anyways?
Fuck, Satoru thinks. His temples feel taut as his teeth grit together.
Kento steps infront of you and your eyes widen by an inch.
How pathetic, Gojo (Y/N). An underclassmen protecting you from your husbands ex-lover's gaze.
Why couldn't Geto Suguru just die already.
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"What are you doing?" Gojo is grieving again. You should be elated but you're not. It feels too cruel. It wasn't your doing, you hadn't had any hand in killing Geto Suguru but a part of you wondered if your inner thoughts had been a wish you put out to the world. Now, Gojo was without Geto and Geto's daughters were without their father.
So you felt guilt anyways.
It was more feasible competing for Satoru's affections when his lover was simply exiled. How could you compete with a ghost?
"I'm praying for him", you replied. Gojo watches as you prepare to do so, kneeled on the floor. His eyes are rimmed with red again and he knows you've heard his cries; so here you are, sacrificing your happiness again for him.
"You don't have to do that, beloved". You say nothing as your eyes are closed in prayer. Satoru kneels behind you, his guilt had 10 years to grow and now it was a willow tree, with its leaves sweeping the lake of tears it grew from. Your eyes flutter open as you feel his head in the junction of your neck and shoulder; he fit so perfectly there, just like you knew he would. He's crying into your shoulder and your hand reaches back to card through the shaved sides of his hair. Your fingers lightly brushing the shell of his ear makes him shudder and he circles your waist to pull you against him. "Don't pity me, Gojo". He says nothing and neither do you.
"Say my name". His voice so close to your ear has you shivering.
"Gojo".
He shakes his head.
"My name, please, please, just say it".
Your heart clenches and as you close your eyes a tear slips past.
"I can't replace him, Gojo". He squeezes you tighter.
"I'm not asking you to replace him. No one can replace Suguru. I don't want them too, I don't want you too; I want you".
"I don't believe you".
He laughs, the slightest brush of his teeth on your skin has your stomach twisting into knots. Your breath trembles and you squirm in his hold, twisting away and getting onto your feet to get away from him. He doesn't allow you to. He blocks your way, shaking his head as he holds your shoulders next.
"I want you, (Y/N). I love you —"
How long have you wanted to hear those words. Your heart wants nothing more than to soar. But your brain knows better. "No, no, no, let me go". He doesn't let you. Satoru wraps his arms around you and your mouth opens to let out yells, fists pounding onto his chest as you try to get away from him.
"I hate you! You fucking bastard! I hate you, I loathe you!"
Satoru holds you firmly agaisnt him. Holding the back of your head preciously as he finally hears your voice raised above that whispering tone. "I hate you! I hate you so much! Why do you keep doing this to me!? I — I just wanted you, Satoru!" Your voice breaks and your sobbing turns into wailing. His heart squeezes, chest physically hurting as you sob and yell.
"I wanted you, Satoru! I just wanted you!" "Why didn't you love me, Satoru!?" Thunder rumbles and as your yells quiet down into hiccups, rain muffles it.
"I'm sorry, (Y/N)". He feels your knees give out and he holds you, making you lean against him for support. "I'm so sorry, my beloved. I'm so sorry. I'm so sorry, (Y/N)".
When he tucks you in to rest, he isn't surprised Megumi is standing in the doorway with his eyes set into a glare. Satoru wipes your tears away, sweeping some of your hair away before placing a kiss on your forehead. He raises to answer Megumi's burning questions.
"You heard?"
"I'm not deaf".
Megumi has his arms crossed. He was an observant boy. Being raised by both Satoru and you — he notices the overexuberant Satoru's confidence wavering every time you give him smiles that never reach your eyes. Tsumiki even told him once that she finds it sad, how you both seem to be so familiar but foreign to each other.
"But one time I did see (Y/N) get flustered because of Satoru", she told Megumi whilst on their way back from school. He looked ahead, sipping on his drink as a prompt for Tsumiki to continue. "It was during breakfast. (Y/N) woke up a little late because he was traveling around for clan meetings and missions. So he was panicking so much, he burnt our rice and stuff! But then, Satoru walks in and tells him he prepared our bento. He kept it in the fridge. All that was needed to do was heat it up, he helped (Y/N) the entire time and then he just — "
Tsumiki kisses the air with a loud 'mwah!'
"He plants a kiss right on (Y/N)'s forehead. (Y/N) was so flustered he just stared down at the sink. It was cute, he's definitely still in love, they both are!"
Megumi peeks into the room. The sliver of light on your peaceful expression highlights the content curl of your lips despite the swollen eyes you bore.
"...Don't mess up this second chance", Megumi warns. He turns and marches away while Satoru huffs, scratching the back of his head as he sighs. "I wasn't planning to". He really does love you. He does. He loves you, from the ends of your hair to the tip of your fucking toes; he loves —loved, Suguru too. But this is different, you're different. But his love isn't any less or more.
