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Dina Haddadin.

1-2. "Guilty Landscapes,” Pencil on Paper, 2013.

Adolfo Natalini wrote in 1971 

“…if design is merely an inducement to consume, then we must reject design; if architecture is merely the codifying of bourgeois model of ownership and society, then we must reject architecture; if town planning is merely the formalization of present unjust social divisions, then we must reject its cities… …Architecture is one of the superstructures of power. This is a rejection of the power and its grid; a symbol of the alien inserted into the familiar landscape; flattened, geometricized, ordered, anti-natural, anti-mimetic, anti-real. An order of regularity, certainty and uniformity. Stone, metal and concrete abstracted into a singular geometric form, to create the cell of the system, woven into, interlocked, stacked or aligned to.. You have the power to shape that system of whatever order, in our guilty landscapes."

3. "861 - How to Disappear.” Laser print mounted on wood. 14 x 20 cm. 2013.

861 is the plot number given to the neighborhood subject to an important demolition, after which this photograph was taken to show the remains of the neighborhood disappearing into a cloud of white dust.

Inspiration for Outpost

Nomad Pavillion - Dina Haddadin and Rasem Kamal

ArchDaily - Kama Local Gourmet - the showroom / Dina Haddadin

© David Matthew Walters

architects: Dina Haddadin

Location: Amman, Jordan

Project Year: 2019

Photographs: David Matthew Walters

Area: 60.0 m2

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from ArchDaily https://www.archdaily.com/935463/kama-local-gourmet-the-showroom-dina-haddadin Originally published on ARCHDAILY RSS Feed: https://www.archdaily.com/

La colaboración de los arquitectos Dina Haddadin y Rasem Kamal ha dado lugar a una estructura innovadora y diferente que recibe el nombre de Pabellón de los Nómadas. Se trata de un refugio en el desierto que ha sido construido con piel de cabra y es capaz de atrapar y almacenar el agua, algo muy necesario en este tipo de parajes.

Nomad Pavilion is a woven goat hair desert shelter that collects its own water

Related: + Dina Haddadin + Rasem Kamal Via Dezeen Dina Haddadin, Rasem Kamal, Nomad Pavilion, Nomad shelter, shelter design, refugee shelters, Bedouin's tents, Bedouin shelters

Dina Haddadin

Suspended Certainties

Fragments of Power, 2013

“... While in Budapest, I became intrigued by numerous abandoned edifices built during the Soviet occupation of Hungary. Consequently, (Suspended Certainties) builds on the concept of construction as a reflection of a society in which one strives to find his place. The work enliven the aura of those unremembered buildings/spaces which represent an era that has faded away along with its social (dis)order...”

Dina Haddadin

Dina Haddadin

The transit exhibition - Dina Haddadin