Ground Mutations. 1969 from Projects by Dennis Oppenheim, Dennis Oppenheim, 1973, MoMA: Drawings and Prints
The Associates Fund
Size: composition: 29 13/16 x 19 5/16" (75.7 x 49 cm); sheet: 30 1/16 x 22 1/8" (76.4 x 56.2 cm)
Medium: One from a portfolio of ten lithographs
http://www.moma.org/collection/works/166090
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Photo, Part of Branded Mountain, Dennis Oppenheim, 1969, Brooklyn Museum: Contemporary Art
© Dennis Oppenheim
Medium: Black and white photo
https://www.brooklynmuseum.org/opencollection/objects/159323
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Beebe Lake Ice Cut, 1969 #DennisOppenheim https://www.instagram.com/p/CPi8OkrgqVZ/?utm_medium=tumblr
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Narrow Mind, Dennis Oppenheim, 1974, Harvard Art Museums: Photographs
Harvard Art Museums/Fogg Museum, Margaret Fisher Fund © Dennis Oppenheim Estate
Size: 49.8 x 74.1 cm (19 5/8 x 29 3/16 in.) sheet: 76.2 x 101.6 cm (30 x 40 in.)
https://www.harvardartmuseums.org/collections/object/337322
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Still Dancing, Dennis Oppenheim, 2009 #toronto #distillerydistrict #sculpture #metal #tripod #stilldancing #dennisoppenheim #twilight (at Distillery District) https://www.instagram.com/p/CF2_m0OA1Gi/?igshid=13zj7abuj9zqh
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【バンクーバー】サンセットビーチにある「Engagement」は名前の通り婚約指輪2つからなる彫刻で2005年に作成された。みんな幸せになってほしいなぁ。 . Sunset beach, Vancouver. The “engagement” is a sculpture by Dennis Oppenheim and was build in 2005. . #カナダ#バンクーバー#ブリティッシュコロンビア#ビーチ#サンセット#ダウンタウン#彫刻#夕日#写真好きな人と繋がりたい#ファインダー越しの私の世界#旅#旅行#海外#指輪#vancouver#beautifulBC#canada#westend#sunset#beach#engagement#sculpture#art#englishbay#rings#dennisoppenheim (at West End, Vancouver)
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I remember the first time I saw Dennis Oppenheimer work in person. The exhibit had bells ringing, movement everywhere and a sense of excitement. As others described it as being uneasy I felt as if I had walked into my own mind. It was amazing if you don’t know about Dennis Oppenheim look him up, he’s great! • • • • • • #artistquote #artistquotes #quotesforartists #artquote #artquotes #livewithpurpose #artistinspiration #livewithart #viewingart #dennisoppenheim https://www.instagram.com/p/B356HsMnM2N/?igshid=amlztnmb1d9c
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2- Stage Transfer Drawing. ( Advancing to a Future State) by Dennis Oppenheim
1971
Boise, Idaho. Erik to Dennis Oppenheim
"As Erik runs a marker along my back, I attempt to duplicate the movement on the wall. His activity stimulates a kinetic response from my sensory system. He is, therefore, drawing through me. Sensory retardation or disorientation makes up the discrepancy between the two drawings, and could be seen as elements that are activated during this procedure. Because Erik is my offspring, and we share similar biological ingredients, my back (as surface) can be seen as a mature version of his own...in a sense, he contacts his own future state."
2- Stage Transfer Drawing. ( Returning to a Past State).
1971
Boise, Idaho Dennis to Erik Oppenheim.
"As I run a marker along Erik’s back, he attempts to duplicate the movement on the wall. My activity stimulates a kinetic response from his memory system. I am, therefore, drawing through him. Sensory retardation or disorientation makes up the discrepancy between the two drawings and could be seen as elements that are activated during this procedure. Because Erik is my offspring, and we share similar biological ingredients, his back (as surface) can be seen as an immature version of my own....in a sense, I make contact with a past state."
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"Telephone" 🎨 #dennisoppenheim Curated by 📡 @yesladypheOnix www.artfido.com/popular-art
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Annual Rings. 1968 from Projects by Dennis Oppenheim, Dennis Oppenheim, 1973, MoMA: Drawings and Prints
The Associates Fund
Size: composition and sheet: 30 1/16 x 22 3/8" (76.3 x 56.8 cm)
Medium: One from a portfolio of ten lithographs
http://www.moma.org/collection/works/166088
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Branding Irons, Part of Branded Mountain, Dennis Oppenheim, 1969, Brooklyn Museum: Contemporary Art
© Dennis Oppenheim
Medium: Iron
https://www.brooklynmuseum.org/opencollection/objects/148487
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"If the encounter we had does not become like a whirlpool that draws in every moment and aspect of life, we will find ourselves lost in front of every unexpected, every narrow door we face."
~ Juliàn Carròn
[Whirlpool (Eye of the Storm), 1973 - Dennis Oppenheim AND Whirlpools, 1957 - M.C. Escher] #dennisoppenheim #mcescher #juliancarron #encounter #christ #lost #found
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Pied | Mitterrand @galerie_mitterrand #galeriemitterand #mitterrand #galerie #gallery #paris #parisien #parisian #contemporaryart #artcontemporain #art #instaart #artstagram #artlovers #statue #sculpture #modern #parisart #perspective #feet #pied #american #americanart #dennisoppenheim #oppenheim #artist #fun #style (à Galerie Mitterrand) https://www.instagram.com/p/CBOFiEgCriU/?igshid=pu1q4ktd00fy
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#summerreading Conceptual Art Conceptual Forms #christianschlatter @galerie19002000 #christianschlatter #vitoacconci #vincenzoagnetti #artandlanguage #terryatkinson #johnbaldessari #michaelbaldwin #robertbarry #bernhillabecher #melbochner #alighieroeboetti #chrisburden #danielburen #victorburgin #hannedarboven #jandibbets #bracodimitrijevic #barryflanagan #terryfox #dangraham #hanshhaacke #douglashuebler #onkawara #josephkosuth #christinekozlov #davidlamelas #barryleva #leslevine #richardlong #robertmorris #taniamouraud #mauriziomannucci #brucenauman #dennisoppenheim #melramsden #allenruppersberg #johnstezaker #bernarvenet #lawrenceweiner #ianwilson
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