He loves you.
Whatever it takes, he'll make sure you know it until his last breath.
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workingbynyx · 2 months
Note
Hi! I was wondering if you'd be interested in writing headcanons of Jason Todd as the reader's boyfriend? Probably like the general dynamic of the relationship, love language, etc. Whatever you think goes best! :)
of course! i can finally use my hcs of boyfie jason to good use oml i have so much in store for you loves 😚
(this has been sitting in my drafts for so long and now that its almost v-day i think its pretty fitting to post this <3 also pls remember that these are my personal hcs so some may be entirely ooc but this is how i imagine him to be okay 😭)
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Very affectionate behind closed doors
Jason wasn't a very clingy person to begin with. in fact the first time you held hands you swore you saw drops of sweat drip down the side of his face, it's hilarious. it took him a while to get around giving physical affection but once he did, hugs and kisses are non-stop. he'll either give you quick or aggressive but gentle kisses or would simply ask you to climb onto him on your shared bed and lay your head on his chest as he sleeps. he'd search for your hand and give it a squeeze when the both of you are in a big crowd (ex; galas, parties) or just rest his hand on the small of your back— as intimidating he might seem, he's just a big baby in your hands.
A pretty decent cook, to say the least
Could be an unpopular opinion but i'd say Jason isn't all too bad in the kitchen, he can pretty much fix up a simple meal if he wants to. The man could either fuck up the microwave or invent a whole new recipe just to fit your cravings, there's no in between. He doesn't want to admit it but he has a secret folder in his phone of all the recipes to your favourite dishes from lunch meals to deserts; so now on every occassion, you can expect waking up to the fresh scent of your favourite food set on the table <3
Midnight joyrides are the best
Do y'all know those tiktok accs that own a motorbike and just drive around with their partners sitting behind them? That's exactly how i imagine what it would be like to be Jason's partner 👊👊 literally like; "bubs put on your helmet" "are we going out? at this time?" "what, you don't want to?" "well, yeah i do..." "good, i'll have the bike out front then" then you guys just drive around on his bigass bike zooming through the city. He'd also have his hands run down your leg that's straddling him from behind at every stoplight possible wkehwjhejwhd
Getting out of bed is almost impossible
The first time you two moved in together was really exciting, waking up finding yourself beside the love of your life sleeping peacefully to eating breakfast and dinner with them too. But as time went by, it became almost your mission everyday to get out of bed without being held back by Jason pulling you back under the sheets. You'd have to be sneaky to move his arm that's wrapped around your waist before his reflexes react soon enough; "mmh, going somewhere?" "jay, i gotta get to work" "10 more minutes love, i promise. I'll just drive you there it's much faster" "you said that 5 minutes ago— i'll be late again!" "are you saying you'd rather leave me alone?" "jace i–" "mhm exactly, so stay a'ight? you could just tell them you caught that flu" "i already did...two days ago..."
Absolutely adores your eyes, hands and waist
I'm a firm believer that Jason is a certified waist-grabber !!! you can expect the rough tips of his gloves glide over from your back all the way to your waist once he comes home from work. He also looooves looking into your eyes and see his reflection in them, the same eyes that showed nothing but pure love and kindness to him. And he also likes your hands; the size difference when you compare them, how they wrapped around his own, and how they cling onto him every chance you get. He thinks it's such a cute mannerism (if you have them too)
He asks for fashion advice, sometimes
Jason'll probably throw on a shirt, jacket, pants and boots then call it day before he met you— but he's even conscious of how colors looked on him now. You were his stylist, often picking out clothes and giving him new looks that you think looks best on him just because he once saw a photo of him and thought the shirt and pants he had didn't match at all. Jason always thought clothes only consists of hoodies, sweatpants, shirts, but now even knows what 'preppy' clothing is after you explained it to him.
His love language is words of affirmation and physical touch
This may vary to some people but i do hc Jason's love language to be words of affirmation and physical touch. Words of affirmation; only because he absolutely loves it when he tells you what he genuinely thinks of you at the moment. "You look great in red", "i'm proud of what you did there", "i love you, y'know that right?", "you look so gorgeous, i'm lucky to have you" and physical touch; because he's totally convinced he can't live without you by his side. Jason would want to be next or near you at any given chance, he'll have you scooted beside him while he reads a book or gently rub his hand against your thigh when he's focused on a movie. Your presence alone gives him the comfort he's always longing for in nights that he's away from home, and you'd glady give it to him.
