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#doctor sleep (2019)
sluttyhenley · 6 months
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Well, hi there.
Rebecca Ferguson as Rose the Hat DOCTOR SLEEP (2019) - dir. Mike Flanagan
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fanofspooky · 3 months
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Yellow - Rot, Confusion, Greed
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julesnichols · 6 months
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Rebecca Ferguson as Rose the Hat in Doctor Sleep
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hanksthompson · 6 months
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31 Days of Horror | 12/31: Doctor Sleep (2019)
"We never wanted to see snow again. So we lived in Florida. Tiny place, but it was comfortable and we were happy. I mean, we were grieving… We were traumatized. But there was happiness, too. But she… She would look away. She'd look at me, but she would always look away after a second or two. It took me a while to notice it, but after the Overlook, she wouldn't look me in the eyes, not for long. Couldn't figure it out. But it… It was you. She saw your eyes in me, and she'd have to look away."
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misstwisted · 24 days
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does this movie want me to cry because I will
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rebeccalouisaferguson · 7 months
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REBECCA FERGUSON - “Doctor Sleep” world premiere in LA, USA | October 29, 2019
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ennaih · 4 months
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Every Film I Watch In 2023:
259. Doctor Sleep (2019)
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horrorwomensource · 2 years
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KYLIEGH CURRAN as ABRA STONE • Stephen King’s Doctor Sleep (2019)
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astaticworld · 24 days
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going to be forever pissed about how film adaptations of stephen king's books ignore the overwhelming themes of love and endurance and redemption and the fact that happy endings are actually okay in favor of shock jock movies that play up unnecessary sacrifice
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fanofspooky · 18 days
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Horror movies of 2019
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pedroam-bang · 3 months
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Doctor Sleep (2019)
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Mike Flanagan’s “Doctor Sleep” November 8, 2019.
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rookie-critic · 6 months
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Rookie-Critic's Halloween Horror-thon: Part 2 - #6-10
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#6: Doctor Sleep: The Director's Cut (2019, dir. Mike Flanagan)
I have, of course, seen Doctor Sleep before, but I am not labeling this as a re-watch because the Director's Cut of this film, while not really that different from a plotting/through line perspective, is a wholly unique experience to the theatrical version of the film from a character perspective. This version of the movie gives you much more context around the its antagonists, The True Knot, and it's secondary protagonist, Abra Stone, that those major story beats existing in both versions hit with much more impact in the director's cut. It bumped this particular work of Flanagan's up in my ranking of his stuff all the way to third behind Hill House and, now, Usher.
Score: 9/10
Not currently available on streaming.
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#7: Gemini (1999, dir. Shinya Tsukamoto)
This one surprised me by not being the kind of film I was anticipating it to be (this happened a handful of times this month). Gemini is the story of three characters plagued by their circumstances/upbringings, and a look at classism and people's desire to give and receive love, shot and told in a frenetic, gonzo style that only Japanese cult-director Shinya Tsukamoto can make work. Tear down the walls of your expectations for this one, it's a great watch.
Score: 8/10
Not currently available on streaming.
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#8: Nightmare Detective 2 (2008, dir. Shinya Tsukamoto)
The sequel to Tsukamoto's lukewarmly received 2006 film Nightmare Detective (which you will see further down on this list), this one makes the original look like a litmus test for the concept. A much more restrained and patient film compared to just about all of Tsukamoto's prior efforts, Nightmare Detective 2 sits in the corner, quietly analyzing its core cast in a story about misfits and generational trauma. Really, a lot of the themes and ideas presented here would be honed in on and presented again, albeit from a different viewpoint, in Kotoko. This one really feels like a turning point for Tsukamoto in terms of tone and approach. Not to say that his earlier, more frantic films aren't sometimes just as good, it's just the mark of a talent that's willing to evolve.
Score: 8/10
Not currently available on streaming (this film has actually never seen any kind of official release in the States at all, so unless you're willing to do a little swashbuckling, this one's out of your reach).
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#9: The Bird with the Crystal Plumage (1970, dir. Dario Argento)
Horror icon Dario Argento's (Suspiria, Deep Red) debut feature is an unrivaled "whodunit" mystery thriller with that hallmark giallo flair that Argento would become known for. There isn't a whole lot to say about this one other than this was one of the most singularly entertaining of my October viewings, and that I highly recommend it for just about anyone.
Score: 8/10
Currently streaming on Amazon Prime Video.