Very protective over you
It's probably a known fact that Jason is a protective person but when it comes to you he can be over the top in making sure you're okay (especially when you're also a vigilante/hero working with him.) You'll always have to assure him that you're fine and not bleeding to death with a papercut or when you accidentlly stub your toe against the bed. But when you're also a crime-fighter like him, best believe he'll always have you stay and guarded behind him. You had to explain so many times that you could also take care of yourself like he can, though it's understandable why he acts that way most of the time.
Acts all tough, but melts when you're around
Around the times when Jason still had a lil crush on you, he'd never let his guard down and likes to appear cold or tough. But once you were dating he's an absolute shy babe even with the smallest gestures or compliments you give him. He'd only crack a smile at the side comments you make but is mentally falling apart. Or when he can't keep up the act he simply dips his head in the corner of your neck and stay there til he stops blushing like a teen getting his first kiss.
Is a part of the sassy man apocalypse
Sometimes, you question if this man is simply your bestfriend or your boyfriend of how many years. The amount of bickering the two of you end up having is like watching two friends fight over peanut butter vs chocolate. You'd suggest a book you've been reading that he absolutely despises and have a debate right there and then. It's almost like that one Friends scene when Joey and Rachel were giving spoilers back to back at each other LMAO. The man also has an unhealthy habit of popping a hip whenever he stands, your gallery would probably be filled with pictures of him in that stance alone.
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ineffable-romantics · 8 months
Text
Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:
This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:
First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)
These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.
I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.
This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.
Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.
This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.
If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.
With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.
Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can
Food
Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).
This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.
Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.
(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)
Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.
The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.
And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.
It's What Humans Do
In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).
He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).
What the "humans do" that angels wouldn't understand is messy, physical forms of love.
But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.
Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?
Angels, Demons, & Asexuality
Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.
Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)
And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).
The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.
I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.
Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.
Except...
Brielzebub
We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.
For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.
And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).
Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.
Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.
Crowley & Aziraphale's Dissatisfaction
But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?
And it doesn't seem to be enough for either of them.
At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).
So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?
I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.
After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)
Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.
However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".
Someone should tell that to Aziraphale's face, then.
I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.
But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.
(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)
More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.
Aziraphale's Hedonism
Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.
It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.
Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.
Dancing
I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.
I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.
We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.
(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)
As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.
Love Languages
I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.
We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.
You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.
The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).
And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.
So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.
So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.
"You said 'trust me'" / "And you did"
Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.
First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")
(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)
More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.
Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.
The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).
Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.
Also also: "Aim for my mouth"? Come on.
The Birds & The Bees
Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.
Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.
Probably not important. Just thought it was worth mentioning.
The Kiss™ & Religious Trauma
The Kiss. Where to even begin?
This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.
Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.
It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.
Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.
Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.
So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.
I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.
What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.
All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.
(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)
Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).
Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.
In Conclusion
I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.
So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.
You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.
But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.
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Bonus feature: the very silly notes I made to myself that inspired this post
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ao3commentoftheday · 5 months
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Idk if this is too broad of a scope for this blog, but if you could answer this, it'd be great.
I've been in a writing rut since I started getting serious about writing, and I've identified the issue in the past month or so: I slant heavily on the gardener end of the writing spectrum and all the advice on writing I've ever seen was for architect-style writing. Not once in the eight years I've been serious about writing did I find any guides on gardener-style writing (and if it says it's gardener-style, it'sreally just architect-style with gardner aspects), and my experience has just been more or less jamming a square peg into a circle hole, getting nothing written and feeling bad about it.
Now I'm unlearning all the architect-style habits that are destructive to me as a writer, but I can't find any resources for gardeners aside from Stephen King's On Writing. If you or any of your followers know how to help a gardener's writing, that would be great. I have so many fic ideas I want to write, but can't since I'm learning to write all over again.
For those who don't know what gardener and architect refer to when it comes to writers, a gardener is a writer who starts with the seed of an idea and lets it grow in whatever direction the light shines. They prune it and weed it as they go but otherwise let the idea lead the way. An architect, on the other hand, plans their stories out first and then writes them. They have a structure and the details all mapped out first and then the writing is just executing on that vision.
As a gardener myself, my biggest piece of advice is to avoid writing advice. Like you've said, the majority of it is aimed at people who do things like plan and plot and worldbuild ahead of time. Because of the structure that that writing style enjoys, providing "one size fits most" writing advice works well for it.
I tend to find a lot of that advice to be counter to what I need to do. Planning a story out ahead just makes me feel like it's already written. Building out the world before I start writing it feels like a hollow exercise - more like writing an encyclopedia than developing a land and culture for my characters to inhabit.
What I find useful is taking an episodic approach to writing. The entire story will be like a season of a television show and each chapter is like one episode. I always have my eventual "season finale" end goal in mind, but any particular chapter can meander closer to or further from that goal. It's alright to take a circuitous route, as long as I get to my destination in the end.
It's also alright if my destination changes as I'm writing. Sometimes those meandering paths take me in a more interesting direction than I was originally going down, and that shifts the story. As long as you're vaguely following a three-act structure (or 5 act or 7 act), the flow of it will feel familiar to your readers and they probably won't really notice it happening.
This advice I'm giving might not ring true to you either. You didn't have a specific problem to address, so I've been wandering a bit in my reply. Really what it comes down to is paying attention to yourself and your needs. Figure out what it is that keeps you writing and what it is that makes you stop. Do more of the former and less of the latter - and don't worry if what you're doing is "weird" to someone else.
I write directly into the AO3 window (which AO3 specifically tells you NOT to do, btw) because drafting first in google docs or something takes the fun out of it for me. I post my chapters without previewing them first. I write in 800 to 1500 word sprints, and I focus on dialogue, and I almost always try to end on a joke or a pun or a cliffhanger. These are all things that make writing an activity that I want to do.
I can't really say anything much more specific given your ask, but I hope something in here was helpful. Let's see if any gardeners out there have some resources or advice that might work for you.
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narcissistshandler · 6 months
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giving miguel head while he explains complicated concepts of the multiverse. 😳 at first he chuckles when reader requests this, but he starts to struggle and lose track of what he was talking about. his voice becomes more desperate as he tries to explain all this stuff he knows to reader with his talons gripping at his love’s skull and his voice shaking and melting into pretty breathy moans until he can’t think of what he was talking about and instead fucks reader’s throat til he’s an overstimulated, sobbing mess
𝗧𝗘𝗔𝗖𝗛 𝗠𝗘
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✧ 𝖯𝖠𝖨𝖱𝖨𝖭𝖦 gn!reader x miguel o'hara
✧ 𝖶𝖠𝖱𝖭𝖨𝖭𝖦𝖲 blowjob (reader giving), deep throat, slight overstimulation at the end, reader has no gender or genitalia mentioned, a little of blood
✧ 𝖠/𝖭 This was in my drafts for two weeks and honestly I don't remember what/how I wrote half of it, but still, this request was delicious
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"—Are you listening to me?"
You blinked, seeming to come back to reality and looked into Miguel's judgmental brown eyes.
"I've been speaking Spanish for the last ten minutes," he continued before you had time to speak.
"I am," you insisted. Your first instinct was to lie. The truth was no, you weren't paying the slightest attention to any of all that complicated science and physics coming out of Miguel's mouth, even though from the beginning your focus hadn't left his lips framing every complex and long word, occasionally rising to appreciate that expression of concentration on his usually serious face that shouldn't be so erotic to anyone but you.
Miguel's eyes fell to your lap, as if he could see through the pillow you were holding, his brow immediately frowning in that way that indicated his bad mood.
"So what is the simple concept of what constitutes a Multiverse?" he questioned, sounding so much like a hot, strict teacher that you felt your sex throb in response, too distracted to even try to think of an answer. "What are the ways to overcome the barriers that separate our world from other universes?" Silence. "What happens when there is a divergence in events? Where does the variety of these universes originate?"
You knew the answer to some of these questions as someone who had heard more than enough about this subject: the multiverse was nothing more than the aggregate of parallel realities and bla bla bla. But that wasn't what Miguel wanted to hear, he wanted concise, long and scientifically coherent answers and that's why you preferred to keep your mouth shut.
"You weren't listening," he concluded with a sigh.
"Keep talking, I'll pay attention this time."
Miguel looked into your darkened eyes, noting the warm innuendo in your tone and then once again, his attention fell to the pillow that covered your lap. "You're excited," he observed, then continued seeming disgusted and irritated: "Why? Physics does that to you?"
“You do this to me,” you said. Miguel's expression seemed to become even darker. "You always seem so focused and intelligent while talking about these things I can't understand, it's sexy."
"You were the one who asked me to teach you, I didn't know this was a fantasy of yours," he pointed out.
"I know, I know, I'm sorry," you asked soflty as you got up from the sofa where you sat next to Miguel and fell to your knees in front of his feet, your hands running up his bare legs until they slid under the hem of his shorts. "Continue teaching me, please? I promise I'll pay attention this time."
Miguel half growled at you, not seeming too willing to indulge in your fantasies even as his legs opened in pure muscle memory to give you room to fit between them and desire flashed in his eyes.
"How are you supposed to pay attention to what I say with my penis in your mouth? That doesn't seem like a very concise teaching method." Even with you kneeling in front of him on the floor of the apartment's living room, Miguel seemed genuinely concerned about teaching you some real knowledge about multiverse.
You rubbed your hand against the bulge in his shorts to bring him to hardness, laughing a little at how genuine Miguel was sometimes.
"You talk, I listen, then you can test me to see if I really learned something or not."