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#10: Noroi: The Curse (2005, dir. Koji Shiraishi)
This is the best Japanese found footage horror has to offer. Noroi is told in a documentary style, acting as the discovered footage of the final film made by a supernatural investigator that has disappeared without a trace. This was my final watch of the Horror-thon and I couldn't think of a better way to send off the spooky month, because this was one of, if not the scariest watch of the entire month. It had me wanting to turn the lights on and sleep with one eye open, and certain images from the film's final moments will be burned into my retinas until I die. If I had any complaints, it's that I honestly could have used even more, although I guess an argument could be made that that's actually one of the film's good qualities.
Score: 8/10
Currently streaming on AMC+/Shudder.
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tozierbeeps · 4 months
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Ok, back on my shit so.
Still looking for more people in The Stand fandom to follow and pal with!
As well as Reddie, IT in general, and Doctor Sleep.
Like or reblog and I'll check you out!
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Rebecca Ferguson - leaving the BBC Radio 2 studio in London | October 18, 2019 | credit to rebeccaferguson.com.br
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adamwatchesmovies · 2 months
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Doctor Sleep (2019)
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Doctor Sleep is a sequel to The Shining 40+ years in the making. Taking its cues from the follow-up novel by Stephen King and the Stanley Kubrick classic, it’s a different but robust sequel nonetheless. Rather than try and recreate what worked about the first film (an impossible task, the 1977 horror classic is a one-in-a-million kind of movie), it tells its own story while paying homage to its predecessor and giving the fans what they want to see. Yes, it’s long at 152 but there’s an even longer director’s cut I’d love to visit sometime.
31 years after escaping the Overlook Hotel, Dan "Danny" Torrance (Ewan McGregor) is haunted by childhood trauma and struggles with alcoholism. When a young telepathic girl named Abra Stone (Kyliegh Curran) reaches out to warn him of a group who “Shine” and feed upon people with psychic abilities, he chooses to work with her to stop them.
Unlike The Shining, Doctor Sleep isn’t a horror movie. It’s more of a drama/thriller, with action-y bits coming in the later half and some horror sprinkled on top. For a good chunk of the story, we’re following a traumatized, ruined Danny Torrance trying his best to hold at bay the lingering ghosts of the Overlook Hotel while getting over his addiction, finding his place in the world and befriending Abra. There’s a lot of great material as Danny talks to his AA group about the way he relates to his father more than ever now that he is also a prisoner of the “demon in a bottle”. The way he and Abra’s childhoods differ make for great character-based moments.
And then come Rose the Hat (Rebecca Ferguson) and the members of the True Knot cult. If there’s one area where the film bites off more than it can chew, it’s with the villains. There are too many of them and several wind up being nothing more than generic baddies but otherwise, they’re the kind of villains you love to hate. As Rose the Hat puts it, the “steam” they steal from other shiners tastes best when the victim is young, terrified and in pain. If seeing kids die is something you can’t handle, know that writer/director Mike Flanagan has no mercy regardless of his characters' age.
The members of the True Knot gang who are fleshed out make for great, complex characters. One of the best examples is Snakebite Andi (Emily Alyn Lind). Under normal circumstances, she would be heroic but when she joins a group of psychic vampires who prey on children just so they can expand their lifespans… the support your initially support for her evaporates. These vampires act high and mighty but when it comes down to it, they’re just as prone to petty emotions as the rest of us, which makes every victory Dan and Abra score feel extra good.
So far, none of this sounds anything like The Shining. Psychic vampires? That’s far removed from a haunted hotel. You’re right, but Doctor Sleep makes it fit. It isn’t merely people that can shine; it’s the dead - such as the ghost from Room 237 - and places - like the Overlook - too. What we thought was a haunted building is actually much more and if that makes you wish we could get just one more look at that iconic location, the film obliges. This is where it feels most fanboy-ish, as we get pretty much every single prop and shot recreated: the blood flowing from the elevator, the twins, the tricycle down those corridors with the weird carpet, etc. Before we start docking points, however. I’d like to see anyone who didn’t want - even a little bit - to see the Overlook again. That's what I thought.
What makes these references and recreations work is how well they’re done. We see Dan confront Lloyd (Henry Thomas), who says he’s merely the Overlook's bartender but looks strikingly like Jack Nicholson. It isn’t an exact match (obviously) but even this inconsistency works. It’s a twisted memory, a ghost held captive by the Overlook looking to use a familiar image against the now grown boy who narrowly escaped its clutches years ago. The resemblance is so uncanny and the flashback and callback scenes so well done (Alex Essoe does a spot-on impersonation of Shelley Duvall) they don’t feel self-indulgent.
While we didn’t need Doctor Sleep, Stephen King felt the characters were worth returning to. Based on this effort, it’s hard to disagree. This sequel is telling its own story AND giving us more of what we enjoyed before. The performances are strong, the characters compelling and the callbacks are so well done that it makes the overlong running time feel… merely long. (December 17, 2021)
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