Miguel opened his mouth, looking ready to retort with some argument, but your fingers fitting into the elastic waistband of his shorts was enough to make him swallow back his words. “Okay,” he agreed finally, lifting his hips off the couch to let you pull his shorts down his legs and discard them on the floor.
"Without underwear?" You inquired teasingly, your fingers closing around Miguel's thick cock that was slowly getting hard for you and pulling him into slow, steady thrusts.
Miguel sighed at the sudden touch, a light blush coloring his cheeks at the teasing.
"Back to the beginning," he started to say, ignoring your words. "When we talk about the Multiverse, this refers to a conception of multiple universes or parallel realities existing simultaneously. Together, these universes are presumed to comprise everything that exists: the entirety of space, time, matter, energy..."
Your tongue trailed in a wet line from the base to the head, interrupting Miguel's speech as he trailed off with a soft sigh.
That usual satisfaction made you smile between the licks you dragged along his length, feeling the pulsation of the bulging veins against your tongue, your fingers keeping his dick firm at the base. Your lips parted, gently sucking the side of the bulbous, red head where drops of precum were beginning to leak.
Miguel let out the most beautiful moan, one of his hands falling into your hair.
“Oh,” he sighed softly, voice already falling into that deep tone that always did things to you. You looked up at the same time you slid your tongue over the slit leaking from his cock; Miguel's eyes met yours, warm and shining. He took a deep breath and continued speaking: "In the concept of multiverse, a scheme is imagined in which... all universes aggregate each other across an infinite vastness..."
He looked so composed even with your mouth on his dick and you wanted to break that composure of his until it became nothing, until his mind stopped working and the only coherent thought he had left was fucking your throat.
Miguel doesn't stop talking when your fingers tighten around his length in a grip that borders on painful and your mouth opens so you can take his length. His cock filled your mouth, the warm, smooth skin sliding over your tongue and inward in a delicious, welcome weight that made your skin tingle. Almost instinctively, you searched for more, leaning forward and taking him deeper, your free hand feeling Miguel's thigh muscles tense under your touch.
Saliva pooled in your mouth and as soon as you pulled your head back, spit slid down his length to his heavy balls and a wet line ran down your chin, a mess you knew Miguel liked. As expected, his breathing stuttered and you saw him losing his train of thought at the sight of your saliva-glossy lips stretching around the thickness of his dick.
"...In addition to the state superpos- superposition property, there are many other phenomena that occur as quantum-scale systems, such as quantum tunneling, quantum e-entanglement..."
The firm fingers tangled in the strands of your hair suddenly became sharper, like thick needles scratching your scalp. The threat of the grab hung in the air, filling your stomach with a tense heat as you realized they were Miguel's deadly talons, which could penetrate through the fragility of your skin in seconds and even an accidental scratch could draw blood. This realization shook you to the core and a moan rose in your throat.
"... So you can connect gravity and the other three forces in an apparently firm way?" he panted, sweat glistening on his forehead. "Dios mío."
It took you a few seconds to understand the jumbled words that came out of his mouth, but when you did you knew that you had achieved your objective, as the argument didn't seem to fit into any part of the multiverse theory.
Tears blocked the corners of your vision, jaw opening wider to take Miguel's cock deeper, the tip slapping against your cheek and tongue before going deeper, and then more and more. The salty taste of precum, sweat, and something else you could only describe as Miguel's taste rising in the back of your throat, clouding all your senses and pushing away the urgency burning between your legs. All that mattered was Miguel.
At that moment, your entire world was just Miguel's body contracting on the couch under the heat of your mouth, the heavy leg he had thrown over your shoulder and his heel digging into your shoulder blade in an attempt to bring you impossibly closer. There was a distinct feeling of discomfort growing in your body, Miguel's grip was strong and painful, his rationality seemed to have dissolved under the pleasure.
"[n-name] [name] [name] [name], por favor." The beautiful moans of your name in his voice echoed through the room in repeated, stammered repetitions.
The gag reflex kicked in, the bulbous head of Miguel's cock pressing past the tightness of your throat. Your eyes closed in an attempt to fight the immediate instinct to choke and suffocate, the desire to give Miguel everything he wanted was stronger. You willingly obeyed the grip of the talons on your head keeping you still, your mouth falling open and easy for the deep thrusts.
Resisting him, the urgency with which his hips undulated, as if he needed the pleasure to breathe, felt equal to having at least one pulled muscle and a deep cut left behind.
Fortunately, fighting him was far from your intention.
You could feel as his dick twitched inside your mouth and the thick, salty liquid filled your throat, which rose and fell as you swallowed. Your eyes opened, tears running down your cheeks, you closed your lips around Miguel's pulsing length, sucking. Miguel's reaction was lascivious, his thrusts becoming erratic, whole body shaking violently, his talons sinking at least a few centimeters into your skin, until it breaks under the pressure.
Hot liquid ran down the back of your neck, the pain was a distant thing in your warm body, your fingers digging into the soft skin of Miguel's thighs as you pressed the nose against the curly hair of his groin. Miguel whimpered as his cock continued to spurt small jets deep down your throat, tears glistening in his eyes and fangs sinking into the lower lip.
You had lied again, you hadn't paid attention to anything he said, but it didn't matter since you doubted that Miguel remembered what even was a subatomic particle now.
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leviscolwill · 6 months
Text
adore
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pairing: bsf!jude x fem!reader
summary: you adored your friendship with jude, but sometimes you wished things weren't so complicated between the two of you. [wc: 3,2k]
contents: mostly angst ??? a few cute moments here and there bc i'm fluff girly thru and thru 🤞, they can't communicate to save their life, drunk jude, a random man being annoying, jude being a dumb fuck, language, did i miss anything ?
note: this wip has been rotting in my drafts for a couple of months, i hope you enjoy it because i really enjoyed writing it 🫶
now playing adore by cashmere cat & ariana grande...
"please don't leave me y/n... you don't understand, i need you here."
"jude, i'm literally going to the toilet. i'll be back in 5 minutes, now let me go."
your best friend had always been the clingy type whenever he'd reach his alcohol limit (which was usually only after a couple of drinks). but tonight he was practically glued to your side, not that you minded, you basically spent your whole life attached by the hip. but you had to admit, it hurt a bit to see the person you couldn't have, not in the way you wanted to have him, at least, act all lovey-dovey with you.
the nature of your relationship with jude was complex, to say the least. he was your best friend since you were kids and you wouldn't change that for the world. but the way he looked at you sometimes made you yearn for something more, or whenever his touches on your shoulder or your waist would linger a bit too long to be friendly. maybe it was your mind playing tricks on you, after all, the chances of jude wanting you the way you wanted him were very low, not to mention the fact you led two different lives. but it didn't matter, you could manage to live and long for him with the hope that one day you could be more than a best friend to him. and this thought was all you needed to face him and his sparkly eyes for the rest of the night.
when you got out of the bathroom, your mind was still full of thoughts of your relationship with jude running in your mind. you were so engrossed in your thoughts that you bumped into a man's chest, not really being careful about your surroundings.
"i'm sorry, i wasn't looking." you quickly apologise to him, you were already on your way to your friends before the man grabbed your wrist, quickly letting it go.
"it's okay sweetheart, can i get your name as an apology ?" you cringed at his poor attempt at flirting with you, but you weren't feeling confrontational tonight.
"i'm-"
"y/n !" jude's voice made your head turn in surprise.
"you were gone for so long i almost forgot what your beautiful face looked like." he said smashing his face on your shoulder.
"is that your boyfriend?"
"ummm, no he's my-"
"depends who's asking." jude interrupted you, side-eyeing the nameless man.
"jude. i can speak for myself." the look he gave you broke your heart a bit, his lips pouting in sadness.
"if he is not your boyfriend, i'd gladly take your number, might even take you back to my hotel room..." it was obvious to everyone around that the situation was uncomfortable for you, that familiar feeling of disgust you always got when a man was being too friendly creeping on you.
"who do you think you are?" your best friend stared at the man with a frown on his face.
"jude, let's not..." the tension between the two men was evident as people stopped to stare at whatever was happening.
"relax mate, i just wanna talk to your friend nothing more." the stranger grabbed your wrist, still looking at jude, testing him, testing how far he would go to stop this.
"let me go." you didn't have to try getting away from him because jude did it for you.
the nameless guy suddenly let you go, and seeing him hold his jaw while screaming profanities at your best friend was all you needed to understand what just happened. jude punched him, but the alcohol in his veins prevented him from dodging the punch that came straight for his eyebrow.
immediately you took jude's arm before he found another idea to mess up your night some more, and walked out of the packed club for some air. you ordered a uber for the two of you and texted your friends that you were getting home early.
even fresh air couldn't rid you of the anger that coursed through your body. of course, you were mad at the man who couldn't keep his hands to himself. but another part of you couldn't help but be pissed at jude and his impulsive behaviour. but when you looked at him and saw blood trickle down from his eyebrow, everything was suddenly forgotten and you could only worry.
"fuck you're bleeding, why didn't you tell me? fuck, fuck, fuck." you searched through your bag for a tissue, mentally cursing yourself for how messy it was, and handed one to jude.
"just didn't wanna bother you..." he mumbled, holding it to his wound.
you both waited for the uber in complete silence, you knew you needed to have a conversation with jude about what just happened but you'd do it tomorrow, when he was sober and when your judgement wouldn't be clouded by anger.
thankfully, your uber didn't take too long to arrive, you helped jude put his seatbelt on after watching him struggle with it for a good minute. the atmosphere was tense and it seemed the driver felt it so he didn't try to make conversation with any of you.
you were halfway to your destination when you felt jude's fingers brush against yours lightly. you took a glance at where your hand lay, on the middle seat, jude's hand was right next to yours and when you looked at him he was suddenly entranced by his shoes, busy pretending it never happened.
you were sick of him acting like a child, so you held his hand, since he obviously wouldn't do it himself. the rest of the drive was silent but the atmosphere was peaceful, a nice change from the club.
you let go of jude's hand once you arrived at the villa you rented with your group of friends. you immediately took jude to the bathroom to clean his cut, he looked like a child while you were gathering the material you needed, mumbling words to himself with a frown on his face.
"is it gonna hurt?"
"probably not." these were the first words you exchanged since the club, the uneasy atmosphere of the room wasn't one you were used to whenever you were with jude. he was the one person who could understand you the best in the world, but it just wasn't the case tonight.
"can you hold my hand?" it was like he turned four again. but you couldn't deny anything from him, especially not when his eyes were glassy from all the drinks he had, so you took jude's hand in yours.
you started cleaning the cut, fully focused on your task, trying your best not to be distracted by the way your faces were inches from each other's.
"you're so pretty..."
if there was one thing you knew about drunk jude, it was that had loose lips. he couldn't keep any secret from you whenever he had the right amount of alcohol in his veins, and that often worked in your favour, but right now his words were only distracting you from your job.
"don't say that..." your heart was racing both at his words and at the proximity you two shared.
"i mean it." he was tracing your jaw with his fingers. you felt your hand quiver at the unexpected contact, and afraid you might mess something up because of jude, you quickly put a bandage on top of his, now clean, cut.
you started tidying up everything you used and expected jude to go to his room but he didn't budge.
"what's wrong?" you were a bit worried his injury was more serious than you thought and his brain was just working a bit slower than usual.
"kiss it better... please?" he said pointing at his bandage with a kissy face.
you were torn between kissing or slapping some sense into the boy standing in front of you. jude bent down so your face was in front of his, you obliged because you knew hammered jude would not have let you go to bed before you kissed him better. not because you wanted to, of course.
he was still unmoved, looking deep into your eyes so you took his hand in yours and led him to his bedroom for him to get a good night of sleep.
once you got jude to his bedroom safely, which wasn't an easy task given how starstruck he was at every little everyday thing in the house, he threw himself on his bed and grumbled something about clothes, before taking off his shirt with no prior notice. you immediately looked at your feet to give him some privacy while he changed clothes. he only giggled at your action saying he knows how much you would like to watch undress. which wasn't true, of course.
you took a quick peek, to make sure he was under his sheets. handing him a glass of water once he had his sheets pulled up to his chin and a content look on his face.
"no thanks, i'm not hungry."
"this is a glass of water?" you were perplexed at jude's words. the fatigue of your body preventing you from trying to understand his nonsense.
"well, i'm not hungry for water." you sighed at his childlike behaviour and considered shoving the water down his throat at some point before retracting, not really wanting to deal with the homicide of one the most in-demand football players of the moment.
you placed the glass on his bedside table and walked towards the door, unwilling to talk to a very drunk jude when all your body asked for was a good night of sleep.
but you couldn't ignore jude calling your name in a tired voice. you turned around to listen to whatever he had to say to you, only for him to beckon you closer with his hand. you rolled your eyes but still obliged, sitting on the unoccupied side of his bed.
"i just wanted to know why you were mad at me tonight." you didn't want to have this conversation tonight, but it seemed jude had other plans.
"because even if your intention was right, i think we could've solved the issue with no fits of screaming and fighting. i know you meant right but you can't just act without thinking all the time." you weren't even sure jude was registering your words properly, his eyes moving up and down your face.
"but i was mad at him too, he kept talking to my girl as if i wasn't right there." although jude was hardly convincing by the way the words came out of his mouth all slurred, you had to admit him calling you his girl put a faint smile on your face.
you thought your best friend was done but he just kept right on.
"fuck, you don't even know how many times i wished i was your boyfriend to stop these men looking at you that way. i mean i wished i was your boyfriend all the time, but especially then and also when you show me whoever you're talking to, you really have a vile taste in men y'know."
you looked at jude in total shock, he wasn't aware of what he just said from the way his face had the same drunken expression as before.
"do you mean it?" maybe he was pulling a prank on you. the look on his face didn't seem too serious, but then again he was drunk, how could you know how serious he was?
he laughed, how could he laugh in what was a very serious situation from your point of view?
"of course i mean it, sometimes it even looks like you want me too, maybe i just thought wrong. just tell me you don't want me, i reckon i could live with the fact i'm your best friend a bit longer." jude's nonsense somehow got even more nonsensical. how could he be saying all this with a smile on his face? even worse, how could he possibly think you didn't want him to be your boyfriend? you didn't even know what to say to him. hell, was there even a right thing to say in this exact situation?
"you can't do this to me jude... you can't just say this shit to me when you're drunk out of your mind. what do you expect me to say? i don't even know if you're aware of what you're telling me right now." words finally found their way out, your voice was much less cheery and much angrier than his as you felt a sense of injustice seeping through your veins. how could he say this to you like it was the simplest thing in the world? did he only love you when he was drunk? did he actually mean that, or was he over-exaggerating things under the influence?
"i love you and i loved you for a long time, please believe me, i know you're my best friend, and i don't want to ruin things between us... but i just needed to get this off my chest." jude was truly confused as to why you were so mad at him for this sudden 'confession'. of course, you didn't have to reciprocate his feelings, but he could only think about how he ruined your friendship for good from the way you responded so vehemently.
"goodnight jude." you left his room before he could add anything, and your thoughts were already running wild. you weren't sure if you should be feeling happy that he felt for you what you felt for him, or if you should be mad at jude for dropping this bomb on you so suddenly when he could clearly not think straight, making you doubt about the whole thing.
if you were overthinking before, your brain was now about to explode from everything that just happened in the span of an hour.
once you got under your sheets, no amount of sheep counting, lofi music, or breathing methods could put you to sleep. your brain was screaming at you, urging you to freak out about what just happened. every and each of your thoughts led back to jude, your own brain was torturing you, forcing you to separate truth from fiction at 3am.
you wished jude told you the truth, you wished his drunken words were his sober thoughts. but you didn't know how you were supposed to act like this never happened if this wasn't the case. how could you possibly come back to your little role, so well perfected over the years, of jude's best friend after he gave you the smallest glimpse of hope? your friendship with jude was the most important thing for you, but you wondered if you'd be able to pretend for the rest of your life or if you would go insane before that.
when sleep finally started taking over your endless train of thought, you came to the conclusion that if he meant what he said earlier, he'd have no issues telling you once he sobered up. you comforted yourself with this idea while your eyes closed by themselves, no more energy left in them to fight for the sake of overthinking.
jude had been avoiding you all day. the only time you exchanged an eye contact was during breakfast and even then he quickly went back to his room, not speaking a word to you. you could tell he was avoiding you like the plague, if he happened to be where you were he'd immediately flee the room, suddenly mesmerized by his phone.
you wished you were mad at him for how he was treating you and how he was making you feel, but the truth is, you could only focus on your heart breaking a little more each time he'd walk past you like you were two strangers.
after dining with the rest of your friends, you decided you were sick of jude's little games. if he didn't want to talk to you, then you would confront him whether he liked it or not.
it took you all the strength of the world to knock on his door after taking a deep breath.
no answer.
there was no way he knew it was you, you were sure of it. maybe he was just avoiding everyone tonight? you quickly refuted this idea, you saw him laugh with a couple of your friends half an hour ago.
you knocked again, a bit harsher this time to make sure he'd hear it. still nothing. you were preparing yourself to knock one more time, with much less hope than the first time.
"y/n, what are you doing?" yasmeen's voice startled you, it almost felt like getting caught doing something you shouldn't be doing.
"um... just needed to talk to jude, do you know where he is?" you couldn't help but feel embarrassed at the question. you were his best friend, if anyone should know where he was, that would be you. and your friend's dumbfounded look wasn't helping the heat creeping on your face right now.
"what do you mean? he left like an hour ago, had an unexpected meeting in london or something like that... he didn't tell you?"
it had been a very long time since you felt this way, maybe since middle school when your math teacher made fun of you in front of the whole class. your mouth suddenly drying, the sensation of your heart constricting, and your eyes stinging, trying their best not to let the sadness spill. it all felt like one big joke, you hoped jude would open the door, he'd tell you he was messing with you, he'd tell you everything he said last night again.
but that moment did not come. you couldn't answer yasmeen, afraid that the truth might spill along with your tears if you uttered a word. you simply shook your head, and went to your room, trying your best not to meet her eyes. your friends weren't blind, they could tell something was wrong between jude and you today, although none of them asked you what happened, they just kept a watchful eye on you and the way you looked at jude, in hopes he'd look back.
it felt good to cry in the privacy of your own room, far from the speculative conversation others were most likely having about the whole situation.
once your eyes were short of tears, you somehow found the strength to take your phone and click on your messages with jude to type a new one.
let's just keep doing what you did all day
i'll pretend you don't exist and last night never happened
probably best for us :)
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